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The Boss Baby Poster

The Boss Baby

Born leader.
2017 | 97m | English

(153698 votes)

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Popularity: 3 (history)

Details

A story about how a new baby's arrival impacts a family, told from the point of view of a delightfully unreliable narrator, a wildly imaginative 7 year old named Tim.
Release Date: Mar 23, 2017
Director: Tom McGrath
Writer: Marla Frazee, Michael McCullers
Genres: Animation, Family, Comedy
Keywords baby, villain, puppy, family relationships, sibling rivalry, unreliable narrator, aftercreditsstinger, baby brother
Production Companies DreamWorks Animation
Box Office Revenue: $527,965,936
Budget: $125,000,000
Updates Updated: Aug 02, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Alec Baldwin Theodore Templeton (voice)
Steve Buscemi Francis E. Francis (voice)
Miles Bakshi Tim Templeton (voice)
Jimmy Kimmel Ted Templeton (voice)
Lisa Kudrow Janice Templeton (voice)
Tobey Maguire Narrator / Older Tim Templeton (voice)
Conrad Vernon Eugene Francis (voice)
James McGrath Wizzie / Elvis Impersonator (voice)
David Soren Jimbo (voice)
Nina Zoe Bakshi Tim's Daughter / Girl / Little Girl (voice)
Tom McGrath TV Chef (voice)
Walt Dohrn Photographer (voice)
James Ryan Story Bear (voice)
Eric Bell Jr. Triplets (voice)
ViviAnn Yee Staci (voice)
Edie Mirman Big Boss Baby (voice)
James Izzo Elvis impersonator (voice)
Chris Miller Captain Ross (voice)
Chloe Albrecht Hazmat Baby (voice)
Andrea Montana Knoll Flight Attendant (voice)
Joseph Izzo Elvis Impersonators (voice)
Glenn Harmon Airport Announcer (voice)
Brian Hopkins Airport Security Guard (voice)
Jules Winter Crying Boy / Little Boy / Boy (voice)
Name Job
Kirk DeMicco Thanks
Jeffrey Katzenberg Thanks
Mike Mitchell Thanks
Gina Shay Thanks
David P. Smith Additional Writing
Matt Dunkley Conductor
Joe Moshier Character Designer
Christian Schaanning Sound Effects Editor
Marla Frazee Novel
Steve Mazzaro Original Music Composer
Michael McCullers Writer
Chris Sanders Thanks
Hans Zimmer Original Music Composer
Ennio Torresan Jr. Storyboard
Chris Miller Thanks
Swetha Madhavan Production Supervisor
Rachel Bolt Musician
Frank E. Abney III Animation
Rani Naamani Animation
Goro Fujita Visual Development
James Ryan Thanks, Editor
Tina Guo Musician
Dan Krall Additional Effects Development
Sheila E. Musician
Tom McGrath Director
Christi Soper Hilt Casting
Leslee Feldman Casting
David Huang Set Designer
Peter Maynez Set Designer
Shannon Thomas 3D Modeller
Benjamin Willis Animation Supervisor
M. Scott McKee CG Supervisor
Ranjan Kurian Periakottil CG Supervisor
Bert Poole CG Supervisor
Gabriel Portnof CG Supervisor
Milton E. Rodriguez-Rios CG Supervisor
Mollie Gamo Casting Associate
Christopher Flick Foley Editor
Ryan Juggler Foley Editor
Vanitha Rangaraju Visual Effects Supervisor
Rajarajan Ramakrishnan Lighting Supervisor
David James Production Design
Mark Berrow Musician
Christina Lee Storm Production Office Coordinator
David Isetta Production Supervisor
Caroline Robinson Production Supervisor
John Swanson Production Manager
Ann Daly Thanks
Gregg Taylor Thanks
Conrad Pope Additional Music
C.C. Srinivasan Compositors
Jessica Norwood Legal Services
Kaspar Hugentobler Mixing Engineer
Patrick VandenBussche Post Production Supervisor
David Yanover Post-Production Manager
Geoff Foster Score Engineer
Stephanie McNally Score Engineer
Derrick Werlé Score Engineer
Mary Blee Second Film Editor
Wei-Feng Huang Software Engineer
Margaret A. Decker Software Engineer
Ashish Dantu Supervising Technical Director
Corban Gossett Supervising Technical Director
Rain Angeles Systems Administrators & Support
Cory Walker Systems Administrators & Support
Michael Hugh O'Donnell Assistant Editor
Erika Scopelli Assistant Editor
Jacquelyn Karambelas Associate Editor
Natalia Cronembold First Assistant Editor
Adarsh Abraham Lighting Artist
Anshad Abu Lighting Artist
Mayur Bhosle Lighting Artist
Sahaya Ramesh Bosco Lighting Artist
Iveth Bueno Lighting Artist
Arnov Chaudhury Lighting Artist
Andrew Dehner Lighting Artist
Subash Jude Lighting Artist
Harshal Kadam Lighting Artist
Ashwin Karthik Lighting Artist
Christy Page Lighting Artist
Nitin Punchail Lighting Artist
Shrivardhan Rao Lighting Artist
Javed Iqbal Shaikh Lighting Artist
Dmitry Shklyar Lighting Artist
Ruhi Sinha Lighting Artist
Kirill Smolskiy Lighting Artist
Shakti Soni Lighting Artist
Anoop Thomas Lighting Artist
Srinivasan Velayutham Lighting Artist
Liang-Yuan Wang Lighting Artist
Kaki Bage Lighting Coordinator
Ashin Ashroff Master Lighting Artist
Vijay Bundela Master Lighting Artist
Erich Burchfield Master Lighting Artist
Michael P. Hamler Master Lighting Artist
C. Jin Im Master Lighting Artist
David Lewis Master Lighting Artist
Matt Linder Master Lighting Artist
