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The Lobster

An unconventional love story...
2015 | 119m | English

(323358 votes)

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Popularity: 5 (history)

Details

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
Release Date: Oct 15, 2015
Director: Yorgos Lanthimos
Writer: Yorgos Lanthimos, Efthymis Filippou
Genres: Comedy, Drama, Romance
Keywords hotel, suicide attempt, boat, dystopia, woods, romance, punishment, revenge, swimming, grave digging, curious, dead rabbit, blind woman, manhunt, shooting an animal
Production Companies Haut et Court, Eurimages, Lemming Film, Element Pictures, Nederlands Fonds voor de Film, Film4 Productions, Greek Film Centre, Faliro House Productions, Protagonist Pictures, Scarlet Films, Limp
Box Office Revenue: $15,700,000
Budget: $4,000,000
Updates Updated: Aug 30, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Colin Farrell David
Rachel Weisz Short Sighted Woman
Olivia Colman Hotel Manager
Léa Seydoux Loner Leader
Michael Smiley Loner Swimmer
Ariane Labed The Maid
John C. Reilly Lisping Man
Ben Whishaw Limping Man
Angeliki Papoulia Heartless Woman
Jessica Barden Nosebleed Woman
Emma O'Shea Nosebleed Woman's Best Friend
Ashley Jensen Biscuit Woman
Roger Ashton-Griffiths Doctor
Anthony Dougall 70 Year Old Waiter
Anthony Moriarty 30 Year Old Waiter
Sean Duggan Guard Waiter
Roland Ferrandi Loner Leader's Father
Imelda Nagle Ryan Loner Leader's Mother
Jacqueline Abrahams Donkey Shooter
James Finnegan Bald Man
Robert Heaney Restaurant Waiter
Rosanna Hoult David's Wife
Kathy Kelly Police Officer 1
Kevin McCormack Police Officer 2
Nancy Onu Hotel Receptionist
Ewen MacIntosh Trainer Waiter (Shooting Range)
Patrick Malone Campari Man
Sandra Hayden Mason Arrested Town Woman
Garry Mountaine Hotel Manager's Partner
Laoise Murphy New Daughter
Ishmael Moalosi Bandaged Loner
Matthew O'Brien Trapped Loner
Judi King Murphy Guest Room 104
Chris Threader Coach Driver Waiter
Cian Boylan Piano Player (uncredited)
Clive Dev Hotel Guest (uncredited)
Degnan Geraghty Waiter (uncredited)
Heidi Ellen Love Waitress (uncredited)
Dolores Marren Waitress (uncredited)
Mark McCormack Waiter (uncredited)
Stephen Ryan Hotel Guest (uncredited)
Name Job
Thimios Bakatakis Director of Photography
Sarah Blenkinsop Costume Design
Yorgos Mavropsaridis Editor, Music Editor
Jacqueline Abrahams Production Design
Pierre Buffin Visual Effects Supervisor
Ronnie van der Veer Foley
Johnnie Burn Sound Designer, Supervising Sound Editor, Music Editor, Sound Re-Recording Mixer
Vasilis Marmatakis Title Designer, Graphic Designer
Christos Voudouris Thanks
Ariane Labed Thanks
Cait Collins Line Producer
Thyrza Ging Casting Associate
Amy Ashworth Music Supervisor
Danny van Spreuwel Dialogue Editor, Sound Re-Recording Mixer
Conor Mackey First Assistant Editor
Jack Kuiper Digital Intermediate
Sharon Doyle Makeup Designer
Eileen Buggy Hair Designer
Dave Moran Script Supervisor
Giedrius Nagys Stunt Coordinator
Jim Walsh Property Master
Karen Scully Casting Associate
John McKenna Armorer
Louise Kiely Casting
Kristina Prilukova Visual Effects Producer
Barry Conroy Gaffer
Lucy Browne Makeup Artist
Mark Kelly Art Direction
Jessica Timlin Assistant Art Director
Olivier Cauwet Visual Effects Supervisor
Simon Carroll Sound Effects Editor
Eoin McGuirk First Assistant Editor
Joe Mount Sound Effects Editor
Emer O'Shea Production Assistant
Despina Spyrou Still Photographer
Julie Billy Line Producer
Tara O'Halloran Makeup Artist
Owen Magee First Assistant Director
Lisa Kelly Second Assistant Director
Mike Hayes Third Assistant Director
Miriam Ferguson Assistant Director
Cassandra Steyn-Taylor Wardrobe Supervisor
Anna Grönerus Hairdresser
Zoë Gibney Makeup Trainee
Shane Deasy Focus Puller
Aislinn McDonald Digital Imaging Technician
Ciaran Maginn Camera Trainee
Oisín Kelly Key Grip
David Doherty Clapper Loader
Aoife Byrne Stunts
Emma Condren Stunts
Kyriacos Karseras Translator
Jina Jay Casting
Yorgos Lanthimos Screenplay, Director
Efthymis Filippou Screenplay
Isabelle Miller Translator
Name Title
Ceci Dempsey Producer
Lee Magiday Producer
Leontine Petit Co-Producer
Christos V. Konstantakopoulos Co-Producer
Joost de Vries Co-Producer
Carole Scotta Co-Producer
Ed Guiney Producer
Andrew Lowe Executive Producer
Tessa Ross Executive Producer
Simon Arnal Associate Producer
Caroline Benjo Associate Producer
Sam Lavender Executive Producer
Rory Gilmartin Executive Producer
Milan Ueffing Associate Producer
Derk-Jan Warrink Co-Producer
Yorgos Lanthimos Producer
Organization Category Person
Cannes Film Festival Best Actress Rachel Weisz Won
Cannes Film Festival Best Director Yorgos Lanthimos Won
Cannes Film Festival Best Supporting Actor Ben Whishaw Won
Cannes Film Festival Best Supporting Actor Léa Seydoux Nominated
Cannes Film Festival Best Supporting Actor Rachel Weisz Nominated
Venice Film Festival Best Actor Colin Farrell Nominated
Venice Film Festival Best Director Yorgos Lanthimos Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 63 104 47
2024 5 116 131 94
2024 6 69 121 37
2024 7 55 91 28
2024 8 34 51 23
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2025 2 26 47 6
2025 3 10 45 3
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Reviews

