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Cars 3 Poster

Cars 3

From this moment, everything will change.
2017 | 102m | English

(143228 votes)

TMDb IMDb

Popularity: 12 (history)

Details

Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician with her own plan to win, inspiration from the late Fabulous Hudson Hornet, and a few unexpected turns. Proving that #95 isn't through yet will test the heart of a champion on Piston Cup Racing’s biggest stage!
Release Date: Jun 15, 2017
Director: Brian Fee
Writer: Kiel Murray, Jonathon E. Stewart, Brian Fee, Bob Peterson, Mike Rich, Eyal Podell, Ben Queen
Genres: Animation, Family, Comedy, Adventure
Keywords trainer, villain, sports, sequel, travel, racing, anthropomorphism, high tech, aftercreditsstinger
Production Companies Pixar
Box Office Revenue: $383,925,276
Budget: $175,000,000
Updates Updated: Aug 03, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Owen Wilson Lightning McQueen (voice)
Cristela Alonzo Cruz Ramirez (voice)
Chris Cooper Smokey (voice)
Nathan Fillion Sterling (voice)
Larry the Cable Guy Mater (voice)
Armie Hammer Jackson Storm (voice)
Ray Magliozzi Dusty (voice)
Tony Shalhoub Luigi (voice)
Bonnie Hunt Sally Carrera (voice)
Lea DeLaria Miss Fritter (voice)
Kerry Washington Natalie Certain (voice)
Bob Costas Bob Cutlass (voice)
Margo Martindale Louise Nash (voice)
Darrell Waltrip Darrell Cartrip (voice)
Isiah Whitlock, Jr. River Scott (voice)
Bob Peterson Chick Hicks (voice)
Guido Quaroni Guido (voice)
Tom Magliozzi Rusty (voice)
John Ratzenberger Mack (voice)
Kyle Petty Cal Weathers (voice)
Lewis Hamilton Hamilton (voice)
Lloyd Sherr Fillmore (voice)
Junior Johnson Junior Moon (voice)
Ray Evernham Ray Reverham (voice)
Paul Newman Doc Hudson (voice) (archive sound)
Cheech Marin Ramone (voice)
Humpy Wheeler Tex (voice)
Katherine Helmond Lizzie (voice)
Paul Dooley Sarge (voice)
Jenifer Lewis Flo (voice)
Shannon Spake Shannon Spokes (voice)
Madeleine McGraw Maddy McGear (voice)
Michael Wallis Sheriff (voice)
Mike Joy Mike Joyride (voice)
Jeff Gordon Jeff Gorvette (voice)
Daniel Suárez Danny Swervez (voice)
Ryan Blaney Ryan 'Inside' Laney (voice)
Darrell Wallace, Jr. Bubba Wheelhouse (voice)
Chase Elliott Chase Racelott (voice)
Richard Petty The King (voice)
Andra Day Sweet Tea (voice)
Andrea Baker Additional Voices (voice)
Doug Burch Additional Voices (voice)
Cathy Cavadini Additional Voices (voice)
Lanei Chapman Additional Voices (voice)
Will Collyer Additional Voices (voice)
Abby Craden Additional Voices (voice)
Django Craig Additional Voices (voice)
James G. Dashe Additional Voices (voice)
Eduardo Ambriz DeColosio Additional Voices (voice)
John DeMita Additional Voices (voice)
Rod Gnapp Additional Voices (voice)
Willow Geer Additional Voices (voice)
Isa Hall Additional Voices (voice)
Aaron Hendry Additional Voices (voice)
John Hoffman Additional Voices (voice)
Barney Jones Additional Voices (voice)
Mikey Kelley Additional Voices (voice)
Carlyle King Additional Voices (voice)
Daamen J. Krall Additional Voices (voice)
David H. Lawrence XVII Additional Voices (voice)
Malana Lea Additional Voices (voice)
Jeremy Maxwell Additional Voices (voice)
Levi Nunez Additional Voices (voice)
Angel Oquendo Additional Voices (voice)
Jason Pace Additional Voices (voice)
Bob Peterson Additional Voices (voice)
James Ponce Additional Voices (voice)
