Popularity: 1 (history)
Director: | James Mangold |
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Writer: | Mark Bomback, Scott Frank |
Staring: |
Wolverine faces his ultimate nemesis - and tests of his physical, emotional, and mortal limits - in a life-changing voyage to modern-day Japan. | |
Release Date: | Jul 21, 2013 |
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Director: | James Mangold |
Writer: | Mark Bomback, Scott Frank |
Genres: | Adventure, Action, Science Fiction |
Keywords | samurai, mutant, based on comic, duringcreditsstinger, japan, superhero, world war ii, superhuman |
Production Companies | 20th Century Fox, The Donners' Company, Marvel Entertainment |
Box Office |
Revenue: $415,440,673
Budget: $120,000,000 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Hugh Jackman | Logan / Wolverine |
Hiroyuki Sanada | Shingen Harada / Lord Shingen |
Tao Okamoto | Mariko Yashida / Scarlet Samurai |
Rila Fukushima | Yukio / Pinkie Pie |
Famke Janssen | Jean Grey / Phoenix |
Will Yun Lee | Harada |
Svetlana Khodchenkova | Madame Hydra / Viper |
Hal Yamanouchi | Ichiro Yashida / Silver Samurai |
Brian Tee | Noburo Mori |
Ken Yamamura | Young Yashida |
Nobutaka Aoyagi | Security |
Seiji Funamoto | Servant |
Shinji Ikefuji | Pock-Face |
Qyoko Kudo | Aya |
Nobuaki Kakuda | Buddhist Priest |
Chiharu Mizuno | Old Woman |
Takao Kinoshita | Fruit Cart Vendor |
Conrad Coleby | Red Beard |
Taris Tyler | Bar Man (Red Beard's Friend) |
Sarah Naylor-Liddell | Yukon Bar Patron |
Joshua Remilton | Yukon Bar Patron / Man Near Bar |
Andy Owens | Yukon Bar Patron |
Allan Poppleton | Yukon Bar Patron |
Geoff Burke | Bartender |
Yasuyo Shiba | Reporter 1 |
Mai Ishikawa | Reporter 2 |
Yaeko Kimura | Mieko |
Ryuta Kimura | Hitoshi |
Briden Starr | Party Girl 1 |
Maria Lukasheva | Party Girl 2 |
Tess Haubrich | Cashier |
Taki Abe | Japanese Businessman |
William Takayanagi-Temm | Tower Guard |
Kuni Hashimoto | Lead Officer |
Erich Chikashi Linzbichler | Senior Officer at POW Camp |
Shingo Usami | Driver |
Naoya Ogawa | Yakuza 1 |
Atsushi Sawada | Yakuza 2 |
Takashi Matsuyama | Yakuza 3 |
Masa Yamaguchi | Yakuza 4 |
Eric Laciste | Yakuza 5 |
Hideki Sugiguchi | Yakuza 6 |
Garret Sato | Dying Yakuza |
Kosuke Masano | Army Officer 1 |
Yoji Tatsuta | Army Officer 2 |
Yoshinori Fukushige | Train Commuter |
Hiroshi Kasuga | Yashida Security Guard |
Yumiko Nakamura | Mariko Staff |
Kimi | Saki |
Keiko Matsumoto | Shizu |
Louis Toshio Okada | Pat Down Guy |
Jon Valera | Killer (uncredited) |
Yasushi Asaya | Yakuza (uncredited) |
Jeremy Marinas | Yakuza (uncredited) |
Ola Endress | Mutant (uncredited) |
Patrick Stewart | Charles Xavier / Professor X (uncredited) |
Ian McKellen | Erik Lehnsherr / Magneto (uncredited) |
Benjamin Wang | Bodyguard (uncredited) |
Jeremy Costello | Allied P.O.W (uncredited) |
Name | Job |
---|---|
Mark Bomback | Screenplay |
Ross Emery | Director of Photography |
James Mangold | Director |
Scott Frank | Screenplay |
Marco Beltrami | Original Music Composer |
Michael McCusker | Editor |
Marc Spicer | Camera Operator |
Toby Oliver | Additional Camera |
Lisa Beach | Casting |
Yōko Narahashi | Casting |
Frank Miller | Graphic Novel Illustrator |
Suzanne Smith Crowley | Casting |
Isis Mussenden | Costume Design |
Ron Bartlett | Sound Re-Recording Mixer |
Chad Stahelski | Stunts |
Matt McColm | Stunts |
Jared S. Eddo | Stunts |
Jonathan Eusebio | Fight Choreographer |
Renae Moneymaker | Stunt Double |
Monique Ganderton | Stunts |
David Leitch | Second Unit Director |
