Popularity: 17 (history)
| Director: | Ray Mendoza, Alex Garland |
|---|---|
| Writer: | Ray Mendoza, Alex Garland |
| Staring: |
| A platoon of Navy SEALs embarks on a dangerous mission in Ramadi, Iraq, with the chaos and brotherhood of war retold through their memories of the event. | |
| Release Date: | Apr 09, 2025 |
|---|---|
| Director: | Ray Mendoza, Alex Garland |
| Writer: | Ray Mendoza, Alex Garland |
| Genres: | Action, War |
| Keywords | u.s. navy seal, docudrama, iraq war, platoon, real time, 2000s, depressing |
| Production Companies | DNA Films, A24 |
| Box Office |
Revenue: $31,896,828
Budget: $20,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Feb 15, 2025 |
| Name | Character |
|---|---|
| D'Pharaoh Woon-A-Tai | Ray |
| Will Poulter | Erik |
| Cosmo Jarvis | Elliott |
| Kit Connor | Tommy |
| Finn Bennett | John |
| Taylor John Smith | Frank |
| Michael Gandolfini | Lt. MacDonald |
| Adain Bradley | Sgt Laerrus |
| Noah Centineo | Brian |
| Evan Holtzman | Brock |
| Henry Zaga | Aaron |
| Joseph Quinn | Sam |
| Charles Melton | Jake |
| Aaron Mackenzie | Kelly |
| Alex Brockdorff | Mikey |
| Joe Macaulay | Mo |
| Laurie Duncan | Pete |
| Jake Lampert | Ted |
| Aaron Deakins | Bob |
| Tom Dunne | AJ |
| Rayhan Ali | Falah |
| Heider Ali | Sidar |
| Sima Pollitt | Alia |
| Nathan Altai | Farid |
| Aso Sherabayani | Samir |
| Amira Dutton | Sama |
| Donya Hussen | Noor |
| Inbal Amram | Amira |
| Alexander Angelikis | Bushmaster 3 (uncredited) |
| Marton Virag | Al-Qaeda Fighter (uncredited) |
| John Adkins | Manchu X-Ray (uncredited) |
| Name | Job |
|---|---|
| Bogdan Kumšackij | Stunts |
| David J. Thompson | Director of Photography |
| Fin Oates | Editor |
| Mark Digby | Production Design |
| Giedrius Nagys | Stunt Coordinator |
| Andrej Riabokon | Stunts |
| Barney Coates | First Assistant "A" Camera |
| Ray Mendoza | Director, Writer |
| Alex Garland | Director, Writer |
| Glenn Freemantle | Supervising Sound Editor, Sound Designer |
| Charlie Reed | Line Producer |
| Neil Murphy | Costume Design |
| Mitch Low | Production Sound Mixer |
| Declan O'Brien | Art Direction |
| Simon Stanley-Clamp | Visual Effects Supervisor |
| Andrius Davidenas | Stunts |
| Ramon Álvarez | Stunts |
| Nick Thursby | First Assistant "B" Camera |
| Emily Thomas | First Assistant Director |
| Matt Curtis | Title Designer |
| Polly Duval | Post Production Supervisor |
| Tony Christian | Utility Stunts |
| Hasit Savani | Stunts |
| Barney Piercy | "B" Camera Operator |
| Ben Barker | Supervising Sound Editor |
| Danny Freemantle | Sound Effects Editor |
| Nick Freemantle | Sound Effects Editor |
| Dayo James | Sound Effects Editor |
| Robert Malone | Sound Effects Editor |
| Richard Spooner | Sound Re-Recording Mixer |
| James Cura | Assistant Art Director |
| Terry Robb | Gaffer |
| Rose Powell | Casting Associate |
| Michelle Day | Set Decoration |
| Paul Gooch | Makeup Designer, Hair Designer |
| Oliver Parsons | Stunts |
| Jason Curle | Stunts |
| Chris Painter | Stunts |
| Adomas Miklys | Stunts |
| Daniel Rawlins | Stunts |
| Howard Bargroff | Sound Re-Recording Mixer |
| Kaley Edwards | Visual Effects Producer |
| Charlie Meakin | Standby Art Director |
| Tristan Versluis | Prosthetic Designer |
| Debbi Salmon | Key Hair Stylist, Key Makeup Artist |
| Natalie Abizadeh | Makeup & Hair |
| Inez Clark | Makeup & Hair |
| Nabeel Hussain | Makeup & Hair |
| Sunita Parmar | Prosthetic Makeup Artist |
| Leon Smikle | Prosthetic Makeup Artist |
| Sophie Flynn | Prosthetic Makeup Artist |
| Martina Sandonà | Prosthetic Makeup Artist |
| Maxi Schwarzkopf | Prosthetic Makeup Artist |
| Marie Ziemes | Prosthetic Makeup Artist |
| Bas Schwarz | Prosthetic Makeup Artist |
| Sharon de Ruijsscher | Prosthetic Makeup Artist |
| Ben Chalmers | Prosthetic Makeup Artist |
| Rie Gibson | Prosthetic Makeup Artist |
| Vesna Giordano | Prosthetic Makeup Artist |
| Zac Coyle | Prosthetic Makeup Artist |
| Rob Skene | Prosthetic Makeup Artist |
| Brogan Sharp | Prosthetic Makeup Artist |
| Laura Elena Gonzalez | Prosthetic Makeup Artist |
| Niki De Jong | Prosthetic Makeup Artist |
| Angela Ruiz | Prosthetic Makeup Artist |
| Georgina Olive | Prosthetic Makeup Artist |
| Sophie Alexandra Medhurst | Prosthetic Makeup Artist |
| Abigail Harcourt-Smith | Prosthetic Makeup Artist |
| Inés Dartois | Prosthetic Makeup Artist |
| Jason Thorne | Special Effects Technician |
| Nick Churchill | Special Effects Technician |
| Duncan MacLeod | Special Effects Technician |
| Zoe Freed | Foley Artist |
| Rebecca Heathcote | Foley Artist |
| Paolo Pavesi | Foley Editor |
| Martina Silharova | Visual Effects Producer |
| Kharmel Cochrane | Casting |
| David Crossman | Costume Design |
| Name | Title |
|---|---|
| Peter Rice | Producer |
| Andrew Macdonald | Producer |
| Matthew Penry-Davey | Producer |
| Allon Reich | Producer |
| Joanne Smith | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 9 | 1 |
| 2024 | 5 | 5 | 8 | 1 |
| 2024 | 6 | 7 | 31 | 1 |
| 2024 | 7 | 4 | 8 | 1 |
| 2024 | 8 | 3 | 5 | 1 |
| 2024 | 9 | 2 | 3 | 1 |
| 2024 | 10 | 2 | 5 | 1 |
| 2024 | 11 | 3 | 5 | 1 |
| 2024 | 12 | 8 | 18 | 1 |
