Popularity: 5 (history)
| Director: | Ericson Core |
|---|---|
| Writer: | Kurt Wimmer, Rick King, W. Peter Iliff |
| Staring: |
| A young undercover FBI agent infiltrates a gang of thieves who share a common interest in extreme sports. A remake of the 1991 film, "Point Break". | |
| Release Date: | Dec 03, 2015 |
|---|---|
| Director: | Ericson Core |
| Writer: | Kurt Wimmer, Rick King, W. Peter Iliff |
| Genres: | Adventure, Action, Crime, Thriller |
| Keywords | undercover, fbi, extreme sports, undercover agent, surfing, remake, skydiving, los angeles, california, bank robbery, undercover operation, ex-president, action thriller |
| Production Companies | Studio Babelsberg, Alcon Entertainment, DMG Entertainment, Taylor-Baldecchi-Wimmer |
| Box Office |
Revenue: $133,782,481
Budget: $105,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Edgar Ramírez | Bodhi |
| Luke Bracey | Johnny Utah |
| Teresa Palmer | Samsara Dietz |
| Ray Winstone | Angelo Pappas |
| Max Thieriot | Jeff |
| Delroy Lindo | FBI Instructor |
| Tobias Santelmann | Chowder |
| James Le Gros | FBI Agent |
| BoJesse Christopher | FBI Director Chapman |
| Clemens Schick | Roach |
| Matias Varela | Grommet |
| Nikolai Kinski | Pascal Al Fariq |
| Judah Lewis | Young Johnny Utah |
| Senta Dorothea Kirschner | FBI Head |
| Seumas F. Sargent | C-130 Co-Pilot |
| Daniel Bonjour | voice actor |
| Name | Job |
|---|---|
| Iris Baumüller | Casting |
| Kurt Wimmer | Screenplay, Story |
| John Papsidera | Casting |
| Daniel Moder | Camera Operator |
| Lisy Christl | Costume Design |
| Derek Hoffman | Camera Operator |
| Dylan Goss | Helicopter Camera |
| Dean A. Zupancic | Sound Re-Recording Mixer |
| Todd Toon | Supervising Sound Editor |
| Tom Holkenborg | Original Music Composer |
| Peter Lyons Collister | Second Unit Director of Photography |
| Thomas Hacikoglu | Stunt Double |
| Clay Cullen | Stunts |
| Mic Rodgers | Stunt Coordinator |
| Can Aydin | Fight Choreographer, Stunt Double |
| Serena Fiumi | Costume Supervisor |
| Mark Gerasimenko | Helicopter Camera |
| Denis Lagrange | Underwater Camera |
| Catherine Wilson | Music Editor |
| Deva Anderson | Music Supervisor |
| Reiner Bajo | Still Photographer |
| Gerald B. Greenberg | Editor |
| Hans Bjerno | Helicopter Camera |
| Janosch Voss | Gaffer |
| Luca Ricci | Armorer |
| Joe Pancake | Special Effects Coordinator |
| Don King | Camera Operator |
| Paul Atkins | Camera Operator |
| Ahmed Shehata | CG Supervisor |
| Rick King | Story |
| Deanna Brigidi | Casting Associate |
| Jack Dolman | Music Editor |
| Christian Kratzert | Animation Supervisor |
| Adrian Cranage | Additional Camera |
| John Duffy | Editor |
| Michael Fissneider | Art Direction |
| Meike Schlegel | Costume Supervisor |
| Stefano Marino | Gaffer |
| Peter Zuccarini | Underwater Camera |
| Stefano Paradiso | Camera Operator |
| Florian Kronenberger | Rigging Gaffer |
| Steve Koster | Helicopter Camera |
| Tommy Frazier | Special Effects Coordinator |
| Udo Kramer | Production Design |
| W. Peter Iliff | Original Film Writer, Story |
| Ralf Schreck | Art Direction |
| Robert Blasi | Art Department Coordinator |
| Mario Uy | Armorer |
| Michael B. Call | Camera Operator |
| Michael McDermott | Gaffer |
| Silvia Di Sopra | Armorer |
| Matt Kutcher | Special Effects Supervisor |
| Michael Halley | Animation |
| Klemens Becker | Camera Operator |
| Florian Emmerich | Camera Operator |
| Steve Costello | Gaffer |
| Marco Sticchi | Rigging Gaffer |
| Duane Manwiller | Additional Photography |
| Thom Noble | Editor |
| Michael Fechner | Set Decoration |
| Katja Dotzauer | Assistant Costume Designer |
| Tim Wooster | Camera Operator |
| Jeronimo Goded | Still Photographer |
| Liana Jackson | VFX Editor |
| Peter Oso Snell | Music Editor |
| Lutz Zeidler | Armorer |
| Zoe Simijonovic | Script Supervisor |
| Mariella Pérez | Script Supervisor |
| Martin Rinderknecht | Helicopter Camera |
| Darin Moran | Additional Photography |
| Neishaw Ali | Visual Effects Producer |
| Andreas Moosmüller | Visual Effects Editor |
| Priyanka Balasubramania | Visual Effects Producer |
| Brandon Terry | Visual Effects Editor |
| Dave Morley | Visual Effects Supervisor |
| Mike Barber | Visual Effects Editor |
| Taylor McNutt | Visual Effects Editor |
| Teressa Hill | Hair Department Head |
| Ann Chow | Visual Effects Coordinator |
| John Nelson | Visual Effects Supervisor |
| Guy T. Wiedmann | Visual Effects Editor |
| Thomas Nellen | Hair Designer |
| Jan Krupp | Visual Effects Supervisor |
