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The Royal Hotel Poster

The Royal Hotel

A fun adventure is all they wanted.
2023 | 91m | English

(15970 votes)

TMDb IMDb

Popularity: 4 (history)

Details

After running out of money while backpacking in a tiny, male-dominated town in the Australian outback, two friends resort to a working holiday at the Royal Hotel. When the locals' behavior starts crossing the line, the girls find themselves trapped in an unnerving situation that grows rapidly out of their control.
Release Date: Oct 06, 2023
Director: Kitty Green
Writer: Kitty Green, Oscar Redding
Genres: Drama, Thriller
Keywords tourist, female friendship, alcoholism, cultural difference, sexual harassment, female protagonist, gender roles, south australia, misogynist, woman director, australian outback, toxic masculinity, isolated community, pub
Production Companies See-Saw Films, Scarlett Pictures
Box Office Revenue: $877,412
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Job
Jed Palmer Original Music Composer, Sound Designer
Kasra Rassoulzadegan Editor
Leah Popple Production Design
Troy Dignon Art Direction
Mariot Kerr Costume Design
James Dubay Second Assistant Director
Kate Larmer Third Assistant Director
Peter McLennan First Assistant Director
Max Nadilo Set Designer
Alan Freedman ADR Mixer
Michael Newton Sound Effects Editor
Olivia Iacobelli Costume Supervisor
Cameron Brooks Boom Operator
Adam Connelly Foley Artist
Owen Grieve ADR Recordist
Megan Howieson Foley Editor
Alex Roberts ADR Recordist
Chloe Turner Foley Recordist
Travis Williamson Boom Operator
Monique Muskens Makeup Artist
Rachael Havercroft Post Production Supervisor
Carly Maple Unit Production Manager
Thomas Clark Lighting Technician
Joseph Clarke Digital Imaging Technician
Peter Giuliani Best Boy Electric
Ian Routledge Still Photographer
Jake Viskic Second Assistant Camera
Joshua Algie Casting Associate
Jesse Goninon Location Manager
Varinya Eammano First Assistant Editor
Shaun Richards Post-Production Manager
Marie Setiawan Online Editor
Taera Shroff Script Supervisor
Alysia Kwan Production Assistant
Emma Marshall Production Coordinator
Taess Sivalingam Production Assistant
Poppy Fitzpatrick Production Secretary
Kitty Green Writer, Director
Oscar Redding Writer
Kirsty McGregor Casting
Andy Wright Supervising Sound Editor, Sound Re-Recording Mixer
Emily Cook Production Executive
Michael Latham Director of Photography
Name Title
Liz Watts Producer
Kath Shelper Producer
Simon Gillis Executive Producer
Billy Bowring Associate Producer
Iain Canning Producer
Emile Sherman Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 20 27 14
2024 5 22 29 15
2024 6 20 31 13
2024 7 27 49 13
2024 8 18 30 11
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2024 10 18 30 11
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2025 1 13 22 9
2025 2 12 19 5
2025 3 5 14 1
2025 4 2 4 1
2025 5 1 4 1
2025 6 2 3 1
2025 7 1 4 0
2025 8 1 2 0
2025 9 2 3 1
2025 10 3 4 2

Trending Position


Year Month High Avg
2025 9 722 831
Year Month High Avg
2025 4 316 651
Year Month High Avg
2024 8 294 635

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Reviews

Geronimo1967
6.0

Canadians "Hanna" (Julia Garner) and her best mate "Liv" (Jessica Henwick) take jobs working in a remote outback bar where they are expecting to make some extra cash to fund their holiday. They arrive, though, to discover that the "Royal Hotel" is anything but royal.... It's run by the curmudgeonly ... "Billy" (Hugo Weaving), his long-suffering friend "Carol" (Ursula Yovich) and is largely populated by lively, chauvinist, blokes who are partial to some "Dickens" cider... The girls are clearly out of their depth initially, but can they find a way to assert themselves in the face of increasingly unambiguous sexually threatening behaviour? Daniel Henshall's slightly menacing "Dolly" becomes chief amongst their protagonists, but there is also the slightly manipulative "Matty" (Toby Wallace) and their alcoholic boss to contend with too. I'm not quite sure what I was expecting here. Clearly the toxic mix of raging male hormones and pretty much unlimited booze creates a fairly hostile environment for the women, but the story sort of plateaus aground a denouement that really disappoints. There's nothing really new here, nor is there anything particularly innovative. It plays rather unkindly to mid-Australian stereotype and sort of fizzles out at the denouement. It had potential, but somehow Kitty Green seemed uncertain as to how to conclude and so we end up with something unremarkable and frankly rather weak. Garner and Henwick are adequate, but that's about all I can say about this mediocre offering, sorry.

Nov 04, 2023