Kieron Cheuk-Chi Lo Master Lighting Artist
Raghuram Palasamudram Master Lighting Artist
Kaustubh Patil Master Lighting Artist
Priyes Shah Master Lighting Artist
Osamu Takehiro Master Lighting Artist
Ajay Upadhyay Master Lighting Artist
Benjamin Venancie Master Lighting Artist
Nimesh Zala Master Lighting Artist
Andrew Allen Casting Assistant
Nadia Sheen Casting Assistant
Marina Soto Character Technical Supervisor
Gilbert Davoud Character Technical Supervisor
Kevin Rodgers Character Technical Supervisor
James Beshears Executive In Charge Of Post Production
Nathan Crommett Finance
Nandhini Giri Production Coordinator
Aubrie Goslin Production Coordinator
Priyaa Kalkura Production Coordinator
Chandra Mouley Atray Production Coordinator
Grace Bisel Production Coordinator
Jessica Choi Production Coordinator
Carrel Dsouza Production Coordinator
Mary Howie Production Coordinator
Govind Kalburgi Production Coordinator
Sonali Lambe Production Coordinator
Jen Ligler Production Coordinator
Adam Nelson Production Coordinator
Vani Rakesh Production Coordinator
Joanna Lynne Smith Production Coordinator
Nila Sudheendran Production Coordinator
Nicole Watt Production Coordinator
Virendra Chauhan Production Manager
Matt Pomeroy Production Manager
Rachel Zusser Production Manager
Angie Howard Production Manager
Loni J. Albertson Production Supervisor
Nelson Dsouza Production Supervisor
Michael Lynn Production Supervisor
Andrew Marshel Production Supervisor
Stephanie Quan Production Supervisor
Tyler Shelton Production Supervisor
Carlyn Siegler Production Supervisor
Ryan Genji Thomas Production Supervisor
David Hail Publicist
Gavin Greenaway Conductor
Christopher T. Welch Dialogue Editor
Thom Brennan Foley Editor
Mark Pappas Foley Editor
Shannon Erbe Music Editor
Nicholas Bucknall Musician
Jonathan Evans-Jones Musician
Skaila Kanga Musician
Paul Kegg Musician
Roger Linley Musician
Steve Mair Musician
Anna Noakes Musician
Joan Martorell Orchestrator
Òscar Senén Orchestrator
Nathaniel Kunkel Scoring Mixer
Rick Hromadka Sound Designer
Phil Barrie Sound Effects Editor
Greg ten Bosch Sound Effects Editor
Michael Amos Animation
Bhavin Joshi Animation
Julien Bocabeille Animation
Guillermo Careaga Animation
Hans Dastrup Animation
Bob Davies Animation
Thomas Grummt Animation
Willy Harber Animation
Andrew Harkins Animation
Jennifer E. Harlow Animation
David Polk Animation
Albert Rubio Animation
Dane Stogner Animation
Greg Whittaker Animation
Edric Yamamoto Animation
Carlos Fernandez Puertolas Animation Director
Ludovic Bouancheau Animation Supervisor
Anthony Hodgson Animation Supervisor
Bryce McGovern Animation Supervisor
Ardie Johnson Character Designer
Tony K. Williams Character Modelling Supervisor
Evan Boucher Creature Technical Director
Trisha Butkowski Creature Technical Director
Dick Walsh Creature Technical Director
Jeff Wang Creature Technical Director
Nishok Alagesan Digital Compositors
Richard Ramazinski Digital Compositors
Sibaji Rakshit Modeling
Wes Chilton VFX Artist
Jason Doss VFX Artist
Anthony Fung VFX Artist
Santosh S. Khedkar VFX Artist
Igor Lodeiro VFX Artist
Rahul Mullick VFX Artist
Pradeep Mynam VFX Artist
Niral Rajani VFX Artist
Alvaro Segura VFX Artist
Siam Shukoor VFX Artist
Vitalii Stadnyk VFX Artist
Philippe Gluckman VFX Supervisor
Mahesh Ramasubramanian VFX Supervisor
Jill Beecher Visual Development
Perry Maple Visual Development
Rachel Tiep-Daniels Visual Development
Robinson Wood Visual Development
Zsoka Barkacs Visual Effects
Harsha Kc Visual Effects
Abhijit Khanvilkar Visual Effects
Venkatesh Kongathi Visual Effects
Domin Lee Visual Effects
Gaurav Mathur Visual Effects
Zachary Gold Production Supervisor
Joe Schiff Dialogue Editor
Robert Troy Dialogue Editor
Nerses Gezalyan Foley Mixer
Amy Kane Foley Artist
John Sanacore Foley Mixer
Sarah Monat Foley Artist
Robin Harlan Foley Artist
Paul Stevenson Foley Artist
Anita Cannella Foley Artist
Lisa Curtis Saunders Technical Supervisor
Heather Lanza Production Manager
Paul N.J. Ottosson Supervising Sound Editor, Sound Re-Recording Mixer
Bill Damaschke Thanks
Dean DeBlois Thanks
Walt Dohrn Thanks
David Soren Thanks
Conrad Vernon Thanks
Bill Díaz Animation
Ken Bielenberg VFX Supervisor
Randy K. Singer Foley Mixer
Josh Wood Post Production Supervisor
Name Title
Jed Schlanger Associate Producer
Ramsey Ann Naito Producer
Denise Nolan Cascino Producer
Rebecca Huntley Associate Producer
Organization Category Person
Academy Awards Best Animated Feature N/A Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 25 35 18
2024 5 40 52 31
2024 6 28 43 16
2024 7 28 43 17
2024 8 18 27 13
2024 9 16 19 12
2024 10 19 36 10
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2024 12 19 27 13
2025 1 17 22 13
2025 2 12 20 2
2025 3 7 20 1
2025 4 4 5 2
2025 5 3 4 2
2025 6 3 5 2
2025 7 3 4 2
2025 8 3 3 2
2025 9 3 5 3

