 
  Popularity: 4 (history)
| Director: | John Hillcoat | 
|---|---|
| Writer: | Matt Cook | 
| Staring: | 
| A gang of criminals and corrupt cops plan the murder of a police officer in order to pull off their biggest heist yet across town. | |
| Release Date: | Feb 19, 2016 | 
|---|---|
| Director: | John Hillcoat | 
| Writer: | Matt Cook | 
| Genres: | Adventure, Action, Crime, Thriller | 
| Keywords | bomb, detective, assault rifle, cocaine, ghetto, strip club, bratva (russian mafia), murder, heist, betrayal, bag of money, dirty cop, bank robbery, death of brother, atlanta, georgia | 
| Production Companies | Worldview Entertainment, Anonymous Content, MadRiver Pictures, Sierra Pictures, Surefire Capital | 
| Box Office | Revenue: $12,600,000 Budget: $20,000,000 | 
| Updates | Updated: Jan 30, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Casey Affleck | Chris Allen | 
| Chiwetel Ejiofor | Michael Atwood | 
| Anthony Mackie | Marcus Belmont | 
| Kate Winslet | Irina Vlaslov | 
| Woody Harrelson | Sergeant Detective Jeffrey Allen | 
| Aaron Paul | Gabe Welch | 
| Clifton Collins Jr. | Jorge Rodriguez | 
| Norman Reedus | Russel Welch | 
| Teresa Palmer | Michelle Allen | 
| Michael Kenneth Williams | Sweet Pea | 
| Gal Gadot | Elena Vlaslov | 
| Michelle Ang | Trina Ling | 
| Terence Rosemore | Joshua Parks | 
| E. Roger Mitchell | Smith | 
| Terri Abney | Leah Green | 
| Alexander Babara | Ben Feldman | 
| Anthony Belevtsov | Yussel Gotlib | 
| Luis Da Silva Jr. | Luis Pinto | 
| Ian Casselberry | Gomez | 
| Blake McLennan | Felix Atwood | 
| Michael Harding | Walter Sims | 
| Labrandon Shead | Sgt. Pete Nelson | 
| Armando Alonzo | Emilio | 
| Karen Kaia Livers | Shanice | 
| Jon Eyez | Ispuk Member | 
| Hakim Callender | Banger | 
| Carlos Aviles | Fernando Rivera | 
| Sandra Lopez Pavesi | Rivera's Baby Mama | 
| Mary Rachel Quinn | Police Pathologist | 
| Andre Pushkin | Beaten Man in Trunk | 
| Natalie Shaheen | Beaten Woman in Trunk | 
| Dean Napolitano | DHS Guard | 
| Jeremy Degree | DHS Guard | 
| Kurt Yaeger | Wounded DHS Guard | 
| Christine Horn | Female Security Guard | 
| Michelle Rivera Huckaby | Gawking Neighbor | 
| Ethan Rosero | Young Boy | 
| Mike Gutowski | Photo Vassili | 
| Cierra Tramaine Butler | Cop Party Girl | 
| Vanchester Gee Wright | Auto Shop Worker | 
| Christiana Simonds | Christina | 
| Tony Pitts | Major Crimes Detective | 
| Simon Armad | Banger at Shootout | 
| Tony Grant | Cop Covered in Paint | 
| Jonathan Pavesi | Beaten Man in Trunk | 
| Jaime Sukonnik | Beaten Woman in Trunk | 
| Igor Komar | Vassili | 
| Zack Sali | Michael Double | 
| Valeriya Khlystova | Blonde Double | 
| Jason Caudill | Cellmate | 
| Scott Lacroix | Russian Guard #1 | 
| Dimiter D. Marinov | Driver | 
| Tray Williams | Business Type (uncredited) | 
| Name | Job | 
|---|---|
| Matt Cook | Writer | 
| Sara Cobbeldick | Set Costumer | 
| Curtis Crowe | Construction Coordinator | 
| Jim McKinney | Camera Operator | 
| Lisa Mae Fincannon | Casting | 
| Tim Grimes | Production Design | 
| Adam Castro | First Assistant Camera | 
| Glenn Allen | Visual Effects Producer | 
| Jacqueline Jacobson Scarfo | Set Decoration | 
| Caius Man | Special Effects Coordinator | 
| Charles Herzfeld | Digital Intermediate | 
| Laurie Bookhardt | Art Department Coordinator | 
| John Moredock | Assistant Art Director | 
| Tracy McKnight | Music Supervisor | 
| Bob Mahoney | Still Photographer | 
| Craig Fincannon | Casting | 
| Jon Lindsay | First Assistant Camera | 
| Ken Shibata | Gaffer | 
| Kevin Vale | Digital Intermediate | 
| Tara Fidler | First Assistant Editor | 
| Michael Patterson | Sound Re-Recording Mixer | 
| Tiffony Simpson | Hairstylist | 
| Margot Wilson | Costume Design | 
| Kelly Garrett Green | Art Department Assistant | 
| Greg Argarin | Rigging Gaffer | 
| Kimberly Wistedt | Casting Associate | 
| Matías Mesa | Camera Operator, Additional Camera | 
| Suzy Freeman | Costume Supervisor | 
| Kimberly Jones | Makeup Department Head | 
| Keith Adams | Visual Effects Supervisor | 
| Jeff Cornell | Digital Intermediate | 
