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Warfare Poster

Warfare

Everything is based on memory.
2025 | 95m | English

(89610 votes)

TMDb IMDb

Popularity: 17 (history)

Details

A platoon of Navy SEALs embarks on a dangerous mission in Ramadi, Iraq, with the chaos and brotherhood of war retold through their memories of the event.
Release Date: Apr 09, 2025
Director: Ray Mendoza, Alex Garland
Writer: Ray Mendoza, Alex Garland
Genres: Action, War
Keywords u.s. navy seal, docudrama, iraq war, platoon, real time, 2000s, depressing
Production Companies DNA Films, A24
Box Office Revenue: $31,896,828
Budget: $20,000,000
Updates Updated: Aug 10, 2025
Entered: Feb 15, 2025
Trailers and Extras

Full Credits

Name Character
D'Pharaoh Woon-A-Tai Ray
Will Poulter Erik
Cosmo Jarvis Elliott
Kit Connor Tommy
Finn Bennett John
Taylor John Smith Frank
Michael Gandolfini Lt. MacDonald
Adain Bradley Sgt Laerrus
Noah Centineo Brian
Evan Holtzman Brock
Henry Zaga Aaron
Joseph Quinn Sam
Charles Melton Jake
Aaron Mackenzie Kelly
Alex Brockdorff Mikey
Joe Macaulay Mo
Laurie Duncan Pete
Jake Lampert Ted
Aaron Deakins Bob
Tom Dunne AJ
Rayhan Ali Falah
Heider Ali Sidar
Sima Pollitt Alia
Nathan Altai Farid
Aso Sherabayani Samir
Amira Dutton Sama
Donya Hussen Noor
Inbal Amram Amira
Alexander Angelikis Bushmaster 3 (uncredited)
Marton Virag Al-Qaeda Fighter (uncredited)
John Adkins Manchu X-Ray (uncredited)
Name Job
Bogdan Kumšackij Stunts
David J. Thompson Director of Photography
Fin Oates Editor
Mark Digby Production Design
Giedrius Nagys Stunt Coordinator
Andrej Riabokon Stunts
Barney Coates First Assistant "A" Camera
Ray Mendoza Director, Writer
Alex Garland Director, Writer
Glenn Freemantle Supervising Sound Editor, Sound Designer
Charlie Reed Line Producer
Neil Murphy Costume Design
Mitch Low Production Sound Mixer
Declan O'Brien Art Direction
Simon Stanley-Clamp Visual Effects Supervisor
Andrius Davidenas Stunts
Ramon Álvarez Stunts
Nick Thursby First Assistant "B" Camera
Emily Thomas First Assistant Director
Matt Curtis Title Designer
Polly Duval Post Production Supervisor
Tony Christian Utility Stunts
Hasit Savani Stunts
Barney Piercy "B" Camera Operator
Ben Barker Supervising Sound Editor
Danny Freemantle Sound Effects Editor
Nick Freemantle Sound Effects Editor
Dayo James Sound Effects Editor
Robert Malone Sound Effects Editor
Richard Spooner Sound Re-Recording Mixer
James Cura Assistant Art Director
Terry Robb Gaffer
Rose Powell Casting Associate
Michelle Day Set Decoration
Paul Gooch Makeup Designer, Hair Designer
Oliver Parsons Stunts
Jason Curle Stunts
Chris Painter Stunts
Adomas Miklys Stunts
Daniel Rawlins Stunts
Howard Bargroff Sound Re-Recording Mixer
Kaley Edwards Visual Effects Producer
Charlie Meakin Standby Art Director
Tristan Versluis Prosthetic Designer
Debbi Salmon Key Hair Stylist, Key Makeup Artist
Natalie Abizadeh Makeup & Hair
Inez Clark Makeup & Hair
Nabeel Hussain Makeup & Hair
Sunita Parmar Prosthetic Makeup Artist
Leon Smikle Prosthetic Makeup Artist
Sophie Flynn Prosthetic Makeup Artist
Martina Sandonà Prosthetic Makeup Artist
Maxi Schwarzkopf Prosthetic Makeup Artist
Marie Ziemes Prosthetic Makeup Artist
Bas Schwarz Prosthetic Makeup Artist
Sharon de Ruijsscher Prosthetic Makeup Artist
Ben Chalmers Prosthetic Makeup Artist
Rie Gibson Prosthetic Makeup Artist
Vesna Giordano Prosthetic Makeup Artist
Zac Coyle Prosthetic Makeup Artist
Rob Skene Prosthetic Makeup Artist
Brogan Sharp Prosthetic Makeup Artist
Laura Elena Gonzalez Prosthetic Makeup Artist
Niki De Jong Prosthetic Makeup Artist
Angela Ruiz Prosthetic Makeup Artist
Georgina Olive Prosthetic Makeup Artist
Sophie Alexandra Medhurst Prosthetic Makeup Artist
Abigail Harcourt-Smith Prosthetic Makeup Artist
Inés Dartois Prosthetic Makeup Artist
Jason Thorne Special Effects Technician
Nick Churchill Special Effects Technician
Duncan MacLeod Special Effects Technician
Zoe Freed Foley Artist
Rebecca Heathcote Foley Artist
Paolo Pavesi Foley Editor
Martina Silharova Visual Effects Producer
Kharmel Cochrane Casting
David Crossman Costume Design
Name Title
Peter Rice Producer
Andrew Macdonald Producer
Matthew Penry-Davey Producer
Allon Reich Producer
Joanne Smith Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 4 9 1
2024 5 5 8 1
2024 6 7 31 1
2024 7 4 8 1
2024 8 3 5 1
2024 9 2 3 1
2024 10 2 5 1
2024 11 3 5 1
2024 12 8 18 1
2025 1 10 17 6
2025 2 8 14 1
2025 3 4 15 0
2025 4 32 65 6
2025 5 289 574 29
2025 6 111 191 66
2025 7 49 70 38
2025 8 29 40 23
2025 9 22 29 19
2025 10 17 19 14

