Popularity: 5 (history)
Director: | Daniel Espinosa |
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Writer: | Rhett Reese, Paul Wernick |
Staring: |
The six-member crew of the International Space Station is tasked with studying a sample from Mars that may be the first proof of extra-terrestrial life, which proves more intelligent than ever expected. | |
Release Date: | Mar 22, 2017 |
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Director: | Daniel Espinosa |
Writer: | Rhett Reese, Paul Wernick |
Genres: | Science Fiction, Horror, Mystery, Thriller |
Keywords | planet mars, alien life-form, space, astronaut, space station, intelligent, trapped in space, extraterrestrial life, alien on board, death of astronaut, cliché |
Production Companies | Columbia Pictures, Skydance Media |
Box Office |
Revenue: $100,541,806
Budget: $58,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jake Gyllenhaal | Dr. David Jordan |
Ryan Reynolds | Rory Adams |
Rebecca Ferguson | Miranda North |
Hiroyuki Sanada | Sho Murakami |
Olga Dihovichnaya | Ekaterina Golovkina |
Ariyon Bakare | Hugh Derry |
Naoko Mori | Kazumi |
Haruka Kuroda | Doctor |
Camiel Warren-Taylor | Dominique |
Alexandre Nguyen | 1st Fisherman |
Hiu Woong-Sin | 2nd Fisherman |
David Muir | 20/20 Anchor |
Allen McLean | Student 1 |
Jesus Del Orden | Student 2 |
Leila Grace | Student 3 |
Mari Gvelesiani | Student 4 |
Elizabeth Vargas | 20/20 Anchor |
Name | Job |
---|---|
Daniel Espinosa | Director |
Rhett Reese | Writer |
Paul Wernick | Writer |
Seamus McGarvey | Director of Photography |
Mary Jo Markey | Editor |
Jenny Beavan | Costume Design |
Alex Bailey | Still Photographer |
Celia Bobak | Set Decoration |
Mindy Marin | Casting |
Katharina Hingst | Casting Assistant |
Donald Mowat | Makeup Designer |
Ron Bartlett | Sound Re-Recording Mixer |
Doug Hemphill | Sound Re-Recording Mixer |
Chris Navarro | ADR Mixer |
Nellie Burroughes | Stunt Double |
Lukaz Leong | Stunt Double |
Andy Pilgrim | Stunt Double |
James Embree | Stunt Double |
Laurent Plancel | Stunt Double |
Mens-Sana Tamakloe | Stunt Double |
Darren Hayward | Carpenter |
Franklin Mark Henson | Stunt Coordinator |
Julia Chiavetta | Script Supervisor |
Annie Penn | Script Supervisor |
Asha Joseph | Visual Effects Producer |
Darrell Warner | Costume Illustrator |
Jon Title | Sound Designer |
Carlos De Carvalho | Second Unit Director of Photography |
Andy Morrison | Visual Effects Editor |
D. Chris Smith | Sound Effects Editor |
Stacy Rowe | Script Supervisor |
Sarah Young | Assistant Costume Designer |
Lila Sara Tahri | Visual Effects Coordinator |
Katia Muscariello | Visual Effects Coordinator |
Melinka Thompson-Godoy | Visual Effects Producer |
Geraint Hixson | Visual Effects Producer |
Carl Sealove | Music Editor |
Mark S. Wright | Visual Effects Editor |
Matthew Wilson | Foley Editor |
Giuseppe Motta | CG Supervisor |
John Moffatt | Visual Effects Supervisor |
David Watkins | Special Effects Supervisor |
Will Houghton-Connell | Draughtsman |
Magdalena Turnier | VFX Editor |
Sam Hodge | Visual Effects Editor |
