Popularity: 7 (history)
Director: | Danny Boyle |
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Writer: | Jack Barth, Richard Curtis |
Staring: |
A struggling musician realizes he's the only person on Earth who can remember The Beatles after waking up in an alternate reality where the group was forgotten. | |
Release Date: | Jun 26, 2019 |
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Director: | Danny Boyle |
Writer: | Jack Barth, Richard Curtis |
Genres: | Comedy, Fantasy, Romance, Music |
Keywords | musician, pop singer, liverpool, england, music festival, united kingdom, rock concert, alternative reality, moral dilemma, thoughtful, dramatic, cheerful |
Production Companies | Working Title Films, Working Title Films |
Box Office |
Revenue: $154,608,856
Budget: $26,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Himesh Patel | Jack Malik |
Lily James | Ellie Appleton |
Sophia Di Martino | Carol |
Ellise Chappell | Lucy |
Meera Syal | Sheila Malik |
Harry Michell | Nick |
Vincent Franklin | Brian |
Joel Fry | Rocky |
Michael Kiwanuka | Michael Kiwanuka |
Karma Sood | Young Jack |
Gus Brown | Marcus the Dentist |
Sanjeev Bhaskar | Jed Malik |
Karl Theobald | Terry |
Alexander Arnold | Gavin |
Dominic Coleman | Ipswich TV Host |
Ed Sheeran | Ed Sheeran |
Jane Seaborn | Air Hostess |
Nic Minns | Videographer |
Maryana Spivak | Alexa (Russian Stage Manager) |
Justin Edwards | Leo (Russian Stranger) |
Kate McKinnon | Debra Hammer |
Javone Prince | Hans (Music Producer) |
Camilla Rutherford | Hilary |
Sarah Lancashire | Liz (Liverpool Stranger) |
Rachael Elizabeth | Hotel Waitress |
Jimmy Gallagher | Hotel Waiter |
Jaimie Kollmer | Young Ellie |
Sophie Mensah | Hotel Front Desk |
Helena Devereux | Commuter (Lime Street) |
Julian Feria | Commuter (Lime Street) |
Lamorne Morris | Head of Marketing |
Craig Rowin | Marketing Executive |
James Corden | James Corden |
Cristina Dohmen | Local Newscaster |
Elizabeth Berrington | Hazel |
Clementine Webb | Interviewer |
Diana Pauline | Interviewer |
William McGeough | Interviewer |
Díana Bermudez | Interviewer |
Sunny Yeo | Interviewer |
Charlie Hannah | Guitarist Keyboards (Jack's Band) |
Xav Clarke | Guitarist (Jack's Band) |
Oliver Booker | Drummer (Jack's Band) |
Michele Stodart | Bass Guitarist (Jack's Band) |
Michael Jablonka | Guitarist (Michael Kiwanuka's Band) |
Steve Pringle | Keyboards (Michael Kiwanuka's Band) |
Lewis Wright | Drummer (Michael Kiwanuka's Band) |
Alex Bonfanti | Bass Guitarist (Michael Kiwanuka's Band) |
Ifeoluwa Ogunjobi | Trumpet (Brass Band) |
Camilla George | Saxophone (Brass Band) |
Hannah Mbuya | Tuba (Brass Band) |
Richie Seivwright | Trombone (Brass Band) |
Chilli-Rae McCormack | Ukulele Band |
Lucie Arnoux | Ukulele Band |
Jelly Cleaver | Ukulele Band |
Daisy Chute | Ukulele Band |
Sandra-Mae Luijkx | Ukulele Band |
Robert Carlyle | John Lennon (uncredited) |
David Lautman | Ringo Starr (uncredited) |
K.C. Wolf | Paul McCartney (uncredited) |
Hiten Patel | Security Guard (uncredited) |
Saul Shlosberg | Latitude Festival Goer (uncredited) |
Neilesh Ambu | Train Station Commuter (uncredited) |
Name | Job |
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Jason Marshall | Key Costumer |
Philip O'Connor | Assistant Costume Designer |
Tamsin Jeffrey | First Assistant Editor |
Cat Ho | Location Manager |
Angela Leus | Music Supervisor |
Zoe Morgan | Script Supervisor |
Sasha Gibson | Unit Publicist |
Sally Hill | Production Secretary |
Jill McCullough | Dialect Coach |
Morgan Swing | Production Accountant |
Jannika Öberg | Production Coordinator |