| Lance Aldredge | Hairstylist | 
| Richard Friedlander | Visual Effects Producer | 
| Raquel Gallego | Additional Photography | 
| Bryan Whisnant | Key Hair Stylist | 
| Rich Maresco | Pilot | 
| Tina Roesler Kerwin | Key Makeup Artist | 
| Johnna Thomas | Key Set Costumer | 
| Valli O'Reilly | Makeup Department Head | 
| Kelvin R. Trahan | Hair Department Head | 
| Sarah Mays | Key Makeup Artist | 
| Bryan Reynolds | Makeup Artist | 
| David Emmerichs | Second Unit Director of Photography | 
| Mark Gethin | Digital Intermediate | 
| Michael Sabo | Property Master | 
| Nicola Clarke | Hairstylist | 
| Denise Tunnell | Makeup Artist | 
| Shawn M. Gray | Property Master | 
| Peter Boychuk | Digital Intermediate | 
| Dustin Maeno | Craft Service | 
| Aimee Campolucci | Ager/Dyer | 
| Lois McIntosh | Makeup Artist | 
| Trish Almeida | Key Hair Stylist | 
| Chris D. Chapman | Dolly Grip | 
| Claudia Sarne | Original Music Composer | 
| Jeremy Underwood | ADR Recordist | 
| Pam DeMetruis-Thomas | Supervising ADR Editor | 
| Jay Meagher | Production Sound Mixer | 
| Bobby Johanson | ADR Mixer | 
| Jon Flores | Sound Recordist | 
| Tricia Schultz | ADR Coordinator | 
| Michael Rivera | ADR Recordist | 
| Leopold Ross | Original Music Composer | 
| Lisa J. Levine | Supervising ADR Editor | 
| Daniel Ward | Foley Editor | 
| Humphrey Jarrod | Key Rigging Grip | 
| Esther Regelson | Dialogue Editor | 
| Nicholas Cochran | ADR Recordist | 
| David Linck | Unit Publicist | 
| Michael Flynn | Unit Production Manager | 
| Amir R. Khan | Second Assistant Director | 
| Lawrence Heap | Leadman | 
| Eliot Levin | Assistant Property Master | 
| Ross Simpson | Boom Operator | 
| Hunter Moore | Utility Sound | 
| Bob Branam | Video Assist Operator | 
| Ben Bowling | Best Boy Electric | 
| Doug Cowden | Key Grip | 
| Mike Sannuti | Best Boy Grip | 
| Oksana Shore | Seamstress | 
| AnaMarie C. Gonzaga | Production Accountant | 
| Andrew L. Ullman | Location Manager | 
| Luke Crawford | Second Second Assistant Director | 
| Patrick Ingram | Extras Casting | 
| Beth Moran | First Assistant Editor | 
| Nicholas Renbeck | Music Editor, Sound Re-Recording Mixer | 
| Travis MacKay | ADR Mixer | 
| Christopher C. Padilla | Stunt Double | 
| Stephanie Little | Graphic Designer | 
| Michael Hansen | Stunts | 
| Crystal Hooks | Stunts | 
| Bayland Rippenkroeger | Stunt Double | 
| John Hillcoat | Director | 
| Nicolas Karakatsanis | Director of Photography | 
| Dylan Tichenor | Editor | 
| Lori Grabowski | Script Supervisor | 
| Eran Dinur | Visual Effects Supervisor | 
| Mickey Giacomazzi | Stunt Coordinator | 
| Frances Hannon | Key Makeup Artist | 
| Dann Fink | ADR Voice Casting | 
| Craig Hosking | Pilot | 
| Joanna Fang | Foley Artist | 
| Atticus Ross | Original Music Composer | 
| Bobby Krlic | Original Music Composer | 
| Leslie Bloome | Foley Artist | 
| Ryan Collison | Foley Mixer | 
| Chris Navarro | ADR Mixer | 
| Sarah Reagin Clemmensen | Stunt Driver | 
| Anthony Katagas | Unit Production Manager | 
| Doug Torres | First Assistant Director | 
| Jen Wall | Production Supervisor | 
| Luca Borghese | Post Production Supervisor | 
| Leslie Shatz | Sound Re-Recording Mixer, Sound Designer | 
| Bruce Winant | ADR Voice Casting | 
| Dan Bradley | Second Unit Director | 
| Karin Justman | Utility Stunts | 
| Henry Kingi Jr. | Stunt Driver | 
| Russell Towery | Stunts | 
| David Alessi | Stunt Driver | 
| Paul Chappell | Stunt Driver | 
| Laurence Chavez | Utility Stunts | 
| Keith Splinter Davis | Stunts | 
| Nick DeKay | Stunt Double | 
| Michelle Ladd | Stunts | 
| Trent Mayo | Stunt Driver | 
| T. Ryan Mooney | Stunts | 
| Thom Khoury Williams | Stunt Driver | 
| Hank Amos | Stunts | 
| Name | Title | 
|---|---|
| Keith Redmon | Producer | 
| Marc Butan | Producer | 
| Bard Dorros | Producer | 
| Michael Flynn | Co-Producer | 
| Jonathan Pavesi | Co-Producer | 
| Meryl Emmerton | Co-Producer | 
| Jared Underwood | Co-Executive Producer | 
| Andrew C. Robinson | Co-Executive Producer | 
| Tom Ortenberg | Executive Producer | 
