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Long Shot Poster

Long Shot

Unlikely but not impossible.
2019 | 125m | English

(127136 votes)

TMDb IMDb

Popularity: 4 (history)

Details

Journalist Fred Flarsky reunites with his childhood crush, Charlotte Field, now one of the most influential women in the world. As she prepares to make a run for the Presidency, Charlotte hires Fred as her speechwriter — much to the dismay of her trusted advisers.
Release Date: May 02, 2019
Director: Jonathan Levine
Writer: Liz Hannah, Dan Sterling
Genres: Comedy, Romance
Keywords tattoo, journalist, usa president, babysitter, strong woman, politics, ejaculation, class differences, drugs, political campaign, male masturbation, first kiss, corrupt politician, presidential candidate, opposites attract, public relations, environmental conservation, political candidate, secretary of state, speech writer, activist, investigative journalist, girl next door, childhood crush, embarrasment, tattooed by gang, recreational drug use, high school crush, powerful woman, corrupt businessman, caught-on-tape, sexy woman, corrupt government, woman politician, erect penis, joke writing, influential woman
Production Companies Summit Entertainment, Lionsgate, Denver & Delilah Productions, Point Grey Pictures, Good Universe, AG Studios, Flarsky Productions
Box Office Revenue: $0
Budget: $40,000,000
Updates Updated: Aug 08, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Charlize Theron Charlotte Field
Seth Rogen Fred Flarsky
O'Shea Jackson Jr. Lance
June Diane Raphael Maggie Millikin
Ravi Patel Tom
Andy Serkis Parker Wembley
Bob Odenkirk President Chambers
Alexander Skarsgård Prime Minister James Steward
Tristan D. Lalla Agent M
Braxton Herda Young Fred
Aviva Mongillo Young Charlotte
Randall Park Boss
James Saito Minister Kishido
Lisa Kudrow Katherine
Kurt Braunohler Wembley News Anchor #1
Paul Scheer Wembley News Anchor #2
Claudia O'Doherty Wembley News Anchor #3
Nathan Morris Nathan Morris
Shawn Stockman Shawn Stockman
Wanya Morris Wanya Morris
Lil Yachty Lil Yachty
Aladeen Tawfeek Bharath
Isla Dowling Katarina Prudence Wembley
Anton Koval Alt-Right Leader
Marcel Jeannin CNS News Anchor
Marc Rowland Movement Coach
James Hicks Boyfriend
Aalia Adam Anchor on Tarmac
Lucy Van Oldenbarneveld BCNMS News Anchor
Julie Roussel French TV Reporter
Daniel Rindress-Kay LT. Gary Smith
Ivan Smith Indian Prime Minister
Sean Tucker Aryan Grande
Brett Watson Alt-Right Guy #2
Victor Cornfoot Bodega DSS Agent
Mairtin O'Carrigan Swedish Man
Anne Day-Jones Paris News Anchor
Arthur Holden Royal Crier
Kara Raposo Little Girl on TV
Frank Schorpion TV General
Natasha Gargiulo Reporter Outside Library
Sean Curley Tad
Johnny Cortes Bartender
Holden Wong Secretary of State Staffer
Li Li Prime Minister's Wife
Alain Gendreau Diplomat
Yves Fortin US Senator
Hiba Magrabi Staffer
Jonathan Vanderzon Douchebag Speechwriter
Nathaly Thibault Swedish Delegate
Xiao Sun Mrs. Lin
Veronique Senosier Roberge News Reporter
Garett Pringle White House Staff
David Leblanc Air Force Staff
Scott Humphrey Wembly's Assistant
Hamza Haq MSNBC Anchor
Gabrielle Graham Franci
George Chiang Chinese President Wu
Chris Cavener Juggalo
Philippe Bourret Alt Right Member
Angel Azmeer Dancer
Luca De Massis Tv Cameraman (uncredited)
John Robinson Commander
Name Job
Tyler Hall Stunt Double
Evan Henke Editor
Yves Bélanger Director of Photography
Florencia Ortiz Second Assistant Director
Francine Maisler Casting
Jonathan Levine Director
Marco Beltrami Original Music Composer
Mary E. Vogt Costume Design
Shanna Roberts Salée Third Assistant Director
Rodrigo Guerrero Production Executive
Gabe Hilfer Music Supervisor
Liz Hannah Screenplay
Louis Piché Boom Operator
Michel St-Martin "C" Camera Operator
Philippe Bossé Still Photographer
Ken O'Keefe Additional Editor
Michel Lecoufle Production Sound Mixer
Pierre Malouin Dolly Grip
Julie Montplaisir Art Department Coordinator
Jacinthe Demers Wardrobe Master
Josée Boisvert Wardrobe Master
Melissa Fafard Makeup Artist
Lena Stolarska Camera Trainee
Vincent Manierre First Assistant Editor
Frankie Fiore Boom Operator
Yanka Pelletier Key Grip
Antoine Viot Boom Operator
Nicholas Mignot Best Boy Grip
Radia Slaimi Set Designer
Chrissy Callan Assistant Costume Designer
Bruno Gatien Prosthetic Makeup Artist
Laurie Frigon Assistant Makeup Artist
Colette Martel Hairstylist
Jean-Manuel Medina Assistant Hairstylist
Molly Rose Casting Assistant
