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Logan

His time has come.
2017 | 137m | English

(902565 votes)

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Popularity: 12 (history)

Details

In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan's attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
Release Date: Feb 28, 2017
Director: James Mangold
Writer: James Mangold, Scott Frank, Michael Green
Genres: Action, Science Fiction, Drama
Keywords experiment, self-destruction, dystopia, mutant, based on comic, super power, troubled past, life on the margin, antagonistic, future, immortality, cyborg, superhero, road trip, sequel, neo-western, aging superhero, dramatic, dignified
Production Companies 20th Century Fox, The Donners' Company, Marvel Entertainment, TSG Entertainment, Genre Films, Hutch Parker Entertainment
Box Office Revenue: $619,021,436
Budget: $97,000,000
Updates Updated: May 17, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Hugh Jackman Logan / X-24
Dafne Keen Laura
Patrick Stewart Charles
Elizabeth Rodriguez Gabriela
Boyd Holbrook Pierce
Stephen Merchant Caliban
Richard E. Grant Dr. Rice
Stephen Dunlevy Macon
Eriq La Salle Will Munson
Elise Neal Kathryn Munson
Quincy Fouse Nate Munson
Al Coronel Federale Commander
Frank Gallegos Federale Lieutenant
Anthony Escobar Federale
Reynaldo Gallegos Rey
Krzysztof Soszynski Mohawk
Daniel Bernhardt Bone Breaker
Ryan Sturz Pretty Boy
Jef Groff Reaver
Brandon Melendy Reaver
Oren Hawxhurst Reaver
Jeremy Fitzgerald Reaver
Chris Palermo Reaver
Paul O'Connor Reaver
Clinton Roberts Reaver
Rocky Abou-Sakher Reaver
Keith Jardine Reaver
Jean Claude Leuyer Reaver
Andrew Arrabito Reaver
Sebastian James Reaver
Aaron Matthews Reaver
Garrett Hammond Reaver
Matt McClain Reaver
Maureen Brennan Motel Manager
Jason Genao Rictor
Hannah Westerfield Rebecca
Bryant Tardy Bobby
Ashlyn Casalegno Charlotte
Alison Fernandez Delilah
Parker Lovein Lizard Boy
Jimmy Gonzales Mexican Staff Member
Dave Davis Convenience Store Clerk
Lennie Loftin Jackson
Mark Ashworth Bartender
James Handy Old Doctor
Bryce Romero Prom Teen #1
Phi Vu Prom Teen #2
Chester Rushing Prom Teen #3
David Simpson Prom Teen #4
Lauren Gros Bridesmaid
John Raymond Pastor
Vanessa Cloke Mourning Widow
Doris Morgado Maria
Katie Anne Mitchell Infirmary Nurse
Lara Grice Car Dealer
James Moses Black Major
Ned Yousef Banger
Michael Lehr Banger
Baxter Humby Banger
Bryan Sloyer Banger
Daniel Hernández Banger
John Bernecker Federale
Evan Dane Taylor Federale
Joe Nin Williams Federale
Toby Holguin Federale
Robert Wu Federale
Anthony N. Federale
Victor Winters-Junco Federale
Eyad Elbitar Federale
Craig Henningsen Federale
Han Soto Valet
Rissa Rose Kilar Pine Cone Girl
Salef Celiz Jonah
Aidan Kennedy Mutant Child
Nayah Murphy Mutant Child
Chase Cubia Mutant Child
Emma Teo Mutant Child
Vincenzo Lucatorto Mutant Child
Noell Jellison Mutant Child
Haley Glass Mutant Child
Ella Rowbotham Mutant Child