| Peter Lawson | Executive Producer | 
| Molly Conners | Executive Producer | 
| Maria Cestone | Executive Producer | 
| Kimberly Fox | Executive Producer | 
| Paul Green | Executive Producer | 
| Matt Cook | Co-Producer | 
| Anthony Katagas | Producer | 
| Christopher Woodrow | Producer | 
| Adriana Randall | Co-Producer | 
| Sarah E. Johnson | Executive Producer | 
| Steve Golin | Executive Producer | 
| John Hillcoat | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 29 | 50 | 18 | 
| 2024 | 5 | 39 | 84 | 23 | 
| 2024 | 6 | 28 | 40 | 18 | 
| 2024 | 7 | 31 | 59 | 17 | 
| 2024 | 8 | 31 | 55 | 16 | 
| 2024 | 9 | 25 | 35 | 13 | 
| 2024 | 10 | 23 | 46 | 16 | 
| 2024 | 11 | 22 | 48 | 14 | 
| 2024 | 12 | 21 | 33 | 16 | 
| 2025 | 1 | 24 | 38 | 14 | 
| 2025 | 2 | 21 | 36 | 3 | 
| 2025 | 3 | 7 | 25 | 1 | 
| 2025 | 4 | 3 | 4 | 2 | 
| 2025 | 5 | 3 | 4 | 2 | 
| 2025 | 6 | 3 | 4 | 2 | 
| 2025 | 7 | 3 | 4 | 2 | 
| 2025 | 8 | 3 | 3 | 2 | 
| 2025 | 9 | 5 | 6 | 3 | 
| 2025 | 10 | 4 | 6 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 642 | 806 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 680 | 759 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 575 | 691 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 342 | 667 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 56 | 488 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 46 | 125 | 
> Combination of wrong path and untrustworthy troop. This should have been the Holywood's bad boys film. I mean the big cast names are expected like the earlier films of QT, or especially like 'The Departed'. There were many who dropped out of it for various reasons prior to the production commen ... ce, although this cast did a great job. In my finding I blame for the screenplay. It was a good story, but the first half was not very interesting compared to the next half, which was so brilliant, especially towards the end, mind blowing. It was a multi starrer film, only that's much I know, but I kind lazy to count how many were there because I thought it was a modernised and an improvised cop version of the 'Ten Little Indians' theme. There's no evidence to prove that, it is just my theory. But seeing all the deaths and the conclusion, I felt the inspiration to the writer might have been possible. From the director of 'Lawless' who aimed for another success, but received backfire from critically and commercially. Mixed response from the audience though. Definitely it will find its own fans in the days and years to come. The ladies had scopeless roles, so they're completely forgettable their existence the narration, except very often just appear to show the faces. But well made crucial parts, in all the action sequences which kind what back the films along with Casey and Harrelson's parts. Like there is a saying, 'slow start, but ended strong', this film belongs to the same category. If you hold your patience for nearly 2 hours long, in the end you might feel after all it was not a bad flick. So not recommended to everybody, at a same time not suggested to skip it without properly knowing about it. P.S, the closing credit song, the remix version of 'Pigs' by Cypress Hill was awesome considering the theme of the film, I mean the corrupted cops, but felt the words were strong. 6/10
An okay movie with some very impressive visual flourishes, but a narrative mess, and not up to par with Director Joh Hillcoat's prior work. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...
This is my second viewing and didn't enjoy it as much the first go around, which was back in '16. While it has a stacked cast giving mostly good performances, though never bought Kate Winslet as anyone to be dangerous or to be feared, but the biggest letdown was with the screenplay which could've be ... en tighter and had better focus. This seemed to be a cross between Heat and Dark Blue but lacked the suspense, crime or drama of either one. I think in the hands of Michael Mann or Ridley Scott might've made some of the style compensate for what the script but instead it was watchable but forgettable. **3.0/5**