Alex Puccinelli Additional Voices (voice)
David J. Randolph Additional Voices (voice)
Jerome Ranft Additional Voices (voice)
Noreen Reardon Additional Voices (voice)
A.J. Riebli III Additional Voices (voice)
Peter Sohn Additional Voices (voice)
Galyn Susman Additional Voices (voice)
Regina Taufen Additional Voices (voice)
Nancy Truman Additional Voices (voice)
Cheryl Tyre Smith Additional Voices (voice)
Andrew Vernon Additional Voices (voice)
Jay Ward Additional Voices (voice)
Name Job
Kiel Murray Screenplay
Jonathon E. Stewart Original Story
Natalie Lyon Casting
Angelo Libutti Storyboard
Blake Collins Foley, Foley Mixer
Aaron Conover Visual Effects, VFX Artist
Craig Foster Art Direction
Scott Morse Story Supervisor, Additional Writing
Kim White Director of Photography
Michael Sparber Director of Photography
Jason Hudak Editor
William Cone Production Design
Noah Klocek Art Direction
Laura Phillips Art Direction
Pamela Darrow Production Manager
Jessie Thiele Post Production Supervisor
Josh Holtsclaw Graphic Designer
Paul Abadilla Set Designer
Sophie Vincelette Set Dresser
Edgar Karapetyan Storyboard Artist
John Hoffman Storyboard Artist
Michael Daley Storyboard Artist
Rejean Bourdages Storyboard Artist
Xavier Riffault Storyboard Artist
Darla K. Anderson Thanks
John Bickford Thanks
Doug Berman Thanks
Erin Crocker Thanks
Nicole Paradis Grindle Thanks
Chris Montan Thanks
Kori Rae Thanks
Dan Berman Systems Administrators & Support
Jose Ignacio Systems Administrators & Support
Nic Bishop Systems Administrators & Support
Shaun Brown Systems Administrators & Support
Gates Roberg-Clark Software Engineer
Winston O. Good Software Engineer
Brian Rankin Security
Briana Gardner Publicist
Chris Wiggum Publicist
Diane Howard Publicist
Kate Lardiere Finance
Christine Crowley Production Assistant
Laura Finell Production Coordinator
Maura Turner Production Coordinator
Emily Goldsborough Production Coordinator
Daniel LaPook Story Coordinator
Jessica Katz Script Coordinator
Jessica Heidt Script Supervisor
Gregory Amundson Additional Editor
Eric M. Barker Assistant Editor
Joe Garrity Assistant Editor
Jon Vargo Assistant Editor
Jonathan Vargo Assistant Editor
Susan Brunig Color Grading
Mark Dinicola Colorist
Amera Rizk First Assistant Editor
Anthony David Duran Post Production Coordinator
Félix O. Santiago Software Engineer
Mike H. Mahony Software Engineer
Corbin Hayes Additional Music
Andrew Synowiec Musician
Dominick Certo Music Editor
Joe E. Rand Music Editor
Bart Samolis Musician
George Doering Musician
Helen Z. Altenbach Musician
Karl Vincent Musician
Kevin Connolly Musician
Matt Chamberlain Musician
Scott Hosfeld Musician
Fred Kron Musician
Don Williams Musician
Steve Schaeffer Musician
Wade Culbreath Musician
Serena McKinney Musician
Jonathan Sacks Orchestrator
David Boucher Scoring Mixer
Vincent Cosson ADR Mixer
Howard London ADR Mixer
Rachael Bigelow Assistant Sound Editor
Anthony De Francesco First Assistant Sound Editor
Dennie Thorpe Foley Artist
Geoff Vaughan Foley Artist
Jana Vance Foley Artist
Qianbaihui Yang Foley Editor
Teresa Eckton Foley Editor
Benjamin A. Burtt Sound Effects Editor
E.J. Holowicki Sound Effects Editor
Jamie Williams Visual Effects Technical Director
Steve Avoujageli Visual Effects Technical Director
James Bartolozzi Visual Effects Technical Director
Evan Denmark VFX Artist
