Popularity: 13 (history)
| Director: | John Lasseter, Bradford Lewis |
|---|---|
| Writer: | Ben Queen, John Lasseter, Bradford Lewis, Dan Fogelman |
| Staring: |
| Star race car Lightning McQueen and his pal Mater head overseas to compete in the World Grand Prix race. But the road to the championship becomes rocky as Mater gets caught up in an intriguing adventure of his own: international espionage. | |
| Release Date: | Jun 11, 2011 |
|---|---|
| Director: | John Lasseter, Bradford Lewis |
| Writer: | Ben Queen, John Lasseter, Bradford Lewis, Dan Fogelman |
| Genres: | Animation, Family, Comedy, Adventure |
| Keywords | spy, car race, villain, sports, sequel, anthropomorphism, best friend, british spy, duringcreditsstinger, grand prix, loving, pathetic, absurd |
| Production Companies | Walt Disney Pictures, Pixar |
| Box Office |
Revenue: $559,852,396
Budget: $200,000,000 |
| Updates |
Updated: Jun 24, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Larry the Cable Guy | Mater (voice) |
| Owen Wilson | Lightning McQueen (voice) |
| Michael Caine | Finn McMissile (voice) |
| Emily Mortimer | Holley Shiftwell (voice) |
| Eddie Izzard | Sir Miles Axlerod (voice) |
| John Turturro | Francesco Bernoulli (voice) |
| Brent Musburger | Brent Mustangburger (voice) |
| Joe Mantegna | Grem (voice) |
| Thomas Kretschmann | Professor Z (voice) |
| Peter Jacobson | Acer (voice) |
| Bonnie Hunt | Sally (voice) |
| Darrell Waltrip | Darrell Cartrip (voice) |
| Franco Nero | Uncle Topolino (voice) |
| David Hobbs | David Hobbscap (voice) |
| Patrick Walker | Mel Dorado (voice) |
| Tony Shalhoub | Luigi (voice) |
| Jeff Garlin | Otis (voice) |
| Michel Michelis | Tomber (voice) |
| Jason Isaacs | Siddeley / Leland Turbo (voice) |
| Lloyd Sherr | Fillmore / Combat Ship (voice) |
| Bruce Campbell | Rod "Torque" Redline (voice) |
| Teresa Gallagher | Mater's Computer (voice) |
| Jenifer Lewis | Flo (voice) |
| Stanley Townsend | Victor Hugo / Vladimir Trunkov / Ivan the Tow Truck (voice) |
| Velibor Topic | Alexander Hugo (voice) |
| Sig Hansen | Crabby (voice) |
| Guido Quaroni | Guido (voice) |
| Vanessa Redgrave | The Queen / Mama Topolino (voice) |
| John Mainieri | J. Curby Gremlin (voice) |
| Bradford Lewis | Tubbs Pacer (voice) |
| Cheech Marin | Ramone (voice) |
| Jeff Gordon | Jeff Gorvette (voice) |
| Lewis Hamilton | Lewis Hamilton (voice) |
| Paul Dooley | Sarge (voice) |
| Edie McClurg | Minny (voice) |
| Richard Kind | Van (voice) |
| Katherine Helmond | Lizzie (voice) |
| John Ratzenberger | Mack (voice) |
| Michael Wallis | Sheriff (voice) |
| Catie Bolt | Additional Voices (voice) |
| Gillian Bolt | Additional Voices (voice) |
| Jess Fulton | Additional Voices (voice) |
| Sonoko Konishi | Additional Voices (voice) |
| John Lasseter | Additional Voices (voice) |
| Daisuke "Dice" Tsutsumi | Additional Voices (voice) |
| Name | Job |
|---|---|
| Harley Jessup | Production Design |
| Jay Shuster | Art Direction |
| Stephen Schaffer | Editor |
| Michael Giacchino | Original Music Composer |
| Shawn Krause | Supervising Animator |
| Dave Mullins | Supervising Animator |
| Bert Berry | Art Direction |
| Natalie Lyon | Casting |
| Tom Myers | Sound Designer |
| Tom MacDougall | Music Supervisor |
| Jerome Ranft | Sculptor |
| Steve Jobs | Thanks |
| Brian Fee | Storyboard Artist |
| Derek Thompson | Storyboard Artist |