Trending Position


Year Month High Avg
2025 10 150 510
Year Month High Avg
2025 9 65 323
Year Month High Avg
2025 8 29 137
Year Month High Avg
2025 7 18 53
Year Month High Avg
2025 6 6 40
Year Month High Avg
2025 5 1 25
Year Month High Avg
2025 4 8 53
Year Month High Avg
2025 3 57 452
Year Month High Avg
2025 2 239 556

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Reviews

Geronimo1967
7.0

A squad of American soldiers seemingly randomly select an house in Ramadi and having relocated it’s sleeping occupants to the ground floor, set up a sniper station from where they can monitor the goings on around them. Initially, this all looks harmless enough as the Iraqi locals go about their busi ... ness, but gradually the spotters become suspicious of repetitive activity, the odd person who seems to be snooping on them - and then, well all hell breaks loose leaving them facing an existential threat that will test their mettle, their equipment and require some feats of legerdemain if they are to survive long enough to be rescued. There is quite some intensity to this drama as the young men under siege must each deal with their fears, strengths and weaknesses under a constant stream of fire. Will Poulter’s “Erik” leads the team, but the best effort for me came from his comms man “Ray” (D’Pharoah Woon-A-Tai) and, though sparingly, from Kit Connor’s rookie “Tommy” who, like us watching, had no idea what they were doing in this house and what the purpose of their mission actually was in the first place. There isn’t so much a script as an increasingly nervous dialogue that disintegrates as their predicament becomes more perilous and the photography and particularly the audio serve really well in conveying a sense of the lethally claustrophobic atmosphere in which these men had to function. Real veterans wrote the story, advised the production and that shows in something that is certainly incomplete from a narrative perspective, but is uncomfortably enthralling to watch and graphically displays the horrors of urban warfare.

Apr 20, 2025
r96sk
8.0

<em>'Warfare'</em> ends up as expected: bleak and miserable. The sound design is truly outstanding, such fine work ensures that you hear and feel everything. The plot being told in real time makes it rather captivating too, the tone of either trepidation or torment is omnipresent. Well, I say omn ... ipresent, that's taking out the opening scene. I was not expecting that! Very fun though and a good way to show a snapshot of the camaraderie. It shouldn't work because it's not like it matches the rest of the film, but I gotta say I really loved it. What a tune, by the way. It's a fairly stacked cast list, from Will Poulter to Joseph Quinn to Charles Melton to Michael Gandolfini to D'Pharaoh Woon-A-Tai. No-one actually stands out individually, but I think that's entirely a good thing because it obviously isn't a story about any one person - it's about all of them.

Apr 25, 2025
MovieGuys
7.0

"Warfare" is as simple a statement as you can get, on the reality of conflict. Warfare can be dull, even bureaucratic, with its own language, spoken over radio in codes. Equally, its frenetic, violent and horribly visceral. We see all of these aspects of war, in this film. I'll admit its depr ... essing, sad, underlining in blood, the wastefulness of war. Mind you, that's what war is. Not heroic, symphonic, grandiose. Suffice to say, I liked this film. Its unpretentious and makes you question, not only the need for war but attempts to make it appear noble, when clearly, its nothing of the kind. In summary, a realistic portrayal of the true face of war. Something every young person, thinking of joining the military, should watch.

Jun 08, 2025
msbreviews
7.0

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/warfare-movie-review-garland-and-mendoza-strip-the-genre-to-its-rawest-form/ "Warfare is a film you admire more than you enjoy. Its anti-narrative structure, slow pacing, and lack of strong central figures make it difficult to revisit - b ... ut impossible to forget. It's a remarkable display of technical realism, a brutally honest recreation of a war zone, and a testament to cinema's power when it refuses to play by the rules. Alex Garland and Ray Mendoza may not have crafted a universally captivating masterpiece, but they've created something undeniably authentic. And sometimes, that's enough." Rating: B

May 09, 2025
stipend
4.0

Difficult to not notice a typical Netflix/Prime budget canvas. forces you to admit all happening in one room one street or just in your imaginations. Lost patient, tried fast forward several times but nothing really changes or happens. Seems like all high rating are for the real incident and to re ... al soldiers. Sorry this is the review of a movie like any other movie.

Jul 29, 2025