Popularity: 3 (history)
| Director: | Tom McGrath |
|---|---|
| Writer: | Marla Frazee, Michael McCullers |
| Staring: |
| A story about how a new baby's arrival impacts a family, told from the point of view of a delightfully unreliable narrator, a wildly imaginative 7 year old named Tim. | |
| Release Date: | Mar 23, 2017 |
|---|---|
| Director: | Tom McGrath |
| Writer: | Marla Frazee, Michael McCullers |
| Genres: | Animation, Family, Comedy |
| Keywords | baby, villain, puppy, family relationships, sibling rivalry, unreliable narrator, aftercreditsstinger, baby brother |
| Production Companies | DreamWorks Animation |
| Box Office |
Revenue: $527,965,936
Budget: $125,000,000 |
| Updates |
Updated: Aug 02, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Alec Baldwin | Theodore Templeton (voice) |
| Steve Buscemi | Francis E. Francis (voice) |
| Miles Bakshi | Tim Templeton (voice) |
| Jimmy Kimmel | Ted Templeton (voice) |
| Lisa Kudrow | Janice Templeton (voice) |
| Tobey Maguire | Narrator / Older Tim Templeton (voice) |
| Conrad Vernon | Eugene Francis (voice) |
| James McGrath | Wizzie / Elvis Impersonator (voice) |
| David Soren | Jimbo (voice) |
| Nina Zoe Bakshi | Tim's Daughter / Girl / Little Girl (voice) |
| Tom McGrath | TV Chef (voice) |
| Walt Dohrn | Photographer (voice) |
| James Ryan | Story Bear (voice) |
| Eric Bell Jr. | Triplets (voice) |
| ViviAnn Yee | Staci (voice) |
| Edie Mirman | Big Boss Baby (voice) |
| James Izzo | Elvis impersonator (voice) |
| Chris Miller | Captain Ross (voice) |
| Chloe Albrecht | Hazmat Baby (voice) |
| Andrea Montana Knoll | Flight Attendant (voice) |
| Joseph Izzo | Elvis Impersonators (voice) |
| Glenn Harmon | Airport Announcer (voice) |
| Brian Hopkins | Airport Security Guard (voice) |
| Jules Winter | Crying Boy / Little Boy / Boy (voice) |
| Name | Job |
|---|---|
| Kirk DeMicco | Thanks |
| Jeffrey Katzenberg | Thanks |
| Mike Mitchell | Thanks |
| Gina Shay | Thanks |
| David P. Smith | Additional Writing |
| Matt Dunkley | Conductor |
| Joe Moshier | Character Designer |
| Christian Schaanning | Sound Effects Editor |
| Marla Frazee | Novel |
| Steve Mazzaro | Original Music Composer |
| Michael McCullers | Writer |
| Chris Sanders | Thanks |
| Hans Zimmer | Original Music Composer |
| Ennio Torresan Jr. | Storyboard |
| Chris Miller | Thanks |
| Swetha Madhavan | Production Supervisor |
| Rachel Bolt | Musician |
| Frank E. Abney III | Animation |
| Rani Naamani | Animation |
| Goro Fujita | Visual Development |
| James Ryan | Thanks, Editor |
| Tina Guo | Musician |
| Dan Krall | Additional Effects Development |
| Sheila E. | Musician |
| Tom McGrath | Director |
| Christi Soper Hilt | Casting |
| Leslee Feldman | Casting |
| David Huang | Set Designer |
| Peter Maynez | Set Designer |
| Shannon Thomas | 3D Modeller |
| Benjamin Willis | Animation Supervisor |
| M. Scott McKee | CG Supervisor |
| Ranjan Kurian Periakottil | CG Supervisor |
| Bert Poole | CG Supervisor |
| Gabriel Portnof | CG Supervisor |
| Milton E. Rodriguez-Rios | CG Supervisor |
| Mollie Gamo | Casting Associate |
| Christopher Flick | Foley Editor |
| Ryan Juggler | Foley Editor |
| Vanitha Rangaraju | Visual Effects Supervisor |
| Rajarajan Ramakrishnan | Lighting Supervisor |
| David James | Production Design |
| Mark Berrow | Musician |
| Christina Lee Storm | Production Office Coordinator |
| David Isetta | Production Supervisor |
| Caroline Robinson | Production Supervisor |
| John Swanson | Production Manager |
| Ann Daly | Thanks |
| Gregg Taylor | Thanks |
| Conrad Pope | Additional Music |
| C.C. Srinivasan | Compositors |
| Jessica Norwood | Legal Services |
| Kaspar Hugentobler | Mixing Engineer |