| Steve Slanec | ADR Editor |
| Michael Semanick | Sound Re-Recording Mixer |
| Al Nelson | Sound Effects Editor |
| Michael Silvers | Supervising Sound Editor |
| Josh Cooley | Storyboard Artist, Additional Script Supervisor |
| Adam Burke | Animation |
| Carlo Vogele | Animation |
| Erick Oh | Fix Animator |
| Andrea Datzman | Music Coordinator, Orchestrator |
| Gary Rydstrom | Thanks |
| Lauren Montuori | Production Coordinator |
| Rachel Kate Miller | Production Coordinator |
| Allison W. Nelson | Production Coordinator |
| Jodi S. Miller | Project Manager |
| Tamsen Mitchell | Project Manager |
| Briana Gardner | Publicist |
| Chris Wiggum | Publicist |
| Alden Chew | Software Engineer |
| Edward Luong | Software Engineer |
| Hayley Iben | Software Engineer |
| Kevin Reher | Casting |
| Nick Sung | Storyboard |
| Nathan Stanton | Script Supervisor |
| Apurva Shah | Supervising Technical Director |
| Jake Martin | Production Manager |
| Sharon Calahan | Director of Photography |
| Ben Queen | Screenplay |
| Jeremy Lasky | Director of Photography |
| Nathaniel McLaughlin | Art Direction |
| Chris Montan | Executive Music Producer |
| Paul Cichocki | Post Production Supervisor |
| Victoria R. Manley | Script Supervisor |
| Colin Bohrer | Editorial Manager |
| Serena Warner | Additional Editing |
| Shannon Ryan | Animation Manager |
| Michal Makarewicz | Animation Director |
| Victor Navone | Animation Director |
| Lucy Laliberte | Animation Fix Coordinator |
| Stephen M. Davis | Music Editor |
| Daniel Chong | Storyboard Artist |
| Joshua Hollander | 3D Director |
| Alexander Woo | Storyboard Artist |
| Bill Presing | Storyboard Artist |
| Erik Benson | Storyboard Artist |
| Scott Morse | Storyboard Artist |
| Becky Neiman | Art Department Manager |
| Craig Foster | Title Designer, Graphic Designer |
| Ellen Moon Lee | Graphic Designer |
| Ernesto Nemesio | Matte Painter |
| Piper Freeman | Production Coordinator |
| Tim Evatt | Set Designer |
| Sophie Vincelette | Lead Set Dresser |
| Simon Diggins | ADR Recordist |
| Frank Clary | Assistant Sound Designer |
| Dennie Thorpe | Foley Artist |
| Jana Vance | Foley Artist |
| Corey Tyler | Foley Recordist |
| Sean England | Foley Recordist |
| Ronald G. Roumas | Sound Recordist |
| Jim McKee | Sound Re-Recording Mixer |
| David Pringle | Sound Editor |
| David C. Hughes | Sound Effects Editor |
| Teresa Eckton | Sound Effects Editor |
| Pascal Garneau | Foley Supervisor |
| Gary Bruins | Visual Effects Supervisor |
| Amit Baadkar | Visual Effects Technical Director |
| Konstantin Promokhov | Visual Effects Technical Director |
| Jim Cody Harrington | Visual Effects Technical Director |
| Bill Watral | VFX Artist |
| Dave Hale | VFX Artist |
| Afonso Salcedo | Lighting Artist |
| Andy Lin | Lighting Artist |
| Charu Clark | Lighting Artist |
| Jeremy Birn | Lighting Artist |
| Katherine Ipjian | Lighting Artist |
| Nicholas Naugle | Lighting Artist |
| Steven James | Lighting Artist |
| Farhez Rayani | Lighting Artist |
| Sally Garbarini | Lighting Manager |
| Brian Boyd | Master Lighting Artist |
| David Shavers | Master Lighting Artist |
| Jordan Rempel | Master Lighting Artist |
| Julien Schreyer | Master Lighting Artist |
| Ken Lao | Master Lighting Artist |
| Mitch Kopelman | Master Lighting Artist |
| Sungyeon Joh | Master Lighting Artist |