| 2025 | 1 | 10 | 17 | 6 |
| 2025 | 2 | 8 | 14 | 1 |
| 2025 | 3 | 4 | 15 | 0 |
| 2025 | 4 | 32 | 65 | 6 |
| 2025 | 5 | 289 | 574 | 29 |
| 2025 | 6 | 111 | 191 | 66 |
| 2025 | 7 | 49 | 70 | 38 |
| 2025 | 8 | 29 | 40 | 23 |
| 2025 | 9 | 22 | 29 | 19 |
| 2025 | 10 | 17 | 19 | 14 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 150 | 510 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 65 | 323 |
| Year | Month | High | Avg |
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| 2025 | 8 | 29 | 137 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 18 | 53 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 6 | 40 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 1 | 25 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 8 | 53 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 57 | 452 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 239 | 556 |
A squad of American soldiers seemingly randomly select an house in Ramadi and having relocated it’s sleeping occupants to the ground floor, set up a sniper station from where they can monitor the goings on around them. Initially, this all looks harmless enough as the Iraqi locals go about their busi ... ness, but gradually the spotters become suspicious of repetitive activity, the odd person who seems to be snooping on them - and then, well all hell breaks loose leaving them facing an existential threat that will test their mettle, their equipment and require some feats of legerdemain if they are to survive long enough to be rescued. There is quite some intensity to this drama as the young men under siege must each deal with their fears, strengths and weaknesses under a constant stream of fire. Will Poulter’s “Erik” leads the team, but the best effort for me came from his comms man “Ray” (D’Pharoah Woon-A-Tai) and, though sparingly, from Kit Connor’s rookie “Tommy” who, like us watching, had no idea what they were doing in this house and what the purpose of their mission actually was in the first place. There isn’t so much a script as an increasingly nervous dialogue that disintegrates as their predicament becomes more perilous and the photography and particularly the audio serve really well in conveying a sense of the lethally claustrophobic atmosphere in which these men had to function. Real veterans wrote the story, advised the production and that shows in something that is certainly incomplete from a narrative perspective, but is uncomfortably enthralling to watch and graphically displays the horrors of urban warfare.
<em>'Warfare'</em> ends up as expected: bleak and miserable. The sound design is truly outstanding, such fine work ensures that you hear and feel everything. The plot being told in real time makes it rather captivating too, the tone of either trepidation or torment is omnipresent. Well, I say omn ... ipresent, that's taking out the opening scene. I was not expecting that! Very fun though and a good way to show a snapshot of the camaraderie. It shouldn't work because it's not like it matches the rest of the film, but I gotta say I really loved it. What a tune, by the way. It's a fairly stacked cast list, from Will Poulter to Joseph Quinn to Charles Melton to Michael Gandolfini to D'Pharaoh Woon-A-Tai. No-one actually stands out individually, but I think that's entirely a good thing because it obviously isn't a story about any one person - it's about all of them.
"Warfare" is as simple a statement as you can get, on the reality of conflict. Warfare can be dull, even bureaucratic, with its own language, spoken over radio in codes. Equally, its frenetic, violent and horribly visceral. We see all of these aspects of war, in this film. I'll admit its depr ... essing, sad, underlining in blood, the wastefulness of war. Mind you, that's what war is. Not heroic, symphonic, grandiose. Suffice to say, I liked this film. Its unpretentious and makes you question, not only the need for war but attempts to make it appear noble, when clearly, its nothing of the kind. In summary, a realistic portrayal of the true face of war. Something every young person, thinking of joining the military, should watch.
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/warfare-movie-review-garland-and-mendoza-strip-the-genre-to-its-rawest-form/ "Warfare is a film you admire more than you enjoy. Its anti-narrative structure, slow pacing, and lack of strong central figures make it difficult to revisit - b ... ut impossible to forget. It's a remarkable display of technical realism, a brutally honest recreation of a war zone, and a testament to cinema's power when it refuses to play by the rules. Alex Garland and Ray Mendoza may not have crafted a universally captivating masterpiece, but they've created something undeniably authentic. And sometimes, that's enough." Rating: B
Difficult to not notice a typical Netflix/Prime budget canvas. forces you to admit all happening in one room one street or just in your imaginations. Lost patient, tried fast forward several times but nothing really changes or happens. Seems like all high rating are for the real incident and to re ... al soldiers. Sorry this is the review of a movie like any other movie.