| Patrick VandenBussche | Post Production Supervisor |
| David Yanover | Post-Production Manager |
| Geoff Foster | Score Engineer |
| Stephanie McNally | Score Engineer |
| Derrick Werlé | Score Engineer |
| Mary Blee | Second Film Editor |
| Wei-Feng Huang | Software Engineer |
| Margaret A. Decker | Software Engineer |
| Ashish Dantu | Supervising Technical Director |
| Corban Gossett | Supervising Technical Director |
| Rain Angeles | Systems Administrators & Support |
| Cory Walker | Systems Administrators & Support |
| Michael Hugh O'Donnell | Assistant Editor |
| Erika Scopelli | Assistant Editor |
| Jacquelyn Karambelas | Associate Editor |
| Natalia Cronembold | First Assistant Editor |
| Adarsh Abraham | Lighting Artist |
| Anshad Abu | Lighting Artist |
| Mayur Bhosle | Lighting Artist |
| Sahaya Ramesh Bosco | Lighting Artist |
| Iveth Bueno | Lighting Artist |
| Arnov Chaudhury | Lighting Artist |
| Andrew Dehner | Lighting Artist |
| Subash Jude | Lighting Artist |
| Harshal Kadam | Lighting Artist |
| Ashwin Karthik | Lighting Artist |
| Christy Page | Lighting Artist |
| Nitin Punchail | Lighting Artist |
| Shrivardhan Rao | Lighting Artist |
| Javed Iqbal Shaikh | Lighting Artist |
| Dmitry Shklyar | Lighting Artist |
| Ruhi Sinha | Lighting Artist |
| Kirill Smolskiy | Lighting Artist |
| Shakti Soni | Lighting Artist |
| Anoop Thomas | Lighting Artist |
| Srinivasan Velayutham | Lighting Artist |
| Liang-Yuan Wang | Lighting Artist |
| Kaki Bage | Lighting Coordinator |
| Ashin Ashroff | Master Lighting Artist |
| Vijay Bundela | Master Lighting Artist |
| Erich Burchfield | Master Lighting Artist |
| Michael P. Hamler | Master Lighting Artist |
| C. Jin Im | Master Lighting Artist |
| David Lewis | Master Lighting Artist |
| Matt Linder | Master Lighting Artist |
| Kieron Cheuk-Chi Lo | Master Lighting Artist |
| Raghuram Palasamudram | Master Lighting Artist |
| Kaustubh Patil | Master Lighting Artist |
| Priyes Shah | Master Lighting Artist |
| Osamu Takehiro | Master Lighting Artist |
| Ajay Upadhyay | Master Lighting Artist |
| Benjamin Venancie | Master Lighting Artist |
| Nimesh Zala | Master Lighting Artist |
| Andrew Allen | Casting Assistant |
| Nadia Sheen | Casting Assistant |
| Marina Soto | Character Technical Supervisor |
| Gilbert Davoud | Character Technical Supervisor |
| Kevin Rodgers | Character Technical Supervisor |
| James Beshears | Executive In Charge Of Post Production |
| Nathan Crommett | Finance |
| Nandhini Giri | Production Coordinator |
| Aubrie Goslin | Production Coordinator |
| Priyaa Kalkura | Production Coordinator |
| Chandra Mouley Atray | Production Coordinator |
| Grace Bisel | Production Coordinator |
| Jessica Choi | Production Coordinator |
| Carrel Dsouza | Production Coordinator |
| Mary Howie | Production Coordinator |
| Govind Kalburgi | Production Coordinator |
| Sonali Lambe | Production Coordinator |
| Jen Ligler | Production Coordinator |
| Adam Nelson | Production Coordinator |
| Vani Rakesh | Production Coordinator |
| Joanna Lynne Smith | Production Coordinator |
| Nila Sudheendran | Production Coordinator |
| Nicole Watt | Production Coordinator |
| Virendra Chauhan | Production Manager |
| Matt Pomeroy | Production Manager |
| Rachel Zusser | Production Manager |
| Angie Howard | Production Manager |
| Loni J. Albertson | Production Supervisor |
| Nelson Dsouza | Production Supervisor |
| Michael Lynn | Production Supervisor |
| Andrew Marshel | Production Supervisor |
| Stephanie Quan | Production Supervisor |
| Tyler Shelton | Production Supervisor |
| Carlyn Siegler | Production Supervisor |
| Ryan Genji Thomas | Production Supervisor |
| David Hail | Publicist |
| Gavin Greenaway | Conductor |
| Christopher T. Welch | Dialogue Editor |