| Airton Dittz Jr. | Master Lighting Artist |
| Christina Garcia Weiland | Set Dressing Artist |
| Michael Rutter | Set Dressing Artist |
| Eric Andraos | Set Dressing Artist |
| Davide Pesare | Software Engineer |
| Ryan Kautzman | Software Engineer |
| Fatima Mojaddidy | Systems Administrators & Support |
| Andrew Jimenez | VFX Artist |
| Chris King | VFX Artist |
| Eric Froemling | VFX Artist |
| Jason Johnston | VFX Artist |
| Tolga Goktekin | VFX Artist |
| Courtney Casper Kent | Animation Coordinator |
| Aaron Hartline | Animation |
| Aaron Koressel | Animation |
| Andreas Procopiou | Animation |
| Andrew Coats | Animation |
| Anthony Ho Wong | Animation |
| Austin Madison | Animation |
| Benjamin Su | Animation |
| Bob Scott | Animation |
| Brett Coderre | Animation |
| Brett Schulz | Animation |
| Bruce Kuei | Animation |
| Catherine Hang-Hicks | Animation |
| Curran W. Giddens | Animation |
| Daniel Mason | Animation |
| Don Crum | Animation |
| Doug Dooley | Animation |
| Doug Sheppeck | Animation |
| Holger Leihe | Animation |
| Jae Hyung Kim | Animation |
| Javier Moya Alonso | Animation |
| Jayson Price | Animation |
| Jean-Claude Tran | Animation |
| Jude Brownbill | Animation |
| Ken Kim | Animation |
| Kevin Chesnos | Animation |
| Matthew Strangio | Animation |
| Michelle Ohana | Animation |
| Neil Helm | Animation |
| Ramiro Lopez Dau | Animation |
| Raphael Suter | Animation |
| Rich McKain | Animation |
| Rob Duquette Thompson | Animation |
| Robb Denovan | Animation |
| Royce Wesley | Animation |
| Simon Allen | Animation |
| Stephen L. Wong | Animation |
| Steve Mason | Animation |
| Wendell Lee | Animation |
| Vladimir Kooperman | Animation |
| Andrew L. Schmidt | Animation |
| Kristoff Vergne | Animation |
| Lindsay Andrus | Animation |
| Max Sachar | Animation Coordinator |
| Chiwook Han | Fix Animator |
| Neth Nom | Fix Animator |
| Louaye Moulayess | Fix Animator |
| Michael Sauls | Fix Animator |
| Ricky Wight | Fix Animator |
| Stefan Schumacher | Fix Animator |
| Tingting Liu | Fix Animator |
| Brendan Donnison | ADR Voice Casting |
| Jason Hudak | Associate Editor |
| Susan Brunig | Color Grading |
| Mark Dinicola | Colorist |
| Kevin Rose-Williams | First Assistant Editor |
| Jose Rosa | Post Production Assistant |
| Erick Ziegler | Post Production Coordinator |
| Susan Frank | Production Coordinator |
| Katherine Ringgold | Second Film Editor |
| Tim Simonec | Conductor |
| Andrew Page | Music Director |
| Dan Wallin | Scoring Mixer |
| George Doering | Musician |
| Karl Vincent | Musician |
| Norman Ludwin | Musician |
| Anna Noakes | Musician |
| James Thatcher | Musician |
| Mark LeVang | Musician |
| Jeff Bunnell | Musician |
| Brad Dechter | Orchestrator |
| Ira Hearshen | Orchestrator |
| Mark Gasbarro | Orchestrator |
| Peter Boyer | Orchestrator |
| Cameron Patrick | Musician, Orchestrator |
| Justin Pearson | Music Editor |
| Darla K. Anderson | Thanks |
| Tricia Andres | Thanks |
| Cassandra Barbour | Thanks |
| Connor Funk | Thanks |
| Japeth Pieper | In Memory Of |
| Andy Witkin | In Memory Of |
| Luigi Passalacqua | Craft Service |
| Rebecca Pigg | Human Resources |
| Daniella Muller | Production Assistant |
| Liz Seibert | Production Assistant |
| Courtney Lockwood | Production Coordinator |
| Eric Rosales | Production Coordinator |
| Jason Kim | Software Engineer |
