Popularity: 6 (history)
| Director: | Zhang Yimou |
|---|---|
| Writer: | Max Brooks, Edward Zwick, Doug Miro, Tony Gilroy, Marshall Herskovitz, Carlo Bernard |
| Staring: |
| European mercenaries searching for black powder become embroiled in the defense of the Great Wall of China against a horde of monstrous creatures. | |
| Release Date: | Dec 16, 2016 |
|---|---|
| Director: | Zhang Yimou |
| Writer: | Max Brooks, Edward Zwick, Doug Miro, Tony Gilroy, Marshall Herskovitz, Carlo Bernard |
| Genres: | Fantasy, Adventure, Action |
| Keywords | china, monster, archer, female soldier, historical fiction, explosion, period drama, british soldier, great wall of china, 15th century, female general, war, appreciative, bold |
| Production Companies | Universal Pictures, Atlas Entertainment, Legendary Pictures, dentsu, Fuji Television Network, China Film Group Corporation, Taurus Film, Le Vision Pictures, Legendary East |
| Box Office |
Revenue: $331,957,105
Budget: $150,000,000 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Matt Damon | William |
| Jing Tian | Commander Lin Mae |
| Willem Dafoe | Ballard |
| Andy Lau | Strategist Wang |
| Pedro Pascal | Tovar |
| Zhang Hanyu | General Shao |
| Lu Han | Peng Yong |
| Lin Gengxin | Commander Chen |
| Eddie Peng Yu-Yan | Commander Wu |
| Huang Xuan | Commander Deng |
| Ryan Zheng | Shen |
| Karry Wang | Emperor |
| Chen Xuedong | Imperial Officer |
| Pilou Asbæk | Bouchard |
| Numan Acar | Najid |
| Johnny Cicco | Rizzetti |
| Yu Xintian | Lieutenant Xiao Yu |
| Liu Enjia | Lin Mae's 2nd Lieutenant Li Qing |
| Stephen Chang | General Zhang |
| Li Heng | Messenger |
| Li Jingmu | Tiger Troupe Officer |
| Yang Yimo | Crane Troop Officer |
| Name | Job |
|---|---|
| Tim Monich | Dialect Coach |
| Zhang Yimou | Director |
| Max Brooks | Story |
| Edward Zwick | Story |
| Doug Miro | Screenplay |
| Lubo Hristov | Visual Effects Art Director |
| Helen Jarvis | Supervising Art Director |
| Tony Gilroy | Screenplay |
| Mary Jo Markey | Editor |
| John Papsidera | Casting |
| Mayes C. Rubeo | Costume Design |
| Peter McCaffrey | Camera Operator |
| Dylan Goss | Helicopter Camera |
| Maralyn Sherman | Hairstylist |
| Marshall Herskovitz | Story |
| Colin Gibson | Art Direction |
| Carlo Bernard | Screenplay |
| Kyle Cooper | Title Designer |
| Alan D. Purwin | Pilot |
| Richard Gould | Assistant Sound Editor |
| P.J. Voeten | First Assistant Director |
| Beau Borders | Sound Re-Recording Mixer |
| Chris Manning | Foley Mixer |
| Michael Semanick | Sound Re-Recording Mixer |
| Ramin Djawadi | Original Music Composer |
| Gwendolyn Yates Whittle | Supervising Sound Editor |
| Timothy Eulich | Stunt Double |
| Hiro Koda | Stunt Coordinator |
| Christopher Leps | Utility Stunts |
| Buster Reeves | Stunt Coordinator |
| Gáspár Szabó | Stunt Double |
| Christopher Alex Menges | Props |
| Zhao Xiaoding | Director of Photography |
| Hannah Betts | Stunts |
| Geoff Vaughan | Foley Artist |
| Mike Xu | ADR Mixer |
| Ashwin Agrawal | Visual Effects Producer |
| Rob Cooper | Stunt Double |
| Scott R. Fisher | Utility Stunts |
| Ben Snow | Visual Effects Supervisor |
| Craig Wood | Editor |
| Joe Celli | Art Direction |
| Sherrie Dai | Art Direction |
| Paul Gelinas | Art Direction |
| Gordon Sim | Set Decoration |
| Hana Sooyeon Kim | Assistant Art Director |
| Deanna Brigidi | Casting Associate |
| Joe Dunckley | Armorer |
| Alex Levy | Music Editor |
| Chloe Aubry | Assistant Costume Designer |
| Stacy Caballero | Assistant Costume Designer |
| Koreen Heaver | Assistant Costume Designer |
| Liz Krause | Assistant Costume Designer |
| Daniela Castillero Ramos | Set Costumer |
| William DiCenso | Camera Operator |
| Colin Hudson | Steadicam Operator |
| Sean O'Neill | Gaffer |
| Mark Jefferies | Rigging Gaffer |
| Jasin Boland | Still Photographer |
| Oscar Gomez | Rigging Grip |
| Nikhil Deshmukh | Animation Manager |
| Marc Aubry | Animation |
| Steve Cady | Animation |
| Emmanuel Gatera | Animation |
| Caroline Labrie | Animation |
| Christian Scheurer | Creature Design |
| Tom Barrett | VFX Editor |
| Lei Zhang | VFX Editor |
| Brianna Domont | Visual Effects Coordinator |
| Erika Gourvitz | Visual Effects Coordinator |
| Joanie Croteau | Visual Effects Coordinator |
| Martine Losier | Visual Effects Coordinator |
| Karina Mariano | Visual Effects Coordinator |
