Menu
The Great Wall Poster

The Great Wall

1700 years to build. 5500 miles long. What were they trying to keep out?
2016 | 103m | English

(157001 votes)

TMDb IMDb

Popularity: 6 (history)

Details

European mercenaries searching for black powder become embroiled in the defense of the Great Wall of China against a horde of monstrous creatures.
Release Date: Dec 16, 2016
Director: Zhang Yimou
Writer: Max Brooks, Edward Zwick, Doug Miro, Tony Gilroy, Marshall Herskovitz, Carlo Bernard
Genres: Fantasy, Adventure, Action
Keywords china, monster, archer, female soldier, historical fiction, explosion, period drama, british soldier, great wall of china, 15th century, female general, war, appreciative, bold
Production Companies Universal Pictures, Atlas Entertainment, Legendary Pictures, dentsu, Fuji Television Network, China Film Group Corporation, Taurus Film, Le Vision Pictures, Legendary East
Box Office Revenue: $331,957,105
Budget: $150,000,000
Updates Updated: Aug 09, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Matt Damon William
Jing Tian Commander Lin Mae
Willem Dafoe Ballard
Andy Lau Strategist Wang
Pedro Pascal Tovar
Zhang Hanyu General Shao
Lu Han Peng Yong
Lin Gengxin Commander Chen
Eddie Peng Yu-Yan Commander Wu
Huang Xuan Commander Deng
Ryan Zheng Shen
Karry Wang Emperor
Chen Xuedong Imperial Officer
Pilou Asbæk Bouchard
Numan Acar Najid
Johnny Cicco Rizzetti
Yu Xintian Lieutenant Xiao Yu
Liu Enjia Lin Mae's 2nd Lieutenant Li Qing
Stephen Chang General Zhang
Li Heng Messenger
Li Jingmu Tiger Troupe Officer
Yang Yimo Crane Troop Officer
Name Job
Tim Monich Dialect Coach
Zhang Yimou Director
Max Brooks Story
Edward Zwick Story
Doug Miro Screenplay
Lubo Hristov Visual Effects Art Director
Helen Jarvis Supervising Art Director
Tony Gilroy Screenplay
Mary Jo Markey Editor
John Papsidera Casting
Mayes C. Rubeo Costume Design
Peter McCaffrey Camera Operator
Dylan Goss Helicopter Camera
Maralyn Sherman Hairstylist
Marshall Herskovitz Story
Colin Gibson Art Direction
Carlo Bernard Screenplay
Kyle Cooper Title Designer
Alan D. Purwin Pilot
Richard Gould Assistant Sound Editor
P.J. Voeten First Assistant Director
Beau Borders Sound Re-Recording Mixer
Chris Manning Foley Mixer
Michael Semanick Sound Re-Recording Mixer
Ramin Djawadi Original Music Composer
Gwendolyn Yates Whittle Supervising Sound Editor
Timothy Eulich Stunt Double
Hiro Koda Stunt Coordinator
Christopher Leps Utility Stunts
Buster Reeves Stunt Coordinator
Gáspár Szabó Stunt Double
Christopher Alex Menges Props
Zhao Xiaoding Director of Photography
Hannah Betts Stunts
Geoff Vaughan Foley Artist
Mike Xu ADR Mixer
Ashwin Agrawal Visual Effects Producer
Rob Cooper Stunt Double
Scott R. Fisher Utility Stunts
Ben Snow Visual Effects Supervisor
Craig Wood Editor
Joe Celli Art Direction
Sherrie Dai Art Direction
Paul Gelinas Art Direction
Gordon Sim Set Decoration
Hana Sooyeon Kim Assistant Art Director
Deanna Brigidi Casting Associate
Joe Dunckley Armorer
Alex Levy Music Editor
Chloe Aubry Assistant Costume Designer
Stacy Caballero Assistant Costume Designer
Koreen Heaver Assistant Costume Designer
Liz Krause Assistant Costume Designer
Daniela Castillero Ramos Set Costumer
William DiCenso Camera Operator
Colin Hudson Steadicam Operator
Sean O'Neill Gaffer
Mark Jefferies Rigging Gaffer
Jasin Boland Still Photographer
Oscar Gomez Rigging Grip
Nikhil Deshmukh Animation Manager
Marc Aubry Animation
Steve Cady Animation
Emmanuel Gatera Animation
Caroline Labrie Animation
Christian Scheurer Creature Design
