 
  Popularity: 3 (history)
| Director: | Kobi Libii | 
|---|---|
| Writer: | Kobi Libii | 
| Staring: | 
| A young man, Aren, is recruited into a secret society of magical Black people who dedicate their lives to a cause of utmost importance: making white people’s lives easier. | |
| Release Date: | Mar 15, 2024 | 
|---|---|
| Director: | Kobi Libii | 
| Writer: | Kobi Libii | 
| Genres: | Comedy, Fantasy | 
| Keywords | satire, racial stereotype, playful, pathetic, inspirational, critical, dignified | 
| Production Companies | Sight Unseen Pictures, Juba Lane | 
| Box Office | Revenue: $2,480,645 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| James Zark | Storyboard Artist | 
| Kobi Libii | Writer, Director | 
| Michael Abels | Original Music Composer | 
| Laurent Kossayan | Sound Re-Recording Mixer | 
| Brian Duffy | Stunt Coordinator | 
| Rene Mousseux | Utility Stunts | 
| Darrell Davis | Utility Stunts | 
| Doug Emmett | Director of Photography | 
| Laura Fox | Production Design | 
| Brian Scott Olds | Editor | 
| Derica Cole Washington | Costume Design | 
| Charles Varga | Art Direction | 
| Michelle Chung | Makeup Department Head | 
| Mercedes Hachuel | Set Decoration | 
| Brian Steven Banks | Hair Department Head | 
| Tarin Anderson | Additional Photography | 
| Micheal Edward King | First Assistant Director | 
| Bill R. Dean | Supervising Sound Editor, Sound Designer | 
| Paul Hackner | Sound Re-Recording Mixer | 
| Lyndsey Schenk | Sound Editor | 
| Brian Straub | Foley Artist | 
| Jeanne McCarthy | Casting | 
| Nicole Abellera Hallman | Casting | 
| Brendan Lee | Second Assistant Director | 
| Emilien Lazaron | VFX Supervisor | 
| Erin Z. Young | Utility Stunts | 
| Ryan DeVita-Loayza | Utility Stunts | 
| Brooks Crouse | Utility Stunts | 
| Craig Frosty Silva | Utility Stunts | 
| Shannon Swanson | Production Supervisor | 
| Emily Thorne | Production Coordinator | 
| Claire Thorne | Assistant Production Coordinator | 
| Nick Buerstatte | Production Secretary | 
| Trevor Lecka | Production Office Assistant | 
| Sofia Ayerdi | Intern | 
| Mark McKeon | Assistant Art Director | 
| Morgan Lindsey Price | Set Designer | 
| Kevin Kyubyung Yoon | Set Designer | 
| Eric Fulcher | Art Department Coordinator | 
| Meagen Brooks | Graphic Designer | 
| Michelle Archilla | Art Department Production Assistant | 
| Nina Marie Attinello | Art Department Production Assistant | 
| John Bentjen | Leadman | 
| Jacqueline Sun Hae Lee | Set Decorating Coordinator | 
| Paulina Truong | Set Buyer | 
| Kevin Reyes | Set Dresser | 
| Lamarr Pierre Baker | Set Dresser | 
| Jocelyn Baxter | Set Dresser | 
| Tenniel Chu | Set Dresser | 
| Dashan Dash Boyce | Set Dresser | 
| Scott Desantis | Set Dresser | 
| Phoenix Daal | Set Dresser | 
| Heidi Ethridge | Set Dresser | 
| Danny Gaughan | Set Dresser | 
| Miguel Gregory | Set Dresser | 
| Ryan Johnson | Set Dresser | 
| Justin Patten | Set Dresser | 
| Brian Philbrook | Set Dresser | 
| James Chris Ponail III | Set Dresser | 
| Seth Powsner | Set Dresser | 
| Patrick Rivera | Set Dresser | 
| Calle Sjoelin | Set Dresser | 
| Joshua Bramer | Property Master | 
| Hunter Nelson | Assistant Property Master | 
| Jerika Hermansen | Assistant Property Master | 
| Maxilino Gonzalez | Construction Coordinator | 
| Juan Gonzalez | Construction Foreman | 
| Jose G. Bonilla | Propmaker | 
| Leonel Bortolini | Propmaker | 
| Natee Fagtonpun | Propmaker | 
| Johnny Gonzalez | Propmaker | 
| Lance Heybrock | Propmaker | 
| Rodolfo Leyva | Propmaker | 
| Rudy Nieto Jr. | Propmaker | 
| Jose Orellana | Propmaker | 
| Diego O. Regueira | Propmaker | 
| Gilberto Ramos | Propmaker | 
| Jaime Trujillo | Propmaker | 
| Juan M. Beltran | Scenic Artist | 
| Alan A. Ciriani | Greensman | 
| Scott Winchester | Greensman | 
| Aaron Becker | Main Title Designer | 
| Name | Title | 
|---|---|
| Kobi Libii | Producer | 
| Oren Moverman | Executive Producer | 
| Julia Lebedev | Producer | 
| Eddie Vaisman | Producer | 
| Angel Lopez | Producer | 
| Mike Upton | Executive Producer | 
| Leonid Lebedev | Executive Producer | 
| Rita Walsh | Co-Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 131 | 238 | 67 | 
| 2024 | 5 | 55 | 77 | 36 | 
| 2024 | 6 | 53 | 71 | 28 | 
| 2024 | 7 | 39 | 59 | 27 | 
| 2024 | 8 | 38 | 73 | 24 | 
| 2024 | 9 | 37 | 56 | 24 | 
| 2024 | 10 | 31 | 60 | 19 | 
| 2024 | 11 | 24 | 59 | 15 | 
| 2024 | 12 | 17 | 29 | 11 | 
| 2025 | 1 | 18 | 25 | 11 | 
| 2025 | 2 | 13 | 22 | 3 | 
| 2025 | 3 | 6 | 17 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 1 | 3 | 1 | 
| 2025 | 8 | 1 | 3 | 1 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 3 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 413 | 603 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 88 | 396 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 441 | 499 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 90 | 442 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 346 | 696 | 
I think that for satire to work, you have to be able to ensure that the audience is on board with the underlying premiss it's trying to achieve. Despite a decent effort from Justice Smith's "Aren" (and his impressive collection of knitwear) I just wasn't. Relying on long forgotten (if, indeed, they ... were ever actually known in the first place) tropes about racial stereotyping - and not just those from an African American point of view, makes this actually quite an offensive film to watch. Perhaps I am overthinking it, but I found absolutely nothing here with which I could relate - sarcastically or otherwise. The comedy, such as it is, is entirely contrived and the romantic elements between "Aren", "Lizzie" (An-Li Bogan) and "Jason" (Drew Tarver) are badly written and frequently cringe-makingly acted out. Peppering the thing with a few "Harry Potter" style magical effects and adding the benign characterisation of "Barber" (Aaron Colman) so that this "Society" can spend their entire time trying to "fix" the problems of their hapless and hopelessly out of their emotional depth white contemporaries just falls flat. It simply isn't funny. If a load of white folk got together and decided to make a movie about a group of innately obsequious and subservient non-white people, it would (and should) be banned. This is a clumsy and unfunny reinforcement of flawed values seen from an wholly unrealistic perspective and I struggled to sit through it, then wondered just why I bothered. Maybe it will resonate if you are American? I hope not.