| Thom Brennan | Foley Editor |
| Mark Pappas | Foley Editor |
| Shannon Erbe | Music Editor |
| Nicholas Bucknall | Musician |
| Jonathan Evans-Jones | Musician |
| Skaila Kanga | Musician |
| Paul Kegg | Musician |
| Roger Linley | Musician |
| Steve Mair | Musician |
| Anna Noakes | Musician |
| Joan Martorell | Orchestrator |
| Òscar Senén | Orchestrator |
| Nathaniel Kunkel | Scoring Mixer |
| Rick Hromadka | Sound Designer |
| Phil Barrie | Sound Effects Editor |
| Greg ten Bosch | Sound Effects Editor |
| Michael Amos | Animation |
| Bhavin Joshi | Animation |
| Julien Bocabeille | Animation |
| Guillermo Careaga | Animation |
| Hans Dastrup | Animation |
| Bob Davies | Animation |
| Thomas Grummt | Animation |
| Willy Harber | Animation |
| Andrew Harkins | Animation |
| Jennifer E. Harlow | Animation |
| David Polk | Animation |
| Albert Rubio | Animation |
| Dane Stogner | Animation |
| Greg Whittaker | Animation |
| Edric Yamamoto | Animation |
| Carlos Fernandez Puertolas | Animation Director |
| Ludovic Bouancheau | Animation Supervisor |
| Anthony Hodgson | Animation Supervisor |
| Bryce McGovern | Animation Supervisor |
| Ardie Johnson | Character Designer |
| Tony K. Williams | Character Modelling Supervisor |
| Evan Boucher | Creature Technical Director |
| Trisha Butkowski | Creature Technical Director |
| Dick Walsh | Creature Technical Director |
| Jeff Wang | Creature Technical Director |
| Nishok Alagesan | Digital Compositors |
| Richard Ramazinski | Digital Compositors |
| Sibaji Rakshit | Modeling |
| Wes Chilton | VFX Artist |
| Jason Doss | VFX Artist |
| Anthony Fung | VFX Artist |
| Santosh S. Khedkar | VFX Artist |
| Igor Lodeiro | VFX Artist |
| Rahul Mullick | VFX Artist |
| Pradeep Mynam | VFX Artist |
| Niral Rajani | VFX Artist |
| Alvaro Segura | VFX Artist |
| Siam Shukoor | VFX Artist |
| Vitalii Stadnyk | VFX Artist |
| Philippe Gluckman | VFX Supervisor |
| Mahesh Ramasubramanian | VFX Supervisor |
| Jill Beecher | Visual Development |
| Perry Maple | Visual Development |
| Rachel Tiep-Daniels | Visual Development |
| Robinson Wood | Visual Development |
| Zsoka Barkacs | Visual Effects |
| Harsha Kc | Visual Effects |
| Abhijit Khanvilkar | Visual Effects |
| Venkatesh Kongathi | Visual Effects |
| Domin Lee | Visual Effects |
| Gaurav Mathur | Visual Effects |
| Zachary Gold | Production Supervisor |
| Joe Schiff | Dialogue Editor |
| Robert Troy | Dialogue Editor |
| Nerses Gezalyan | Foley Mixer |
| Amy Kane | Foley Artist |
| John Sanacore | Foley Mixer |
| Sarah Monat | Foley Artist |
| Robin Harlan | Foley Artist |
| Paul Stevenson | Foley Artist |
| Anita Cannella | Foley Artist |
| Lisa Curtis Saunders | Technical Supervisor |
| Heather Lanza | Production Manager |
| Paul N.J. Ottosson | Supervising Sound Editor, Sound Re-Recording Mixer |
| Bill Damaschke | Thanks |
| Dean DeBlois | Thanks |
| Walt Dohrn | Thanks |
| David Soren | Thanks |
| Conrad Vernon | Thanks |
| Bill Díaz | Animation |
| Ken Bielenberg | VFX Supervisor |
| Randy K. Singer | Foley Mixer |
| Josh Wood | Post Production Supervisor |
| Name | Title |
|---|---|
| Jed Schlanger | Associate Producer |
| Ramsey Ann Naito | Producer |
| Denise Nolan Cascino | Producer |
| Rebecca Huntley | Associate Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Animated Feature | N/A | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 35 | 18 |
| 2024 | 5 | 40 | 52 | 31 |
| 2024 | 6 | 28 | 43 | 16 |
| 2024 | 7 | 28 | 43 | 17 |
| 2024 | 8 | 18 | 27 | 13 |
| 2024 | 9 | 16 | 19 | 12 |
| 2024 | 10 | 19 | 36 | 10 |
| 2024 | 11 | 20 | 53 | 13 |
| 2024 | 12 | 19 | 27 | 13 |
| 2025 | 1 | 17 | 22 | 13 |
| 2025 | 2 | 12 | 20 | 2 |
| 2025 | 3 | 7 | 20 | 1 |
