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Men in Black: International Poster

Men in Black: International

The world's not going to save itself.
2019 | 115m | English

(156409 votes)

TMDb IMDb

Popularity: 6 (history)

Details

The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.
Release Date: Jun 12, 2019
Director: F. Gary Gray
Writer: Art Marcum, Matt Holloway
Genres: Comedy, Action, Science Fiction
Keywords london, england, secret organization, based on comic, co-workers relationship, brooklyn, new york city, buddy cop, weapons trafficking, paris, france, sahara desert, sequel, alien invasion, eiffel tower, paris, alien friendship, marrakesh, morocco
Production Companies Columbia Pictures, Amblin Entertainment, Parkes+MacDonald Image Nation, Tencent Pictures
Box Office Revenue: $253,890,701
Budget: $110,000,000
Updates Updated: Aug 02, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Chris Hemsworth Henry / Agent H
Tessa Thompson Molly Wright / Agent M
Rebecca Ferguson Riza Stavros
Kumail Nanjiani Pawny (voice)
Rafe Spall Agent C
Laurent Bourgeois Alien Twin #1
Larry Bourgeois Alien Twin #2
Emma Thompson Agent O
Liam Neeson Agent High T
Mandeiya Flory Young Molly
Kayvan Novak Vungus / Nasr / Bassam
Annie Burkin Nerlene
Tim Blaney Frank the Pug (voice)
Spencer Wilding Luca Brasi
Marcy Harriell Molly's Mom
Inny Clemons Molly's Dad
Thom Fountain Worm Guy #1 (voice)
Drew Massey Worm Guy #2 (voice)
Aaron Serotsky Man in Black #1
Matthew Bates FBI HR Guy
Sartaj Garewal CIA Recruiter
Stephen Wight Guy
Brian Silliman Cabbie
John Sousa Jimmy the Alien
Jeff Kim Lead MIB Agent
Michael Adams MIB Lead Interrogator
Andrew Greenough Freddie the Alien
Natasha Culzac Nightclub Waitress
David Hartley MIB Forensics Agent
Paul Brennen Alien Boss
Ania Sowinski Alien Woman / Boss' Wife
Stefan Kalipha Antique Shopkeeper
Daniel Scott-Smith Nightclub Bartender
Vincent Pirillo MIB Security Guard
Kaya Brown-Hallam NIghtclub Patron #1
Beau Fowler Nightclub Patron #2
Lukas DiSparrow Nightclub Patron #3
Andy Beckwith Viper Room Player
Romanos Blanco Man at Eiffel Tower
Aistė Diržiūtė Woman at Eiffel Tower
Anatole Taubman French Salesman
Sorel Johnson Nervous Forensic Tech
Paul Smith Proprietor (Charlie)
Mike Capozzola Veteran MIB Agent
J.J. Abrams Alien on TV Monitor (uncredited)
Elle Black Alien Dancer (uncredited)
Donald Glover Alien on TV Monitor (uncredited)
Ariana Grande Alien on TV Monitor (uncredited)
Elon Musk Alien on TV Monitor (uncredited)
Hiten Patel Tech Geek (uncredited)
Dimitri 'Vegas' Thivaios Undercover Alien (uncredited)
Mike Lewis
Luke Johnson Dancer (uncredited)
Rene Costa Human Alien (uncredited)
Tiago Martins Clubkid (uncredited)
Luigi Boccanfuso Horns
Name Job
Chris Waegner Visual Effects Supervisor
Sarah Bicknell Assistant Art Director
Christian Wagner Editor
Matt Willard Editor
David Rubin Casting
Reg Poerscout-Edgerton Casting
Penny Rose Costume Designer
Daniel Kramer Visual Effects Supervisor
Wade Eastwood Stunt Coordinator, Second Unit Director
Lisa C. Satriano First Assistant Director
David Keadell Second Assistant Director
Tom Brown Supervising Art Director
John Bush Set Decoration
Peter Lindsay Sound Designer, Sound Mixer
Paul Corbould Special Effects Supervisor
Gemma Kingsley Graphic Designer
Giles Keyte Still Photographer
Lukasz Jogalla Second Unit Director of Photography
Christian Joyce Sound Mixer
Julian Townsend Sound Mixer
