Popularity: 7 (history)
| Director: | John Lee Hancock |
|---|---|
| Writer: | Robert D. Siegel |
| Staring: |
| The true story of how Ray Kroc, a salesman from Illinois, met Mac and Dick McDonald, who were running a burger operation in 1950s Southern California. Kroc was impressed by the brothers’ speedy system of making the food and saw franchise potential. He maneuvered himself into a position to be able to pull the company from the brothers and create a billion-dollar empire. | |
| Release Date: | Nov 24, 2016 |
|---|---|
| Director: | John Lee Hancock |
| Writer: | Robert D. Siegel |
| Genres: | Drama, History |
| Keywords | ambition, greed, biography, family business , based on true story, salesman, corporate greed, fast food, corporate power, 1950s, burger, mcdonald's |
| Production Companies | The Weinstein Company, FilmNation Entertainment, Faliro House Productions, The Combine, Speedie Distribution |
| Box Office |
Revenue: $24,121,245
Budget: $15,000,000 |
| Updates |
Updated: Aug 29, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michael Keaton | Ray Kroc |
| Nick Offerman | Dick McDonald |
| John Carroll Lynch | Mac McDonald |
| Linda Cardellini | Joan Smith |
| B.J. Novak | Harry J. Sonneborn |
| Laura Dern | Ethel Kroc |
| Justin Randell Brooke | Fred Turner |
| Kate Kneeland | June Martino |
| Patrick Wilson | Rollie Smith |
| Griff Furst | Jim Zien |
| Wilbur Fitzgerald | Jerry Cullen |
| David de Vries | Jack Horford |
| Andrew Benator | Leonard Rosenblatt |
| Cara Mantella | Myra Rosenblatt |
| Randall Taylor | Owner (Ed's Drive-In) |
| Lacey King | Car Hop Girl (Ed's Drive-In) |
| Jeremy Madden | Dennis |
| Rebecca Ray | Car Hop Girl (Joe's Drive-In) |
| Adam Rosenberg | Employee (San Bernadino) |
| Jacinte Blankenship | Woman (San Bernadino) |
| Charles Green | Loan Officer #1 |
| David Silverman | Loan Officer #2 |
| Mike Pniewski | Harvey Peltz |
| Catherine Dyer | Mrs. Horford |
| Susan Williams | Mrs. Cullen |
| Franco Castan | Art Wolodarsky |
| Kenny Alfonso | Kroc Corporate Lawyer |
| Kabby Borders | Cheerleader #1 |
| Nicolette Goetz | Cheerleader #2 |
| Lauren Denham | Cheerleader #3 |
| Abbey Ferrell | Cheerleader #4 |
| Justin Alvarez | Photographer |
| Victor McCay | Kroc Divorce Lawyer |
| Steve Coulter | Doctor Reeves |
| Ric Reitz | Will Davis (LA Times Reporter) |
| Joy Glover Walters | Mother (San Bernadino) |
| Makabe Ganey | Little Boy |
| Jody Thompson | Customer (Schaumburg) |
| Chris Greene | Grand Opening Customer |
| Kimberly Banta | Bingo Caller |
| Devon Ogden | Gorgeous Blonde |
| Gerald Duckworth | Owner (Joe's Drive-In) |
| Jen Cohen | Female Passenger |
| David Zyler | Dr. Nelson |
| Joseph Sanfelippo | McDonald's Announcer (voice) |
| Conrad Whitaker | Limo Driver (uncredited) |
| Afemo Omilami | Mr. Merriman (uncredited) |
| Name | Job |
|---|---|
| John Lee Hancock | Director |
| Robert D. Siegel | Writer |
| Robert Frazen | Editor |
| John Schwartzman | Director of Photography |
| Daniel Orlandi | Costume Design |
| Robert Vardaros | Boom Operator |
| Tara Feldstein Bennett | Local Casting |
| Jennifer Badger | Stunt Coordinator |
| Gregory King | Sound Re-Recording Mixer |
| Caitlin McKenna | ADR Voice Casting |
| Susan Benjamin | Set Decoration |
| Stacie McKinnon | Art Department Coordinator |
| Ronna Kress | Casting |
| Sean Clouser | Construction Coordinator |
| Michael Corenblith | Production Design |
| Hannah d'Angerio | Casting Associate |
| Adam Milo Smalley | Music Editor |
| Katherine Steets | Script Supervisor |
| Virginia Burton | Costume Supervisor |
| Derek Sullivan | Costume Supervisor |
| Johnna Thomas | Key Set Costumer |
| Tony Kochinas | Set Costumer |
| Shelby Anne Tompkins | Seamstress |
| Duane Codrington | Epk Camera Operator |
| Bob Gorelick | Steadicam Operator, "B" Camera Operator |
| Daniel C. McFadden | Still Photographer |
| Dan Cornwall | Gaffer |
| Chris Lumpkin | Rigging Grip |
| Kerry Rawlins | Key Grip |
| Jake Liam McGuire | Key Grip |
| Tom Fendley | Rigging Gaffer |
| Matthew Berning | Techno Crane Operator |
| Allen Lee Williams III | Boom Operator |
| Yann Delpuech | Sound Designer |
| David E. Fluhr | Sound Re-Recording Mixer |
| Kim Drummond | Supervising Dialogue Editor |
| Jon Johnson | Supervising Sound Editor |
| Michael White | Hair Department Head |
| Lindsay Waters | Hairstylist |
| Monty Schuth | Key Hair Stylist |
| Lawrence Davis | Key Hair Stylist |
| Kimberly Jones | Makeup Department Head |
| Mi Young | Key Makeup Artist |
| Andy Kaplan | Digital Intermediate |
| Derek Drouin | First Assistant Editor |
| Patrick Ingram | Extras Casting |
