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Life Poster

Life

Be careful what you search for.
2017 | 104m | English

(270901 votes)

TMDb IMDb

Popularity: 5 (history)

Details

The six-member crew of the International Space Station is tasked with studying a sample from Mars that may be the first proof of extra-terrestrial life, which proves more intelligent than ever expected.
Release Date: Mar 22, 2017
Director: Daniel Espinosa
Writer: Rhett Reese, Paul Wernick
Genres: Science Fiction, Horror, Mystery, Thriller
Keywords planet mars, alien life-form, space, astronaut, space station, intelligent, trapped in space, extraterrestrial life, alien on board, death of astronaut, cliché
Production Companies Columbia Pictures, Skydance Media
Box Office Revenue: $100,541,806
Budget: $58,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jake Gyllenhaal Dr. David Jordan
Ryan Reynolds Rory Adams
Rebecca Ferguson Miranda North
Hiroyuki Sanada Sho Murakami
Olga Dihovichnaya Ekaterina Golovkina
Ariyon Bakare Hugh Derry
Naoko Mori Kazumi
Haruka Kuroda Doctor
Camiel Warren-Taylor Dominique
Alexandre Nguyen 1st Fisherman
Hiu Woong-Sin 2nd Fisherman
David Muir 20/20 Anchor
Allen McLean Student 1
Jesus Del Orden Student 2
Leila Grace Student 3
Mari Gvelesiani Student 4
Elizabeth Vargas 20/20 Anchor
Name Job
Daniel Espinosa Director
Rhett Reese Writer
Paul Wernick Writer
Seamus McGarvey Director of Photography
Mary Jo Markey Editor
Jenny Beavan Costume Design
Alex Bailey Still Photographer
Celia Bobak Set Decoration
Mindy Marin Casting
Katharina Hingst Casting Assistant
Donald Mowat Makeup Designer
Ron Bartlett Sound Re-Recording Mixer
Doug Hemphill Sound Re-Recording Mixer
Chris Navarro ADR Mixer
Nellie Burroughes Stunt Double
Lukaz Leong Stunt Double
Andy Pilgrim Stunt Double
James Embree Stunt Double
Laurent Plancel Stunt Double
Mens-Sana Tamakloe Stunt Double
Darren Hayward Carpenter
Franklin Mark Henson Stunt Coordinator
Julia Chiavetta Script Supervisor
Annie Penn Script Supervisor
Asha Joseph Visual Effects Producer
Darrell Warner Costume Illustrator
Jon Title Sound Designer
Carlos De Carvalho Second Unit Director of Photography
Andy Morrison Visual Effects Editor
D. Chris Smith Sound Effects Editor
Stacy Rowe Script Supervisor
Sarah Young Assistant Costume Designer
Lila Sara Tahri Visual Effects Coordinator
Katia Muscariello Visual Effects Coordinator
Melinka Thompson-Godoy Visual Effects Producer
Geraint Hixson Visual Effects Producer
Carl Sealove Music Editor
Mark S. Wright Visual Effects Editor
Matthew Wilson Foley Editor
Giuseppe Motta CG Supervisor
John Moffatt Visual Effects Supervisor
David Watkins Special Effects Supervisor
Will Houghton-Connell Draughtsman
Magdalena Turnier VFX Editor
Sam Hodge Visual Effects Editor
Max Wright Visual Effects Supervisor
Mark Jan Wlodarkiewicz Music Editor
Gary Hutchings Key Grip
Scott Fritts Lead Animator
Emily Cook Visual Effects Coordinator
Tom Balogh Visual Effects Editor
Peter Michael Sullivan Foley
Per Hallberg Supervising Sound Editor
Alfredo Lupo Draughtsman
Brad Blackbourn Pre-Visualization Supervisor
Fabiana Arrastia ADR Voice Casting
Dina Eaton Music Editor
Caroline Fallon Costume Coordinator
Phoebe Sutherland Visual Effects Coordinator
Sam Paul Toms Visual Effects Editor
Michelle Pazer ADR Editor
Kristyan Mallett Prosthetic Designer
Laura Holeman Digital Intermediate
Michelle Chong Seamstress
Mike Hill Roto Supervisor
Ganesh Poojari Modeling
Indranil Bhattacharya Modeling
Adam Rowland Visual Effects Supervisor
Huw J. Evans Visual Effects Supervisor
Stuart Morton Music Editor
Thomas Goodwin Draughtsman
Kate Pickthall Draughtsman
Sarah Hunt Construction Coordinator
Frances Parker Editor
Nigel Phelps Production Design