Hudson Wright Mutant Child
Sebeon Jackson Mutant Child
Kelton DuMont Glowing Eyes Boy
Damon Carney Jackson's Henchman
Cynthia Woods Screaming Casino Woman
Mali O'Connor Bumpy Skinned Kid
David Kallaway Rhodes
Robert Vargas Border Guard
David Paris Helicopter Pilot
Gonzalo Robles Special Forces (uncredited)
Tim Connolly Reaver (uncredited)
Mary Peyton Stewart Bridesmaid (uncredited)
Julia Holt Casino Patron (uncredited)
Paul Adkins Special Forces Solider (uncredited)
Michael Love Toliver FBI Agent (uncredited)
Name Job
Jalil Jay Lynch Stunts
Michael Burgess "B" Camera Operator
Chris Farmer Supervising Art Director
Peter Lando Set Decoration
Sarah Katzman Casting
Jessica Derhammer Production Supervisor
Nicole Reed LeFevre Set Designer
Andy Abele Stunts
Rebecca Puck Stair Location Scout
Rowan Stanland Location Scout
Sean J. Donnelly Location Manager
Andrés Moret Urdampilleta Translator
Gary L. Horton Driver
Lisa Beach Casting
Jordan Ferrer Art Direction
Luke Freeborn Art Direction
Scott Plauche Art Direction
Cindy M. Ichikawa Art Department Coordinator
Steven DeSantis Construction Coordinator
J.P. Jones Property Master
Preethi Venkateswaran 3D Modeller
Andrew McCartney Animation
Jeffrey Kalmus VFX Supervisor
Teresa Berus Visual Effects Coordinator
Chelsea Mirus Visual Effects Coordinator
Laura Dochtermann Visual Effects Coordinator
Allan Magled Visual Effects Producer
Berj Bannayan Visual Effects Supervisor
Chas Jarrett Visual Effects Supervisor
Doug Spilatro Visual Effects Supervisor
Anthony Smith Visual Effects Supervisor
Keith Sellers Visual Effects Supervisor
Francesca Bradley Casting Associate
Amelia Chen Miley Casting Associate
Brittany A. Jones Casting Associate
Beth Lipari Casting Associate
Mary Iannelli Assistant Costume Designer
Elaine Ramires Costume Supervisor
Benj Gibicsar Ager/Dyer
Mark D. Spain Ager/Dyer
Melissa Binder Ager/Dyer
Nora Phillips Pedersen Key Costumer
Stuart Gordon Tribble Key Costumer
Annette Farnsworth Set Costumer
Giselle Spence Seamstress
Sheila Waldron Script Supervisor
Aaron Wiener Script Coordinator
Cory Fleming Aerial Coordinator
Lukasz Jogalla Second Unit Director of Photography
David Luckenbach Camera Operator, Steadicam Operator
Andy Ryan Gaffer
Jaim O'Neil Gaffer
Ferdinand Duplantier Jr. Rigging Gaffer
Ben Rothstein Still Photographer
Joe Cassano Dolly Grip
Jimi Ryan Key Grip
Walter 'Bud' Scott Key Grip
Max Patrucco Rigging Grip
Rob Skuse Rigging Grip
Charley Gilleran Rigging Grip
Garry Elmendorf Special Effects Supervisor
Laura Graham ADR Editor
Brian Maratea Boom Operator
Hamilton Sterling Sound Designer
Gloria Pasqua Casny Hair Department Head
Chase Heard Hairstylist
Bailey Domke Makeup Artist
Karri Farris Makeup Artist
Rob Hinderstein Makeup Artist
Courtney Lether Makeup Artist
Brian Penikas Makeup Artist
Karen Romero Makeup Artist
Sara Roybal Makeup Artist
Remi Savva Makeup Artist
Adam Walls Makeup Artist
Khanh Trance Wigmaker
Marisa Clayton Digital Intermediate