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Year Month High Avg
2025 9 293 723
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2025 6 230 634
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2025 5 292 683
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2025 4 209 637
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2025 3 280 661
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2025 2 496 861
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2025 1 252 679
Year Month High Avg
2024 12 462 738
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2024 11 264 806
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2024 10 567 828
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2024 9 600 809
Year Month High Avg
2024 8 465 713

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Reviews

Rangan
7.0

**The baby on a mission!** If you ask anybody from the pre 90s, they would say their love for animated feature started with 'Toy Story'. But mine was DreamWorks' 'Antz'. So this production house might not be as good as Disney or Pixar, but still a better one than the rest of those who are in the ... same business, except Sony who comes equal. I wanted this film to be good, yeah, it is a box office hit, but not critically. The regular animated film goer accepted it. And I think as well, it is entertaining, so much fun in parts, if not the entire film. The story of a boy whose happy life being an only child has taken away from his newborn little brother. Then one day he discovers the baby could speak and came to the house with a bigger plan. Knowing what it is and joining hands with him to tackle is what the remaining narration covers. Quite fun film. Animation, story and all the adventures were good. The voice-over was great. Alec Baldwin was awesome, but it's fair to praise the technicians, the animators. At first, I thought some of the jokes were rude, if the film is for families, particularly for the kids. But when I watched the rest of the film, it did not look going anymore worse. A simple story and predictable, but it was enjoyable, that makes you forget yourself for a while. Despite the mixed response in acceptance, I've heard the sequel is on, in a couple of years. I think it is a good decision, even the storyline, how it ended encourages that. It's not going to be your favourite animated film, but surely not to be missed if you love animation. _7/10_

