Popularity: 7 (history)
Director: | Michael Bay |
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Writer: | Mitchell Zuckoff, Chuck Hogan |
Staring: |
An American Ambassador is killed during an attack at a U.S. compound in Libya as a security team struggles to make sense out of the chaos. | |
Release Date: | Jan 14, 2016 |
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Director: | Michael Bay |
Writer: | Mitchell Zuckoff, Chuck Hogan |
Genres: | Action, Drama, History, War |
Keywords | central intelligence agency (cia), based on novel or book, assault rifle, mercenary, libya, biography, based on true story, heroism, explosion, american abroad, death, u.s. ambassador |
Production Companies | Paramount Pictures, 3 Arts Entertainment, Bay Films |
Box Office |
Revenue: $69,411,370
Budget: $50,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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John Krasinski | Jack Silva |
James Badge Dale | Tyrone 'Rone' Woods |
Dominic Fumusa | John 'Tig' Tiegen |
Max Martini | Mark 'Oz' Geist |
Pablo Schreiber | Kris 'Tanto' Paronto |
Matt Letscher | Chris Stevens |
Alexia Barlier | Sona Jillani |
David Costabile | Bob |
David Denman | Dave 'Boon' Benton |
Payman Maadi | Amahl |
Toby Stephens | Glen 'Bub' Doherty |
Demetrius Grosse | DS Agent Dave Ubben |
David Giuntoli | DS Scott Wickland |
Freddie Stroma | Brit Vayner |
Christopher Dingli | Sean Smith |
David Furr | DS Alec |
Wrenn Schmidt | Becky Silva |
Ivy George | Emily Silva |
Julia Butters | Beverly Silva |
Ben Youcef | Azaan |
Elektra Anastasi | CIA Agent |
Liisa Evastina | Actress |
Steffi Thake | Chief's Assistant |
Kerim Troeller | Viper |
Kenny Sheard | Delta 1 |
Andrew Arrabito | Delta Operator |
Davide Tucci | Defence Attaché |
Shane Rowe | CIA Annex Cook |
Gábor Bodis | CIA Agent |
Kevin Kent | DS Vincent |
Mike Moriarty | DS Wesley |
Manuel Cauchi | Fahreed |
Mohamed Naimane | Hesham |
Rachid El Adouani | Attacker at Embassy |
Salah Bensalah |
Name | Job |
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Michael Bay | Director |
Dion Beebe | Director of Photography |
Pietro Scalia | Editor |
Denise Chamian | Casting |
Abdelfattah Qzaibar | Assistant Costume Designer |
Jeffrey Beecroft | Production Design |
Deborah L. Scott | Costume Design |
Scott Farrar | Visual Effects Supervisor |
Erik Aadahl | Supervising Sound Editor |
Ethan Van der Ryn | Supervising Sound Editor |
Matt Cavanaugh | Sound Recordist |
Adam Goodall | Armory Coordinator |
Nick Jeffries | Supervising Armorer |
Stephen A. Petroni | Armory Coordinator |
Mouhssine El Badaoui | First Assistant Director |
Simon Warnock | First Assistant Director |
Jack Longmate | Special Effects Technician |
Srđan Tintor 'Serđo' | Electrician |
Mitchell Zuckoff | Novel |
Colin Azzopardi | First Assistant Director |
Michael McCusker | Editor |
Chuck Hogan | Screenplay |
Lorne Balfe | Original Music Composer |
Calvin Wimmer | Editor |
Edward Said | Casting |
Beth Day | Casting Associate |
Liz Ludwitzke | Casting Associate |
Lee Scott | Music Editor |
Fiú László | Armorer |
Dani Phelps | Assistant Costume Designer |
Dulcie Scott | Costume Supervisor |
Christian Goddard | Set Costumer |
Peter Robertson | Camera Operator |
Damien Beebe | Camera Operator |
Davide Tiraboschi | Camera Operator, Drone Cinematographer |
Roberto De Angelis | Steadicam Operator |
Christian Black | Still Photographer |
Driss Marzak | Gaffer |
Martin Smith | Gaffer |
Bernin Isaac | First Assistant Camera |
E.J. Misisco | First Assistant Camera |
Alan Hall | First Assistant Camera |
John Kairis | First Assistant Camera |
Mariam Lee Abounouom | Art Department Coordinator |
Marco Trentini | Art Direction |
Charlo Dalli | Art Direction |
Karen Frick | Set Decoration |
Sebastian Schroder | Supervising Art Director |
Andrea Gauci | Art Department Coordinator |
Dylan Gouder | Construction Coordinator |
Roger Holden | Greensman |
Zuzana Milfort | Special Effects Coordinator |
Kenneth Cassar | Special Effects Supervisor |
Terry Glass | Special Effects Supervisor |
Lorelei David | Visual Effects Editor |
Wayne Billheimer | Visual Effects Producer |
Varun Hadkar | Visual Effects Supervisor |
John T. Cucci | Foley |
Brandon Jones | Sound Designer |
Tim Walston | Sound Designer |
Chris Diebold | Sound Effects Editor |