Marie-Josée Beaudet Assistant Hairstylist
Marie-Lise Taupier Assistant Hairstylist
Katelyn Semer Casting Assistant
Mario St-Louis Assistant Hairstylist
Lauren Richer Casting Assistant
Dorothy Precious Production Accountant
Mary-Anne Awori Production Secretary
Wendy Hoffmann ADR Voice Casting
Elizabeth Cormier Transportation Coordinator
Michael Babcock Sound Re-Recording Mixer
Will Riley Dialogue Editor
Tim Tuchrello Assistant Sound Editor
Jim Schultz Music Editor
Howard London ADR Mixer
Ranjani Brow ADR Voice Casting
Ashley Lambert ADR Voice Casting
Ando Johnson Sound Effects Editor
Jessica Arkoff Assistant Sound Editor
Allegra De Souza Music Editor
Jamie Thierman Orchestrator
Daniel Ross Unit Manager
Jean Frenette Stunts
Orphée Ladouceur-Nguyen Stunts
Abdul Ayoola Stunts
Anne Bergstedt Jordanova Stunts
David McKeown Stunt Coordinator
Hélèna Laliberté Stunts
Stéphane Lefebvre Stunt Driver
Gabrielle Mankiewicz Second Assistant Director
Ariane Collman Additional Third Assistant Director
Martin Doepner Third Assistant Director
Fanny Hudon Second Assistant Director
Nancy Kirhoffer Post Production Supervisor
Pamela Toro Moreno Unit Production Manager
Miles Hankins Original Music Composer
Lorette Leblanc Script Supervisor
Buck Deachman First Assistant Director
Christina Kontos Unit Production Manager
Matthew Maggio Assistant Director
Sharon Lopez Production Supervisor
Mariann Petit Assistant Unit Manager
Barbara A. Hall Unit Production Manager
Sharon Davis Art Direction
Sarah Lachance Assistant Art Director
Daniel Sauvé Steadicam Operator, "A" Camera Operator
Alfonso Maiorana "B" Camera Operator
Dan Sterling Screenplay, Story
Melissa Bretherton Editor
Claudia Roca Bravo Production Supervisor
Javier Zamorano First Assistant Director
Justin Muller First Assistant Director
Isabel Vargas Second Second Assistant Director
Ela Miszkurka Additional Third Assistant Director
Jonathan McCoy Line Producer
Darren Kotania First Assistant Director
Chantal Desgagné Assistant Unit Manager
Caroline Alder Art Direction
Marlee Gruss-Neidhardt Additional Third Assistant Director
Brian Houlihan Visual Effects Producer
Kathy Driscoll-Mohler Casting
Agnieshka Wnorowska Stunt Double
Zoe Sakellaropoulo Supervising Art Director
Hélène Camirand Assistant Art Director
Marie-Pierre Gratton Second Assistant "A" Camera
Roch Boucher Second Assistant "B" Camera
Julie Garceau Digital Imaging Technician
Daniel Gabbe Additional Editor
Louis Marion Production Sound Mixer
Dan Schrecker Visual Effects Supervisor
Jim Dunn Stunt Driver
Mary Lynn Deachman Art Direction
Paul Hotte Decorator
Chloé Giroux-LaChance First Assistant "A" Camera
Patrick Beaulac First Assistant "B" Camera
Francis Hamelin Second Assistant "C" Camera
Céline Lampron Set Designer
Marc C. De Léry Property Master
Véronique Marchessault Assistant Costume Designer
Jennifer Anderson Wardrobe Coordinator
Caroline Aquin Tattooist
Jonathan Lavallée Special Effects Makeup Artist
Catherine Lavoie Assistant Makeup Artist
Enzo Angileri Hairstylist
Erick Martinez Wardrobe Supervisor
Annick Chartier Makeup Department Head
Silvano Mercado Vilches Tattooist
Marianne Bobet Assistant Makeup Artist
Félix Larivière Hair Department Head
Mark Chikhani Location Manager
Vincent Colpron Production Coordinator
Michel Brochu Construction Foreman
Jeremy B. Davis Sound Re-Recording Mixer
Marie-Noëlle Legault Payroll Accountant
Benjamin Hoff Orchestrator
Daniel Matthews Transportation Coordinator
Branden Spencer Supervising Sound Editor
Paul Pirola Foley Supervisor
Whitney Pilzer Music Coordinator
Sean Barrett Orchestrator
Oleg Kondratenko Conductor
Kalina Ivanov Production Design
John Mangia Visual Effects Supervisor
Name Title
James Weaver Producer
John Powers Middleton Executive Producer
Joseph Drake Executive Producer
Nathan Kahane Executive Producer
Jonathan Levine Executive Producer
Seth Rogen Producer
Dan Sterling Executive Producer
Beth Kono Producer
Kelli Konop Executive Producer
Barbara A. Hall Executive Producer
Alex McAtee Executive Producer
Erin Westerman Executive Producer
A.J. Dix Producer
Evan Goldberg Producer
Charlize Theron Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 55 105 30
2024 5 96 122 77
2024 6 50 95 26
2024 7 29 47 17
2024 8 26 44 16
2024 9 18 31 10
2024 10 22 40 13
2024 11 23 44 12
2024 12 22 63 13
2025 1 24 49 14
2025 2 19 39 4
2025 3 9 27 2
2025 4 5 12 2
2025 5 4 13 2
2025 6 3 6 2
2025 7 2 3 1
2025 8 3 6 1
2025 9 2 3 1
2025 10 2 4 1

