Popularity: 5 (history)
Director: | André Øvredal |
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Writer: | Ian B. Goldberg, Richard Naing |
Staring: |
Father and son coroners receive a mysterious unidentified corpse with no apparent cause of death. As they attempt to examine the "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets. | |
Release Date: | Dec 21, 2016 |
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Director: | André Øvredal |
Writer: | Ian B. Goldberg, Richard Naing |
Genres: | Horror, Mystery |
Keywords | parent child relationship, supernatural, crematorium, autopsy, morgue, murder, bell, corpse, thunderstorm, coroner, pathologist, autopsy room, elevator, cause of death, ax |
Production Companies | IM Global, Impostor Pictures, 42 |
Box Office |
Revenue: $6,170,043
Budget: $4,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Emile Hirsch | Austin Tilden |
Brian Cox | Tommy Tilden |
Ophelia Lovibond | Emma |
Olwen Catherine Kelly | Jane Doe |
Michael McElhatton | Sheriff Sheldon |
Parker Sawyers | Officer Cole |
Jane Perry | Lieutenant Wade |
Mark Phoenix | Louis Tannis |
Mary Duddy | Irene Daniels |
Name | Job |
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André Øvredal | Director |
Ian B. Goldberg | Screenplay |
Richard Naing | Screenplay |
Danny Bensi | Original Music Composer |
Martin Langenbach | Foley |
Peter Gvozdas | Editor |
Steve Mirkovich | Additional Editor |
Matt Gant | Production Design |
Astrid Sieben | Art Direction |
Patrick Larsgaard | Editor |
Roman Osin | Director of Photography |
Saunder Jurriaans | Original Music Composer |
Tim Cole | Line Producer |
Elaine Grainger | Casting |
Natalie Ward | Costume Design |
Dave Staton | Rigging Gaffer |
Sam J. Green | Systems Administrators & Support |
Patrick O'Mahony | First Assistant Editor |
Andy Ross | Music Supervisor |
Timothy Wilkinson | Property Master |
Vanesa Lorena Tate | Music Editor |
Susie Allnutt | Still Photographer |
Michael Tuohy | Visual Effects Coordinator |
Sabrina Naumann | ADR Editor, Dialogue Editor |
Jemma Harwood | Hair Designer, Makeup Designer |
Bella Cruickshank | Hair Designer, Makeup Designer |
Sheila McNaught | Script Supervisor |
Detlef A. Schitto | Foley Recordist, Sound Recordist, Foley Editor |
Joe Judge | Best Boy Electric |
Emma Gunnery | Casting Assistant |
Phil Brookes | Gaffer |
Stephen Coren | Visual Effects Supervisor |
Christian Conrad | Sound Designer |
Rami Bartholdy | First Assistant Camera |
Warwick Drucker | Key Grip |
Nicholas Emme | First Assistant Editor |
Scott McIntyre | Special Effects Supervisor |
Lars Ginzel | Sound Re-Recording Mixer |
Joe Fitz-Gerald | Dressing Prop |
Jim Imber | First Assistant Director |
Melanie Light | Standby Art Director |
John Moolenschot | Construction Manager |
Seb Palmer | Carpenter |
Alex Abelman | Carpenter |
Adam David Grant | Art Department Assistant |
Andrew Barden | Dressing Prop |
Sebastian Pietrovito | Dressing Prop |
Anthea Dixon | Painter |
Kristyan Mallett | Prosthetic Designer |
Daniel Jerome Gill | Second Assistant Director |
Laurie Mahon | Third Assistant Director |
Viva Stuart | Floor Runner |
Karl Clarke | Second Assistant Camera |
Luis Reggiardo | Digital Imaging Technician |
Robin Jones | Set Decoration |
Andrew Chapman | Unit Production Manager |
Dot Kyle | Production Coordinator |
Zoe McLachlan | Assistant Production Coordinator |
Ashley Marsden | Production Assistant |
Steve Cronick | Production Accountant |
James Player | Location Manager |
Enest Ansah | Location Assistant |
Ian Maclagan | Sound Recordist |
John Thorpe | Boom Operator |
Clementine Charity | Assistant Costume Designer |
Dickie Bass | Costume Assistant |
Holly Clarke | Costume Assistant |
Rosalind Hackett | Costume Assistant |
Lisa Pemberton | Makeup Artist, Hairstylist |
Marian Briozzo | Post Production Supervisor |
Tina Laschke | Sound Editor |
Manuel Laval | Sound Editor |
Grace Averbuch | ADR Editor, Dialogue Editor |
Anja Seidel | Foley Editor |
Simon Sampath-Kumar | ADR Mixer |
Rodrigo Galvan | ADR Mixer |
Richard Kondal | ADR Mixer |
Vanessa Whyte | Additional Photography |
Name | Title |
---|---|
Rory Aitken | Producer |
Stuart Ford | Executive Producer |
Eric Garcia | Producer |
Ben Pugh | Producer |
Adam Cobb | Co-Executive Producer |
Steven Squillante | Executive Producer |
Matt Jackson | Executive Producer |
Courtney Noble | Associate Producer |
Fred Berger | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 42 | 55 | 29 |
2024 | 5 | 46 | 63 | 30 |
2024 | 6 | 44 | 64 | 31 |
2024 | 7 | 90 | 230 | 37 |
2024 | 8 | 62 | 84 | 39 |
2024 | 9 | 57 | 102 | 38 |
2024 | 10 | 67 | 95 | 49 |
2024 | 11 | 63 | 103 | 41 |
