Popularity: 12 (history)
| Director: | Garth Jennings, Christophe Lourdelet |
|---|---|
| Writer: | Garth Jennings |
| Staring: |
| A koala named Buster recruits his best friend to help him drum up business for his theater by hosting a singing competition. | |
| Release Date: | Nov 23, 2016 |
|---|---|
| Director: | Garth Jennings, Christophe Lourdelet |
| Writer: | Garth Jennings |
| Genres: | Animation, Family, Comedy, Music |
| Keywords | anthropomorphism, singing, flood, singing competition, illumination, brisk |
| Production Companies | Universal Pictures, dentsu, Fuji Television Network, Illumination |
| Box Office |
Revenue: $634,151,679
Budget: $75,000,000 |
| Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Matthew McConaughey | Buster Moon (voice) |
| Reese Witherspoon | Rosita (voice) |
| Seth MacFarlane | Mike (voice) |
| Scarlett Johansson | Ash (voice) |
| John C. Reilly | Eddie (voice) |
| Taron Egerton | Johnny (voice) |
| Tori Kelly | Meena (voice) |
| Jennifer Saunders | Nana (voice) |
| Garth Jennings | Miss Crawly / Additional Voices (voice) |
| Peter Serafinowicz | Big Daddy (voice) |
| Nick Kroll | Gunter (voice) |
| Jennifer Hudson | Young Nana (voice) |
| Beck Bennett | Lance (voice) |
| Jay Pharoah | Meena's Grandfather (voice) |
| Nick Offerman | Norman (voice) |
| Leslie Jones | Meena's Mother (voice) |
| Rhea Perlman | Judith (voice) |
| Laraine Newman | Meena's Grandmother / Additional Voices (voice) |
| Bill Farmer | News Reporter Dog (voice) |
| Adam Buxton | Stan (voice) |
| Brad Morris | Baboon (voice) |
| Wes Anderson | Daniel (voice) |
| Chris Renaud | Additional Voices (voice) |
| Edgar Wright | Additional Voices (voice) |
| Asher Blinkoff | Piglet (voice) |
| Jessica Rau | Additional Voices (voice) |
| Carlos Alazraqui | Additional Voices (voice) |
| Sara Mann | Additional Voices (voice) |
| Daamen J. Krall | Additional Voices (voice) |
| Bob Bergen | Additional Voices (voice) |
| Doug Burch | Additional Voices (voice) |
| Cathy Cavadini | Additional Voices (voice) |
| Jason Pace | Additional Voices (voice) |
| Townsend Coleman | Additional Voices (voice) |
| Abby Craden | Additional Voices (voice) |
| Jim Cummings | Additional Voices (voice) |
| John DeMita | Additional Voices (voice) |
| Willow Geer | Additional Voices (voice) |
| Jess Harnell | Additional Voices (voice) |
| Oscar Jennings | Piglet (voice) |
| Leo Jennings | Piglet (voice) |
| Caspar Jennings | Piglet (voice) |
| Asa Jennings | Piglet (voice) |
| Jon Robert Hall | Frog (voice) |
| Laura Dickinson | Spider (voice) |
| Jen Faith Brown | Singer (voice) |
| Áurea | Voice 1 |
| Marisa Liz | Voice 2 |
| Mickael Carreira | Voice 3 |
| Deolinda Kinzimba | Voice 4 |
| Jeremy Maxwell | Additional Voices (voice) |
| Igor Khait | Additional Voices (voice) |
| David Arnott | Additional Voices (voice) |
| Daniel Mora | Additional Voices (voice) |
| Britt Burton | Additional Voices (voice) |
| Gregory Perler | Additional Voices (voice) |
| Paige Pollack | Additional Voices (voice) |
| Marisa De Silva | Additional Voices (voice) |
| Jessica Rotter | Additional Voices (voice) |
| Robert Taylor | Additional Voices (voice) |
| Thomas Walters | Additional Voices (voice) |
| Andrew Walton | Additional Voices (voice) |
| Joe Matthews | Additional Voices (voice) |
| Name | Job |
|---|---|
| Garth Jennings | Director, Writer |
| Allison Jones | Casting |
| Mickie McGowan | Casting |
| Eric Guillon | Production Design, Character Designer |
| Chihiro Kameyama | Thanks |
| Eric Bradley | Musician |