Julian Slater Sound Re-Recording Mixer
Hamilton Sterling Sound Designer
Lennart Breede Visual Effects Technical Director
Buddie Wilkinson Standby Property Master
James Apps Stunts
George Bailey Stunts
Oliver Bailey Stunts
Jason Beeston Stunts
Mauro Calo Stunts
Kieran Clarke Stunts
Craig Dolby Stunts
Niki Faulkner Stunts
Stephane Fiossanangaye Stunts
Richard Hall Stunts
Adrian McGaw Stunts
Juliet Reeve Stunts
Ben Wilkinson Property Master
Lisa Vick Script Supervisor
Chris Plevin "A" Camera Operator
Ashley Bond First Assistant "A" Camera
Nick Thursby Second Assistant "A" Camera
Vince McGahon "B" Camera Operator, Steadicam Operator
Lewis Hume First Assistant "B" Camera
Archie Muller Second Assistant "B" Camera
Peter Welch Digital Imaging Technician
Hannah Walter Costume Supervisor
Lucy Bowring Assistant Costume Designer
Sophie Hart-Walsh Assistant Costume Designer
Jason Marshall Key Costumer
Anna Spencer Key Costumer
Holly Rosenthal Costumer
Lizzie Moul Costumer
Elena Taborra Costumer
Amy Pollitt Costumer
Martin Clarke Costumer
Hannah Warren Costumer
Dan Blacklock Costumer
Robb Crafer Prosthetic Makeup Artist, Makeup & Hair
Belinda Hodgson Makeup Artist
Phyllis Temple Makeup Artist
Matteo Silvi Makeup Artist
Tilly Calder Makeup & Hair
Lacey Redway Hair Designer
Tracey Smith Hairstylist
Noriko Watanabe Makeup & Hair
Chuck Finch Gaffer
Richard Merrell Best Boy Electric
Steve Wood Best Boy Electric
Benjamin Caldwell Electrician
Perry Cullen Electrician
Timothy Neill Electrician
Jack Ridout Electrician
Tommy Finch Rigging Gaffer
Steve Ellingworth Key Grip
Charlie Wall Dolly Grip
Ken Musson Dolly Grip
Peter Hayley-Barker Dolly Grip
Kate Morath Boom Operator
Jamie Lengyel Location Manager
Stephen Parker Location Manager
Lindsey Powell Location Manager
Matt Craufurd Assistant Location Manager
Dan Peacock Assistant Location Manager
Matt Risebrow Assistant Location Manager
Pamela Joyce Production Supervisor
Emma Hazell Production Coordinator
Craig Jamieson Assistant Production Coordinator
Felicity Thorpe Travel Coordinator
Alistair Steele Production Secretary
Josh Allan Production Accountant
Mike DeSouza Assistant Accountant
Katherine Holder Payroll Accountant
Georgina Voysey Payroll Accountant
Alana Self Payroll Accountant
Tom Rothwell Assistant Accountant
Khoa Dong Assistant Accountant
Grace Heath Assistant Accountant
Harry Skinner Assistant Accountant
Tom Ray Assistant Accountant
Jack Skinner Assistant Accountant
Paul J. Hayes Construction Manager
Amanda Pettett Construction Coordinator
Nicola Dewey Construction Coordinator
Julian Ashby Art Direction
David Doran Art Direction
Chris 'Flimsy' Howes Art Direction
Mark Swain Art Direction
Sue Whitaker Art Direction
Alex Bowens Assistant Art Director
James M. Spencer Assistant Art Director
Richard Hardy Assistant Art Director
Choi Ho Man Assistant Art Director
Alison Clements Draughtsman
Diego De Lajonquiere Draughtsman
Alfredo Lupo Draughtsman
Albert McCausland Draughtsman
Andy Young Draughtsman
Paul Catling Concept Artist
Tim Hill Concept Artist
Pete Thompson Concept Artist
Norman Walshe Concept Artist
Ivan Weightman Concept Artist
John Colebourn Storyboard Artist
Ferenc Nothóf Storyboard Artist
Kathryn Prince Sculptor
Sarah Iovino Art Department Coordinator
Huw Arthur Standby Art Director
Tonja Schürmann Assistant Set Decoration
Clare Holton Set Decorating Coordinator
Matt Cooke Assistant Property Master