Tom Barrett VFX Editor
Lei Zhang VFX Editor
Brianna Domont Visual Effects Coordinator
Erika Gourvitz Visual Effects Coordinator
Joanie Croteau Visual Effects Coordinator
Martine Losier Visual Effects Coordinator
Karina Mariano Visual Effects Coordinator
Deborah Zadzora Visual Effects Coordinator
Thomas Elder-Groebe Visual Effects Producer
Phil Brennan Visual Effects Supervisor
Matt Hartle Visual Effects Supervisor
Matt Russell Visual Effects Supervisor
Joseph Kasparian Visual Effects Supervisor
Samir Hoon Visual Effects Supervisor
Tracey Wells Hair Department Head
Felicity Wright Hairstylist
Daniel Lawson Johnston Makeup Artist
Jana Carboni Makeup Artist
Paul Engelen Makeup Designer
Simon Morgan First Assistant Editor
Teresa Eckton Sound Effects Editor
Ryan J. Frias Sound Effects Editor
Kwame Parker Unit Production Manager
Graham Stumpf Post Production Supervisor
Kris Bergthorson Set Designer
Nicolas Vallet Set Designer
Andrew Hadzopoulos Casting Assistant
Kim A. Winther Casting Assistant
Peter Afterman Music Supervisor
Margaret Yen Music Supervisor
Billy Bonifield Production Coordinator
Nadia Tzuo Title Designer
Rachel Weng Production Coordinator
Will Ralston Dialogue Editor
Duane Manwiller Second Unit Director of Photography
Adam Wheatley Art Direction
Alex Rouse Wigmaker
Kevin Feng Ke Second Assistant Director
Scott Lovelock Second Assistant Director
Kelton Cram Concept Artist
Sean Ginevan Leadman
Simone Leclerc Property Master
Ben Mauro Conceptual Design
Christian Pearce Concept Artist
Eduardo Pena Conceptual Design
Heather Pollington Graphic Designer
Dena Skalin Key Scenic Artist
Simon Webber Concept Artist
Cameron Barker Assistant Sound Editor
Shanti Burn Boom Operator
Lisa Chino Assistant Sound Editor
Brad Martin Stunt Coordinator
Jim Likowski Foley Editor
Stuart McCowan Assistant Sound Editor
Thomas J. O'Connell ADR Mixer
Kimberly Patrick Foley Supervisor
Dennie Thorpe Foley Artist
Jana Vance Foley Artist
Lech Gunovic Dolly Grip
Scott Harman Best Boy Electric
Brenden Holster First Assistant "A" Camera
Guy Micheletti Key Grip
Drew Roberts Drone Pilot
Philip A.T. Smith First Assistant "B" Camera
Huifang Esther Tan First Assistant Camera
Ray Valerio Rigging Grip
Janice MacIsaac Costume Supervisor
Martin Mandeville Costume Coordinator
Jenny Caceres Assistant Editor
Sorta Lim Post Production Coordinator
Candy Rong Peng Location Manager
Stephen Coleman Orchestrator
Isobel Griffiths Conductor
Anna Rane Script Supervisor
Francie Brown Dialect Coach
Judy Dickerson Dialect Coach
Julie Brown Visual Effects Coordinator
John Myhre Production Design
Stuart Dryburgh Director of Photography
Victoria Thomas Casting
Saba Mazloum Camera Operator
Kyrsten Mate Sound Designer
Michael J. Tamburro Aerial Coordinator
Lauren Mary Kim Stunt Double
Danielle Dupre Sound Re-Recording Assistant
Name Title
Alex Gartner Executive Producer
E. Bennett Walsh Executive Producer
Zhang Zhao Executive Producer
Peter Loehr Producer
Eric Hedayat Co-Producer
Alex Hedlund Co-Producer
La Peikang Executive Producer
Jillian Share Executive Producer
Zhang Wang Co-Producer
Wang Hong Producer
Jon Jashni Producer
Charles Roven Producer
Thomas Tull Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 55 75 43
2024 5 79 104 54
2024 6 66 82 38
2024 7 68 115 39
2024 8 55 96 37
2024 9 43 65 29
2024 10 47 70 30
2024 11 60 93 36
2024 12 41 60 30
2025 1 43 67 31
2025 2 36 57 7
2025 3 14 52 3
2025 4 10 14 6
2025 5 13 29 5
2025 6 12 30 6
2025 7 8 13 5
2025 8 6 9 5
2025 9 6 9 4
2025 10 6 8 5