Jessica Kelly | Casting |
Nicholas Tripodi | Animation Supervisor |
Brian N. Bentley | Compositors |
Chris O'Connell | Compositors |
Matt Weaver | Animation |
Erik Classen | VFX Artist |
Priscilla John | Casting |
Sarah Katzman | Casting |
Rika Nakanishi | Art Direction |
Michael Turner | Art Direction |
Rebecca Cohen | Set Decoration |
Jeremy Gordon | Casting Associate |
Beth Lipari | Casting Associate |
Karen Maxwell | Casting Associate |
Gypsy Taylor | Assistant Costume Designer |
Art Reasonover | Costume Supervisor |
Elly Kamal | Costume Supervisor |
Lisa Javelin | Set Costumer |
Roberta Shaw | Set Costumer |
Sheila Waldron | Script Supervisor |
Anna Gray | Key Hair Stylist |
Wendy De Waal | Makeup Artist |
Colette Birrell | Art Department Coordinator |
Olli Sillankorva | Carpenter |
Joshua Zeigler | Carpenter |
Shaun Friedberg | Animation Director |
Tom Meade | Animation Director |
Richard Bradshaw | Camera Operator |
Peter Gulla | Camera Operator |
Leigh Mackenzie | Camera Operator |
Calum McFarlane | Camera Operator |
Hans Bjerno | Helicopter Camera |
Matthew Temple | Steadicam Operator |
Ben Rothstein | Still Photographer |
Eric Schmidt | Additional Photography |
Matt Toll | First Assistant Camera |
Paul Johnstone | Gaffer |
Yuji Wada | Gaffer |
Mark Jefferies | Rigging Gaffer |
David Betancourt | ADR & Dubbing |
Beauxregard Neylon | ADR & Dubbing |
John T. Cucci | Foley |
Dan O'Connell | Foley |
Chuck Michael | Sound Designer |
Dror Mohar | Sound Designer |
Doug Jackson | Sound Effects Editor |
John A. Larsen | Supervising Sound Editor |
Donald Sylvester | Supervising Sound Editor |
Leanne Brooks | Special Effects Coordinator |
Ian Gracie | Supervising Art Director |
R.J. Kizer | ADR Editor |
Dennis Rogers | Sound Recordist |
Tim Gomillion | Sound Recordist |
Guntis Sics | Sound Recordist |
Brad Shield | Second Unit Director of Photography |
Jim Brookshire | Dialogue Editor |
Susan Dawes | Dialogue Editor |
Richie Dehne | Property Master |
Kôichi Funayama | Stunts |
Nobuyuki Obikane | Stunts |
Hiroki Takano | Stunts |
John McGonegle | Electrician |
Todd Harris | Storyboard Artist |
François Audouy | Production Design |
Angela Heald | Production Coordinator |
Angelo White | Junior Story Editor |
Lilian Bravo | Visual Effects Production Manager |
Peter Giuliani | Driver |
Angela Stanley | Digital Compositor |
Claire Louise Hoey | Painter |
Edgar Gonzalez | Second Assistant Camera |
Stephen Smart | Data Wrangler |
Martin Hill | Visual Effects Supervisor |
Jon Valera | Fight Choreographer |
Yasushi Asaya | Stunts |
Phillip Leonhardt | CG Supervisor |
Kenji Sato | Stunts |
Name | Title |
---|---|
Hutch Parker | Producer |
Lauren Shuler Donner | Producer |
Stan Lee | Executive Producer |
Hugh Jackman | Producer |
Joseph M. Caracciolo Jr. | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 14 | 22 | 9 |
2024 | 5 | 17 | 30 | 11 |
2024 | 6 | 12 | 16 | 7 |
2024 | 7 | 18 | 41 | 8 |
2024 | 8 | 20 | 32 | 13 |
2024 | 9 | 10 | 13 | 8 |
2024 | 10 | 10 | 15 | 7 |
2024 | 11 | 9 | 18 | 6 |
2024 | 12 | 7 | 10 | 5 |
2025 | 1 | 9 | 15 | 5 |
2025 | 2 | 6 | 9 | 1 |
2025 | 3 | 4 | 22 | 0 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 1 | 1 | 1 |
Trending Position
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2025 | 9 | 357 | 627 |
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2025 | 8 | 118 | 577 |
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2025 | 7 | 176 | 611 |
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2025 | 6 | 127 | 645 |
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2025 | 5 | 170 | 608 |