Marlena Fecho VFX Artist
Michael Fong VFX Artist
Yung Lian Frank Tai VFX Artist
Andrew Wheeler VFX Artist
Erik Shepherd VFX Artist
Ryan Kautzman Software Engineer
Erin Lehmkühl Stereoscopic Technical Director
Jay-Vincent Jones Stereoscopic Technical Director
Stewart Pomeroy Stereoscopic Technical Director
Ernesto Nemesio Matte Painter
Jose Luis Ramos Master Lighting Artist
Paul Oakley Master Lighting Artist
Brian Boyd Master Lighting Artist
Charu Clark Master Lighting Artist
David Shavers Master Lighting Artist
Lloyd Bernberg Master Lighting Artist
Jesse Weglein Lighting Artist
Burt Peng Lighting Artist
Dorien Gunnels Lighting Artist
Linhan Li Lighting Artist
Farhez Rayani Lighting Artist
Amit Baadkar Visual Effects Technical Director
Jon Reisch Visual Effects Supervisor
Eric Lacroix VFX Artist, Visual Effects Technical Director
Nick Berry Art Department Manager
Matt DeMartini Animation Manager
Jon Bryant Lighting Coordinator
Adam Habib Layout
Andrea Goh Layout
Bernard Lizon Layout
Jahkeeli Garnett Layout
Jan Pfenninger Layout
Ryan Heuett Layout
Jude Brownbill Animation Director
Royce Wesley Animation Director
Mark C. Harris Animation Director
Jonas Jarvers Modeling
Stacey Truman Shading
Adam Rodriguez Animation
Andrew Atteberry Animation
Ben Rush Animation
Benjamin Su Animation
Brendan Beesley Animation
Catherine Hang-Hicks Animation
Claudio de Oliveira Animation
David Torres Animation
James W. Brown Animation
Jean-Claude Tran Animation
Lance Fite Animation
Michael Sauls Animation
Mike Stern Animation
Neil Helm Animation
Ricky Wight Animation
Shad Bradbury Animation
Simon Christen Animation
Tal Shwarzman Animation
Tim Pixton Animation
Jessica Torres Animation
Nathan Wall Animation
Michael Rutter Set Dressing Artist
Sam Hood Story Artist
Dana Frankoff Production Coordinator
Kevin O'Brien Storyboard Artist
Christian Roman Story Artist
Montaque Ruffin Animation
Brian Fee Original Story, Director
Bob Peterson Screenplay
Mike Rich Screenplay
Eyal Podell Original Story
Louis Gonzales Storyboard Artist
Denise Ream Thanks
Tom Myers Sound Designer, Supervising Sound Editor, Sound Re-Recording Mixer
Brian Chumney Supervising Sound Editor
Bobby Podesta Supervising Animator
Randy Newman Conductor, Original Music Composer
Rob Gibbs Thanks
Jeff Gordon Thanks, Story Consultant
Galyn Susman Thanks
Michael Semanick Sound Re-Recording Mixer
Charlie Ramos Layout
Dave Mullins Animation
Shawn Krause Animation
Jay Shuster Production Design
Rick Hendrick Thanks
Tom MacDougall Executive Music Producer
Eric Bradley Musician
Don Davis Orchestrator
Michael Silvers ADR Editor
Jerome Ranft Sculptor
John Walker Thanks
Nathan Nance Sound Re-Recording Mixer
Barbara Harris ADR Voice Casting
Kenny Pickett Sound Editor
Kevin Reher Casting
Ben Queen Original Story
Jeremy Lasky Director of Photography
Dana Murray Post Production Supervisor
Michael Yates Storyboard Artist
Ray Evernham Thanks
Humpy Wheeler Thanks
Name Title
Andrea Warren Co-Producer
Kevin Reher Producer
John Lasseter Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 96 141 65
2024 5 116 170 91
2024 6 103 145 80
2024 7 87 120 69
2024 8 89 153 65
2024 9 80 119 61
2024 10 169 359 84
2024 11 98 175 62
2024 12 73 136 57
2025 1 81 114 65
2025 2 73 97 14
2025 3 25 87 3
2025 4 12 14 10
2025 5 10 11 9
2025 6 12 15 9
2025 7 11 12 9
2025 8 10 14 10
2025 9 13 18 11
2025 10 12 14 10