Steven Lawrence Art Direction
Iain Struthers Camera Operator
Sivaprayag Visual Effects Editor
Victoria Keeling Visual Effects Producer
Corrine Silver Draughtsman
Heather Noble Draughtsman
Jon Ekstrand Original Music Composer
Tom Brewster Second Assistant Director
Sam Breckman Unit Production Manager
Josh Robertson First Assistant Director
Richard Daldry Production Supervisor
Laura Miller Draughtsman
Daniel Rogers Health and Safety
Oliver Hodge Art Direction
Marc Homes Supervising Art Director
Nick Gottschalk Art Direction
Marina Altomare Prosthetics
Demi Amat Prosthetics
Christine Blundell Makeup Designer, Hair Designer
Brooke Dibble Concept Artist
Francesco Fabiani Sculptor
Steven Harris Prosthetics
Scarlett McPherson Makeup & Hair
Chloe Meddings Makeup & Hair
Clementine Ollerenshaw Makeup & Hair Assistant
Ruth Parry Prosthetics
Lesa Warrener Hair Supervisor, Makeup Supervisor
Adam Byles Second Assistant Director
Toby Ford First Assistant Director
Danni Lizaitis Second Second Assistant Director
Jason Rickwood Second Second Assistant Director
Joe Alley Carpenter
Wasili Angelopoulos Propmaker
Giles Asbury Storyboard Artist
Bruce Barnes Carpenter
Ray Barrett Construction Manager
Julian Caldow Concept Artist
Hollie Cleaver Art Department Assistant
Jim Cornish Storyboard Artist
Ellis Court Art Department Assistant
Jack Dyer Construction Buyer
Barry Gibbs Property Master
Benoit Godde Concept Artist
Alan Gooch Painter
Abi Groves Assistant Set Decoration
David Ned Kelly Carpenter
Will Newton Assistant Art Director
Russell Oxley Scenic Artist
Dan Riches Set Dresser
Chris Rosewarne Concept Artist
Norman Thaler Storyboard Artist
Daniel Tiller Concept Artist
Chris Tooth Graphic Designer
Ketan Waikar Assistant Art Director
Roberto Dominguez Alegria Foley Mixer
James Ashwill Foley Mixer
Laura Harris Atkinson Dialogue Editor
Bob Beemer Sound Re-Recording Mixer
John T. Cucci Foley Artist
Chris Jargo ADR Editor
Nick Jimenez ADR Recordist
Adam Kopald Sound Effects Editor
Oleg Kulchytskyi Sound Re-Recording Mixer
Michael Miller ADR Mixer
Philip D. Morrill First Assistant Sound Editor
Dan O'Connell Foley Artist
Jessie Pariseau Foley Editor
Daniel Saxlid ADR & Dubbing
Ann Scibelli Sound Designer
Peter Staubli Sound Designer
Will Mackay Stunt Double
Kierron Quest Stunt Double
Arran Topham Stunt Double
Leo Woodruff Stunt Double
Neil Ashton Electrician
Ross Busby Electrician
Harry Gamble Second Assistant "A" Camera
Lee Godfrey Dolly Grip
Adrian Mackay Electrician
Simon Muir Dolly Grip
Andrew Nolan Electrician
Peter Robertson Steadicam Operator
Paul Snell Second Assistant "B" Camera
Olly Tellett First Assistant "B" Camera
Lee Walters Gaffer
Paul Wheeldon First Assistant Camera
Allison Hall Extras Casting
Kara Lipson Casting Associate
Niall Macaulay Key Costumer
Clare Spragge Costume Supervisor
Richard B. Molina Assistant Editor
Angus Munro Assistant Editor
Jeremy Richardson Assistant Editor
Tony Tromp Assistant Editor
Trevor Bagge Production Accountant
Claudia Kalindjian Unit Publicist
Alex Molden Production Coordinator
Jessica Phelps Studio Teacher
Tony Chance Storyboard Artist
Susan Boyajian ADR Voice Casting
Simon Hayes Production Sound Mixer
Name Title
David Ellison Producer
Dana Goldberg Producer
Julie Lynn Producer
Don Granger Executive Producer
Bonnie Curtis Producer
Vicki Dee Rock Executive Producer
Lisa Dennis Co-Producer
Josh Robertson Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 58 108 40
2024 5 115 160 93
2024 6 77 120 36
2024 7 53 100 31
2024 8 47 77 34
2024 9 39 57 22
2024 10 36 59 21
2024 11 44 107 27
2024 12 45 80 31
2025 1 42 76 26
2025 2 29 47 5
2025 3 14 48 3
2025 4 7 10 5
2025 5 14 40 5
2025 6 17 58 6
2025 7 5 7 3
2025 8 5 8 4
2025 9 7 11 5