| Rachel Bolt | Musician |
| Steve Boeddeker | Sound Designer |
| Joby Talbot | Original Music Composer |
| Wayne McGregor | Choreographer |
| Harvey Mason Jr. | Executive Music Producer |
| John Roesch | Foley |
| Dan Navarro | Musician |
| Dave Foster | Orchestrator |
| Dennis Leonard | Supervising Sound Editor |
| Ben Harris | Casting Associate |
| Ronni Brown | Foley |
| Lora Hirschberg | Sound Re-Recording Mixer |
| Benjamin Faure | Animation |
| Joe Matthews | Musician |
| Gary Rizzo | Sound Re-Recording Mixer |
| Jais Bredsted | Animation |
| Gregory Perler | Editor |
| Christophe Lourdelet | Co-Director |
| François Moret | Art Direction |
| Richard Gould | Foley Editor |
| Françoise Pams | Thanks |
| Stéphane Lebars | Thanks |
| James Thatcher | Musician |
| Amy Colman | Legal Services |
| Frédérique Bredin | Thanks |
| Igor Primault | Thanks |
| Thierry de Segonzac | Thanks |
| Eric Carme | VFX Artist |
| Pablo Penchansky | VFX Artist |
| Sergio Juan Gomez | VFX Artist |
| Brett Nystul | Visual Development |
| Guillaume Fesquet | Visual Development |
| Eric Vetro | Vocal Coach |
| Cheryl Nardi | ADR Editor, Dialogue Editor |
| Wouter van Herwerden | ADR & Dubbing |
| Adeline Grange | Animation |
| Adrian Villarino | Animation |
| Alexis Fernandez | Animation |
| Ben Ozeri | Animation |
| Bruno Scheerens | Animation |
| Damien Duprat | Animation |
| David Friedenstein | Animation |
| David Laverdure | Animation |
| Diego S. Mezquiriz | Animation |
| Eddy Okba | Animation |
| Giacomo Mora | Animation |
| Iván del Rio | Animation |
| Jack Vandenbroele | Animation |
| Jérémy Fromentin | Animation |
| Ludovic Savonnière | Animation |
| Marc Álvarez | Animation |
| Mette Tange | Animation |
| Mourad Simoussa | Animation |
| Nicolas Candido | Animation |
| Pierre-Baptiste Marty | Animation |
| Quentin Piq | Animation |
| Remi Parisse | Animation |
| Sébastien Wackowiez | Animation |
| Vincent Lemaire | Animation |
| Timo Berg | Animation |
| Patrick Delage | Animation Director |
| Anna Solorio-Catalano | Assistant Editor |
| Drew Kilcoin | Assistant Editor |
| Anthony De Francesco | Assistant Sound Editor |
| Andrew Walton | Associate Editor |
| Gregory Georges | Color Designer |
| Alexandre Marlier | Compositors |
| Mark Graham | Conductor |
| Alexandre Gény | Digital Compositors |
| Boizanté Guillaume | Digital Compositors |
| Camille Charpigny | Digital Compositors |
| Eric Joubin | Digital Compositors |
| Guillem Ramisa de Soto | Digital Compositors |
| Julien Martins | Digital Compositors |
| Julien Trouchet | Digital Compositors |
| Laperdrix Julien | Digital Compositors |
| Leslie Renaud | Digital Compositors |
| Marie Barallon | Digital Compositors |
| Maxime Goudal | Digital Compositors |
| Pablo Gotor | Digital Compositors |
| Romain Blanchet | Digital Compositors |
| Thomas Assié | Digital Compositors |
| Amy Pawlowski | Digital Intermediate |
| Thomas Walters | First Assistant Editor |
| Geoff Vaughan | Foley |
| Jana Vance | Foley |
| Shelley Roden | Foley |
| E. Larry Oatfield | Foley Editor |
| Zach Martin | Foley Editor |
| Arnaud Servouze | Lighting Artist |
| Cedric Launay | Lighting Artist |
| Ephraïm Drouet | Lighting Artist |
| Thibault Bunoust | Lighting Artist |
| Victor Pajot | Master Lighting Artist |
| Yannick Lecoffre | Master Lighting Artist |
| Mark Wyllie | Mixing Engineer |
| Andre Zweers | Music Editor |
| Brent Brooks | Music Editor |
| Dominick Certo | Music Editor |
| Michael Connell | Music Editor |
| Vicki Hiatt | Music Editor |