Trending Position


Year Month High Avg
2025 10 212 617
Year Month High Avg
2025 9 191 557
Year Month High Avg
2025 8 100 528
Year Month High Avg
2025 7 129 564
Year Month High Avg
2025 6 116 556
Year Month High Avg
2025 5 117 535
Year Month High Avg
2025 4 176 579
Year Month High Avg
2025 3 13 510
Year Month High Avg
2025 2 113 600
Year Month High Avg
2025 1 135 599
Year Month High Avg
2024 12 260 639
Year Month High Avg
2024 11 185 544
Year Month High Avg
2024 10 221 571
Year Month High Avg
2024 9 335 575
Year Month High Avg
2024 8 255 611

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Reviews

Rangan
7.0

**The new age begins!** Having seen enough animated feature that possible eligible for the 2018 Oscars, I'm really disappointed with the result of some of the big titles. Yes, including this one, not big films, except 'Coco' are up to any impressive. The bright side is, after a long time, 2D anim ... ation might win. This was an okay film. Though I liked the story outline, but did not like how it all was narrated. I have seen the evolution of 'Harry Potter'. I meant the cast, particularly the main three. For a decade, the little kids grew into older teenagers. But for an animation character, there's no concept of ageing. They always remain same. This film just gave a new perspective. I mean it talked about being or growing old and how it impacts our lives. That we can't hold forever our safe position. Sooner or later, the youngsters will take over it. McQueen is enjoying his racing, competing with his friendly opponents. But it all changes when a young rookie rewrites the history. Without able to cope with the new generation and their aggression, how McQueen and Co like to counter the latest threat is the film's story. Liked such inspiring storyline. I mean it would inspire more the middle aged people than anybody else. But it is a fun film for all ages, particularly the kids. It is just like turning 'Rambo' into 'Creed', I just want a new beginning in the next sequel. _7/10_

May 16, 2024
furious_iz
7.0

A worthy follow up to the original film, miles better than Cars 2. They wisely focus the action back on Lightnin' McQueen and keep Mater to a bare minimum. It's not going to change lives, but a solid animated feature nonetheless. Even when Pixar is coasting they still deliver a very pretty lookin ... g film, albeit a little shallow. One thing bugs me though, why in a world of anthropomorphic vehicles, with no signs of humans, do they have door handles...?

Jun 23, 2021
r96sk
7.0

I agree <em>'Cars 3'</em> improves upon <em>'Cars 2'</em>, not by much though. The story for this does feel more rounded than the preceding film, even if it ends rather lamely. The whole production builds up around Lightning McQueen, rightly, before strangely having a conclusion that focuses on n ... ewbie Cruz Ramirez. I like the idea of what they were going for, but the way the do it is actually quite poor - it feels too forced, as well as chucking most of the development for McQueen across acts one and two out the window. With that said, it isn't a massive hindrance. I still had a fun time with this. Owen Wilson remains good as McQueen, while Cristela Alonzo gives an accomplished performance as Ramirez. One thing I do rate about Alonzo is that Disney didn't go down the obvious, lovey-dovey route with her. None of the rest of the cast standout all that much, though it's cool to hear Kerry Washington as Natalie Certain. Mater (Larry the Cable Guy) is arguably underused, which is weird as he is overused in the 2011 sequel - they don't seem to know how to fit him in ideally. The overall premise itself is interesting, while the animation remains in top gear. The ending doesn't fit perfectly for me, but I can still recommend that you give this a viewing.