Skip Kimball Digital Intermediate
Daniel M. Nussbaum First Assistant Editor
Dirk Westervelt Editor
Dana Robin Unit Production Manager
Michael Musteric Second Assistant Director
Matthew Gatlin Assistant Art Director
Marian Gay Art Department Assistant
Aimee Huber Set Decorating Coordinator
Bradford Johnson Set Decoration
Jonathan Lheureux Set Dresser
Robert J. Moore Jr. Set Dresser
Walter Schneider Set Designer
Jessica Stumpf Set Designer
Alejandra Tovar Set Dresser
Brian A. Waits Set Designer
Steven Willer Boom Operator
Teri E. Dorman Supervising Dialogue Editor
Erdwin J. Clausen Jr. Special Effects
Brittany Dewees Special Effects Coordinator
Scott Dwyer Special Effects
Molly Federline Special Effects
Skylar Gorrell Special Effects
Matthew James Kutcher Special Effects
Stephen Meagher Special Effects
Ryan Chamberlain Grip
Joseph V. Cicio Camera Operator
Ted Gregg Grip
Nathan Fung Grip
Michael Feduccia Grip
Michael Applebaum Camera Operator
McKay Johnson Digital Effects Producer
Michael Koepke Grip
Kevin Luster Grip
Brady McElroy Key Grip
Joe Sökmen Grip
Gael Whettnall Grip
Dan Wyssmann Grip
Duck Lee Animation
Jessica Zanetti Animation
Nicolas Torres Animation
Andrew Synowiec Musician
Matt Chamberlain Musician
Rossano Galante Orchestrator
Barbie Block Casting
Elizabeth Coulon Local Casting
Karlee Fomalont Casting Associate
Priscilla John Casting
Rebecca Llorella Casting Assistant
Andreya Lynham Casting Assistant
Sally Stiner Casting
John Berri Additional Editing
Zach Marshall Assistant Editor
Matt Landsman Assistant Editor
Carrie Oliver Digital Intermediate
Tessa Rubin Post Production Assistant
Anthony Dixon Post Production Consulting
Cristal Jones Location Scout
Clark Deal Location Scout
Marie-Jeanne Orona Location Scout
Deborah Wakshull Location Scout
Ron Uribe Location Scout
Aurora Ann Quiñones Location Manager
Ted Caplan Music Supervisor
Pete Anthony Orchestrator
Wade Culbreath Musician
Mark Graham Orchestrator
John Kurlander Scoring Mixer
Tyson Lozensky Scoring Mixer
Dana Niu Orchestrator
Brandon Roberts Additional Music
Trang Dang Assistant Production Coordinator
Dustin DellaVecchia Assistant Production Coordinator
Sherry Kecskes Production Accountant
Bryan Schnitzer Production Coordinator
Kerri Smeltzer Production Coordinator
Sid Yost Animal Coordinator
Cris Rankin Animal Wrangler
Rosemary Finney Casting Assistant
Nicole Flowers Production Accountant
Jennifer Brown Set Medic
Jess Platt Dialect Coach
John Lavis Set Medic
Jeff Gartenbaum Score Engineer
Ryan Schaetzle Location Scout
Keith Christensen Conceptual Design
Christian Cordella Conceptual Design
Jonathan Terpstra Lighting Technician
Jordan Whaley Lighting Technician
Christopher Norris First Assistant Camera
Larry Nielsen First Assistant Camera
Basil Smith First Assistant Camera
Patrick Russo Assistant Property Master
Nathan Hughes Grip
Julianne Gabert ADR Voice Casting
Jeffrey Lamm Second Assistant Camera
Jim Brookshire Dialogue Editor