Trending Position


Year Month High Avg
2025 8 480 698
Year Month High Avg
2025 7 569 607
Year Month High Avg
2025 3 80 275
Year Month High Avg
2024 11 684 807
Year Month High Avg
2024 10 718 719

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Reviews

msbreviews
7.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Who would have thought that the first (positive) surprise of the year would be a movie starring Seth Rogen in a romantic-comedy?! This genre has been having trouble for the past few years (only a handful of films are worthy of ... high praise), but Long Shot's amazing cast called my attention at the beginning of 2019 when I was organizing my watchlist of the year. I genuinely love Rogen type of humor, and Charlize Theron is one of the best actresses of the 21st century. Add three more terrific actors like Bob Odenkirk (President Chambers), O'Shea Jackson Jr. (Lance), and an unrecognizable Andy Serkis (Parker Wembley), and you have yourself a clear path to success. So, what's the missing key ingredient? A well-written and compelling story, which is the number one problem with rom-coms of today. Most of these movies go straight to streaming services since they're the easiest ones to produce. Just gather a reasonably decent cast, put together a cliche narrative about how two people with nothing in common end up together through the most unlikely and dumb plot devices, and you have a low-budget “success”. Long Shot‘s premise follows a variation of that concept and it still carries the trademark conventionality, but it's the chemistry of its leads, the hilarious comedy and the beautifully-written screenplay that makes this one stand out. The dialogues don't feel forced, a large portion of the jokes land, and the best compliment I can give to this film: it took itself seriously, and it worked seamlessly. There’s a heartfelt message to transmit to the viewers, and it’s delivered in the most realistic possible way. The romance doesn’t seem far-fetched or born out of nowhere. Instead, it has a wonderful arc, filled with real-life relationship moral dilemmas and difficult decisions. Everything that any character says either makes sense or makes you laugh. The cast is brilliant as expected. Seth Rogen and Charlize Theron‘s chemistry is palpable, and it’s one of the reasons why the romance part of the movie works. They clearly had much fun on-set, and that’s visible on the big screen. Rogen provides most of the laughs, but he also proves that he can be dramatic if necessary. Theron is just impeccable. She simply can’t act a single line of her script in a way that’s not perfect, whether it’s a romantic scene or a comedy bit. Her range is on display throughout the entire runtime, and Jonathan Levine should be extremely grateful as a director to have such an outstanding actress to work with. In addition to all of this, there’s one thing I never expected to be praising right now: the makeup department. Before the film, I knew that Andy Serkis was on the cast, but I completely forgot what his role was. Without an ounce of exaggeration, I truly believe that it’s almost impossible to recognize him as Wembley if you don’t know beforehand that he participates in the movie. When I re-checked the cast members, I remembered that he had a role indeed, and I was almost as surprised by the discovery as I was with how much I enjoyed this film. O’Shea Jackson Jr. also delivers a hilarious performance while Bob Odenkirk doesn’t really have much screentime to shine. This is one of those movies that you can’t precisely point out obvious flaws. A flawless film doesn’t mean it’s a perfect 10/10 movie. It just means you really don’t have any major issues with it. If every single aspect of a film is just “good”, then the movie is “good”, not “incredible” or “amazing”. That is how I view Long Shot. It’s an extremely entertaining rom-com, undeniably one of the best I’ve seen these past few years. Even though the main concept follows the genre’s traditional storylines, its well-written screenplay, hilarious comedy bits, and outstanding protagonists make a surprisingly serious story remarkably entertaining. It’s a fast-paced 2-hour runtime that I recommend to anyone who just wants to have a good time at the movie theater. Rating: B+