| 2025 | 4 | 4 | 5 | 2 |
| 2025 | 5 | 3 | 4 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 3 | 2 |
| 2025 | 9 | 3 | 5 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 293 | 723 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 242 | 680 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 261 | 680 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 230 | 634 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 292 | 683 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 209 | 637 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 280 | 661 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 496 | 861 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 252 | 679 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 462 | 738 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 264 | 806 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 567 | 828 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 600 | 809 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 465 | 713 |
**The baby on a mission!** If you ask anybody from the pre 90s, they would say their love for animated feature started with 'Toy Story'. But mine was DreamWorks' 'Antz'. So this production house might not be as good as Disney or Pixar, but still a better one than the rest of those who are in the ... same business, except Sony who comes equal. I wanted this film to be good, yeah, it is a box office hit, but not critically. The regular animated film goer accepted it. And I think as well, it is entertaining, so much fun in parts, if not the entire film. The story of a boy whose happy life being an only child has taken away from his newborn little brother. Then one day he discovers the baby could speak and came to the house with a bigger plan. Knowing what it is and joining hands with him to tackle is what the remaining narration covers. Quite fun film. Animation, story and all the adventures were good. The voice-over was great. Alec Baldwin was awesome, but it's fair to praise the technicians, the animators. At first, I thought some of the jokes were rude, if the film is for families, particularly for the kids. But when I watched the rest of the film, it did not look going anymore worse. A simple story and predictable, but it was enjoyable, that makes you forget yourself for a while. Despite the mixed response in acceptance, I've heard the sequel is on, in a couple of years. I think it is a good decision, even the storyline, how it ended encourages that. It's not going to be your favourite animated film, but surely not to be missed if you love animation. _7/10_
**An elegant and well-made film, but with far-fetched, forced ideas and a certain lack of “soul”.** I am aware that my generation, “Generation Y”, is the first in the history of my country where the majority of us are only children. With the increase in education, health and food costs and low sa ... laries without corresponding increases, for most families it has become insane to have more than one child. And the truth is that many of us will prefer not to have children, or we will become parents late (I think this helps explain the issue of “love for puppy dogs”, in the film and in real life, after all they're cheaper and aren't indelible bonds that connect us to others, ex-wives or ex-husbands). I can speak for myself: I'm close to forty years old, and I have no idea of starting a family, I have no conditions and I feel that my future has been mortgaged by the financial crises that society has been experiencing since the beginning of the millennium. I'm sure I won't be the only one who feels this way. This film, in a joyful and naive way, is a portrait of all this by showing how a seven-year-old child finds the