Trending Position


Year Month High Avg
2025 10 212 475
Year Month High Avg
2025 9 482 806
Year Month High Avg
2025 8 618 769
Year Month High Avg
2025 7 549 800
Year Month High Avg
2025 6 447 693
Year Month High Avg
2025 5 857 920
Year Month High Avg
2025 4 288 676
Year Month High Avg
2025 3 604 838
Year Month High Avg
2025 2 310 421
Year Month High Avg
2024 12 759 759
Year Month High Avg
2024 11 137 518

Return to Top

Reviews

ColinJ
6.0

Entertaining nonsense. I went in expecting gorgeous junk and that's exactly what I got. ...

Jun 23, 2021
CraigJamesReview
N/A

Impressive in it's visual style as many Zhang Yimou films are. He has this fascination with weaponry and following it as it soars through the air. Also loved the color of the armor on the soldiers. The characters are pretty bland, really just doing things because the script requires them to do i ... t. The monsters are also crappy looking CGI iguanas. Overall the whole thing just comes off silly. For a full review: Trying to create a channel based on interpreting, reviewing, and even giving you something to laugh about film. Hope you feel like giving my channel a chance. https://youtu.be/6yTGEw3Agzw

Jun 23, 2021
Dark Jedi
10.0

This is a movie that made me soooo happy that I decided to jump and fork out some money (way too much actually, I’m on a bread and water diet now) for a nice OLED screen. This movie is a stunning visual adventure. The two main characters are described as mercenary warriors but the terms thieves a ... nd rascals are probably better suited. They do know how to fight though and they get plenty of opportunity to prove it in the menu. This is another one of those movies that live and die by the visuals. The plot is a basic enough adventure story with some additional twists, like mysterious meteorites and really really nasty monsters, thrown in. It is not bad but not exactly groundbreaking either. The same with the characters. They are perhaps not exactly flat but not really fantastic either. What makes the movie great is the action and the visuals. The story and the characters are just there to prop the visuals up and they are doing a perfectly adequate job of it. The movie starts off in a rather dry and deserted landscape. The first scenes are actually rather dark and somewhat blurry. Luckily we rather quickly arrive at The Great Wall and the colors explode onto the screen. The Chinese army in their shining colored armor is really visually impressive. It does not take very long for the action to start and apart from the usual arrow flinging, acrobatic stabbing and slashing the Chinese army starts to deploy their various contraptions for fighting the oncoming swarm of nasty creatures. I found all the things that they had cooked up quite fascinating and contributing nicely to the visuals and the fun. For example, bungee jumping into a hord of jumping and snapping monsters wanting to take a (huge) bit of you armed with a spear. Is that cool or what? Heck, I want to do that. Well, without the monsters of course … and the bungee part. Okay, I confess, I was just watching the girls. Did I mention that all the bungee jumpers where hot chicks? And if any of you go all feminist and gender crap on me for those remarks you can shove it somewhere. If you think the bungee jumping stuff sounds like I was watching a silly comedy then trust me, it makes sense … kind of … in the context of this movie at least. Then there are rotating knifes sticking out of slits in the wall, fireball throwing catapults, various applications of gunpowder (that was after all why the two scoundrels where there in the first place) etc. etc. All accompanied by various acrobatics by the different combattants. Each scene was both cool action and a great symphony of elegance and colors. The one part of the movie that I thought was a bit of a letdown was the parts where the emperor of China appeared. Why portray him as an arrogant, lazy thundering idiot? It is really not funny. The chain of events that he caused could really had been started in a more intelligent way without going down that overused and boring route. The movie works itself forward to a nice final, desperate, fight to defeat the monster queen and her hord of baddies. It is a nice fight, as visually stunning as the rest of the movie, filled with lots of stunts of all kinds. The huge hords of beasts climbing, jumping and moving in big patterns on command from the queen was really cool. For me this was one hour and forty minutes of much enjoyment.