Mark Johnstone Third Assistant Director
Brittany Smith Third Assistant Director
Marlon Beyer Rieger Third Assistant Director
Jamie Graham Third Assistant Director
Barney Shakespeare Third Assistant Director
Lillie Jeffrey Casting Associate
Tamsyn Manson Casting Assistant
Rory Okey Casting Assistant
Andrea Bunker Casting Associate
Matt Lander Casting Assistant
Kirsty Savory Craft Service
Jeremy Braben Aerial Director of Photography
Bryan Baverstock Transportation Captain
Laura Dalton Transportation Coordinator
Richard Conkling Additional Editor
Michael A. Webber Additional Editor
Jonathan Silver Additional Editor
Scott A. Jacobs Assistant Editor
Isabel Zippert Assistant Editor
Matthew Ozerski Assistant Editor
Andrew McGivney Assistant Editor
Hillary Hendler Post Production Coordinator
Brooke Lowery Post Production Coordinator
Greg ten Bosch Sound Effects Editor
Daniel Saxlid ADR Editor
Ryan Juggler ADR Editor
Robert Troy Dialogue Editor
Mark Pappas Foley Supervisor
Rick Owens Foley Artist
Kyle Rochlin Foley Mixer
Howard London ADR Mixer
Bill Abbott Music Editor
Robb Boyd Music Editor
David Slonaker Orchestrator
Edward Trybek Orchestrator
Pete Anthony Conductor
Melisa McGregor Music Coordinator
Clara Martinez Visual Effects Coordinator
F. Gary Gray Director
Lowell Cunningham Characters, Comic Book
Danny Elfman Original Music Composer
Chris Bacon Original Music Composer
Art Marcum Screenplay
Matt Holloway Screenplay
E. Bennett Walsh Unit Production Manager
Tim McGovern Digital Effects Supervisor
Bobby Holland Hanton Stunt Double
Tara Macken Stunt Double
Lucy Cork Stunts
Kachina Dechert Stunts
Rick English Stunts
David Forman Stunts
Joe Cash Props
Matt Hermiston Stunts
Erol Ismail Stunts
Tomasz Krzemieniecki Stunts
Cali Nelle Stunts
Andy Pilgrim Stunts
Laurent Plancel Stunts
Nik Schodel Stunts
Tony van Silva Stunts
Jérémie Vigot Stunts
Kaloian Vodenicharov Stunts
Timo Honsa Stunts
Andrew Jack Dialect Coach
Gary A. Hecker Foley Artist
Steve Bartek Orchestrator
Clay Cullen Stunts
Alessandro Ongaro Visual Effects Supervisor
Jerome Chen Visual Effects Supervisor
Jeremy Woodhead Prosthetic Designer, Hair Designer, Makeup Designer
Luca Vannella Hairstylist
Holly Sedillos Vocals
James McMillan Second Unit Director of Photography
Michael Sharp Unit Production Manager
Sofian Francis Stunts
Paul N.J. Ottosson Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer
Zene Baker Editor
Stuart Dryburgh Director of Photography
Charles Wood Production Design
Wolfgang Stegemann Fight Choreographer
Dave Wells Best Boy Grip
Katherine McCormack Wherry Unit Publicist
Bobbi Banks Supervising ADR Editor
Wakako Sekine Digital Compositor
Sol Saihati Lighting Technician
Redouane Ouadi Transportation Captain
Abdelaaziz Attougui Stunts
Name Title
Laurie MacDonald Producer
Steven Spielberg Executive Producer
Barry Sonnenfeld Executive Producer
Riyoko Tanaka Executive Producer
David Beaubaire Executive Producer
Deven LeTendre Co-Producer
Michael Sharp Co-Producer
Walter F. Parkes Producer
E. Bennett Walsh Executive Producer
Edward Cheng Executive Producer
Howard Chen Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 46 54 32
2024 5 54 79 43
2024 6 46 68 29
2024 7 67 111 31
2024 8 36 55 24
2024 9 31 53 21
2024 10 37 61 23
2024 11 35 48 25
2024 12 40 76 27
2025 1 36 57 26
2025 2 37 59 6
2025 3 12 47 3
2025 4 9 16 5
2025 5 7 16 4
2025 6 7 12 4
2025 7 5 7 4
2025 8 5 7 4
2025 9 7 9 6