Richard Styles | First Assistant Director |
Elo Soode | Concept Artist, Conceptual Design |
Ivana Primorac | Hair Designer, Makeup Designer |
Jack Barth | Story |
Patrick Rolfe | Production Design |
Lorna Houlihan | Art Direction |
James Wakefield | Supervising Art Director |
Christopher Wyatt | Art Direction |
Christopher Ross | Director of Photography |
Brandie Reinhold | Costumer |
Nele Mertens | Assistant Editor |
Kirsten Lane | Music Consultant |
Moin Uddin | Production Design |
Cathy Cosgrove | Set Decoration |
Liza Bracey | Costume Design |
Natasha Klipp | Makeup & Hair |
Jo Wallett | Production Manager |
Martin Charles | Graphic Designer |
Dan Crandon | Construction Manager |
Muffin Green | Property Master |
Rebecca Gresham | Assistant Art Director |
Brendan Hessle | Graphic Designer |
Brendan Houghton | Storyboard Artist |
Seeta Lingam | Assistant Art Director |
Grant Samson | Leadman |
Niv Adiri | Sound Designer |
Lilly Blazewicz | Foley Editor |
Gillian Dodders | ADR Editor, Supervising Dialogue Editor |
Danny Freemantle | Sound Effects Editor |
Nick Freemantle | Sound Effects Editor |
Dayo James | Sound Effects Editor |
Emilie O'Connor | Dialogue Editor |
Seva Solntsev | Sound Re-Recording Mixer |
Robert Malone | Sound Effects Editor |
James Wichall | Dialogue Editor |
Terry Cade | Stunts |
Jim Dowdall | Stunts |
Julian Spencer | Stunt Coordinator |
Donna Williams | Stunt Double |
Jeremy Braben | Aerial Director of Photography |
Tasha Back | Camera Operator |
Michael P. Catanzarite | Key Grip |
Mark Clayton | Gaffer |
Shaun Cobley | Steadicam Operator |
Warwick Drucker | Key Grip |
Corey Gineris | Drone Pilot |
Steven Hall | Second Unit Director of Photography |
Peter Keith | Drone Operator |
Jonathan Prime | Still Photographer |
James Summers | Rigging Gaffer |
Emiliano Topai | First Assistant "A" Camera |
Esther Venanzi | Second Assistant "A" Camera |
Charlie Rotheram | Extras Casting |
Dickie Trant | Extras Casting |
Emily Bowen | Key Costumer |
Max Hunt | Costume Supervisor |
Danny Boyle | Director |
Richard Curtis | Screenplay, Story |
Jon Harris | Editor |
Gail Stevens | Casting |
Daniel Pemberton | Original Music Composer |
Mark Coulier | Prosthetic Designer |
Glenn Freemantle | Supervising Sound Editor |
Steven John Brown | Stunt Coordinator |
Jef Groff | Stunt Driver |
Xavier Lake | Stunt Double |
Anton Simpson-Tidy | Stunts |
Laurence Love Greed | Music Editor |
Paul McCartney | Songs |
John Lennon | Songs |
George Harrison | Songs |
Ringo Starr | Songs |
Simon Hayes | Production Sound Mixer |
Sophie Ashworth | Makeup Artist, Hairstylist |
Glen Gathard | Foley Mixer |
Angela Moneke | Production Coordinator |
Name | Title |
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Bernard Bellew | Producer |
Lee Brazier | Executive Producer |
Matthew James Wilkinson | Producer |
Nick Angel | Executive Producer |
Danny Boyle | Producer |
Richard Curtis | Producer |
Eric Fellner | Producer |
Tim Bevan | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 61 | 111 | 29 |
2024 | 5 | 116 | 149 | 99 |
2024 | 6 | 78 | 176 | 32 |
2024 | 7 | 32 | 50 | 18 |
2024 | 8 | 25 | 46 | 15 |
2024 | 9 | 21 | 28 | 15 |
2024 | 10 | 24 | 52 | 15 |
2024 | 11 | 26 | 47 | 17 |
2024 | 12 | 24 | 46 | 17 |
2025 | 1 | 25 | 46 | 16 |
2025 | 2 | 18 | 28 | 4 |
2025 | 3 | 7 | 20 | 2 |
2025 | 4 | 7 | 11 | 3 |
2025 | 5 | 6 | 12 | 4 |
2025 | 6 | 4 | 8 | 3 |
2025 | 7 | 5 | 8 | 3 |
2025 | 8 | 4 | 7 | 3 |
2025 | 9 | 7 | 7 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 548 | 812 |
Year | Month | High | Avg |