| Parry Creedon | Unit Production Manager |
| Phil Hardage | First Assistant Director |
| Amir R. Khan | Second Assistant Director |
| Lauren Heath | Production Supervisor |
| Erica Frauman | Post Production Supervisor |
| Ian Fox | "A" Camera Operator |
| Dan Ming | First Assistant "A" Camera |
| Ross Davis | Second Assistant "A" Camera |
| Brook Willard | Digital Imaging Technician |
| Suzanne Trucks | First Assistant "B" Camera |
| Ryan Abrams | Second Assistant "B" Camera |
| Ryan Kutch | Leadman |
| Tracey Illingworth-Cramer | Set Decorating Coordinator |
| Hugh D.G. Moody | Art Direction |
| John Thigpen | Set Designer |
| Chris Hunter | Graphic Designer |
| Taylor Mosbey | Graphic Designer |
| Aron Siegel | Sound Mixer |
| Stephen Stumberg | Video Assist Operator |
| Dave Fowler | Best Boy Electric |
| Mackie Roberts | Best Boy Grip |
| Andrew L. Ullman | Location Manager |
| Alison Maloof | Location Coordinator |
| Maeve Mannion | Production Accountant |
| Caius Man | Special Effects Coordinator |
| Cindi Randall | Transportation Coordinator |
| Brad Sokol | Assistant Sound Editor |
| Kevin Schultz | Foley Mixer |
| John Sievert | Foley Artist |
| Stefan Fraticelli | Foley Artist |
| Ron Mellegers | Foley Mixer |
| Randy Wilson | Foley Mixer |
| Trent Richmond | Foley Mixer |
| Steve Lindsey | Music Supervisor |
| Brian Jochum | Visual Effects Producer |
| Rob Krauzig | Visual Effects Coordinator |
| Alex L. Worman | Unit Publicist |
| Erik Rogers | Digital Intermediate Producer |
| Stefan Sonnenfeld | Digital Intermediate Colorist |
| Paul Carlin | Digital Conform Editor |
| Trevanna Post | Post Production Accountant |
| Kevin Black | Second Assistant Director |
| Glenn Brown | Camera Production Assistant |
| Carter Burwell | Conductor, Original Music Composer |
| Chase Paris | Local Casting |
| Dan Guando | Executive In Charge Of Production |
| Brittany Upchurch | Set Decoration Buyer |
| Name | Title |
|---|---|
| Jeremy Renner | Producer |
| Don Handfield | Producer |
| Bob Weinstein | Executive Producer |
| Glen Basner | Executive Producer |
| Alison Cohen | Executive Producer |
| Christos V. Konstantakopoulos | Executive Producer |
| David S. Greathouse | Executive Producer |
| Harvey Weinstein | Executive Producer |
| Holly Brown | Executive Producer |
| William D. Johnson | Executive Producer |
| Michael Sledd | Co-Producer |
| Parry Creedon | Co-Producer |
| Aaron Ryder | Producer |
| Karen Lunder | Executive Producer |
| David C. Glasser | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 63 | 116 | 44 |
| 2024 | 5 | 152 | 215 | 113 |
| 2024 | 6 | 87 | 162 | 44 |
| 2024 | 7 | 51 | 91 | 28 |
| 2024 | 8 | 51 | 78 | 35 |
| 2024 | 9 | 38 | 74 | 28 |
| 2024 | 10 | 46 | 81 | 25 |
| 2024 | 11 | 43 | 68 | 33 |
| 2024 | 12 | 37 | 53 | 25 |
| 2025 | 1 | 40 | 62 | 29 |
| 2025 | 2 | 35 | 56 | 7 |
| 2025 | 3 | 11 | 36 | 3 |
| 2025 | 4 | 11 | 15 | 6 |
| 2025 | 5 | 15 | 34 | 8 |
| 2025 | 6 | 14 | 31 | 6 |
| 2025 | 7 | 6 | 7 | 4 |
| 2025 | 8 | 5 | 7 | 3 |
| 2025 | 9 | 5 | 8 | 3 |
| 2025 | 10 | 6 | 7 | 4 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 675 | 825 |
| Year | Month | High | Avg |
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| 2025 | 9 | 350 | 785 |
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| 2025 | 8 | 256 | 707 |
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| 2025 | 7 | 534 | 705 |
| Year | Month | High | Avg |
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| 2025 | 6 | 560 | 764 |
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| 2025 | 5 | 239 | 655 |
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| 2025 | 4 | 873 | 902 |
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| 2025 | 3 | 332 | 645 |
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| 2025 | 2 | 782 | 862 |
| Year | Month | High | Avg |
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| 2025 | 1 | 616 | 766 |
| Year | Month | High | Avg |
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| 2024 | 12 | 916 | 943 |
| Year | Month | High | Avg |
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| 2024 | 10 | 889 | 889 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 820 | 897 |
