Popularity: 5 (history)
Director: | Yorgos Lanthimos |
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Writer: | Yorgos Lanthimos, Efthymis Filippou |
Staring: |
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods. | |
Release Date: | Oct 15, 2015 |
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Director: | Yorgos Lanthimos |
Writer: | Yorgos Lanthimos, Efthymis Filippou |
Genres: | Comedy, Drama, Romance |
Keywords | hotel, suicide attempt, boat, dystopia, woods, romance, punishment, revenge, swimming, grave digging, curious, dead rabbit, blind woman, manhunt, shooting an animal |
Production Companies | Haut et Court, Eurimages, Lemming Film, Element Pictures, Nederlands Fonds voor de Film, Film4 Productions, Greek Film Centre, Faliro House Productions, Protagonist Pictures, Scarlet Films, Limp |
Box Office |
Revenue: $15,700,000
Budget: $4,000,000 |
Updates |
Updated: Aug 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Colin Farrell | David |
Rachel Weisz | Short Sighted Woman |
Olivia Colman | Hotel Manager |
Léa Seydoux | Loner Leader |
Michael Smiley | Loner Swimmer |
Ariane Labed | The Maid |
John C. Reilly | Lisping Man |
Ben Whishaw | Limping Man |
Angeliki Papoulia | Heartless Woman |
Jessica Barden | Nosebleed Woman |
Emma O'Shea | Nosebleed Woman's Best Friend |
Ashley Jensen | Biscuit Woman |
Roger Ashton-Griffiths | Doctor |
Anthony Dougall | 70 Year Old Waiter |
Anthony Moriarty | 30 Year Old Waiter |
Sean Duggan | Guard Waiter |
Roland Ferrandi | Loner Leader's Father |
Imelda Nagle Ryan | Loner Leader's Mother |
Jacqueline Abrahams | Donkey Shooter |
James Finnegan | Bald Man |
Robert Heaney | Restaurant Waiter |
Rosanna Hoult | David's Wife |
Kathy Kelly | Police Officer 1 |
Kevin McCormack | Police Officer 2 |
Nancy Onu | Hotel Receptionist |
Ewen MacIntosh | Trainer Waiter (Shooting Range) |
Patrick Malone | Campari Man |
Sandra Hayden Mason | Arrested Town Woman |
Garry Mountaine | Hotel Manager's Partner |
Laoise Murphy | New Daughter |
Ishmael Moalosi | Bandaged Loner |
Matthew O'Brien | Trapped Loner |
Judi King Murphy | Guest Room 104 |
Chris Threader | Coach Driver Waiter |
Cian Boylan | Piano Player (uncredited) |
Clive Dev | Hotel Guest (uncredited) |
Degnan Geraghty | Waiter (uncredited) |
Heidi Ellen Love | Waitress (uncredited) |
Dolores Marren | Waitress (uncredited) |
Mark McCormack | Waiter (uncredited) |
Stephen Ryan | Hotel Guest (uncredited) |
Name | Job |
---|---|
Thimios Bakatakis | Director of Photography |
Sarah Blenkinsop | Costume Design |
Yorgos Mavropsaridis | Editor, Music Editor |
Jacqueline Abrahams | Production Design |
Pierre Buffin | Visual Effects Supervisor |
Ronnie van der Veer | Foley |
Johnnie Burn | Sound Designer, Supervising Sound Editor, Music Editor, Sound Re-Recording Mixer |
Vasilis Marmatakis | Title Designer, Graphic Designer |
Christos Voudouris | Thanks |
Ariane Labed | Thanks |
Cait Collins | Line Producer |
Thyrza Ging | Casting Associate |
Amy Ashworth | Music Supervisor |
Danny van Spreuwel | Dialogue Editor, Sound Re-Recording Mixer |
Conor Mackey | First Assistant Editor |
Jack Kuiper | Digital Intermediate |
Sharon Doyle | Makeup Designer |
Eileen Buggy | Hair Designer |
Dave Moran | Script Supervisor |
Giedrius Nagys | Stunt Coordinator |
Jim Walsh | Property Master |
Karen Scully | Casting Associate |
John McKenna | Armorer |
Louise Kiely | Casting |
Kristina Prilukova | Visual Effects Producer |
Barry Conroy | Gaffer |
Lucy Browne | Makeup Artist |
Mark Kelly | Art Direction |
Jessica Timlin | Assistant Art Director |
Olivier Cauwet | Visual Effects Supervisor |
Simon Carroll | Sound Effects Editor |
Eoin McGuirk | First Assistant Editor |
Joe Mount | Sound Effects Editor |
Emer O'Shea | Production Assistant |
Despina Spyrou | Still Photographer |
Julie Billy | Line Producer |
Tara O'Halloran | Makeup Artist |
Owen Magee | First Assistant Director |
Lisa Kelly | Second Assistant Director |
Mike Hayes | Third Assistant Director |
Miriam Ferguson | Assistant Director |
Cassandra Steyn-Taylor | Wardrobe Supervisor |
Anna Grönerus | Hairdresser |
Zoë Gibney | Makeup Trainee |
Shane Deasy | Focus Puller |
Aislinn McDonald | Digital Imaging Technician |
Ciaran Maginn | Camera Trainee |
Oisín Kelly | Key Grip |
David Doherty | Clapper Loader |
Aoife Byrne | Stunts |
Emma Condren | Stunts |
Kyriacos Karseras | Translator |
Jina Jay | Casting |
Yorgos Lanthimos | Screenplay, Director |
Efthymis Filippou | Screenplay |
Isabelle Miller | Translator |
Name | Title |
---|---|
Ceci Dempsey | Producer |
Lee Magiday | Producer |
Leontine Petit | Co-Producer |
Christos V. Konstantakopoulos | Co-Producer |
Joost de Vries | Co-Producer |
Carole Scotta | Co-Producer |
Ed Guiney | Producer |
Andrew Lowe | Executive Producer |
Tessa Ross | Executive Producer |
Simon Arnal | Associate Producer |
Caroline Benjo | Associate Producer |
Sam Lavender | Executive Producer |
Rory Gilmartin | Executive Producer |
Milan Ueffing | Associate Producer |
Derk-Jan Warrink | Co-Producer |
Yorgos Lanthimos | Producer |
Organization | Category | Person | |
---|---|---|---|
Cannes Film Festival | Best Actress | Rachel Weisz | Won |
Cannes Film Festival | Best Director | Yorgos Lanthimos | Won |
Cannes Film Festival | Best Supporting Actor | Ben Whishaw | Won |
Cannes Film Festival | Best Supporting Actor | Léa Seydoux | Nominated |