Jun 23, 2021
Ruuz
5.0

Oddly mild and politically centrist-affirming for a movie about a woman who spends the majority of the movie trying to enact a climate-benefit policy. Also kind of exists in this weird in-between purgatory world where it's "so woke" and "not like those other RomComs where the guy gets the hot girl j ... ust because" but is simultaneously like... The slovenly ~nice guy~ still gets this political powerhouse stunner of a woman by the power of... Being himself? I guess. It's a very half measures movie, is what I'm saying. Moves towards one set of things but can't leave the other set behind. And so a movie with this middling a perspective, of course, gets the middling-est of ratings. Charlize is a fuckin' champ in this though, absolutely runs the show. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Jun 23, 2021
GenerationofSwine
10.0

What I hate about the political people is that the right is dissing this because of the way it starts out and the environmental policies at the heart of the campaign... and the Left is saying how horrible it is because a Republican was Black, and had a point, and was still a good person. So, once ... more we have a film that you are not supposed to like because meh politics... but at least it's a film that both sides say you should hate. I guess that is progress. Other than that, Boyz 2 Men, got the biggest laugh out of me, which was kind of shocking given that this is a movie that is supposed to be a stupid and pointless comedy. And it is, and it's not the best stupid and pointless comedy out there, but, hey, these are throw away movies designed for mindless fun and that is how this film bills itself. It's supposed to be vulgar and hysterical and it is. And, once more, if you are not watching this to see a mindless and vulgar comedy... I don't know what you expected to see. The only real draw back is that Theron and Jackson kind of come across as the two funniest people, on a screen with Seth Rogen who was the comedian of the bunch... and kind of felt like he phoned this one in. But, other than that, you get exactly what you expect from it.

Jan 11, 2023
Geronimo1967
6.0

US Secretary of State "Charlotte Field" (Charlize Theron) has some fairly stellar approval ratings ahead of her impending bid for the Presidency when she encounters "Fred" (Seth Rogan) at a swanky soirée. She the epitome of chic, he that of chavdom. It turns out they dated many moons ago and against ... the advice of her staff, she decides that he could be useful as her speechwriter. A stroke of genius or a fit of madness? Well the rest of this over-long comedy drama really only belongs to fans of Rogan - and I'm not one of them. There are a few scenes where Theron plays the comedy well - swallowing some molly before some sensitive diplomacy, but for the most part it's a rather tacky comedy with loads of expletives and low-level crassness, compensating for a really lacking script and a predictable storyline. It does try to take a swipe at the political establishment and at those vacuous folks atop it, and the ensemble supporting cast help a little, but it's all been seen before and at over two hours, I'm afraid I just struggled to get engaged with the either of them before the rushed conclusion.

Feb 10, 2024