**Veni, vidi, vici!** I anticipated another inspiring biopic about a man who built an empire. That's partially true, because this was inspired by the right kind of wrong thing. I mean it was not actually about the McDonalds' story, the McDonald brothers, but the fast food chain McDonald, how the ... franchise got rapidly spread across the globe and the person behind it. With the film having both good and bad side, it stayed mostly neutral. But due to the main character, you would see too much lean on what seems the reason behind the McDonald's today's popularity. So it's like another typical American founders' story like Apple, Facebook. I mean not the one who found the company with all the hard works, but the one who dived in and took all the credit. Ray Kroc was a traveling salesman and he's not doing any good. But one day he meets the brothers who had started a modernised kitchen and its fast food service. He shows lots of interest in it and so he joins hands with them. With his new ideas, how he makes a fortune out of it and the future of the company, all revealed in the later part. An enjoyable film. Particularly for Michael Keaton. Well directed film as well. Film wise it was a good one, but the story wise not morally right. It was about the flaws in our society, our system. Some men can do anything like pulling others leg to climb the success ladder. It's not them to blame completely, because they had struggled enough to understand their future path. So definitely for some people, this film would inspire. If you are a regular McDonalds' customer, you should watch it. Otherwise, just to learn the truth, it is worth a watch. _7/10_
**A decent film, although the story told is substantially stilted and made more tense than it actually was.** We all know that the business world is not for boy scouts. As the film's protagonist himself assumes, you have to be prepared for the toughness of competitors and moves that are often dis ... loyal. However, this is precisely why great businessmen are usually people worthy of our disdain: they associate coldness and calculation with intelligence and the cult of the ego, and not infrequently they see other people as numbers or as means of business. McDonald's is undoubtedly a huge, very powerful multinational, and the film reveals how the company was born, at the hands of Ray Kroc, who takes over the company, taking it from the control of the founders – the McDonald Brothers – and transforming it into something that is very different from what they dreamed of, although they were satisfied with the money they received for it afterwards, and that the relations between the three, in real life, were not as tough as the movie makes us think. The screenplay, cleverly written but very bitter and unpleasant, inflated the situation and made it more tense. Like _Social Network_, the film shows us the controversial origins of one of America's most flourishing companies… and makes us dislike whoever built it. And interestingly, contrary to what I initially thought, the McDonald's Corporation seems to have kept a certain distance from this film… why is it? Michael Keaton did a very good job with the main character and knew how to embody the controversial figure of Kroc well, both in voice and in ideas and mannerisms. The actor deserves, in fact, a praise for the way he gave himself to the work. Also, John Lynch and Nick Offerman are in excellent shape and give us very convincing performances, turning the two founding brothers of the company into a harmonious duo in which one thinks and plans, and the other carries out and executes everything on the ground. Unfortunately, the rest of the cast just doesn't do anything of value and sticks to the most basic. Technically, the film is very low-key, although I have to commend the effort made to recreate and bring back to life some of the company's early restaurants, most notably the one in San Bernardino. The effort to be faithful to the original design was very pleasant, as was the use of very appropriate sets, cars, filming locations and costumes, which take us back to the 50s. The cinematography does a discreet but effective job, and the editing is good, not allowing the film to waste time on unnecessary things or lose its rhythm.
**Overall : A brilliant telling of a bleak story that left a disappointing flavor in my soul.** I remember the plaque in our McDonalds growing up about its founder, Ray Kroc, but this movie tells a much different story. Suddenly, I am questioning whether or not I should let my two-year-old eat Mc ... Donald's anymore! Michael Keaton's relentless portrayal of the opportunistic and duplicitous Ray Kroc is so spectacular that I questioned whether I even liked Keaton. Yet, he is one of my favorite actors! That is just how disheartening the true story of McDonald's' meteoric expansion is. The Founder does an excellent job telling a dispiriting story and does such a thorough job that it leaves a bad taste in your mouth at the end (pun intended 😉).