birth of his brother strange. I already understood that love and rivalry are contradictory feelings that are part of what it means to have siblings: they may compete for their parents' love and attention, but they often come together when necessary. And the film shows us all this by creating a whirlwind story in which the new member of the family is also a disguised executive with authoritarian tics and who behaves like a “Donald Trump in diapers”: giving orders, grumbling, shouting, firing everything and everyone like the worst CEO we can imagine. To be honest, I only saw the film now because, at the time, it seemed so uninteresting and forced that I didn't pay to see it in the cinema, contradicting the success it had at the box office and joining me with a mass of suspicious people who thought that the critics could have been right in the way she bombed the film in the media. And, in fact, we have to agree that DreamWorks has already done better things and seems to be in an inspiration crisis. The quality of the drawings and animations, the vibrant colors, the good character design and the technical refinement are still visible, but there is a lack of good ideas and some soul. This film makes an effort, appeals to fraternal feelings and the public apparently responded well, but it is not a film at the level of past successes. As for the soundtrack, which features some notable songs, it's reasonable, but not so good as to be worth it on its own, and the humor is suitably sarcastic, although the jokes can, at times, be more aimed at adults than children. (I doubt most kids know what a memo is). The film, being an animation, does not have a cast, but features the participation of several well-known voice actors, with particular emphasis on Allec Baldwin (who gave the voice of Baby) and Steve Buscemi, who gave the voice of the story's villain. Still worthy of mention and a positive note are the contributions of Jimmy Kimmel, Lisa Kudrow and Miles Bakshi.
Well here we don't even bother with the gooseberry bush, let along the maternity ward, as the young besuited baby arrives to join mum, dad and elder brother "Tim". These kids don't exactly hit it off. Is that because "Tim" is jealous of the love his parents smother their new arrival with? Or is it b ... ecause he doesn't behave like a baby at all, just a diminutive business executive who speaks and acts like someone forty times his age? At his most confused, "Tim" also discovers that this rugrat has a more sinister objective and that the boss of the global megacorp "Puppy Co." has instigated a plan that will forever change the loving dynamic between people and their favourite pets. It seems that the only chance he has to thwart this dastardly plan is to work together with his duplicitous and bossy but incredibly astute sibling. Loads of escapades now follow as the pair have to do some intrepid detective work, risk life and limb, and even join an Elvis impersonators convention. Now had they just left the scenario with a degree of obnoxious baby menace, then this might have worked better for me. Sadly, though, they hadn't the courage of the original conviction of the film and so it drifts all too readily into a cheesy world of sentiment and predictability that neuters the whole thrust of the thing. It does take a bit of a pop at the corporate world and at it's approach to monetising children and pets so shamelessly, but the fun is sucked out of it simply by relying on a mediocre script and a soundtrack of adapted ballads whilst the sense of mischief just peters away. It all just goes too goo goo ga ga in the end, and though I get I'm not the demographic, I still thought it an opportunity for something a bit different just wasted.