Popularity: 3 (history)
| Director: | Ben Wheatley |
|---|---|
| Writer: | Amy Jump, J.G. Ballard |
| Staring: |
| Life for the residents of a tower block begins to run out of control. | |
| Release Date: | Nov 22, 2015 |
|---|---|
| Director: | Ben Wheatley |
| Writer: | Amy Jump, J.G. Ballard |
| Genres: | Drama |
| Keywords | london, england, upper class, based on novel or book, skyscraper, architecture, high rise, decadence, class conflict, social class, decay |
| Production Companies | Ingenious Media, HanWay Films, Film4 Productions, BFI, SCOPE Pictures, Recorded Picture Company, Northern Ireland Screen, S Films |
| Box Office |
Revenue: $4,289,074
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Ben Wheatley | Director, Editor |
| Clint Mansell | Original Music Composer |
| Martin Pavey | Supervising Sound Editor, Sound Re-Recording Mixer, Sound Designer |
| Sian Wilson | Key Hair Stylist, Key Makeup Artist |
| Nigel Pollock | Art Direction |
| Mark Tildesley | Production Design |
| Rob Entwistle | Sound Recordist |
| Kathryn Fa | Key Hair Stylist, Key Makeup Artist |
| Steve Joberns | Thanks |
| Dan Martin | Prosthetics, Special Effects, Creature Design |
| Gerard Quigley | Production Assistant |
| Stephen McConnell | Production Accountant |
| Tricia Jennings | Catering |
| Ian Henry | Catering |
| Zoe Flower | Unit Publicist |
| Conor Doherty | Floor Runner |
| Karl Moore-Levy | Picture Car Coordinator |
| Bram Raeymaekers | Musician |
| Alasdair Malloy | Musician |
| Geoff Foster | Score Engineer |
| Andrew Wilson | Location Manager |
| Rob Pizzey | Digital Colorist |
| Peckham Rye | Costumer |
| Alison Lewis | Costumer |
| Geri Doherty | Costume Assistant |
| Lauren Evans | Casting Assistant |
| Aidan Monaghan | Still Photographer |
| Phil Humphries | Digital Imaging Technician |
| Nick Gillespie | Additional Photography |
| Yannick de Decker | Digital Imaging Technician |
| Mark Stanton-Kelly | Stunts |
| Kim McGarrity | Stunts |
| Ryan McNeill | Special Effects Technician |
| Peter Gleaves | ADR Mixer |
| Mark Appleby | ADR Mixer |
| Gary Stewart | Carpenter |
| Joe Oriorood | Carpenter |
| Sean Nolan | Painter |
| Brian Murdock | Carpenter |
| Paul Kingham | Carpenter |
| Gerard Kelly | Carpenter |
| Felicity Hickson | Graphic Designer |
| John Glenholmes | Carpenter |
| John Friel | Carpenter |
| Micky Fallon | Carpenter |
| Gillian Devenney | Standby Art Director |
| Paki Smith | Set Decoration |
| Theo Park | Casting |
| Frank Walsh | Art Direction |
| Peter N. Brown | Construction Manager |
| Nicola Pender | Publicist |
| Abbie Long | Legal Services |
| Rachel Hull | Production Assistant |
| Brittny Heinrich | Production Assistant |
| Donna Fitzsymons | Assistant Accountant |
| Sandra Condon | Health and Safety |
| Anita Christy | Script Supervisor |
| Vincent Pierins | Musician |
| Patrick Lemmens | Score Engineer |
| John Quigley | Location Assistant |
| Scott Ferguson | Assistant Editor |
| Anna Reynolds | Costume Assistant |
| Chris Kerr | Costumer |
| Sam Dightam | Costumer |
| Kelly McLaughlin | Electrician |
| Graeme Haughton | Generator Operator |
| Tim Fletcher | Rigging Gaffer |
| Barry Conroy | Gaffer |
| Ian Pead | Stunts |
| Glenn Marks | Stunt Coordinator |
| Kevin Byrne | Special Effects Coordinator |
| Nikki Ruck | Dialogue Editor |
| Simon Diggins | ADR Mixer |
| Joyce Woods | Painter |
| Paddy Skelton | Carpenter |
| Gerard O'Neill | Painter |
| Mick Murray | Painter |
| Aidan McPartland | Painter |
| Brian Martin | Construction Coordinator |
| Stefan King | Carpenter |
| Fintan Hitchen | Painter |
| Martin Green | Painter |
| Ryan Gervin | Carpenter |
| Danny Fox | Standby Carpenter |
| Sean Elliman | Standby Painter |
| Heather Greenlees | Art Direction |
| Michael Eaton | Graphic Designer |
| Lauren Sheerin | Production Secretary |
| Mary Owens | Animal Wrangler |
| Peter La Terriere | Production Executive |
| Theo Herron | Floor Runner |
| Kyle Douglas | Catering |
| Sean Bailey | Health and Safety |
| Brussels Philharmonic | Musician |
| Eric Melaerts | Musician |
| Geert Callaert | Musician |
| Jessica Stephens | Post Production Assistant |
| Hannah Wood | Costume Supervisor |
| Clare Ramsell | Costumer |
| Elle Kent | Costume Assistant |
| Ellen Crawshaw | Assistant Costume Designer |
| Peter O'Toole | Electrician |
| Tom Keyes | Electrician |
| Glynn Harrison | Key Grip |
| Tony Devlin | Electrician |
| Donna Williams | Stunts |
| Casey Michaels | Stunts |
| Robbie Keane | Stunts |
| Simon Trundle | Foley Mixer |
| Paul Hanks | Foley Artist |