| Jeremy Cowles | Software Engineer |
| Laurie Kim | Software Engineer |
| Malcolm Blanchard | Software Engineer |
| Mark Hessler | Software Engineer |
| Shiqi Yang | Software Engineer |
| Dirk Van Gelder | Software Team Lead |
| Katelin C. Holloway | Story Coordinator |
| Kyle Ranson-Walsh | Story Manager |
| Andy Thomas | Systems Administrators & Support |
| Auburn C. 'Aubie' Schmidt | Systems Administrators & Support |
| Catherine Obuhoff | Systems Administrators & Support |
| Ian Westcott | Systems Administrators & Support |
| Marty Lew | Systems Administrators & Support |
| Mike Sundy | Systems Administrators & Support |
| Peter Plackowski | Systems Administrators & Support |
| Ross Dickinson | Systems Administrators & Support |
| Shawn Hovis | Systems Administrators & Support |
| Terry Lee Moseley | Systems Administrators & Support |
| Catherine Kelly | Title Designer |
| Susan Bradley | Title Designer |
| Kevin O'Brien | Storyboard Artist |
| John Lasseter | Original Story, Director |
| Bradford Lewis | Co-Director, Original Story |
| Robbie Williams | Songs |
| Dan Fogelman | Original Story |
| Mac Smith | Other |
| Name | Title |
|---|---|
| Denise Ream | Producer |
| Mark Nielsen | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 88 | 125 | 70 |
| 2024 | 5 | 101 | 164 | 79 |
| 2024 | 6 | 96 | 138 | 78 |
| 2024 | 7 | 92 | 120 | 74 |
| 2024 | 8 | 81 | 109 | 65 |
| 2024 | 9 | 81 | 138 | 63 |
| 2024 | 10 | 147 | 212 | 86 |
| 2024 | 11 | 84 | 116 | 64 |
| 2024 | 12 | 76 | 85 | 64 |
| 2025 | 1 | 84 | 114 | 66 |
| 2025 | 2 | 74 | 101 | 15 |
| 2025 | 3 | 26 | 85 | 3 |
| 2025 | 4 | 14 | 20 | 11 |
| 2025 | 5 | 12 | 22 | 9 |
| 2025 | 6 | 13 | 17 | 11 |
| 2025 | 7 | 11 | 13 | 9 |
| 2025 | 8 | 11 | 14 | 10 |
| 2025 | 9 | 13 | 17 | 12 |
| 2025 | 10 | 13 | 17 | 11 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 231 | 589 |
| Year | Month | High | Avg |
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| 2025 | 9 | 165 | 553 |
| Year | Month | High | Avg |
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| 2025 | 8 | 154 | 532 |
| Year | Month | High | Avg |
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| 2025 | 7 | 129 | 459 |
| Year | Month | High | Avg |
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| 2025 | 6 | 85 | 481 |
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| 2025 | 5 | 124 | 571 |
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| 2025 | 4 | 101 | 515 |
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| 2025 | 3 | 84 | 464 |
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| 2025 | 2 | 120 | 498 |
| Year | Month | High | Avg |
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| 2025 | 1 | 193 | 527 |
| Year | Month | High | Avg |
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| 2024 | 12 | 199 | 637 |
| Year | Month | High | Avg |
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| 2024 | 11 | 185 | 530 |
| Year | Month | High | Avg |
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| 2024 | 10 | 299 | 675 |
| Year | Month | High | Avg |
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| 2024 | 9 | 324 | 568 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 319 | 600 |
Lasseter is smart enough to tell us a completely different story than in the first movie. However, it is far from other titles like "Toy Story" or "The Incredibles". ...