Joel Erickson | Sound Effects Editor |
Gary Summers | Sound Re-Recording Mixer |
Robert 'Rock' Galotti | Armorer |
Greg P. Russell | Sound Re-Recording Mixer |
Jeffrey J. Haboush | Sound Re-Recording Mixer |
Chantal Busuttil | Makeup Artist |
Karen Schembri Grima | Makeup Artist |
Erik Rogers | Digital Intermediate |
Stefan Sonnenfeld | Digital Intermediate |
Todd Busch | First Assistant Editor |
Ahmed Abounouom | Line Producer |
Adrian Bartolo | Best Boy Electrician |
Dan O'Connell | Foley |
Sándor Daróczi | Set Costumer |
Doug Harlocker | Property Master |
Ian Kay | Property Master |
Veronica Li | Sound Recordist |
Ralph Osborn | Dialogue Editor |
David Bach | ADR Supervisor |
Christopher Flick | Foley Editor |
Silke Engelhardt | Script Supervisor |
Mac Ruth | Production Sound Mixer |
Yiotis Panayiotou | Key Hair Stylist |
Nezha Aouis | Key Makeup Artist |
Aziz Rafiq | Art Direction |
Monica Sallustio | Art Direction |
Luc Poullain | Aerial Coordinator |
Steven Desbrow | Aerial Director of Photography |
Dionys Frei | Drone Pilot |
Mathieu Reymond | Drone Pilot |
Hamza Aboufirass | Electrician |
Yassine Abounouom | Electrician |
Marco Aquilina | Electrician |
Marvin Baldacchino | Electrician |
Clifton Camilleri | Electrician |
Feargal Camilleri | Electrician |
Marieclaire Camilleri | Electrician |
Lorry Grima | Electrician |
Brian Dzyak | Epk Camera Operator |
John Buckley | Gaffer |
Darren Holland | Key Grip |
Donald Reynolds Jr. | Key Grip |
Charlie Lia | Key Grip |
Ivory Stanton | Ager/Dyer |
Jack Taggart | Ager/Dyer |
Sophie Homer | Costume Assistant |
Corey Mansfield | Costume Assistant |
Dagmarette Yen | Costume Assistant |
Ani Ferrara | Costume Assistant |
Hassan Taghriti | Costume Supervisor |
Othmane Ajana | Costumer |
Daisy Marcuzzi | Costumer |
Hana Scott-Suhrstedt | Costumer |
Deborah Zimmerman | Key Costumer |
Najat Ait Badi | Set Costumer |
Samuela Galea | Set Costumer |
Otmane Khammari | Set Costumer |
Eleanor Landgrebe | Set Costumer |
James Debono | Wardrobe Master |
Venice Smith | Stunts |
Zuzana Drdacka | Stunts |
Catalin Bindiu | Stunts |
Jeremy Woodhead | Hair Designer, Makeup Designer |
Cristian Knight | Stunt Driver |
Julian Howarth | Sound Mixer |
Joseph Angelo Steel | Best Boy Grip |
Name | Title |
---|---|
Michael Bay | Producer |
Kenny Bates | Co-Producer |
Harry Humphries | Associate Producer |
Erwin Stoff | Producer |
Richard Abate | Executive Producer |
Matthew Cohan | Executive Producer |
Scott Gardenhour | Executive Producer |
Michael Kase | Co-Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 69 | 83 | 44 |
2024 | 5 | 59 | 79 | 46 |
2024 | 6 | 60 | 90 | 44 |
2024 | 7 | 66 | 93 | 42 |
2024 | 8 | 54 | 79 | 40 |
2024 | 9 | 49 | 61 | 40 |
2024 | 10 | 72 | 117 | 43 |
2024 | 11 | 65 | 116 | 43 |
2024 | 12 | 65 | 98 | 50 |
2025 | 1 | 75 | 116 | 55 |
2025 | 2 | 62 | 100 | 11 |
2025 | 3 | 17 | 83 | 3 |
2025 | 4 | 10 | 12 | 7 |
2025 | 5 | 10 | 12 | 8 |
2025 | 6 | 7 | 8 | 6 |
2025 | 7 | 7 | 8 | 6 |
2025 | 8 | 6 | 9 | 5 |
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2024 | 9 | 662 | 794 |
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2024 | 8 | 592 | 819 |
> In an unfriendly environment they got 13 long hours to survive and resist the attack. It is an action-thriller-war version of the 'Argo'. Based on the true story where the most of the film was the 13 hour long armed battle event took place in Libya, 2012. I remember the middle-east's protest ov ... er the western films, this story is set in the same time when the islamic terrorists targeted the American diplomatic compounds in Benghazi, but six brave men stood and fought against the uprising. It is an American patriotic film, but because of the hatred over their own countrymen Michael Bay, they're surely missing a nearly a war masterpiece. The rest of the world saw it as a fine film and appreciated that. If you haven't seen it yet, I say just don't ignore it. It was a well made realistic war film, the actors were amazing and the scenes were suspenseful to spectacular. Definitely one of the best in this theme. It was simply focused on the armed conflict between the two forces, so it won't reasons out us how and where it all began, because that might take another film to tell the tale. That's really a very clever writing. In this 150 minute long film, the first act was full of characters and story development. Then begins the gun fight that commences from the dust hours till the dawn breaks out. With many twists in the narration during confrontation, surely not a film to be missed. 8/10
