Popularity: 4 (history)
| Director: | Marc Abraham |
|---|---|
| Writer: | Marc Abraham, William MacEwen, Colin Escott, George Merritt |
| Staring: |
| Singer and songwriter Hank Williams rises to fame in the 1940s, but alcohol abuse and infidelity take a toll on his career and marriage to fellow musician Audrey Mae Williams. | |
| Release Date: | Feb 05, 2016 |
|---|---|
| Director: | Marc Abraham |
| Writer: | Marc Abraham, William MacEwen, Colin Escott, George Merritt |
| Genres: | Drama, Music |
| Keywords | country music, musical, biography, addiction, 1940s |
| Production Companies | Bron Studios, RatPac Entertainment |
| Box Office |
Revenue: $1,646,788
Budget: $13,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tom Hiddleston | Hank Williams |
| Elizabeth Olsen | Audrey Mae Williams |
| Wayne Pére | Toby Marshall |
| David Krumholtz | James Dolan |
| Wrenn Schmidt | Bobbie Jett |
| Bradley Whitford | Fred Rose |
| Josh Pais | Dore Schary |
| Cherry Jones | Lillie Williams |
| James DuMont | WB Nowlin |
| Joe Chrest | Oscar Davis |
| Charlie Talbert | Cliff Rogers |
| Maddie Hasson | Billie Jean |
| Candice Harrison | Roadhouse Patron |
| Cory Hart | Back Pain Doctor |
| NM Garcia | Ryman Auditorium / Cow Coliseum Gal |
| Caroline Hebert | Ellie |
| Justin Lebrun | Concert attendant |
| Casey Bond | Jerry Rivers |
| Joshua Brady | Sammy Pruett |
| Elliott Grey | Banker |
| Emily Marie Palmer | |
| Vanessa Amaya | |
| Jeff Caperton | Campbell |
| Erica Curtis | |
| Jayson Warner Smith | Hank Snow |
| Bethany Blakey | Female passerby |
| Denise Gossett | Mrs. Jones |
| Christopher Heskey | StageHand Supervisor |
| Gary Teague | Pedestrian |
| Skyler Davenport | Hospital Nurse / MGM Pedestrian |
| Allison Claye | Concert goer |
| Rebecca Chulew | Performer / Hotel Bar Patron |
| Douglas M. Griffin | Howard Pill |
| Mattie Liptak | Charles Carr |
| Jillian Batherson | Bar Woman |
| Gretchen Koerner | Bar Waitress |
| Bryan Michael Hall | Musician |
| Richard Jackson | Boyette |
| Amanda Joy Erickson | Patron |
| Cody Daniel | Ronald |
| Deadra Moore | Mrs. Ragland |
| Joe Manco | NYC Pedestrian (uncredited) |
| Name | Job |
|---|---|
| Marc Abraham | Screenplay, Director |
| Tracy Kilpatrick | Casting |
| Garret Roosa | Visual Effects Coordinator |
| Duane Manwiller | Additional Photography |
| Alexis Kate Reynolds | Set Costumer |
| Jennifer Yoo | Casting Associate |
| Jay Fortune | Gaffer |
| William MacEwen | Book |
| Erica Brunson | Makeup Artist |
| Blair Foster | Casting Associate |
| Gayle Merendino | Set Costumer |
| John Sievert | Foley |
| Scott Peterson | Script Supervisor |
| Brent McReynolds | First Assistant Editor |
| Shant Jordan | Visual Effects Supervisor |
| Colin Escott | Book |
| Courtney Lether | Makeup Artist |
| Liz Ludwitzke | Casting Associate |
| Carter Little | Music Supervisor |
| Jack Lynch | Special Effects Coordinator |
| Jeena M. Phelps | Dialogue Editor |
| Lahly Poore | Costume Design |
| Merideth Boswell | Production Design |
| Tommie Strawther | Hairstylist |
| Rob Simons | Art Direction |
| Brent 'Swampy' Mullins | Rigging Grip |
| Thomas Tannenberger | Visual Effects Supervisor |
| Rodney Williamson | Set Costumer |
| Rick Kline | Sound Re-Recording Mixer |
| Stephen W. Pugh | Visual Effects Producer |
| Cha'Ree Brown | Hairstylist |
| Stefan Sonnenfeld | Digital Intermediate |
| Angie Rubin | Music Editor |
| George Merritt | Book |
| Kenneth Brown | Construction Coordinator |
| Henry Tirl | Steadicam Operator |
| Joe Guzman | Digital Intermediate |
| Stephen H. Porter | Art Department Coordinator |
| James W. Apted | First Assistant Camera |
| Sam Emerson | Still Photographer |
| Paul Carlin | Digital Intermediate |
| Matthew King | First Assistant Camera |
| Angelique Paull | Costume Supervisor |
| Steve C. Aaron | Production Sound Mixer |
| John Bankson | Property Master |
| Ed Lipscomb | Location Manager |
| Dante Spinotti | Director of Photography |
| Alan Heim | Editor |
| Denise Chamian | Casting |
| Jon Greasley | Sound Re-Recording Mixer |
| Gregory King | Sound Re-Recording Mixer |
| Darren King | Supervising Sound Editor |
| Douglas Noe | Makeup Department Head |
| Aaron Zigman | Original Music Composer |
| Name | Title |
|---|---|
| G. Marq Roswell | Producer |
| Marc Abraham | Producer |
| Aaron L. Gilbert | Producer |
| Brett Ratner | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 13 | 17 | 8 |
| 2024 | 5 | 16 | 23 | 12 |
| 2024 | 6 | 15 | 24 | 7 |
| 2024 | 7 | 19 | 35 | 9 |
| 2024 | 8 | 14 | 25 | 8 |
| 2024 | 9 | 10 | 16 | 6 |
| 2024 | 10 | 14 | 22 | 8 |
| 2024 | 11 | 14 | 38 | 7 |
| 2024 | 12 | 11 | 17 | 7 |
| 2025 | 1 | 10 | 19 | 6 |
| 2025 | 2 | 7 | 11 | 3 |
| 2025 | 3 | 5 | 9 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 1 | 6 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
In theory this had loads to recommend it. A young man who captivated the USA with his music, an handsome and charismatically flawed gent who lived his life to the full, philandered, cheated and drank... How, then, did Marc Abraham manage to turn all that into a stodgy television movie? The ever easy ... on the eye Tom Hiddleston takes the title role and does precisely nothing with it. His mimicry of the style of performing - that slightly chicken-strutting jig he did whilst singing, works well enough but otherwise this is a shallow and lacklustre characterisation. Williams could never have been called a loyal man and the women who featured prominently here - wife Audrey (Elisabeth Olsen), Bobbie (Wrenn Schmidt) and Billie Jean (Maddie Hasson) have precious little to work with to add much depth to this puddle of a biopic. It has a go at creating a documentary feel to it, incorporating some monochrome (and monotone) contributions from Bradey Whitford's version of producer Fred Rose and there is plenty of toe-tapping - especially the fiddlers, but at just over the two hour mark this is a ponderously feeble effort to enliven a man by an actor who spent way too much time in wardrobe and nowhere near enough trying to imbue the subject with personality. "Walk the Line" (2005) it isn't.