2024 | 12 | 45 | 58 | 33 |
2025 | 1 | 46 | 63 | 33 |
2025 | 2 | 45 | 72 | 10 |
2025 | 3 | 17 | 53 | 3 |
2025 | 4 | 13 | 19 | 8 |
2025 | 5 | 10 | 14 | 7 |
2025 | 6 | 8 | 12 | 6 |
2025 | 7 | 7 | 8 | 6 |
2025 | 8 | 5 | 7 | 4 |
2025 | 9 | 5 | 6 | 5 |
Trending Position
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2025 | 8 | 771 | 915 |
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2025 | 7 | 563 | 704 |
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2025 | 6 | 731 | 731 |
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2025 | 4 | 641 | 742 |
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2025 | 3 | 380 | 744 |
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2025 | 1 | 240 | 609 |
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2024 | 12 | 708 | 737 |
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2024 | 11 | 646 | 791 |
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2024 | 10 | 500 | 751 |
From director André Øvredal (Trollhunter) comes one of the best horror movies of 2016, The Autopsy of Jane Doe. Suspenseful, clever and creepy from start to finish this horror movie follows the story of father and son (played by Brain Cox and Emile Hirsch), both coroners, as they experience unexplai ... ned and paranormal events while examining the body of an unidentified woman (played by Olwen Kelly). Execution is superb, from directing, editing, camera-work, color grading, sound editing, dialogue. Movie also features some fine acting, most notably from Brian Cox (no surprise there) There is not a single moment where I felt bored, tension is always present and creepy atmosphere makes it very enjoyable. Also scares don't feel forced but rather real and well earned. Maybe couple of shortcomings or sins here and there prevent it to be a masterpiece, but it is still a very damn good movie. Simple story skillfully executed. Horror is not dead, it is still here and very alive, you just need to have passionate and talented people working behind the cameras.
But satisfaction brought it back. _Final rating:★★★½ - I strongly recommend you make the time._ ...
**The one corpse no coroner want to mess with!** And this is something different. Actually, no films are different these days, but it has succeeded to shape differently with an already known platform. Except the small parts of the opening and the ending, the rest of the story takes place in a pos ... tmortem room and its building. It is a one night story and revolves around two characters, a coroner father and his assistant son. After receiving an unidentified body to examine, the son decides to stay back with his dad by dropping out the plan to go a date with his girlfriend. As the procedure begins, the night goes on. But at the half way through, they begin to experience the strange events. And once it goes beyond their hands, they try to survive the threads that come their way which pretty much the rest of the film. A short and sweet horror. I mean no sweet, but very effective theme. There are lots of things you won't understand, even the film does not explain them for us. But if you sit back and think about them after you have watched it, you would get many perspectives, like about the corpse, and what happened at the end. I could have revealed mine in here, but it would only spoil your watch if you are yet to see it. Overall, there's nothing serious you are going to miss any details. Except one question that nobody sure about is who is/was Jane Doe, I mean her background story that linked to this film event. Only a prequel would explain that. So I hope they make one quickly. Meantime, don't miss it if you're looking for a decent horror film. Because it's much better that any recent horrors. _7/10_
<b>The eerie and compelling first act promises much more than The Autopsy of Jane Doe ultimately delivers.</b> The Autopsy of Jane Doe starts strong with a mysterious corpse and two coroners who find themselves in greater danger with each clue they uncover to the death of this disturbing body. Th ... e first half of the film is fantastic. The tension builds with each passing second. Every new bit of information the characters discover cranks up the anxiety and horror. As the answers become more apparent and more terrifying, so does the fate of the coroners. But once the terror finally begins, the film falls flat. Nothing really happens. Mostly a lot of panic and implied danger, but not a lot is actually shown. What is shown is slightly below average for the typical supernatural horror film. I don’t feel like I wasted my time with this movie, but the excellence of the first half made the mediocrity of the second half much more disappointing.