| Deborah Zadzora | Visual Effects Coordinator |
| Thomas Elder-Groebe | Visual Effects Producer |
| Phil Brennan | Visual Effects Supervisor |
| Matt Hartle | Visual Effects Supervisor |
| Matt Russell | Visual Effects Supervisor |
| Joseph Kasparian | Visual Effects Supervisor |
| Samir Hoon | Visual Effects Supervisor |
| Tracey Wells | Hair Department Head |
| Felicity Wright | Hairstylist |
| Daniel Lawson Johnston | Makeup Artist |
| Jana Carboni | Makeup Artist |
| Paul Engelen | Makeup Designer |
| Simon Morgan | First Assistant Editor |
| Teresa Eckton | Sound Effects Editor |
| Ryan J. Frias | Sound Effects Editor |
| Kwame Parker | Unit Production Manager |
| Graham Stumpf | Post Production Supervisor |
| Kris Bergthorson | Set Designer |
| Nicolas Vallet | Set Designer |
| Andrew Hadzopoulos | Casting Assistant |
| Kim A. Winther | Casting Assistant |
| Peter Afterman | Music Supervisor |
| Margaret Yen | Music Supervisor |
| Billy Bonifield | Production Coordinator |
| Nadia Tzuo | Title Designer |
| Rachel Weng | Production Coordinator |
| Will Ralston | Dialogue Editor |
| Duane Manwiller | Second Unit Director of Photography |
| Adam Wheatley | Art Direction |
| Alex Rouse | Wigmaker |
| Kevin Feng Ke | Second Assistant Director |
| Scott Lovelock | Second Assistant Director |
| Kelton Cram | Concept Artist |
| Sean Ginevan | Leadman |
| Simone Leclerc | Property Master |
| Ben Mauro | Conceptual Design |
| Christian Pearce | Concept Artist |
| Eduardo Pena | Conceptual Design |
| Heather Pollington | Graphic Designer |
| Dena Skalin | Key Scenic Artist |
| Simon Webber | Concept Artist |
| Cameron Barker | Assistant Sound Editor |
| Shanti Burn | Boom Operator |
| Lisa Chino | Assistant Sound Editor |
| Brad Martin | Stunt Coordinator |
| Jim Likowski | Foley Editor |
| Stuart McCowan | Assistant Sound Editor |
| Thomas J. O'Connell | ADR Mixer |
| Kimberly Patrick | Foley Supervisor |
| Dennie Thorpe | Foley Artist |
| Jana Vance | Foley Artist |
| Lech Gunovic | Dolly Grip |
| Scott Harman | Best Boy Electric |
| Brenden Holster | First Assistant "A" Camera |
| Guy Micheletti | Key Grip |
| Drew Roberts | Drone Pilot |
| Philip A.T. Smith | First Assistant "B" Camera |
| Huifang Esther Tan | First Assistant Camera |
| Ray Valerio | Rigging Grip |
| Janice MacIsaac | Costume Supervisor |
| Martin Mandeville | Costume Coordinator |
| Jenny Caceres | Assistant Editor |
| Sorta Lim | Post Production Coordinator |
| Candy Rong Peng | Location Manager |
| Stephen Coleman | Orchestrator |
| Isobel Griffiths | Conductor |
| Anna Rane | Script Supervisor |
| Francie Brown | Dialect Coach |
| Judy Dickerson | Dialect Coach |
| Julie Brown | Visual Effects Coordinator |
| John Myhre | Production Design |
| Stuart Dryburgh | Director of Photography |
| Victoria Thomas | Casting |
| Saba Mazloum | Camera Operator |
| Kyrsten Mate | Sound Designer |
| Michael J. Tamburro | Aerial Coordinator |
| Lauren Mary Kim | Stunt Double |
| Danielle Dupre | Sound Re-Recording Assistant |
| Name | Title |
|---|---|
| Alex Gartner | Executive Producer |
| E. Bennett Walsh | Executive Producer |
| Zhang Zhao | Executive Producer |
| Peter Loehr | Producer |
| Eric Hedayat | Co-Producer |
| Alex Hedlund | Co-Producer |
| La Peikang | Executive Producer |
| Jillian Share | Executive Producer |
| Zhang Wang | Co-Producer |
| Wang Hong | Producer |
| Jon Jashni | Producer |
| Charles Roven | Producer |
| Thomas Tull | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 55 | 75 | 43 |
| 2024 | 5 | 79 | 104 | 54 |
| 2024 | 6 | 66 | 82 | 38 |
| 2024 | 7 | 68 | 115 | 39 |
| 2024 | 8 | 55 | 96 | 37 |
| 2024 | 9 | 43 | 65 | 29 |
| 2024 | 10 | 47 | 70 | 30 |
| 2024 | 11 | 60 | 93 | 36 |
| 2024 | 12 | 41 | 60 | 30 |
| 2025 | 1 | 43 | 67 | 31 |
| 2025 | 2 | 36 | 57 | 7 |
| 2025 | 3 | 14 | 52 | 3 |
| 2025 | 4 | 10 | 14 | 6 |
| 2025 | 5 | 13 | 29 | 5 |
| 2025 | 6 | 12 | 30 | 6 |
| 2025 | 7 | 8 | 13 | 5 |
| 2025 | 8 | 6 | 9 | 5 |
| 2025 | 9 | 6 | 9 | 4 |
| 2025 | 10 | 6 | 8 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 212 | 475 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 482 | 806 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 618 | 769 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 549 | 800 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 447 | 693 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 857 | 920 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 288 | 676 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 604 | 838 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 310 | 421 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 759 | 759 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 137 | 518 |