Trending Position


Year Month High Avg
2025 9 294 585
Year Month High Avg
2025 8 307 671
Year Month High Avg
2025 7 626 829
Year Month High Avg
2025 6 510 799
Year Month High Avg
2025 5 260 720
Year Month High Avg
2025 4 365 737
Year Month High Avg
2025 3 208 631
Year Month High Avg
2025 2 328 711
Year Month High Avg
2025 1 415 790
Year Month High Avg
2024 12 329 707
Year Month High Avg
2024 11 416 789
Year Month High Avg
2024 10 402 678
Year Month High Avg
2024 9 578 731
Year Month High Avg
2024 8 584 823

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Reviews

maketheSWITCH
5.0

'MIB: International' sounds like a good idea on paper, from the cast and the director - even for the franchise, the idea to go “International” sounds really exciting and a great way to expand the world without being too tied to the original films. Unfortunately, it’s just another boring blockbuster ... using a nostalgic property to make a quick buck without understanding what made the lighting in a bottle that was the first film work. We didn’t even get a rap tie-in song from Will Smith or even Pitbull, and that’s what truly hurts the most. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-men-in-black-international-wish-we-could-memory-wipe-this-one

Jun 23, 2021
Columbusbuck
5.0

Chris Hemsworth just makes everything better. The only good parts of Ghostbusters was Hemsworth. His Thor movies were the best of the MC individual movies and his presence made the Avengers movies that much more enjoyable. Similarly, his levity here made a decline from MiB3 more tolerable. He's j ... ust fun to watch.

Jun 23, 2021
Ruuz
5.0

They've changed the setting, the leads, the journey cycle, the effects, (most of) the supporting cast, the tone, and the timeframe, yet somewhere we still have the exact same plot. Four for four on _Men in Black_ with the EXACT. SAME. PLOT. I was entertained though, so, there's only so much I can ... complain really. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Jun 23, 2021
sambice
5.0

Yikes... The most challenging thing about watching Men In Black: International, was enduring Chris Hemsworth attempting 'acting'. I find his attempts at portraying the rogue-ish film character archetype he's trying for to to be utterly charmless, devoid of any ability to portray the humour or any se ... nse of timing, or charisma, that the character is straining and screaming for.