| Phillip Barrett | Foley Supervisor |
| Benedict Tildesley | Art Department Trainee |
| Russell Sargent | Supervising Carpenter |
| Dean O'Neill | Painter |
| Ultan Murphy | Carpenter |
| Kevin McGeough | Painter |
| Gerard Mackleraith | Carpenter |
| Stephen Kelly | Greensman |
| Tommy Hilland | Painter |
| Martin Green Jr. | Painter |
| Ciaran Gervin | Carpenter |
| Peter Fitzpatrick | Carpenter |
| Joseph Duffy | Set Dresser |
| Warren Craig | Carpenter |
| Chris Burrell | Art Department Trainee |
| Rachel Barker | Art Department Trainee |
| Hussain Yasin | Third Assistant Director |
| Emilio Govinden | Assistant Director Trainee |
| Philie Naughten | Unit Production Manager |
| Nicola Iles | Assistant Makeup Artist, Assistant Hairstylist |
| Claire Pompili | Assistant Hairstylist, Assistant Makeup Artist |
| Tommy Curran | Carpenter |
| David Carson | Property Master |
| Peter Brown | Construction Manager |
| Glen Armour | Carpenter |
| Helen Fraser | Second Assistant Director |
| Paul Connolly | Carpenter |
| Gerard Burns | Carpenter |
| Stephen Armstrong | Construction Coordinator |
| Neil Wallace | First Assistant Director |
| Karen Redfern | Post Production Supervisor |
| David McKee | Unit Manager |
| Stacey Quigley | Production Supervisor |
| Dana Kalder | Additional Hairstylist |
| Anita Brolly | Additional Hairstylist |
| Damien Donnelly | Standby Rigger |
| Laurie Rose | "A" Camera Operator, Director of Photography |
| Amy Jump | Screenplay, Editor |
| Nina Gold | Casting |
| Odile Dicks-Mireaux | Costume Design |
| J.G. Ballard | Novel |
| Wakana Yoshihara | Makeup Designer, Hair Designer |
| Tapio Liukkonen | Foley Artist |
| Nellie Burroughes | Stunts |
| Brendan Gunn | Dialect Coach |
| Hans Francken | Musician |
| Matt Dunkley | Conductor |
| Brian McGee | Greensman |
| Name | Title |
|---|---|
| Thorsten Schumacher | Executive Producer |
| Sam Lavender | Executive Producer |
| Alainée Kent | Co-Producer |
| Christopher Simon | Executive Producer |
| Peter Watson | Executive Producer |
| Anna Higgs | Executive Producer |
| Nick O'Hagan | Co-Producer |
| Gabriella Martinelli | Executive Producer |
| Jeremy Thomas | Producer |
| Geneviève Lemal | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 20 | 32 | 11 |
| 2024 | 5 | 24 | 55 | 14 |
| 2024 | 6 | 22 | 33 | 12 |
| 2024 | 7 | 25 | 48 | 14 |
| 2024 | 8 | 18 | 45 | 10 |
| 2024 | 9 | 14 | 20 | 8 |
| 2024 | 10 | 22 | 48 | 8 |
| 2024 | 11 | 15 | 33 | 10 |
| 2024 | 12 | 12 | 17 | 9 |
| 2025 | 1 | 15 | 30 | 9 |
| 2025 | 2 | 11 | 19 | 3 |
| 2025 | 3 | 5 | 16 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 3 | 5 | 1 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
**A dystopian-thriller-drama in a retro effect.** A new British dystopian-drama sets in a single 40 storey building revolving around the people who resides there. It was based on the novel of the same name which has a great cast and a decently made film. But it is kind of a 50-50 to me, mostly I ... enjoyed with a little disappointment in some parts. First of all I did not know anything about the film, so surprised with its development, especially when it reached its midway I realised the theme. The setting was great, and well performed by all, particularly the Tom Hiddleton which is very rare to see him in a lead role. It was the story of a doctor who moved to his new residency in a high-rise tower and tries to blend in with the others. But as the world is falling apart by the collapse of the society and civilisation, his tower block as well affected very seriously of all kinds of supplies where he confronts various threats from its people. The remaining story concentrates where it is going to end and how with some high and low moments. Occasionally, the narration takes us outside the building, but it does not stay there long enough. At present there are many dystopian films are made, especially for teens, so this is really good and gives the 70s and 80s kind of effect, despite technologically it resembles the current world. Not many people who watched it liked it, so did I. It was not that bad, but the story was not appealing to the 2016 audience, where so many hi-tech films hitting the screen in dystopian theme. From that perspective, it is good we have here a different kind, but not enough. It would have become one of the classic cult if it was made in the 80s or should have been updated thoroughly for making it today. _6/10_
I think I must be too stupid to appreciate it fully. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...