May 16, 2024
FilipeManuelNeto
6.0

**An elegant and well-made film, but with far-fetched, forced ideas and a certain lack of “soul”.** I am aware that my generation, “Generation Y”, is the first in the history of my country where the majority of us are only children. With the increase in education, health and food costs and low sa ... laries without corresponding increases, for most families it has become insane to have more than one child. And the truth is that many of us will prefer not to have children, or we will become parents late (I think this helps explain the issue of “love for puppy dogs”, in the film and in real life, after all they're cheaper and aren't indelible bonds that connect us to others, ex-wives or ex-husbands). I can speak for myself: I'm close to forty years old, and I have no idea of ​​starting a family, I have no conditions and I feel that my future has been mortgaged by the financial crises that society has been experiencing since the beginning of the millennium. I'm sure I won't be the only one who feels this way. This film, in a joyful and naive way, is a portrait of all this by showing how a seven-year-old child finds the birth of his brother strange. I already understood that love and rivalry are contradictory feelings that are part of what it means to have siblings: they may compete for their parents' love and attention, but they often come together when necessary. And the film shows us all this by creating a whirlwind story in which the new member of the family is also a disguised executive with authoritarian tics and who behaves like a “Donald Trump in diapers”: giving orders, grumbling, shouting, firing everything and everyone like the worst CEO we can imagine. To be honest, I only saw the film now because, at the time, it seemed so uninteresting and forced that I didn't pay to see it in the cinema, contradicting the success it had at the box office and joining me with a mass of suspicious people who thought that the critics could have been right in the way she bombed the film in the media. And, in fact, we have to agree that DreamWorks has already done better things and seems to be in an inspiration crisis. The quality of the drawings and animations, the vibrant colors, the good character design and the technical refinement are still visible, but there is a lack of good ideas and some soul. This film makes an effort, appeals to fraternal feelings and the public apparently responded well, but it is not a film at the level of past successes. As for the soundtrack, which features some notable songs, it's reasonable, but not so good as to be worth it on its own, and the humor is suitably sarcastic, although the jokes can, at times, be more aimed at adults than children. (I doubt most kids know what a memo is). The film, being an animation, does not have a cast, but features the participation of several well-known voice actors, with particular emphasis on Allec Baldwin (who gave the voice of Baby) and Steve Buscemi, who gave the voice of the story's villain. Still worthy of mention and a positive note are the contributions of Jimmy Kimmel, Lisa Kudrow and Miles Bakshi.

Jun 09, 2024
Geronimo1967
6.0

Well here we don't even bother with the gooseberry bush, let along the maternity ward, as the young besuited baby arrives to join mum, dad and elder brother "Tim". These kids don't exactly hit it off. Is that because "Tim" is jealous of the love his parents smother their new arrival with? Or is it b ... ecause he doesn't behave like a baby at all, just a diminutive business executive who speaks and acts like someone forty times his age? At his most confused, "Tim" also discovers that this rugrat has a more sinister objective and that the boss of the global megacorp "Puppy Co." has instigated a plan that will forever change the loving dynamic between people and their favourite pets. It seems that the only chance he has to thwart this dastardly plan is to work together with his duplicitous and bossy but incredibly astute sibling. Loads of escapades now follow as the pair have to do some intrepid detective work, risk life and limb, and even join an Elvis impersonators convention. Now had they just left the scenario with a degree of obnoxious baby menace, then this might have worked better for me. Sadly, though, they hadn't the courage of the original conviction of the film and so it drifts all too readily into a cheesy world of sentiment and predictability that neuters the whole thrust of the thing. It does take a bit of a pop at the corporate world and at it's approach to monetising children and pets so shamelessly, but the fun is sucked out of it simply by relying on a mediocre script and a soundtrack of adapted ballads whilst the sense of mischief just peters away. It all just goes too goo goo ga ga in the end, and though I get I'm not the demographic, I still thought it an opportunity for something a bit different just wasted.

Dec 30, 2024