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2025 | 4 | 232 | 619 |
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2025 | 3 | 158 | 645 |
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2025 | 2 | 171 | 601 |
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2025 | 1 | 208 | 586 |
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2024 | 12 | 339 | 706 |
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2024 | 11 | 181 | 506 |
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2024 | 10 | 218 | 538 |
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2024 | 9 | 252 | 624 |
Year | Month | High | Avg |
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2024 | 8 | 66 | 188 |
I am a big fan of The Volverine movies but this one didn't have to much in it! I even watch it again to see if I miss anything. I would say this is a good movie to watch when you have some free time not a MUST watch movie! still a good one at it! ...
I was also a little disappointed. Especially the giant samurai suite raised question marks. I wonder what will happen next since Wolverine's claws are cut off. Dr. Green (alias Viper) reminds me of Poison Ivy (Batman). Somehow I didn't like that. Yukio, the red head, is cool tho. ...
Seeing Hugh Jackman as the wolverine is always a pleasure but this one is not thrilling at all. Just skip it unless you are a real fan. ...
This is definitely a good and entertaining movie. For me however, it falls short of being great due to a couple of things that I really did not like. Be warned that the rest of this review contains a few spoilers if you have not watched the movie before reading this. The movie begins quite well. ... I liked Wolverine getting into that bar taking revenge on the idiot hunting bears with poisoned darts. Then it did not continue so well. My main issue is that they screw with Wolverines healing powers really early on in the movie so that he is handicapped for a good chunk of it. I really did not like that. Now this does not stop there from being quite a few cool action sequences. The fight sequence on the Japanese bullet train was quite cool although a wee bit too drawn out perhaps. Eventually he manages to get his powers back although the happiness does not last very long. In the final combat they actually deprive Wolverine of his adamantium claws and it doesn’t look like he gets those back. What the f… is that? Sure, he regrows his original bone claws but that is not the same thing. Wolverine should have his adamantium claws, full stop. This is something I really dislike with a lot of Hollywood producers and directors now. They feel that they have to create some shock effect by destroying icons and constants in the world of movie fantasy. Like blowing up the Enterprise over and over again. I just hate it and for me this is the one thing that really stops this from being a great movie. Either they somehow give him back his proper claws or they can just as well make a reboot as far as I am concerned. It is quite sad that they, I will not say ruined but at least, diminished the movie in this way. Otherwise it would have been a great movie. It has a lot of nice action, a not too bad script and Hugh Jackman is very good as Wolverine. Actually the only one I thought was somewhat si so is Dr Green who’s acting is rather pathetic. All in all a good and entertaining movie that could have been a lot better if it was not for the Hollywood dimwits who felt they had to put something shocking in it and screwed it up.