Entertaining nonsense. I went in expecting gorgeous junk and that's exactly what I got. ...
Impressive in it's visual style as many Zhang Yimou films are. He has this fascination with weaponry and following it as it soars through the air. Also loved the color of the armor on the soldiers. The characters are pretty bland, really just doing things because the script requires them to do i ... t. The monsters are also crappy looking CGI iguanas. Overall the whole thing just comes off silly. For a full review: Trying to create a channel based on interpreting, reviewing, and even giving you something to laugh about film. Hope you feel like giving my channel a chance. https://youtu.be/6yTGEw3Agzw
This is a movie that made me soooo happy that I decided to jump and fork out some money (way too much actually, I’m on a bread and water diet now) for a nice OLED screen. This movie is a stunning visual adventure. The two main characters are described as mercenary warriors but the terms thieves a ... nd rascals are probably better suited. They do know how to fight though and they get plenty of opportunity to prove it in the menu. This is another one of those movies that live and die by the visuals. The plot is a basic enough adventure story with some additional twists, like mysterious meteorites and really really nasty monsters, thrown in. It is not bad but not exactly groundbreaking either. The same with the characters. They are perhaps not exactly flat but not really fantastic either. What makes the movie great is the action and the visuals. The story and the characters are just there to prop the visuals up and they are doing a perfectly adequate job of it. The movie starts off in a rather dry and deserted landscape. The first scenes are actually rather dark and somewhat blurry. Luckily we rather quickly arrive at The Great Wall and the colors explode onto the screen. The Chinese army in their shining colored armor is really visually impressive. It does not take very long for the action to start and apart from the usual arrow flinging, acrobatic stabbing and slashing the Chinese army starts to deploy their various contraptions for fighting the oncoming swarm of nasty creatures. I found all the things that they had cooked up quite fascinating and contributing nicely to the visuals and the fun. For example, bungee jumping into a hord of jumping and snapping monsters wanting to take a (huge) bit of you armed with a spear. Is that cool or what? Heck, I want to do that. Well, without the monsters of course … and the bungee part. Okay, I confess, I was just watching the girls. Did I mention that all the bungee jumpers where hot chicks? And if any of you go all feminist and gender crap on me for those remarks you can shove it somewhere. If you think the bungee jumping stuff sounds like I was watching a silly comedy then trust me, it makes sense … kind of … in the context of this movie at least. Then there are rotating knifes sticking out of slits in the wall, fireball throwing catapults, various applications of gunpowder (that was after all why the two scoundrels where there in the first place) etc. etc. All accompanied by various acrobatics by the different combattants. Each scene was both cool action and a great symphony of elegance and colors. The one part of the movie that I thought was a bit of a letdown was the parts where the emperor of China appeared. Why portray him as an arrogant, lazy thundering idiot? It is really not funny. The chain of events that he caused could really had been started in a more intelligent way without going down that overused and boring route. The movie works itself forward to a nice final, desperate, fight to defeat the monster queen and her hord of baddies. It is a nice fight, as visually stunning as the rest of the movie, filled with lots of stunts of all kinds. The huge hords of beasts climbing, jumping and moving in big patterns on command from the queen was really cool. For me this was one hour and forty minutes of much enjoyment.