Cannes Film Festival | Best Supporting Actor | Rachel Weisz | Nominated |
Venice Film Festival | Best Actor | Colin Farrell | Nominated |
Venice Film Festival | Best Director | Yorgos Lanthimos | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 63 | 104 | 47 |
2024 | 5 | 116 | 131 | 94 |
2024 | 6 | 69 | 121 | 37 |
2024 | 7 | 55 | 91 | 28 |
2024 | 8 | 34 | 51 | 23 |
2024 | 9 | 31 | 52 | 23 |
2024 | 10 | 40 | 78 | 20 |
2024 | 11 | 35 | 73 | 21 |
2024 | 12 | 31 | 44 | 24 |
2025 | 1 | 38 | 53 | 28 |
2025 | 2 | 26 | 47 | 6 |
2025 | 3 | 10 | 45 | 3 |
2025 | 4 | 7 | 10 | 5 |
2025 | 5 | 7 | 9 | 6 |
2025 | 6 | 7 | 8 | 5 |
2025 | 7 | 5 | 7 | 4 |
2025 | 8 | 5 | 7 | 4 |
2025 | 9 | 7 | 8 | 5 |
Trending Position
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2025 | 9 | 516 | 769 |
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2025 | 8 | 398 | 810 |
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2025 | 7 | 218 | 741 |
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2025 | 6 | 486 | 612 |
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2025 | 5 | 281 | 775 |
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2025 | 4 | 688 | 911 |
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2025 | 3 | 475 | 764 |
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2025 | 2 | 805 | 898 |
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2025 | 1 | 722 | 880 |
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2024 | 12 | 636 | 861 |
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2024 | 11 | 549 | 713 |
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2024 | 10 | 557 | 718 |
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2024 | 9 | 657 | 779 |
Year | Month | High | Avg |
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2024 | 8 | 699 | 699 |
> Another peculiar dystopian tale set in the future. From the director of the Oscars nominated movie 'Dogtooth'. If you are familiar with his signature movie, you will find it so good. This is not the best movie I had seen that set in the future, but like any other it was another dystopian tale. ... A black comedy-romance with a decent storyline, performances and overall a nice entertainer. The pace was very depressing, but I kept hooked to it for its frequent unpredictable scenes. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. When it moved to the 2nd half, especially after Rachel Weisz come into the frame, the entire scenario changed to atypical romance mode and kept that way till the last with a simple twist in the finale. Colin Ferrell's character was something like the one from the movie 'Her'. But not the same movie, or the theme, except the combination of the genres. It was a good movie, I enjoyed it, but not as much as others say they did. IMPO, it is a one time watch movie for its peculiarness. 7/10
This was an odd experience, as I just recently ended a self-imposed 12-year moratorium on relationships, due to a couple of bad ones I had within a short period of time in the early 2000's. It was very intriguing to see a type of dystopia exist in which 'singledom' was so vilified to the point of ac ... tually being against the law. I would never have previously thought that such a state of events was possible, but recent trends in 'political correctedness' on the one hand and both religious and political radicalism on the other means that, sadly, nothing is impossible anymore. I thought it was a remarkable idea for a film, and both the soundtrack and cinematography were outstanding. The bizarre script and bold direction brought forth some of the best acting I have yet seen from Colin Ferrell, Rachel Weisz and John C. Reilly, as well. I'm definitely looking forward to seeing other films by this brazenly original writer/director. Long may his almost-Bunuelian take on things go forth.
This was Yorgos Lanthimos' English language debut. It was really funny. All of the actors had to perform their lines straight-faced and with no emotion which is very strange at first. The screenplay and direction of the film was very intelligent and perfectly highlights the themes of the film. Th ... is film was very quirky and unique and so I really enjoyed it. ★★★★
_The Lobster_ is the most awkward love story I have ever watched, but despite how off putting it was it touched me in ways I did not quite expect. The plot of this film is incredibly unique. The idea of being turned into an animal if you cannot find love is so weird in the best kind of way. I found ... the entire movie to be very sinister in nature, always keeping me on edge about what was to come next, and that was enhanced by the sharp orchestra playing underneath every scene. Yorgos Lanthimos wrote the entire film in a very awkward way. I understand that it was aiming for that type of sharp and poignant feel, but it just did not work for me. I could not help but wonder how much better the film would have impacted me if it felt more natural. The acting in this movie is incredible, the way that everyone could act so emotionless while still feeling genuine was fantastic, even if I did not particularly care for the style. Despite all my complaints, I still genuinely enjoyed the experience, even with its ups and downs. I am still left pondering the ending of the film and that is how a movie should leave you feeling. **Verdict:** _Good_