Rangan
7.0

> Another peculiar dystopian tale set in the future. From the director of the Oscars nominated movie 'Dogtooth'. If you are familiar with his signature movie, you will find it so good. This is not the best movie I had seen that set in the future, but like any other it was another dystopian tale. ... A black comedy-romance with a decent storyline, performances and overall a nice entertainer. The pace was very depressing, but I kept hooked to it for its frequent unpredictable scenes. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. When it moved to the 2nd half, especially after Rachel Weisz come into the frame, the entire scenario changed to atypical romance mode and kept that way till the last with a simple twist in the finale. Colin Ferrell's character was something like the one from the movie 'Her'. But not the same movie, or the theme, except the combination of the genres. It was a good movie, I enjoyed it, but not as much as others say they did. IMPO, it is a one time watch movie for its peculiarness. 7/10

May 16, 2024
talisencrw
9.0

This was an odd experience, as I just recently ended a self-imposed 12-year moratorium on relationships, due to a couple of bad ones I had within a short period of time in the early 2000's. It was very intriguing to see a type of dystopia exist in which 'singledom' was so vilified to the point of ac ... tually being against the law. I would never have previously thought that such a state of events was possible, but recent trends in 'political correctedness' on the one hand and both religious and political radicalism on the other means that, sadly, nothing is impossible anymore. I thought it was a remarkable idea for a film, and both the soundtrack and cinematography were outstanding. The bizarre script and bold direction brought forth some of the best acting I have yet seen from Colin Ferrell, Rachel Weisz and John C. Reilly, as well. I'm definitely looking forward to seeing other films by this brazenly original writer/director. Long may his almost-Bunuelian take on things go forth.

Jun 23, 2021
mattwilde123
8.0

This was Yorgos Lanthimos' English language debut. It was really funny. All of the actors had to perform their lines straight-faced and with no emotion which is very strange at first. The screenplay and direction of the film was very intelligent and perfectly highlights the themes of the film. Th ... is film was very quirky and unique and so I really enjoyed it. ★★★★

Jun 23, 2021
TitanGusang
7.0

_The Lobster_ is the most awkward love story I have ever watched, but despite how off putting it was it touched me in ways I did not quite expect. The plot of this film is incredibly unique. The idea of being turned into an animal if you cannot find love is so weird in the best kind of way. I found ... the entire movie to be very sinister in nature, always keeping me on edge about what was to come next, and that was enhanced by the sharp orchestra playing underneath every scene. Yorgos Lanthimos wrote the entire film in a very awkward way. I understand that it was aiming for that type of sharp and poignant feel, but it just did not work for me. I could not help but wonder how much better the film would have impacted me if it felt more natural. The acting in this movie is incredible, the way that everyone could act so emotionless while still feeling genuine was fantastic, even if I did not particularly care for the style. Despite all my complaints, I still genuinely enjoyed the experience, even with its ups and downs. I am still left pondering the ending of the film and that is how a movie should leave you feeling. **Verdict:** _Good_

Jul 15, 2022