Aidan Dykes ADR Recordist
John T. Cucci Foley Artist
Dan O'Connell Foley Artist
Tyler Heath ADR Recordist
Jon Vogl ADR Mixer
Christine Sirois ADR Recordist
David Betancourt ADR Mixer
Marc Silvestri Thanks
Roberto Dominguez Alegria Foley Mixer
James Ashwill Foley Mixer
Matthew Harrison Foley Editor
Tristan Rose ADR Recordist
Derek Casari ADR Engineer
Arif Chagla ADR Engineer
Paul Ledford Production Sound Mixer
David Giammarco Sound Re-Recording Mixer
Jeremy Johnson Construction Foreman
Brian Adler Visual Effects
Christopher Heskey Stunts
Grant McCord Costume Assistant
Adrien Flanquart VFX Artist
Shaila Tobin Animation
Paul Zeke Animation
Jesse Michael Owen Storyboard Artist
John Coven Storyboard Artist
Gabriel Hardman Storyboard Artist
Jean-Paul Bernard Rigging Grip
Michael Furniss Visual Effects
Siddhartha Mukherjee Thanks
Marjorie Liu Thanks
Duy Pham Visual Effects
Tom Brown Music Arranger
Natalie Shea Rose Hairstylist
Tyler Hohmann Location Assistant
James Mangold Screenplay, Story, Director
John Mathieson Director of Photography
Michael McCusker Editor
Daniel Orlandi Costume Design
Rocky Abou-Sakher Stunts
Gary Hymes Stunt Coordinator
Scott Frank Screenplay
Michael Fitzgerald Epk Camera Operator
Paul Massey Sound Re-Recording Mixer
Joel Harlow Makeup Designer
Josh McLaglen First Assistant Director
Phedon Papamichael Additional Photography
Johnny Gidcomb ADR Voice Casting
Adam Stephenson Casting Assistant
Matthew McLellan Location Scout
Marcus Trumpp Additional Music
Lori Berlanga Production Coordinator
Marco Beltrami Original Music Composer
Daniel Hargrave Stunts
Garrett Warren Stunt Coordinator, Second Unit Director
Craig Henighan Additional Sound Re-Recording Mixer
Dave Cockrum Thanks
Matt J. Thompson Stunts
Benton Jew Storyboard Artist
Steven John Brown Fight Choreographer
Alexander Mackendrick Thanks
Roy Thomas Thanks
Len Wein Thanks
Craig Kyle Thanks
Chris Claremont Thanks
John Byrne Thanks
Kurt Bryant Stunts
Vanessa Motta Stunt Double
Efka Kvaraciejus Stunts
Jessica Williams Stunts
Ashley Nicole Hudson Stunts
Clay Cullen Stunts
Anthony N. Stunts
Kurt D. Lott Stunt Coordinator
Gene Hartline Stunts
Thekla Hutyrova Stunts
John Romita Sr. Thanks
François Audouy Production Design
Michael Green Screenplay
Gillian Luhman Location Assistant
Angelica Kushi Stunt Double, Stunts
John Wrightson Sculptor
Name Title
Kurt Williams Co-Producer
Dana Robin Co-Producer
Lauren Shuler Donner Producer
Stan Lee Executive Producer
Simon Kinberg Producer
Hutch Parker Producer
James Mangold Executive Producer
Josh McLaglen Executive Producer
Joseph M. Caracciolo Jr. Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 199 435 109
2024 5 453 592 380
2024 6 312 483 138
2024 7 162 290 67
2024 8 181 312 100
2024 9 90 137 69
2024 10 90 168 65
2024 11 96 171 68
2024 12 79 117 58
2025 1 73 111 55
2025 2 59 81 13
2025 3 22 70 3
2025 4 13 17 11
2025 5 36 140 12
2025 6 31 122 9
2025 7 10 15 8
2025 8 10 14 8
2025 9 14 15 12