If you fancy yourself a big swingin' dick yank, then I'd recommend you watch _13 Hours_, but of course, you already have. I can move past the xenophobia and jingoism pretty easily, even the typical Bay tropes don't ruin a movie for me, but what I find difficult to abide is boredom, and with _13 H ... ours_, I personally found that in spades. Though it doesn't make a whole lot of sense, though I didn't care about any of the characters, and though I am giving this film a negative review, I can still say it's Michael Bay's best work in years. _Final rating:★★ - Definitely not for me, but I sort of get the appeal._
"13 Hours: The Secret Soldiers of Benghazi" is a 2016 war film directed by Michael Bay and based on the non-fiction book "13 Hours" by Mitchell Zuckoff. The film recounts the true events of the attack on the American diplomatic compound in Benghazi, Libya, on September 11, 2012. Starring John Krasin ... ski, James Badge Dale, and Dominic Fumusa, the movie focuses on the six members of a security team who valiantly defended the compound against overwhelming odds. Michael Bay is known for his expertise in crafting intense and visually striking action sequences, and "13 Hours" is no exception. The firefight scenes are visceral, chaotic, and capture the intensity of the real-life events they depict. The use of practical effects and minimal CGI enhances the realism. The film features impressive cinematography by Dion Beebe, who captures the harsh, war-torn landscape of Benghazi with gritty realism. The use of handheld cameras during action sequences adds to the immersive and chaotic feel of the combat. The cast delivers solid performances, with John Krasinski, known for his comedic roles, convincingly portraying a seasoned and determined military contractor. James Badge Dale and Dominic Fumusa also shine in their respective roles, bringing authenticity to their characters. The film successfully conveys a sense of camaraderie and brotherhood among the security team members. It emphasizes the dedication and sacrifices made by individuals in service to their country, fostering a strong sense of patriotism. While the movie focuses on the immediate events surrounding the Benghazi attack, it largely avoids delving into the broader political context that led to the situation. Some viewers may find the lack of a comprehensive geopolitical background unsatisfying. The characters, while based on real individuals, are at times simplified and stereotyped. This can lead to a lack of emotional depth, making it challenging for the audience to connect with them on a personal level. With a runtime of over two hours, the film may feel lengthy to some viewers. The pacing, especially in the first half, can be slow as the narrative establishes the characters and setting. This may test the patience of those expecting a faster-paced action thriller. "13 Hours: The Secret Soldiers of Benghazi" is a compelling and intense portrayal of a tragic real-life event. While it excels in its action sequences and captures the heroism of the individuals involved, it falls short in providing a nuanced exploration of the political complexities surrounding the Benghazi attack. The film, however, serves as a tribute to the bravery of the men who fought against overwhelming odds. Rating: 7/10 Written and Reviewed by RSOliveira
Critics have labeled this movie as rotten, but I find their justification questionable. There are countless classic films that are considered phenomenal and amazing, yet they are criticized harshly. This movie, in particular, is eye-opening as it sheds light on the chain of command involved in sendi ... ng rescue missions. Despite Hillary Clinton being blamed for the deaths of individuals in the film, it is evident that the power lies with Congress. The movie highlights this, yet she continues to be the target of blame. Setting aside the controversies, this film is intense, action-packed, and emotionally gripping. I strongly believe it is worth watching and should not be dismissed as rotten.