**Decent visuals, but has no fresh vision.** I always thought what they call the great wall of China is the symbol of the Chinese scary-ism against the mighty Mongolians in the ancient time. So when I first saw this trailer, I shocked and then I said: what the heck. You can't just hide the truth ... and recreate whatever new thing you want. But That's how the China and Chinese evolved for thousands of years. Like it could be martial arts, rice, noodles or the dragon, all of them came from outside. Then when I saw the film, the first scene itself cleared my doubt. It states the film was based on the legend. I thought it was a good start after the misleading promos. So this is China's effort to make a product at home par with Hollywood. They had hired top technicians from the west, that's including Matt Damon. With this kind of attempt, they should have triumphed. Yeah, the graphics were good and then if you check it out the end credits, it was actually not a pure Chinese made product as what we see on the screen, which was 99 per cent Chinese cast. 'Kung Fu Yoga' is a fine example, what the made in China looks like. The director is known for traditional films, like mixing art, martial arts and culture, particularly the middle age. I like his films of the 00s, but this one was utterly commercial crap. When it comes to the ideas for the scenes, every segment and every frame reminded me some Hollywood's greatest graphic film from the recent decade. Particularly the monsters as the zombies from 'World War Z' and the Chinese soldiers totally replicates the Elves of Woodland Realm. That proves, the Chinese are masters of copying/duplicating. IT HAS A DECENT VISUAL, BUT NOT FRESH VISION. They should have handed it over entirely, except producing it for the better outcome. It is the early 11th century, at one of the sections of northern China wall, where a couple of white men caught by the Chinese army after they were chased by a group of bandits. They have come with an agenda, but there's something big is going on. First, they have to win the Chinese trust and so they succeed on that, but things changes as the weather of the place has changed. Besides, they have no choice than to cooperate with them, but then the differences divide the two men. Who takes what path and their fates are decided at the film's climax. > ❝They have trained all their lives for this war.❞ Many western actors, filmmakers had tried their luck in Chinese filmdom, but not all were succeeded. Tapping Chinese market is not that simple. There are too many complications like restriction in thematic and using content in the story. If that complies, then they must use Chinese cast and crew for some percentage. From all, the greatest surprise was, like Jimmy Kimmel said, why would Damon had given up the Oscar award winning role from his own production for this cheap flick from the east. I always appreciate the good films, no matter where it had come from. It all depends on the quality and the contents, but sometimes there is exemption if the production was under a limited, small cost. There's no such excuse for this film. Besides my issue was not the graphics, except borrowing the ideas from others, but it was the poor screenplay. You can clearly say that I'm not happy with this one. This is just another film that looks like a computer game as similar to the 'Resident Evil' film series. The west had given up on digital 3D, but China has a special obsession with that, and so am I. That is the reason those failed films, bet against the Dollars, which were strongly influenced by that technology, such as 'Age of Extinction', 'Warcraft' et cetera survived by earning Yuan. Like I mentioned, the director is not this kind of cheap filmmaker. But it clearly understandable that he wanted to give what the domestic audience wanted, a good digital 3D film. For that, it has to be full scale action-adventure, not filled with drama kind he's famous for. This film lacks character developments, as well as the story. You might enjoy it if you like actions. Even though, many of them are silly like acrobat women jumping down to just kill one-two monsters. On the other hand, they are the baits without followup strategic offense. Hence well planned suicide. Like that, they just wanted to give some actions without any logic behind. The common man like Chinese people (Common means Communism; definition) might be fooled, not the rest of the world. So this film is not everybody's suitable. It is a watchable film, but why? No worth at all. _3/10_
I suuuuuper don't care. This looks like an advertisement for a brand I wouldn't bother buying. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...
Meaningless action. Wasted my time. ...