Popularity: 6 (history)
Director: | Eric Guillon, Pierre Coffin, Kyle Balda |
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Writer: | Cinco Paul, Ken Daurio |
Staring: |
Gru and his wife Lucy must stop former '80s child star Balthazar Bratt from achieving world domination. | |
Release Date: | Jun 15, 2017 |
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Director: | Eric Guillon, Pierre Coffin, Kyle Balda |
Writer: | Cinco Paul, Ken Daurio |
Genres: | Animation, Family, Comedy, Adventure, Action |
Keywords | prison, villain, twin brother, sequel, jail, illumination |
Production Companies | Universal Pictures, Illumination |
Box Office |
Revenue: $1,034,800,131
Budget: $80,000,000 |
Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Steve Carell | Gru / Dru (voice) |
Kristen Wiig | Lucy Wilde (voice) |
Trey Parker | Balthazar Bratt (voice) |
Miranda Cosgrove | Margo (voice) |
Dana Gaier | Edith (voice) |
Nhev Scharrel | Agnes (voice) |
Pierre Coffin | Mel / Minions / Museum Director / Additional Voices (voice) |
Steve Coogan | Fritz / Silas Ramsbottom (voice) |
Julie Andrews | Gru’s Mom (voice) |
Jenny Slate | Valerie Da Vinci (voice) |
Michael Beattie | Scar-Faced Man / TMZ Announcer (voice) |
Andy Nyman | Clive the Robot (voice) |
Adrian Ciscato | Niko (voice) |
Brian T. Delaney | Commercial Announcer / Military Officer / Additional Voice (voice) |
Katia Saponenko | Niko’s Mother (voice) |
Ken Daurio | Celebrity (voice) |
Jude Alpers | Commercial Kid (voice) |
Cory Walls | Vincenzo (voice) |
Sophie M. Siadatpour | Little Girl (voice) |
Lori Alan | Additional Voices (voice) |
Carlos Alazraqui | Additional Voices (voice) |
Kyle Balda | Additional Voices (voice) |
Bob Bergen | Additional Voices (voice) |
Gregg Berger | Additional Voice (voice) |
John Cygan | Additional Voice (voice) |
Bill Farmer | Additional Voices (voice) |
Danny Mann | Additional Voices (voice) |
Stephanie De Meautis | Additional Voice (voice) |
Bruno Dequier | Additional Voice (voice) |
Teresa Ganzel | Additional Voices (voice) |
Jess Harnell | Additional Voices (voice) |
John Kassir | Additional Voice (voice) |
Mona Marshall | Additional Voice (voice) |
Laraine Newman | Additional Voice (voice) |
Jan Rabson | Additional Voices (voice) |
Mindy Sterling | Additional Voice (voice) |
Tara Strong | Additional Voices (voice) |
Jim Ward | Additional Voice (voice) |
Gregg Berger | Additional Voices (voice) |
Chris Renaud | Additional Minions (voice) (uncredited) |
Matthew Wood | Additional Voice (voice) (uncredited) |
Name | Job |
---|---|
Eric Guillon | Co-Director |
Cinco Paul | Writer |
Pierre Coffin | Director |
Ken Daurio | Writer |
Chihiro Kameyama | Thanks |
Tim Nielsen | Additional Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor |
Mickie McGowan | ADR Voice Casting |
John Roesch | Foley |
Rachel Bolt | Musician |
Edwin Rhemrev | Set Designer |
Randy Thom | Sound Re-Recording Mixer |
Heitor Pereira | Musician, Original Music Composer |
Pharrell Williams | Songs |
Constance Buccafurri | Thanks |
Carter Goodrich | Character Designer |
Brandon Proctor | Sound Re-Recording Mixer |
Dennis Leonard | Supervising Sound Editor |
Claire Dodgson | Editor |
Lucas Veber | Animation |
Kyle Balda | Director |
Eric Bradley | Musician |
Benjamin Faure | Animation |
Jill Ambrosino | Visual Effects |
John R.A. Benson | Stereoscopic Coordinator |
Jonathan Beard | Orchestrator |
Richard Gould | Foley Editor |
Olivier Adam | Art Direction |
Nicolas Brack | Lighting Supervisor |
Diane Howard | Publicist |
Patrick Bloche | Thanks |
Frédérique Bredin | Thanks |
Thierry de Segonzac | Thanks |
Françoise Pams | Thanks |
Stéphane Lebars | Thanks |
Ludovic Savonnière | Supervising Animator, Lead Animator |
Michael Miller | ADR & Dubbing |
Wouter van Herwerden | ADR & Dubbing |
Adeline Grange | Animation |
Adrian Villarino | Animation |
Albert Barba Cunill | Animation |
Alexandre Melquiond | Animation |
Andrea Giro | Animation |
Barbara Dossi | Animation |
Craig Peck | Animation |
Damien Duprat | Animation |
David Carrière | Animation |
Diego S. Mezquiriz | Animation |
Eddy Okba | Animation |
Eike Hoppmann | Animation |
Fabrice Senia | Animation |
Jean Duval | Animation |
Luke Burnet | Animation |
Martin Campos Amoros | Animation |
Mourad Simoussa | Animation |
Nicolas Ménard | Animation |
Olivier Montero | Animation |
Pierre-Baptiste Marty | Animation |
Sophie Zourane | Animation |