I like <em>'Cars 2'</em>. It doesn't deserve to be held in the same bracket as 2006's <em>'Cars'</em>, but that doesn't mean there's not a good time to be had with it. The premise mixes motorsport with espionage, admittedly they don't execute it incredibly but it's still satisfactory to see unfol ... d. One slight negative is that they give Mater more screen time than Lightning McQueen, which is a mistake. Larry the Cable Guy as Mater is enjoyable, just not front and center as the lead. They could've done a similar plot that has Owen Wilson and McQueen at the forefront. Elsewhere, Michael Caine (Finn) is always a joy to listen to; even if his character isn't anything special. The racing stuff is cool, with the World Grand Prix. The parts of the story involving strictly that are definitely more entertaining than the spy stuff, especially as we get to see a few different countries via animation - which come out nicely. All in all, a weaker film than the first for sure but it's still pretty solid for a Disney animated sequel.
**A film more adult than would be desirable, where Pixar insists on giving the stage to funnyless secondary characters.** The “Cars” franchise was one of the great successes that Pixar masterfully capitalized on, both for commercial purposes and to cement its top status in the field of digital an ... imation. I remember that these three films were accompanied by such incisive (not to say abusive) merchandising that it seemed that the films were being foisted on us. That explains why I preferred not to see them at the time. If the first film seemed quite regular to me (very good from a technical point of view, but with flaws in the script), this sequel managed to at least maintain the technical level and visual quality. The film has excellent cinematography and graphic work, as is the hallmark of the studio. Realism is excellent, although I felt that it is not as impactful and grandiose as in the first film in the franchise. I also felt that the car races, which were the strong suit of the first film due to their emotion and speed, lost much of their emotion here and sounded much more monotonous. The voice actors continue to do a very good job. Owen Wilson and Larry The Cable Guy secure the most notable efforts, but are closely followed by Michael Caine (with an unmistakable voice), Emily Mortimer and John Turturro. Where this film really failed was in the conception of the script and the story. I understand the reason why they decided to make Mater the main character: both Disney and Pixar have done this recurrently whenever a secondary character appears in the films that seem to stand out. And as in other cases, the result of the decision was extremely disappointing. Mater is not funny, more ridiculous than funny, and McQueen, who is in the shadows this time, is just another pretentious, obnoxious, arrogant driver. Dialogues don't always work well, and some jokes don't either, although most do. I also have certain reservations about the division of the film's action into two subplots (Mater's and the rivalry between McQueen and Francesco), I believe that this made the film much more adult than would be desirable.
Not as God as the 1st just slightly though. I do think it's funnier then the 1st one. Diego just bothered the hell out of me for some reason. ...
You know, I think I preferred this to the original. This time, the eager young "Lightning McQueen" is goaded by Italian champ "Francesco" into taking part in the inaugural "World Grand Prix". This has been set up by reformed oil gazillionaire "Sir Miles" who insists that the cars must use environmen ... tally friendly, oil-free, fuel to compete. Meantime, unbeknown to our shiny red American, the suave and debonaire "Finn McMissile" is doing his best "007" impersonation investigating a network of international espionage that would make "Spectre" look amateur. Together with his assistant "Miss Shiftwell" they soon conclude that their fate is mixed with not just "Lightning" but with poor old "Mater" - who takes pride in every dent he has acquired to his rusting bodywork over his time with his champion friend. There's loads going on, and unlike the first of this series - I found this to be a much more engaging story with a greater international dynamic to it. The Aston Martin and the Citroën, the Ferrari and the tow truck - all reinforcing the messages of team playing and loyalty as the mystery deepens and "Lightning" and "McMissile" have to race to save the trusty old rust-bucket from a fate worse than a magnetic crusher. I enjoyed this, it's quickly paced with some humour in a script that benefits from the understated delivery of Sir Michael Caine and the enthusiasm of Owen Wilson. Good fun!