Jun 23, 2021
FilipeManuelNeto
6.0

**The end of a franchise that was never really worth our interest.** I never really wanted to see the “Cars” movies. As I said before, I was already an adult when they appeared, and I particularly felt the almost invasive force of the propaganda machine that, by all means, tried to foist the film ... on us, almost in the same way that Jehovah's Witnesses go to people's homes to sell their perspective of religion. “Cars” was everywhere, and the merchandising involved was a billion-dollar business in itself. Therefore, I preferred not to see them. I don't like to feel that things are being forced on me. I saw this film, the last of the trilogy, right now. Comparing this film to the first in the franchise could be considered an honest effort. The two films are quite similar, although the first has an ascendant, due to its novelty. As for the script and the story itself, both are complete clichés: if one talks about the success of a novice “outsider”, full of nobility and desire to win, the third film already shows us that everything has an end, and that there is to know how to leave the scene and give way to others in an honorable and dignified way. It is the eternal question of the passage of generations and their conflicts. In the middle of these two films, “Cars 2” is completely out of place, just having a character as the protagonist who only appeared a few minutes in the first film. “Cars 3”, as cliché as it may be, rediscovered some of the merits and values of the first film. Even so, and despite the commercial and critical success, I don't think it's honest to compare any film in the “Cars” franchise with the films “Toy Story”, “Up” or “Inside Out”. In these films, Pixar bet on creativity, that is, on the creation of an original story and very original characters. That never happened in "Cars". Just think of the huge amount of cartoons that include, albeit in an accessory way, talking cars. It's an old idea, one that Pixar has merely retreaded and brightened up, with CGI animation techniques it masters like few others. Quite simply, it was a way to earn lots of money with little effort. In this film, we once again have the technical brilliance, attention to visual detail and the sharpness and quality of digital animation that Pixar has accustomed us to. It would be too bad for the studio not to be able to honor its credits and fail even at this! In addition to the magnificent animations, the mixing, sound and editing work was really taken very seriously and done by good professionals. The work of the voice actors also deserves no notice, with the return of Owen Wilson and other outstanding voices, joined by Cristela Alonso. All were well, in an impeccable work. If we have already spoken about the script, we can only talk about the comic: the film makes several attempts at humor, and if the jokes seem to be well-placed in the plot, the truth is that they have almost no strength or impact, and simply do not make people laugh. They're not funny. Attempts to thrill or move the audience also failed utterly, largely due to the Franciscan poverty of the characters, merely sketchy and barely able to capture our sympathy.

Feb 02, 2023
SoSmooth1982
8.0

I like this one just as much as the 1st. Playing it off like he's an old washed up race car. It's pretty funny. ...

May 04, 2023
Geronimo1967
6.0

Hmmm! This outing for the now well past his best "Lightning McQueen" reverts back more to the first film, only by now we are all maybe just a bit tired with the formula? The shiny red champion is having to face the reality that technology and engineering have evolved since 2006 and he is simply no l ... onger the best. Of course, he's not going to give up and with the "Piston Cup" looming, he determines to recover from what looked like a career ending crash. To that end, he coaxes up-and-coming engineer "Cruz" and his own motivator "Smokey" - who worked with the legendary "Hudson Hornet". He needs discipline, he needs to re-learn all he knew, he needs to listen - if he is to seriously challenge the all-conquering "Jackson Storm". There are a few nice touches to this, but essentially it's a rehash with a little too much cheesy sentiment and I found the musical numbers just a bit more intrusive, too. There's also a little more pontificating here. The script exudes loads of virtues but rather more in your face than by using the humour and personalities to illustrate loyalty, affection and dedication. There's still plenty of lively action animation and it doesn't hang about, but for me this franchise has matured now, and needs to get to a motor museum near you.

Dec 06, 2023