Max Wright | Visual Effects Supervisor |
Mark Jan Wlodarkiewicz | Music Editor |
Gary Hutchings | Key Grip |
Scott Fritts | Lead Animator |
Emily Cook | Visual Effects Coordinator |
Tom Balogh | Visual Effects Editor |
Peter Michael Sullivan | Foley |
Per Hallberg | Supervising Sound Editor |
Alfredo Lupo | Draughtsman |
Brad Blackbourn | Pre-Visualization Supervisor |
Fabiana Arrastia | ADR Voice Casting |
Dina Eaton | Music Editor |
Caroline Fallon | Costume Coordinator |
Phoebe Sutherland | Visual Effects Coordinator |
Sam Paul Toms | Visual Effects Editor |
Michelle Pazer | ADR Editor |
Kristyan Mallett | Prosthetic Designer |
Laura Holeman | Digital Intermediate |
Michelle Chong | Seamstress |
Mike Hill | Roto Supervisor |
Ganesh Poojari | Modeling |
Indranil Bhattacharya | Modeling |
Adam Rowland | Visual Effects Supervisor |
Huw J. Evans | Visual Effects Supervisor |
Stuart Morton | Music Editor |
Thomas Goodwin | Draughtsman |
Kate Pickthall | Draughtsman |
Sarah Hunt | Construction Coordinator |
Frances Parker | Editor |
Nigel Phelps | Production Design |
Steven Lawrence | Art Direction |
Iain Struthers | Camera Operator |
Sivaprayag | Visual Effects Editor |
Victoria Keeling | Visual Effects Producer |
Corrine Silver | Draughtsman |
Heather Noble | Draughtsman |
Jon Ekstrand | Original Music Composer |
Tom Brewster | Second Assistant Director |
Sam Breckman | Unit Production Manager |
Josh Robertson | First Assistant Director |
Richard Daldry | Production Supervisor |
Laura Miller | Draughtsman |
Daniel Rogers | Health and Safety |
Oliver Hodge | Art Direction |
Marc Homes | Supervising Art Director |
Nick Gottschalk | Art Direction |
Marina Altomare | Prosthetics |
Demi Amat | Prosthetics |
Christine Blundell | Makeup Designer, Hair Designer |
Brooke Dibble | Concept Artist |
Francesco Fabiani | Sculptor |
Steven Harris | Prosthetics |
Scarlett McPherson | Makeup & Hair |
Chloe Meddings | Makeup & Hair |
Clementine Ollerenshaw | Makeup & Hair Assistant |
Ruth Parry | Prosthetics |
Lesa Warrener | Hair Supervisor, Makeup Supervisor |
Adam Byles | Second Assistant Director |
Toby Ford | First Assistant Director |
Danni Lizaitis | Second Second Assistant Director |
Jason Rickwood | Second Second Assistant Director |
Joe Alley | Carpenter |
Wasili Angelopoulos | Propmaker |
Giles Asbury | Storyboard Artist |
Bruce Barnes | Carpenter |
Ray Barrett | Construction Manager |
Julian Caldow | Concept Artist |
Hollie Cleaver | Art Department Assistant |
Jim Cornish | Storyboard Artist |
Ellis Court | Art Department Assistant |
Jack Dyer | Construction Buyer |
Barry Gibbs | Property Master |
Benoit Godde | Concept Artist |
Alan Gooch | Painter |
Abi Groves | Assistant Set Decoration |
David Ned Kelly | Carpenter |
Will Newton | Assistant Art Director |
Russell Oxley | Scenic Artist |
Dan Riches | Set Dresser |
Chris Rosewarne | Concept Artist |
Norman Thaler | Storyboard Artist |
Daniel Tiller | Concept Artist |
Chris Tooth | Graphic Designer |
Ketan Waikar | Assistant Art Director |
Roberto Dominguez Alegria | Foley Mixer |