Trending Position


Year Month High Avg
2025 9 140 402
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2025 8 43 340
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2025 7 97 373
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2025 6 66 384
Year Month High Avg
2025 5 92 392
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2025 4 72 333
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2025 3 111 355
Year Month High Avg
2025 2 72 329
Year Month High Avg
2025 1 86 373
Year Month High Avg
2024 12 101 476
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2024 11 87 312
Year Month High Avg
2024 10 118 278
Year Month High Avg
2024 9 106 249
Year Month High Avg
2024 8 36 101

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Reviews

anythingbutfifi
N/A

**LOGAN REVIEW: THE WOLVERINE GETS A SUPER SEND-OFF** "Owing to its agitated hero’s misfortunes through the ages, this is a film that’s acutely aware of the dangers of emotional exploitation, and it spares its audience a similar fate. With Logan, Mangold and co-writer Scott Frank tell the definit ... ive story of the Wolverine, in an involving and deeply satisfying series finale. It shows the fate of mutants when age starts to weary them, with stakes that feel real, and empathy that’s earned." READ THE FULL REVIEW AT SBS MOVIES: http://www.sbs.com.au/movies/review/logan-review-wolverine-gets-super-send

Jun 23, 2021
Movie Queen41
4.0

There may be some fine performances in this movie, but I honestly think the critics overrated this latest entry in the X-Men saga. The performances of Wolverine and Prof. X by Hugh Jackman and Patrick Stewart are extraordinary. They create a believable and loving father-son bond between their charac ... ters, with Logan caring for the ninety year old leader of the X-Men after a horrible event occurs at the Xavier school the year before. Stephen Merchant takes over the role of Caliban from Tómas Lemarquis, who played the character in X-Men Apocalypse, and transforms him into an ally to Logan and Charlies. Merchant is quite good in the role. But what really dragged down the movie is its nihilism. The other X-Men are completely missing from the film and mutants have been wiped out almost completely. A sense of doom and hopelessness looms over the film. This movie completely upends the warm and hopeful epilogue of Days of Future Past, where the X-Men were restored to life and glory and mutants weren't extinct after all. Death seems to stalk Logan and Charles wherever they go. There is also a conspicuous lack of significant female characters in this movie, too. The only female of note is Laura/ X-23, and she spends most of the film mute. There is also a complete lack of any strong or memorable villains. No one ever reaches the level of greatness like other X-Men villains such as Magneto or William Stryker. So, despite some good performances, this film is a bit overrated and also a little too bleak and depressing for my taste.

Jun 23, 2021
tmdb16528852
8.0

One of the best and most mature Marvel movies to date. The first half of this movie is a huge delight and a huge thrill. Hugh Jackman and Patrick Stewart are so entertaining to watch as characters they've known for 17 years. They've taken their characters a step further here in a script that allo ... ws them to explore themselves emotionally more than ever before. This movie is strictly part-drama. Yes, that's right. Finally, a Marvel superhero movie you can confidently stamp the drama genre tag on. The effects, stunts and gore are really quite shocking. You can really feel the weight of each character's immense power, and more importantly, the struggles that come along with them. This further fleshes out each character. The movie starts to lose the enjoyability of its ensemble halfway through, and what happens after is what you might expect from a typical X-Men film. Action, sci-fi and more action/sci-fi. The villains are as interesting as they can be I suppose. They lack much development but are there to fuel the real story. Anyway, I can't say much else without spoiling the plot. I'll just say that I wish the movie would have taken a different direction.

Jun 23, 2021
Ruuz
8.0

If you don't like superhero movies, this is the superhero movie for you. And if you do like superhero movies? Watch _Logan_ anyway. It's bloody brilliant. _Final rating:★★★★ - An all round good movie with a little something extra._ ...

Jun 23, 2021
buzybug
N/A

**** This review may contain spoilers **** We finally get the Wolverine we have been asking for, for the past 15 years and it's his last time. Well, I guess he couldn't have ended it in any better way as a last farewell to the fans and his signature role. Not only that but it looks like this one ... blows all the other superhero movies out of the water.

Jun 23, 2021
Rangan
7.0

**A farewell and a welcome!** A perfect farewell to the only mutant who had solo films in 'X-Men' franchise. I never understood 'X-Men', I thought it was the worst superhero film series I've ever seen. But 'Wolverine' was the only reason I watched them all and particular, Hugh Jackman. There won' ... t be Logan now onwards, though a set of new generation welcomed in this film, while saying goodbye to the old guys. So now what happens in the future of this franchise is a very suspense. Yet Logan had been the precious gem in the crown of 'X-Men', that mean it won't be the same anymore. After many years passed in the future, the last survivours of mutants hiding their identity and living among the humans. Logan and two others were attacked by the armed men when he decided to help a child mutant. Running away from them and looking for a place where they can be safe prioritised in the narration. More dramatised film in the franchise, but there are enough actions those who desire for that. It's an emotional time for the hardcore fans of Logan/Hugh Jachman. One final great performance by him and the little kid was also good. A well shot film, with minimum graphics and more realistic stunt sequences. Well, not all were real, too strong fights, too bloody, despite having a child actor in it. Yeah, it is a good film, I liked it, but not a masterpiece as you might have heard of. But anyway, it is a must see for the 'Wolverine' fans. _7/10_