Vincent Lemaire | Animation |
Julien Soret | Animation Director |
Gaëlle Santamarta | Assistant Production Manager |
Zach Martin | Assistant Sound Editor |
Gilad Carmel | Associate Editor |
Zurine Ainz | Associate Editor |
Frank Baradat | CG Supervisor |
Nicolas Bauduin | Character Designer |
Gregory Georges | Color Designer |
Patrick Muylkens | Color Designer |
Alexandre Marlier | Compositors |
Baptiste Chauveau | Digital Compositors |
Brian Padilla | Digital Compositors |
Guillem Ramisa de Soto | Digital Compositors |
Maxime Poron | Digital Compositors |
Pablo Gotor | Digital Compositors |
Rudyard Cretenet | Digital Compositors |
Amy Pawlowski | Digital Intermediate |
Lisa Shaw Phillips | First Assistant Editor |
Romana Reeve | First Assistant Editor |
Scott A. Jacobs | First Assistant Editor |
Geoff Vaughan | Foley |
Shelley Roden | Foley |
Florent de La Taille | Lead Animator |
Jack Vandenbroele | Lead Animator |
Catherine Catie Lee | Lighting Artist |
Cedric Launay | Lighting Artist |
Mathieu Krysztoforski | Lighting Artist |
Sylvain Potel | Master Lighting Artist |
Slamm Andrews | Music Editor |
Bart Samolis | Musician |
Bruce White | Musician |
David Arch | Musician |
Helen Z. Altenbach | Musician |
Jonathan Williams | Musician |
Mark Berrow | Musician |
Nicholas Bucknall | Musician |
Edward Trybek | Orchestrator |
Henri Wilkinson | Orchestrator |
Jeannine Berger | Post Production Supervisor |
Demetrios Tzamaras | Production Coordinator |
François de Chateleux | Production Coordinator |
Loni J. Albertson | Production Supervisor |
Guillaume Boudeville | Rigging Supervisor |
Greg Loskorn | Score Engineer |
Greg Hayes | Scoring Mixer |
Noah Scot Snyder | Scoring Mixer |
Kelly Lake | Script Supervisor |
Thomas Reteuna | Set Designer |
Florence Putzola | Set Dressing Supervisor |
Mélissa Faucher | Software Engineer |
Andre Zweers | Sound Effects Editor |
Danny Ferraro | Sound Recordist |
Simon Popot | Special Effects |
Cécile Brossette | Supervising Animator |
Hichem Arfaoui | Supervising Animator |
Pierre Avon | Supervising Animator |
Eric Carme | VFX Artist |
Marc Lamorille | VFX Artist |
Mika Margolles | VFX Artist |
Pablo Penchansky | VFX Artist |
Rodrigue El Hajj | VFX Artist |
Sergio Juan Gomez | VFX Artist |
Tom O'Bready | VFX Artist |
Brett Nystul | Visual Development |
Guillaume Fesquet | Visual Development |
Axelle De Cooman | Visual Effects |
Ben Fournet | Visual Effects |
Francois Boussard | Visual Effects |
François-Xavier Lepeintre | Visual Effects |
Pierre Lopes | Visual Effects |
Timo Berg | Animation |
Greg Crawford | ADR & Dubbing |
Cinzia Angelini | Storyboard Artist |
Basile Heiderscheid | Lead Animator |
Mac Smith | Sound Effects Editor |
Bruno Chauffard | CG Supervisor |
Holly Sedillos | Vocals |
Bruno Dequier | Animation Director |
Nick Glennie-Smith | Conductor |
Danielle Dupre | Sound Re-Recording Assistant |
Agathe Bulik | Animation |
Name | Title |
---|---|
Chris Meledandri | Producer |
Janet Healy | Producer |
Robert Taylor | Associate Producer |
Chris Renaud | Executive Producer |
Brett Hoffman | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 69 | 88 | 51 |
2024 | 5 | 82 | 102 | 64 |
2024 | 6 | 99 | 155 | 54 |
2024 | 7 | 126 | 155 | 96 |
2024 | 8 | 90 | 158 | 58 |
2024 | 9 | 58 | 91 | 44 |
2024 | 10 | 62 | 114 | 40 |
2024 | 11 | 54 | 98 | 43 |
2024 | 12 | 47 | 82 | 37 |
2025 | 1 | 47 | 62 | 39 |
2025 | 2 | 36 | 59 | 8 |
2025 | 3 | 15 | 46 | 2 |
2025 | 4 | 8 | 9 | 6 |
2025 | 5 | 6 | 9 | 5 |
2025 | 6 | 6 | 8 | 4 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 6 | 9 | 5 |
2025 | 9 | 7 | 11 | 4 |
2025 | 10 | 6 | 7 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 264 | 685 |
Year | Month | High | Avg |
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2025 | 9 | 236 | 658 |
Year | Month | High | Avg |
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2025 | 8 | 145 | 546 |
Year | Month | High | Avg |
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2025 | 7 | 148 | 556 |
Year | Month | High | Avg |
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2025 | 6 | 178 | 606 |
Year | Month | High | Avg |
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2025 | 5 | 157 | 561 |
Year | Month | High | Avg |
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2025 | 4 | 128 | 613 |
Year | Month | High | Avg |
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2025 | 3 | 137 | 544 |