James Ashwill | Foley Mixer |
Laura Harris Atkinson | Dialogue Editor |
Bob Beemer | Sound Re-Recording Mixer |
John T. Cucci | Foley Artist |
Chris Jargo | ADR Editor |
Nick Jimenez | ADR Recordist |
Adam Kopald | Sound Effects Editor |
Oleg Kulchytskyi | Sound Re-Recording Mixer |
Michael Miller | ADR Mixer |
Philip D. Morrill | First Assistant Sound Editor |
Dan O'Connell | Foley Artist |
Jessie Pariseau | Foley Editor |
Daniel Saxlid | ADR & Dubbing |
Ann Scibelli | Sound Designer |
Peter Staubli | Sound Designer |
Will Mackay | Stunt Double |
Kierron Quest | Stunt Double |
Arran Topham | Stunt Double |
Leo Woodruff | Stunt Double |
Neil Ashton | Electrician |
Ross Busby | Electrician |
Harry Gamble | Second Assistant "A" Camera |
Lee Godfrey | Dolly Grip |
Adrian Mackay | Electrician |
Simon Muir | Dolly Grip |
Andrew Nolan | Electrician |
Peter Robertson | Steadicam Operator |
Paul Snell | Second Assistant "B" Camera |
Olly Tellett | First Assistant "B" Camera |
Lee Walters | Gaffer |
Paul Wheeldon | First Assistant Camera |
Allison Hall | Extras Casting |
Kara Lipson | Casting Associate |
Niall Macaulay | Key Costumer |
Clare Spragge | Costume Supervisor |
Richard B. Molina | Assistant Editor |
Angus Munro | Assistant Editor |
Jeremy Richardson | Assistant Editor |
Tony Tromp | Assistant Editor |
Trevor Bagge | Production Accountant |
Claudia Kalindjian | Unit Publicist |
Alex Molden | Production Coordinator |
Jessica Phelps | Studio Teacher |
Tony Chance | Storyboard Artist |
Susan Boyajian | ADR Voice Casting |
Simon Hayes | Production Sound Mixer |
Name | Title |
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David Ellison | Producer |
Dana Goldberg | Producer |
Julie Lynn | Producer |
Don Granger | Executive Producer |
Bonnie Curtis | Producer |
Vicki Dee Rock | Executive Producer |
Lisa Dennis | Co-Producer |
Josh Robertson | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 58 | 108 | 40 |
2024 | 5 | 115 | 160 | 93 |
2024 | 6 | 77 | 120 | 36 |
2024 | 7 | 53 | 100 | 31 |
2024 | 8 | 47 | 77 | 34 |
2024 | 9 | 39 | 57 | 22 |
2024 | 10 | 36 | 59 | 21 |
2024 | 11 | 44 | 107 | 27 |
2024 | 12 | 45 | 80 | 31 |
2025 | 1 | 42 | 76 | 26 |
2025 | 2 | 29 | 47 | 5 |
2025 | 3 | 14 | 48 | 3 |
2025 | 4 | 7 | 10 | 5 |
2025 | 5 | 14 | 40 | 5 |
2025 | 6 | 17 | 58 | 6 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 5 | 8 | 4 |
2025 | 9 | 7 | 11 | 5 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 927 | 927 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 745 | 812 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 639 | 639 |
_Life_ may not be doing anything new, but it's doing it better than similar services of late. _Final rating:★★★ - I personally recommend you give it a go._ ...
**Unexpected horror** <br> I was expecting so.ething watered down and similar to most new 'no escape' sci-fi movies. This was a great change, it felt more like alien; dark, gritty, serious.<br>You could spend hours picking things apart but it is enjoyable and I think that outweighs most of those ... faults.