May 16, 2024
Dark Jedi
4.0

I believe that I am about to disagree with quite a few people now. You see, I did not like this movie. Not that this came as much of a surprise to me. What I got was pretty much what I expected. From a technical point of view the movie is quite well done. Hugh Jackman and Patrick Stewart are doin ... g good jobs as always. The action scenes are good. The cinematography is not at all bad. If you are into tragic drama and do not mind the super hero twist of the movie then this is a movie for you. The technical qualities is why this movie gets any stars at all from me. If I would judge it by story only then it would have gotten zero, null, nada, nicths, rien, ingenting. For me it was depressing, boring and not at all fun to watch. The only reason I watched it is because I, as a X-Men fan, simply had to watch it as well as having it in my collection but I would have been happier it this movie had never been made. Wolverine is more or less an unpleasant drinking bum clad in filthy ragged clothes. Professor X is half insane and apparently dangerous to himself and the people around him. We get absolutely no explanation as to how this sad state of affairs. The entire movie is dark in spirit with the X-Men all but died out and Wolverine and Professor X just waiting to die. Then in comes this female child who later turns out to be a female version of Wolverine. She pretty much lacks any form of charisma and she and Wolverine spends almost the entire time in a state of conflict, much due to Wolverine who seems to think everyone should go fuck themselves so that he can continue to self destruct. The bad guys are the usual evil corporation doing experiments on X-Men, genetics etc. Supposedly they were behind the almost extermination of X-Men but of course they keep their own little army of “enhanced” humans that doggedly harasses Wolverine & Co. There are some nice action sequences but there is really no good overall boss. No one with enough Charisma to take the role of the main adversary unless you count X-24 who only took part in a few parts of the movie. By the way, why the fuck do Wolverine, Laura as well as X-24 have to grunt like horny monkeys when they fight? The story is rather predictable with no major surprises, little depth and low on logic. A typical Hollywood drama. Not really anything to write home about. The movie is just so depressing from start to finish. As a last farewell to Wolverine and Professor X it is almost insulting. I know a lot of people seem to like it but I cannot understand why. At least not if you are a X-Men fan.

May 16, 2024
John Chard
10.0

The Last Cut Is The Deepest! Did we need another X-Men movie? In fact did we need another Wolverine movie? Well the result is there for all to see, with Logan not only showing itself to be undoubtedly the best Wolverine venture by far, but arguably the best X-Men picture as well. If, as expected ... (and surely to god it's hoped so), this is the last we see of the grumpy metal clawed superhero, then what a fitting and triumphant bow out it is. James Mangold, the director, has managed to create an adult superhero movie without it really being a superhero pic, for he has created a film noir Western that happens to be about a superhero. Mangold's love of noir and Westerns bursts from the screen, which for those who follow those wonderful stands of cinema, will come as no surprise having seen with notice his Copland and 3:10 To Yuma redux. There's a perpetual grimness to the narrative that belies the quite often stunning surrounding locales, heavy themes such as men out of time - with destinies written (cue a deft comic book movie within a comic book chunk of metaphysics) - surrogates, mental illness, human ignorance, and on it goes, the narrative strong on intelligence as much as it is in wrought emotion. Western fans will also be buoyed by the part that the 1953 classic Western Shane has to play in things, considerably so as its importance narratively, orally and visually is mightily strong. Logan's Run! Ah yes, well being "adult" is all well and good, but is Logan thrilling? Do we get pumped up Wolverine action, blood brains, splatter and mucho muscle flexing and pained roars of anger? Oh yes! Action from the off is never far away, and wonderfully staged and choreographed it is. Lots of memorable set-pieces, while also some cleverly constructed sequences such as Xavier's mind seizures hold court and enthral. Yet the kicker with all that is we are clued in to the emotional baggage that the side-burn sporting protag carries with him. With each fight we sense the bigger picture, even as we watch in awe the emergence of Laura (ironic film noir name right there as it happens) - and her part in this very "human" story - the thrills and spills are propelled by a meaningful but battered heart. Tech credits are superb. Acting honours go to Jackman, who after giving 17 years of his life to the character, gives it his all and this multi faceted performance, in a perfect world, deserves Oscar recognition. Patrick Stewart, also, is immense, playing the nonagenarian Charles Xavier with such class, gracefulness and storming emotion that one can only admire. Film debutante Dafne Keen as Laura is utterly engrossing, quite a debut indeed, whilst Stephen Merchant as albino mutant tracker Caliban is effective to the point we hanker for more. Although the villains fronted by Boyd Holbrook (rote henchman leader) and Richard E. Grant (smarmy scientist git) just about pass muster, there's nothing to damage the piece. Cinematography (John Mathieson) is "A" grade, the filters set on neo-noir, with the splendid film noir black and white version a fillip for the heart of noir lovers. All that is left is for the sound mix to boom and the director to steer with heart, brain and soul, without doubt both come up trumps. One of 2017s best films, a genre splicer that ticks all the boxes of great film making. 10/10