Trending Position


Year Month High Avg
2025 5 927 927
Year Month High Avg
2024 11 745 812
Year Month High Avg
2024 10 639 639

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Reviews

Ruuz
6.0

_Life_ may not be doing anything new, but it's doing it better than similar services of late. _Final rating:★★★ - I personally recommend you give it a go._ ...

Jun 23, 2021
007ace
N/A

**Unexpected horror** <br> I was expecting so.ething watered down and similar to most new 'no escape' sci-fi movies. This was a great change, it felt more like alien; dark, gritty, serious.<br>You could spend hours picking things apart but it is enjoyable and I think that outweighs most of those ... faults.

Jun 23, 2021
Rangan
7.0

**Their historic discovery was not celebratable.** As I mentioned many times before, now is the trend of the space exploration in films. So there were many films like this one, but not all of them are received well. It was a decent flick, if you consider from the real world aspect, but definitely ... a very nice entertainer. Very tense plot, especially in the second half till the final scene. This is a minimal cast film and the entire story takes place in an Internation Space Station in the Earth orbit with a lab facility. They've come from Mars with a soil sample to study for any sign of life. Their historic discovery does not become a happy event as they encounter life threatening trouble on-board. The remaining is to focus their rest of the mission that how it'll end. This is the second film with the same name I've seen in the recent time. The other one was a biographical-drama starring Robert Pattison, but this is an sci-fi-thriller. Lots of big names in it, but the film did not make that kind of a big buzz. It was considered a good fictional space film. Kind of inspired by other similar themed flicks. Lots of thrills, fast paced narration, a simple story with the nice visuals. From the Swedish director of 'Easy Money' fame. There were lots of speculations about its connection with other films. But nothing was confirmed by the filmmakers. I hope there will be a sequel, but this time it won't be same as the story might take place in a different setting. Overall, I enjoyed it and surely would suggest it if anybody asks me. _7/10_

May 16, 2024
mbirth
4.0

_"Monkeys in Space"_ would be a better title for this flick. As with all bad horror movies, the horror only exists because of people ignoring even the simplest rules or just not talking to each other. Add various logic errors to it and you have _"Life"_. **⚠ SPOILERS AHEAD ⚠** Things turn stup ... id when they start to experiment with that unknown life-form in a lab not suited for that at all. And they don't use remote controlled robot-arms but simple rubber gloves. The life-form, of course, instinctively knows how to use tools and how to penetrate rubber. It then flees through a CO₂ nozzle (after an empty! flamethrower still had its pilot flame on and triggered the fire alarm) and doesn't end up in some tank but no, somehow gets into the rest of the space station. And this was only possible, because the computer to close the nozzles is a 1950s pocket calculator and you have to close them one by one by entering a 20-digit ID for each one or so it seems. The story is driven by people knowingly opening hatches that should've been kept closed. Or not talking to each other, like telling the others that the creature is currently nibbling at one's leg. Another highlight is the creature, finally trapped outside the station, finding its way back in THROUGH THE EFFING THRUSTERS. Why they seem to be connected to the inside of the space station is beyond me. Same applies to 2 guys venting all air from a (sealed) module, but a 3rd guy opening the hatch from a pressurised area to said module without any indication the module was without pressure. (And, of course, he didn't know anything about the creature being trapped there, because he threw away his comm device the moment it had a bit of reception issues earlier.) The whole movie is so wrong, I almost had to laugh. Especially, when the last survivors escape in 2 separate escape pods and the one which should reach Earth gets hit by debris and flies into outer space and the other one, *trying* to get away from Earth is kept from doing that by the creature who suddenly seemed to have acquired knowledge about steering NASA issue escape pods and is keeping the human from altering the course. The torture ends with some Asian fishermen simply opening the hatch of the space capsule that just landed in front of them. Although they can clearly see the astronaut trapped in some spiderweb-like goo inside. It was like a final insult to sanity and reason.

Jun 23, 2021
John Chard
6.0

It's life, Jim, but actually as we know it. Life is an average sci-fi picture, one that gets by on effects and general sci-fi values. Plot is utterly familiar. OK! It's always going to be unfair to judge a film of this type by the bar raiser that was Ridley Scott's Alien (1979), but really the fa ... miliarity on show here is tantamount to being naughty. A group of space explorers discover an alien life form and after the initial wonderment and excitement subsides, things quickly turn bad, with the potential for threat to mankind as we know it... That's pretty much it, really, the cast go through the motions of being in a play that is basically the characters being picked off by an alien manta ray thingy. Standard formula takes a grip of the viewer, who will be killed? who is next? will anyone survive? and etc. The makers - just to continue the unadventurous theme - throw in a Deep Blue Sea moment, while Hiroyuki Sanada has wandered in off of Sunshine's Icarrus II to feature aboard the International Space Station. The ending has and will infuriate many, but personally I liked it, very much from The Twilight Zone dimension, to which it lifts the piece just above averageville. Not recommended with any conviction, especially to sci-fi fans stung by serious science defects and logic holes, while casual sci-fiers would be better off with the brilliance of Alien or something more fun packed and unpretentious like Leviathan (1989). But as it is it's a decent enough time waster. 6/10

May 16, 2024
5rJoud
5.0

**Yes, okay.** Boring characters, wasted superstars on a meaningless script, huge Alien rip-off which didn't work, an almost Marvel-style hologram on the ISS, laughable. Everything is so bad in this movie, except for the production value. We see gorgeous floating in zero-g, a sweet looking alien ... and easy on the eye actors. The boring story is not as boring as it would have been if the budget was low. Still, some major flaws in story-telling make this an average flick. The pretty alien does not look scary at all. The characters are not introduced properly. The whole plot is disjointed, we get the facts of the story served without any sense of purpose. Finally there is no immersion, life on the ISS is as alien as the creature without weaknesses, for which you will be rooting half-way through this film. 3 June 2017 I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.

Jul 04, 2021
AstroNoud
7.0

If you can ignore some plot-gaps, the sci-fi horror ‘Life’ will keep you on the edge of your seat until its very ending – accompanied by a haunting score. 7/10 ...

Jan 19, 2022