Finally! A movie worth of one of the most iconic Marvel characters of all time! X-Men 3 was good, but this one was the most legit one. ...
What would you give to be mortal again? Well, this movie gives the opportunity for Logan to be mortal. Spectacular fight scenes, much better than X-men Origins was. ...
EXTREMELY BAD-ASS! A mix between modern technology, Marvel fantasy, and ancient Japanese mythology. Any Marvel fans will be thrilled to see this movie! ...
Solid 10/10 rating. Fight scenes were fast-paced, well-shot, and felt very real! A straightforward dramatic film! ...
Hugh Jackman always nails it with his adaptation for Wolverine. I will feel very sad when the time comes that he will have to retire to being Wolverine. ...
I don’t understand the hate some people have with this movie. For me, it was a pretty decent film. It ain't perfect, but still, it was pretty good. ...
This movie is really violent for a PG-13. And they don't hold back with this one. It is really on the edge and that is what makes it pretty awesome. ...
I am disappointed with this one. It has plot holes all over the place, the script was poorly written, and it just got away with Jackman's superb acting. Maybe next time. ...
Wolverine was finally given the attention that he deserves. After the disappointing movie that was Origins, I think they redeemed it with this one. Awesome portrayal and character-focused. ...
As an adaptation of the Japanese mini-series, I think this one is pretty good for a Wolverine-based movie. Also, if you haven’t watched it yet, stay longer in the theater for the post-credit scenes. One of the best so far! ...
The Wolverine was a fascinating take on the iconic mutant and how his past converged with his present. The action scenes were savage and vicious, gritty and almost dark. ...
Wolverine, but gritty and more human than mutant! This movie showed the toll of immortality, and the price you are willing to pay for one to take it away. ...
It was a fascinating film, and if you have seen Logan, you'll be able to see that it is like a prelude for it. ...
It has evaded many red flags for it to be considered as a PG-13 movie, and honestly, kids should not watch it as it is not suitable for them. ...
This second solo outing for the eponymous "X-Man" sees him rescue a Japanese soldier from the Nagasaki bomb. Many years later, that solider - "Yashida" (Hal Yamanouchi) - has become a wealthy and successful industrialist determined to leave his fortune to his strong-willed and capable granddaughter ... "Mariko" (Tao Okamoto). It's soon clear, though, that that succession plan is going to face it's problems - not least from her own father "Shingen" (Hiroyuki Sabada) and the Yakuza replete with their own group of combat-ready mutants. When an attempt is made to kidnap the woman at the old man's funeral, "Logan" (Hugh Jackman) gets more than he bargained for - and is now faced with a dilemma the like of which he had hitherto thought impossible. Moreover, this development actually puts both him and his charge at considerable risk. The plot takes a further twist when they both discover that there may yet be an even more dangerous foe awaiting them. Though this looks good, the story is weak and the characterisations all largely undercooked as the emotional undercurrents for "Logan" - still reeling from his loss of "Jean Grey" - drags the story into a mire of sentiment that makes this actually quite heavy going at times. As with the "Origins" film (2009) the nature of his battle skills require much too much close quarter and repetitive combat scenes that, after a while - and after he has, for the umpteenth time, emerged from a battle against overwhelming odds without breaking a nail - become jaded and dull to watch. The denouement scenes here seem to go on interminably, but without any sense of jeopardy - we all know what is going to happen and no amount of acrobatics and pyrotechnics makes that inevitability any more exciting to watch. Jackman himself is nowhere near his best here, either - it is almost as if he is as tired of this role as I am now. The supporting cast do little more than make up the numbers and though it's watchable enough, I did struggle and seriously hope we will see no more of these en-seul efforts.
Pretty good film. The Japanese setting really confused me, still kinda does, but I understand it somewhat now that I know the it was pulled from the comics. Good film overall, but similar to **_X-Men Origins: Wolverine_** it doesn't really seem to fit what fans want to see. Good movie tho ... ugh.