| Jojo Villanueva | Music Supervisor |
| Andrew Synowiec | Musician |
| Bart Samolis | Musician |
| Bruce White | Musician |
| George Doering | Musician |
| Helen Z. Altenbach | Musician |
| Jonathan Williams | Musician |
| Kevin Axt | Musician |
| Kevin Connolly | Musician |
| M.B. Gordy | Musician |
| Mark Berrow | Musician |
| Matt Chamberlain | Musician |
| Nicholas Bucknall | Musician |
| Omar Fasli | Musician |
| Paul Kegg | Musician |
| Serena McKinney | Musician |
| Steve Mair | Musician |
| Steve Schaeffer | Musician |
| Wade Culbreath | Musician |
| Edward Trybek | Orchestrator |
| Henri Wilkinson | Orchestrator |
| Emma Escamilla | Post Production Assistant |
| Jeannine Berger | Post Production Supervisor |
| Rachel Feinberg | Production Coordinator |
| Joy Poirel | Production Supervisor |
| Diane Howard | Publicist |
| Alan Meyerson | Scoring Mixer |
| Kelly Lake | Script Supervisor |
| Benoit Tranchet | Set Designer |
| Thomas Reteuna | Set Designer |
| Mélissa Faucher | Software Engineer |
| Dustin Cawood | Sound Effects Editor |
| Luke Dunn Gielmuda | Sound Effects Editor |
| Aurélien Predal | Concept Artist |
| Charlotte Hutchinson | Set Designer |
| Lawrence Bendelac | Production Accountant |
| Boris Jacq | CG Supervisor |
| Pierre Leduc | Animation Director |
| Simon Cuisinier | Supervising Animator |
| Luc Dégardin | Supervising Animator |
| Christophe Delisle | Supervising Animator |
| Pierre-François Duhamel | Supervising Animator |
| Audrey Fobis | Supervising Animator |
| Gwénolé Oulc'hen | Supervising Animator |
| Guylo Homsy | Layout Supervisor |
| Milo Riccarand | Effects Supervisor |
| Christelle Balcon | Head of Production |
| Pierre Avon | Supervising Animator |
| Mac Smith | Sound Effects Editor |
| Chloé Nicolay | Storyboard Artist |
| Stevie Wonder | Songs |
| Ariana Grande | Songs |
| Name | Title |
|---|---|
| Chris Meledandri | Producer |
| Janet Healy | Producer |
| Robert Taylor | Associate Producer |
| Brett Hoffman | Associate Producer |
| Igor Khait | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 77 | 96 | 52 |
| 2024 | 5 | 86 | 124 | 65 |
| 2024 | 6 | 77 | 122 | 55 |
| 2024 | 7 | 69 | 108 | 48 |
| 2024 | 8 | 67 | 109 | 43 |
| 2024 | 9 | 51 | 63 | 37 |
| 2024 | 10 | 77 | 166 | 36 |
| 2024 | 11 | 80 | 138 | 56 |
| 2024 | 12 | 66 | 120 | 50 |
| 2025 | 1 | 72 | 106 | 56 |
| 2025 | 2 | 53 | 83 | 10 |
| 2025 | 3 | 23 | 82 | 3 |
| 2025 | 4 | 12 | 16 | 8 |
| 2025 | 5 | 11 | 14 | 9 |
| 2025 | 6 | 10 | 12 | 8 |
| 2025 | 7 | 9 | 10 | 8 |
| 2025 | 8 | 8 | 10 | 6 |
| 2025 | 9 | 9 | 12 | 7 |
| 2025 | 10 | 9 | 12 | 8 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 235 | 698 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 266 | 605 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 203 | 725 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 66 | 640 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 216 | 657 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 234 | 711 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 253 | 669 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 238 | 787 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 269 | 666 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 304 | 679 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 345 | 668 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 236 | 625 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 357 | 631 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 385 | 793 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 427 | 736 |