**Their historic discovery was not celebratable.** As I mentioned many times before, now is the trend of the space exploration in films. So there were many films like this one, but not all of them are received well. It was a decent flick, if you consider from the real world aspect, but definitely ... a very nice entertainer. Very tense plot, especially in the second half till the final scene. This is a minimal cast film and the entire story takes place in an Internation Space Station in the Earth orbit with a lab facility. They've come from Mars with a soil sample to study for any sign of life. Their historic discovery does not become a happy event as they encounter life threatening trouble on-board. The remaining is to focus their rest of the mission that how it'll end. This is the second film with the same name I've seen in the recent time. The other one was a biographical-drama starring Robert Pattison, but this is an sci-fi-thriller. Lots of big names in it, but the film did not make that kind of a big buzz. It was considered a good fictional space film. Kind of inspired by other similar themed flicks. Lots of thrills, fast paced narration, a simple story with the nice visuals. From the Swedish director of 'Easy Money' fame. There were lots of speculations about its connection with other films. But nothing was confirmed by the filmmakers. I hope there will be a sequel, but this time it won't be same as the story might take place in a different setting. Overall, I enjoyed it and surely would suggest it if anybody asks me. _7/10_
_"Monkeys in Space"_ would be a better title for this flick. As with all bad horror movies, the horror only exists because of people ignoring even the simplest rules or just not talking to each other. Add various logic errors to it and you have _"Life"_. **⚠ SPOILERS AHEAD ⚠** Things turn stup ... id when they start to experiment with that unknown life-form in a lab not suited for that at all. And they don't use remote controlled robot-arms but simple rubber gloves. The life-form, of course, instinctively knows how to use tools and how to penetrate rubber. It then flees through a CO₂ nozzle (after an empty! flamethrower still had its pilot flame on and triggered the fire alarm) and doesn't end up in some tank but no, somehow gets into the rest of the space station. And this was only possible, because the computer to close the nozzles is a 1950s pocket calculator and you have to close them one by one by entering a 20-digit ID for each one or so it seems. The story is driven by people knowingly opening hatches that should've been kept closed. Or not talking to each other, like telling the others that the creature is currently nibbling at one's leg. Another highlight is the creature, finally trapped outside the station, finding its way back in THROUGH THE EFFING THRUSTERS. Why they seem to be connected to the inside of the space station is beyond me. Same applies to 2 guys venting all air from a (sealed) module, but a 3rd guy opening the hatch from a pressurised area to said module without any indication the module was without pressure. (And, of course, he didn't know anything about the creature being trapped there, because he threw away his comm device the moment it had a bit of reception issues earlier.) The whole movie is so wrong, I almost had to laugh. Especially, when the last survivors escape in 2 separate escape pods and the one which should reach Earth gets hit by debris and flies into outer space and the other one, *trying* to get away from Earth is kept from doing that by the creature who suddenly seemed to have acquired knowledge about steering NASA issue escape pods and is keeping the human from altering the course. The torture ends with some Asian fishermen simply opening the hatch of the space capsule that just landed in front of them. Although they can clearly see the astronaut trapped in some spiderweb-like goo inside. It was like a final insult to sanity and reason.
It's life, Jim, but actually as we know it. Life is an average sci-fi picture, one that gets by on effects and general sci-fi values. Plot is utterly familiar. OK! It's always going to be unfair to judge a film of this type by the bar raiser that was Ridley Scott's Alien (1979), but really the fa ... miliarity on show here is tantamount to being naughty. A group of space explorers discover an alien life form and after the initial wonderment and excitement subsides, things quickly turn bad, with the potential for threat to mankind as we know it... That's pretty much it, really, the cast go through the motions of being in a play that is basically the characters being picked off by an alien manta ray thingy. Standard formula takes a grip of the viewer, who will be killed? who is next? will anyone survive? and etc. The makers - just to continue the unadventurous theme - throw in a Deep Blue Sea moment, while Hiroyuki Sanada has wandered in off of Sunshine's Icarrus II to feature aboard the International Space Station. The ending has and will infuriate many, but personally I liked it, very much from The Twilight Zone dimension, to which it lifts the piece just above averageville. Not recommended with any conviction, especially to sci-fi fans stung by serious science defects and logic holes, while casual sci-fiers would be better off with the brilliance of Alien or something more fun packed and unpretentious like Leviathan (1989). But as it is it's a decent enough time waster. 6/10
**Yes, okay.** Boring characters, wasted superstars on a meaningless script, huge Alien rip-off which didn't work, an almost Marvel-style hologram on the ISS, laughable. Everything is so bad in this movie, except for the production value. We see gorgeous floating in zero-g, a sweet looking alien ... and easy on the eye actors. The boring story is not as boring as it would have been if the budget was low. Still, some major flaws in story-telling make this an average flick. The pretty alien does not look scary at all. The characters are not introduced properly. The whole plot is disjointed, we get the facts of the story served without any sense of purpose. Finally there is no immersion, life on the ISS is as alien as the creature without weaknesses, for which you will be rooting half-way through this film. 3 June 2017 I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.
If you can ignore some plot-gaps, the sci-fi horror ‘Life’ will keep you on the edge of your seat until its very ending – accompanied by a haunting score. 7/10 ...