Dec 14, 2021
FilipeManuelNeto
7.0

**Despite the radical break with the previous films and characters, the film has its value and brings a certain new blood to the franchise.** The MIB franchise got off to a good start, had a bad time with the second movie, and picked up a bit in the third movie. These three films, however, were t ... he result of the direction of Barry Sonnenfeld, who now leaves the project and gives the direction to Felix Gray. The leads, Will Smith and Tommy Lee Jones, also do not return to their roles, which makes the film, basically, a spin-off. The script is a breath of fresh air: we abandon American soil and leave behind what we know. The story is set almost entirely in Europe, between London and Paris. It is there that the new Agent M will train. She has known about the existence of the agency since she was a child, she always wanted to belong to it, and now she has her chance. In London, she is under the guidance of her chief, Agent High T, and collaborates with Agent H, who is considered to be the best British agent. After the death of a royal from an alien planet in their care, they realize that an invasion of Earth is imminent, and it is up to them to prevent this threat. Honestly, it took me a while to form an opinion about this film. On the one hand, the franchise desperately needed an injection of new blood and new stuff. They just couldn't insist on a sold-out formula! On the other hand, I understand those who may feel disappointed in their expectations, as familiar faces (in particular Smith and Jones) have disappeared from the scene. After thinking a little about what I saw, I came to the conclusion that the risk of cutting radically with what had been done before and presenting to the public something made with different actors was, perhaps, a good idea. It will never please everyone, especially Will Smith and Tommy Lee Jones fans, or those who understand that there should have been a line of continuity between all the movies, but I handled it all well, and I think the changes had more advantages than disadvantages. Of course, this might not have worked out so well if the script and characters hadn't been well conceived. In fact, the characters were well-thought-out, have strength and character, and are not far behind those we already knew, especially M and H. The choice of actors was also happy: I liked the work of Tessa Thompson and Chris Hemsworth, and the way as the film avoids the temptation to create some romantic sub-plot between them, which would have been too cliché. Sadly, Emma Thompson has little to do in this film, but what she does is well done. Liam Neeson is an extremely skilled and competent actor and does his job very well, but from the middle of the film, his character is an obvious villain that is handed over to us in an overly simplistic way. Technically, the film has many qualities, starting with a very good cinematography with good lighting and an intelligent and elegant use of colors. The camera does a dynamic job and follows the movement, especially in the action scenes. The film strongly bets on a stylized look, in the night scenes, and on the good quality CGI that the green screen allows and that often dispenses with the use of filming on location. Unfortunately, and I've felt this more than once, London and Parisian environments sound too fake and artificial, that is, it's all too evident that it's all done digitally. I liked the generality of the aliens and their look, sometimes original and bizarre. The sets and costumes are generally good, and I liked the way the characters' black suits were, this time, more individualized. As for the soundtrack, which inherits some previous leitmotifs, it is reasonably forgettable.

Sep 05, 2022
GenerationofSwine
1.0

Well... this was another sequel that no one asked for, at all and we can probably honestly say that this is a huge reason why it flopped. I had absolutely no interest in seeing another sequel of MIB, especially one without Will Smith, and especially one that is gender-swapped and rests closer to ... the reboot mark than the remake mark. Which are all reasons why I didn't see it until it came around for free. And as predicted while all but rebooting the franchise, it also attempts to make a political statement with the jokes coming from "laugh because you agree with this" type of humor, which rarely actually lands. And as a result it feels like SNL doing MIB in a sequel no one asked for.

Jan 11, 2023
Geronimo1967
5.0

Good idea - let's refreshen the cast, relocate to jolly-old England and hopefully we can re-ignite this tiring format by putting a devious fifth columnist amongst the "MIB" organisation to cause mayhem and mischief. Well, I'm afraid they were just plain wrong! All of that might have worked if the sp ... ecial effects and alien creepy-crawlies were supported by a decent STORY. Alas, not to be. This bumbles along entirely supported by Chris Hemsworth - and there are limits to even his charismatic skills. Please let this be an end, or we will all be heading to the transporter pad with our Marlboro Lights!

May 29, 2024
r96sk
7.0

<em>'Men in Black: International'</em> done more for me than anticipated, it makes for a fairly good reboot in my opinion. Chris Hemsworth and Tessa Thompson reteam up (after the MCU) to solid effect, with Liam Neeson and Kumail Nanjiani in as sturdy support. The plot does take an extremely obvio ... us trajectory, there is nothing to work out as the viewer in this one. That isn't a thing that bothers me personally, a film can still be suitably entertaining and this is that. Still, it is lacking that necessary extra oomph to become something greater. As for special effects, it is a mixed bag. For the aliens and all that it looks pretty good, it done the job for me anyway. However, some of the locations do look quite bad; e.g. Paris at the beginning. It evidently didn't affect my enjoyment, it is distracting when it rears its head though.

Mar 23, 2025