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2025 | 7 | 361 | 766 |
Year | Month | High | Avg |
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2025 | 6 | 822 | 880 |
Year | Month | High | Avg |
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2025 | 5 | 864 | 928 |
Year | Month | High | Avg |
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2025 | 4 | 630 | 706 |
Year | Month | High | Avg |
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2025 | 3 | 996 | 996 |
Year | Month | High | Avg |
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2025 | 1 | 965 | 965 |
Year | Month | High | Avg |
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2024 | 11 | 475 | 823 |
‘Yesterday’ takes its genius idea and unfortunately turns it into a generic film. Both director Danny Boyle and writer Richard Curtis have proven their creativity before, but here it's just wasted along with everything else. - Chris dos Santos Read Chris' full article... https://www.maketheswit ... ch.com.au/article/review-yesterday-great-concept-disappointing-execution Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
I really enjoyed this movie. Right out of the gate, you must accept that it is a fantasy rather than science-fiction, because the latter genre usually tries to give some sort of explanation for why something happens, but here we just take it as it is. The dialogue is mostly witty and fun, and th ... e characters got my sympathy. I had a slight problem with the two lead characters having always been platonic, as it was never fully explained why that was. But I was able to put that aside. Plus I really liked seeing the third lead character, the Mini Cooper (okay, yes, I have owned one for nearly twenty years). Part of the ending could be considered predictable, and part of it was, but another piece of the conclusion astonished me in its originality, so it worked for me. One interesting subplot revolved around a couple of people who shared the knowledge about the Beatles that drives the story, and I was surprised and pleased at how they resolved that subplot. And yes, to deal with the elephant in the room, most of the songs presented in the movie were better when the Beatles performed them, but isn't that the point? I had no problem setting that fact aside and enjoying this harmless and entertaining film. Oh, and I appreciate what a good sport Ed Sheeran is in this movie, allowing the lead character to more or less beat him in a songwriting contest (though of course Ed really won). In this movie, everybody wins (Well, except of course for the fictional Beatles, unless you can imagine they would prefer where the fantay lands them.)
Sorry - but I don't understand. How can you take quite an original idea - man gets hit by a bus and awakens to a parallel existence where only he remembers the Beatles - and turn it into this one-joke film? Himesh Patel, himself, is quite engaging but he has nowhere near enough to work with to stret ... ch this out for two whole hours!! Lily James tries her best to assist but there's no getting away from a very weak screenplay. The soundtrack is superb but most of that was written elsewhere 50-odd years ago. There is a sort-of swipe at the modern day music business and at the industries that support "solo" artists, but any potential for a more satiric review of the business is lost in the banality of it. Pity!
quite good. i love the beatles and this has been a movie ive been wanting to watch for a LOOONG time so seeing it on Netflix, i was really happy, but it could've been _much_ better in my opinion ...