May 16, 2024
Rangan
3.0

**Decent visuals, but has no fresh vision.** I always thought what they call the great wall of China is the symbol of the Chinese scary-ism against the mighty Mongolians in the ancient time. So when I first saw this trailer, I shocked and then I said: what the heck. You can't just hide the truth ... and recreate whatever new thing you want. But That's how the China and Chinese evolved for thousands of years. Like it could be martial arts, rice, noodles or the dragon, all of them came from outside. Then when I saw the film, the first scene itself cleared my doubt. It states the film was based on the legend. I thought it was a good start after the misleading promos. So this is China's effort to make a product at home par with Hollywood. They had hired top technicians from the west, that's including Matt Damon. With this kind of attempt, they should have triumphed. Yeah, the graphics were good and then if you check it out the end credits, it was actually not a pure Chinese made product as what we see on the screen, which was 99 per cent Chinese cast. 'Kung Fu Yoga' is a fine example, what the made in China looks like. The director is known for traditional films, like mixing art, martial arts and culture, particularly the middle age. I like his films of the 00s, but this one was utterly commercial crap. When it comes to the ideas for the scenes, every segment and every frame reminded me some Hollywood's greatest graphic film from the recent decade. Particularly the monsters as the zombies from 'World War Z' and the Chinese soldiers totally replicates the Elves of Woodland Realm. That proves, the Chinese are masters of copying/duplicating. IT HAS A DECENT VISUAL, BUT NOT FRESH VISION. They should have handed it over entirely, except producing it for the better outcome. It is the early 11th century, at one of the sections of northern China wall, where a couple of white men caught by the Chinese army after they were chased by a group of bandits. They have come with an agenda, but there's something big is going on. First, they have to win the Chinese trust and so they succeed on that, but things changes as the weather of the place has changed. Besides, they have no choice than to cooperate with them, but then the differences divide the two men. Who takes what path and their fates are decided at the film's climax. > ❝They have trained all their lives for this war.❞ Many western actors, filmmakers had tried their luck in Chinese filmdom, but not all were succeeded. Tapping Chinese market is not that simple. There are too many complications like restriction in thematic and using content in the story. If that complies, then they must use Chinese cast and crew for some percentage. From all, the greatest surprise was, like Jimmy Kimmel said, why would Damon had given up the Oscar award winning role from his own production for this cheap flick from the east. I always appreciate the good films, no matter where it had come from. It all depends on the quality and the contents, but sometimes there is exemption if the production was under a limited, small cost. There's no such excuse for this film. Besides my issue was not the graphics, except borrowing the ideas from others, but it was the poor screenplay. You can clearly say that I'm not happy with this one. This is just another film that looks like a computer game as similar to the 'Resident Evil' film series. The west had given up on digital 3D, but China has a special obsession with that, and so am I. That is the reason those failed films, bet against the Dollars, which were strongly influenced by that technology, such as 'Age of Extinction', 'Warcraft' et cetera survived by earning Yuan. Like I mentioned, the director is not this kind of cheap filmmaker. But it clearly understandable that he wanted to give what the domestic audience wanted, a good digital 3D film. For that, it has to be full scale action-adventure, not filled with drama kind he's famous for. This film lacks character developments, as well as the story. You might enjoy it if you like actions. Even though, many of them are silly like acrobat women jumping down to just kill one-two monsters. On the other hand, they are the baits without followup strategic offense. Hence well planned suicide. Like that, they just wanted to give some actions without any logic behind. The common man like Chinese people (Common means Communism; definition) might be fooled, not the rest of the world. So this film is not everybody's suitable. It is a watchable film, but why? No worth at all. _3/10_

May 16, 2024
Ruuz
3.0

I suuuuuper don't care. This looks like an advertisement for a brand I wouldn't bother buying. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...

Jun 23, 2021
Nyh
3.0

Meaningless action. Wasted my time. ...

Jul 07, 2021