Year | Month | High | Avg |
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2025 | 2 | 162 | 493 |
Year | Month | High | Avg |
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2025 | 1 | 61 | 503 |
Year | Month | High | Avg |
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2024 | 12 | 85 | 534 |
Year | Month | High | Avg |
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2024 | 11 | 178 | 491 |
Year | Month | High | Avg |
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2024 | 10 | 176 | 321 |
Year | Month | High | Avg |
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2024 | 9 | 151 | 236 |
Year | Month | High | Avg |
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2024 | 8 | 32 | 134 |
Nothing will beat the first film. The originality fades with most sequels. Unfortunately this is more the rule rather than the exception. For the same reason, I hope they don't bother to create another "Rango". That was another fun and brilliant animation in my opinion. Kids will like it and by all ... means don't avoid it. Just don't have high expectations.
**It's a family time!** I'm not a fan of this film, except I always loved Minions, particularly their solo film before this one. That prequel was awesome, so much fun. But it's hard to believe, this franchise has already reached three films/parts. Yeah, the Minions helped to find its place among ... the animation fans, but in this film they were kind of ignored. That's the truth. They had less screenspace which directly affected the film and those who love them. Gru is set to meet his twin brother, Dru, who is dreaming to be like his father, a supervillain. But now changed Gru is not interested to help his brother. Instead, he uses him to accomplish on what he had failed recently. Okayish story, but it had some good fun. It's almost given a hint about the possible plot for the next sequel. I think kids would enjoy it without expecting much. So a one time watchable film. _6/10_
The 80s scene at the beginning was awesome and worth a watch. The rest was the traditional weird mess shared by all the other Despicable Me movies. ...
A no-frills third installment of <em>'Despicable Me'</em>. I found the initial few scenes of <em>'Despicable Me 3'</em> to be solid, with a few chuckles chucked in there. However, from around minute 30 it loses all steam and ends up being a fine but uninspiring 90 minutes. The voice cast are alri ... ght, but the characters themselves aren't all that interesting. Steve Carell and Trey Parker are good, as is an underused Kristen Wiig. Jenny Slate's character seems forgotten, like I feel like it sets up something with Valerie Da Vinci early on but I don't even recall what happens to her here - a waste, as my first impressions were positive. The minions are fine, not as funny at this point but there's some minor amusement there still. I, also, didn't dig the addition of Gru's brother, fwiw. Pharrell Williams' music, meanwhile, feels overused and ever so slightly rehashed. Gone are the days of 'Happy' - but hey! Only two years until <em>'Despicable Me 4'</em>! Woo...
Despite having state-of-the-art security, the world’s largest diamond is stolen from under the very noses of the anti-villain league and so that gets “Gru” and “Lucy” shown the door! They are not the giving up sort, though, and so set about planning to recover it from arch villain “Balthazar Bratt”. ... Touchingly, their daughter “Agnes” tries to help out by selling her toys but luckily before she has to start selling herself, “Gru” discovers that he has a long-lost twin brother - “Dru”. Thing is, it turns out that he’s even more villainous that “Balthazar” and is determined to recruit his brother into the ways of lucrative crime - and to steal the diamond from it’s previous pincher too! The story is a bit lightweight; is a bit of a confused mess at times and the mischievous minions don’t really feature enough to make too much difference to a plot that comes across more as a marketing exercise than a worthy sequel to the first, much quirkier and more entertaining film from almost seven years ago. A lively 1980s soundtrack chivvies it along and the youngsters will probably embrace the deftness of the slapstick scenarios - especially towards the end, but there’s not so much for the grown ups here and already this franchise is beginning to look like it has run it’s course.