May 16, 2024
Geronimo1967
7.0

All but exhausted after years of fighting and hiding, "Logan" (Hugh Jackman) just wants a peaceful life. Aside from the occasional trip to Mexico to help the sun-shy "Caliban" (Stephen Merchant) with his medication, it's all pretty routine and low-key. That is, until "Laura" (Dafne Keen) pays him vi ... sit - and she has a mutation just like his. Who is she? Of course, she doesn't come alone. "Pierce" (Boyd Holbrook) has been charged by scientist "Rice" (Richard E. Grant) to track her down and capture her. It now falls to our eponymous hero to fend them off and get her to safety. What follows now are several highly polished, but frankly repetitive, escapades as their enemies close in. Sure, the effects are great and the production quality is top drawer, but the flaw with someone who has (albeit limited, by this stage) self healing powers is that the same, or slightly tweaked, scenarios happening over and over again start to get a bit dull after a while. Jackman looks as tired with the role as his character is with the relentlessness of his existence and though quite easy on the eye, Holbrook isn't up to much (I kept thinking he was Charlie Hunnam). I was never the biggest fan of this franchise once they split it out to follow "Wolverine". Jackman is an hugely charismatic actor but his character isn't remotely sophisticated and though there is some humour to be found, for the most part I found this an action-packed but pretty long and unremarkable piece of cinema.

Apr 14, 2022
mooney240
7.0

**Logan tones down the effects and scale to focus on the emotion and pain of its characters, making it one of the best films in the X-Men saga.** James Mangold strikes again! Logan is considered by many to be one of the greatest superhero films ever made. While I don’t feel as strongly as many ab ... out this film, its quality is undeniable. Jackman and Stewart’s performances were the best of the franchise. The story adapts the Old Man Logan comic to depict an aged weary Wolverine that is more jaded and bitter than ever. This new world where the X-Men have all perished or disappeared is more dangerous than ever for mutants. But Logan’s heart is slowly restored by a young girl on the run that seems destined to follow in his footsteps unless he finds a way to give her a new future and hope. Mangold’s vision and directing fill the film with emotion and pain. Logan’s suffering and hopelessness are tangible and felt in every moment of the film. While I missed the vibe and characters of the other X-Men movie, Logan was an excellent film that gave a meaningful conclusion to Wolverine’s long and heartbreaking journey.

Feb 11, 2023
BroSpanky
N/A

The best movie I have ever seen ...

May 16, 2024
tmdb51616167
7.0

"Logan" served as a poignant and fitting conclusion to the Marvel version of Wolverine and the X-Men. The movie delved into deeper and darker themes, aligning with the intended premise of the film. While I miss the excitement of the X-Men from my childhood, this movie provided a sense of closure tha ... t was necessary to bring the chapter to a satisfying end. Unlike other X-Men movies that failed to evoke excitement, "Logan" managed to offer a sense of peace and finality. It successfully wrapped up the storylines and character arcs, providing a conclusive end to the X-Men saga. Overall, the film took the necessary steps to accomplish its goal of closing the chapter of the X-Men universe, delivering a grand and conclusive finale.

Sep 07, 2024
realedk
9.0

This movie was really good. I don't know what to say. Just watch it haha The western vibe was really good, as was the writing and all the performances. James Mangold's best film since **_3:10 to Yuma_** I'd say. Definitely give it a watch. My only gripe is the boob flash from one of Logan's cu ... stomers, as it felt wholly unnecessary, but didn't soil the whole movie for me.

Feb 12, 2025