QUALITY Featuring appealing covers of hit songs and an all-star cast, this cute animated comedy capitalizes on the craze for both talking-animal adventures and talent competitions. The movie may not have the substance of Inside Out or the overt messages of Zootopia, but, like Trolls, it's simple, ... with catchy pop music and jokes that are likely to make kids laugh. (Unlike Trolls, its take-aways aren't quite as thoroughly positive -- see below.) The musical numbers are by far the best part of the movie, including Jennifer Hudson-voiced renditions of "Golden Slumbers/Carry That Weight" to the piggy duet of "Shake It Off" (by Witherspoon and comedian Nick Kroll as a German boar called Gunter) to Kelly's show-stopping version of "Hallelujah." The music is what makes Sing worth the price of admission, because, story- and theme-wise, there are a few missteps that keep it from greatness. Like, say, the depiction of Rosita's home life. She does everything for her 25 piglets, and her burnt-out husband (Nick Offerman) barely registers her. He's so checked out that he doesn't notice when she sets up a Rube-Goldberg contraption to keep the household working when she can't secure a babysitter to participate in the contest. And then there's poor Johnny, who desperately wants his criminal father's approval. A child wanting a parent to see them shine is wonderful, but did they have to make the father in question a bank robber? But if what you want is a bubbly diversion you''l find yourself singing along to after the credits roll, then Sing hits the spot. Just don't think about it too hard.
**Music is the key!** It was one of the most watched trailer by me. Yeah, I liked the trailer and teaser, those beautiful songs and characters made me watch this film. Maybe because of that, I thought the trailers looked much better. I enjoyed the film, it had depth in characters than what I saw ... in the promotional videos. Though it is a simple story, and that worked so well. Its neither Disney or Pixer, but awesome. The good thing is the others as well getting there with par. It got nominated for the Golden Globe, but missed out the Oscars. A film for all ages. The musical is very common in animation, especially from Disney. This was a little different, a music genre. And the characters are the very special to this film to clinch the success. It could have been easily added to 'Zootopia' universe, since the two films are from different productions, that idea was ruled out. The selection of voice-over cast was excellent, particularly in the singing perspective. Recently Dwayne Johnson sang one for 'Moana'. I know the real life actors brought in for the marketing purpose, but anyway they all were so good. I liked a couple of tracks, but most of them are not original. Even the theme song from 'Zootopia' by Shakira had a small part in it. So this film is surely suggestible for anyone to try at any time in any mood. It only cheers, definitely worth spending time for it. Now bring it on a sequel. As per the latest news, they have announced which is going to hit the screen in 2020. That looks too long, I need it even before that. Meanwhile, you guys enjoy it if you'ven't watched it yet. _8/10_
Sing is about as good or bad as you would expect it to be. For me, it was a disposable yet entertaining flick where cartoon animals sing Glee-style renditions of popular songs to a plot that is pretty much American Idol meets The Muppets (2011). It follows the feel good, "can't we all just get along ... ?" formula to a T.