| Teresa Berus | Visual Effects Coordinator |
| Edson Williams | Visual Effects Supervisor |
| Kayla Cabral | Visual Effects Coordinator |
| Scott E. Anderson | Visual Effects Editor |
| Gunnar von Voss | Visual Effects Editor |
| Heike Merker | Hair Department Head |
| Jakob Seidel | Visual Effects Editor |
| Debbi Nikkel | Visual Effects Coordinator |
| Johanna Lange | Visual Effects Coordinator |
| Michael Meagher | Visual Effects Producer |
| Terry Baliel | Hair Department Head |
| Sallie Jaye | Hair Designer |
| Cassandra Bakic | Visual Effects Coordinator |
| Petar Jovovic | Visual Effects Supervisor |
| Colleen Murphy | Visual Effects Coordinator |
| Charlene Eberle Douglas | Visual Effects Producer |
| Viktor Müller | Visual Effects Supervisor |
| Anthony Chiarantano | Visual Effects Coordinator |
| Vít Komrzý | Visual Effects Producer |
| Lenka Líkařová | Visual Effects Producer |
| Kelly Muldoon | Hair Department Head |
| Xinqi He | Visual Effects Coordinator |
| Michelle Tang | Makeup Department Head |
| Jan Kempkens-Odemski | Hairstylist |
| Bob Kretschmer | Wigmaker |
| Ana Gabriela Quinonez | Hairstylist |
| Jamie Kelman | Makeup Department Head |
| Bill R. Dean | Sound Designer |
| Patricia Espinosa | Makeup Artist |
| Siggy Ferstl | Digital Intermediate |
| Aktar Hussain Sheikh | Makeup Department Head |
| John T. Cucci | Foley |
| Joe Ken | Digital Intermediate |
| Michael Minkler | Sound Re-Recording Mixer |
| Ando Johnson | Sound Effects Editor |
| Elizabeth Hitt | Digital Intermediate |
| Christopher Assells | Sound Effects Editor |
| Piero Mura | Sound Effects Editor |
| Andy Kaplan | Digital Intermediate |
| Dana Kalder | Hairstylist |
| Albert Gasser | Sound Effects Editor |
| Elena López Carreón | Hairstylist |
| Lynn Barber | Makeup Artist |
| Niamh O'Loan | Hairstylist |
| Thalía Echeveste | Makeup Artist |
| Odin Benitez | Supervising Sound Editor |
| Iñaqui Contretas | Makeup Artist |
| Dan O'Connell | Foley |
| Jason King | Sound Effects Editor |
| Marc Daniel Nelson | Sound Mixer |
| Julie Feiner | Dialogue Editor, ADR Editor |
| Johanna Ragwitz | Extras Casting |
| Eliza Pollack Zebert | Supervising ADR Editor, Supervising Dialogue Editor |
| Ron Chapple | Aerial Camera Technician |
| Dionys Frei | Drone Pilot |
| Dane Bjerno | Aerial Camera Technician |
| Preston Ryon | Drone Cinematographer |
| Robert Eder | Drone Cinematographer |
| Matteo Leurini | Production Secretary |
| Adrien Flanquart | VFX Artist |
| Colin Nicolson | Production Sound Mixer |
| Ericson Core | Director of Photography, Director |
| Wesley Sewell | Visual Effects Supervisor |
| Andrey Pishalnikov | Stunts |
| Jaroslav Polenský | Animation |
| Bobbi Banks | Dialogue Editor |
| Jeff 'JJ' Dashnaw | Stunts |
| Mary Lukasiewicz | Post Production Assistant |
| Matthias Günther | Stunts |
| Name | Title |
|---|---|
| John Baldecchi | Producer |
| Broderick Johnson | Producer |
| David Valdes | Producer |
| Kurt Wimmer | Producer |
| Christopher Taylor | Producer |
| Dan Mintz | Executive Producer |
| Andrew A. Kosove | Producer |
| Peter Abrams | Executive Producer |
| Robert L. Levy | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 41 | 60 | 29 |
| 2024 | 5 | 41 | 71 | 30 |
| 2024 | 6 | 35 | 60 | 23 |
| 2024 | 7 | 38 | 72 | 22 |
| 2024 | 8 | 37 | 66 | 22 |
| 2024 | 9 | 31 | 57 | 20 |
| 2024 | 10 | 49 | 73 | 24 |
| 2024 | 11 | 56 | 116 | 26 |
| 2024 | 12 | 35 | 52 | 25 |
| 2025 | 1 | 34 | 47 | 23 |
| 2025 | 2 | 21 | 33 | 4 |
| 2025 | 3 | 9 | 32 | 2 |
| 2025 | 4 | 4 | 6 | 3 |
| 2025 | 5 | 4 | 5 | 3 |
| 2025 | 6 | 4 | 5 | 3 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 4 | 5 | 3 |
| 2025 | 9 | 5 | 7 | 3 |
| 2025 | 10 | 5 | 6 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 690 | 802 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 785 | 879 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 711 | 823 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 920 | 942 |
> Most deserved remake, but relying on CGI for everything ruined it. This movie is only about stunts, the story wise, it's a great disappointment. I have seen the old version, for a 90s movie, the actions were fantastic with an awesome story. In this remake I don't know where's the story, the cha ... racters were underdeveloped and it rushed towards the end with plenty of high octane action sequences everywhere. This formula won't work all the time like '300' and 'Fury Road', but it's really good for watching in digital 3D. The story was kind of sameness, but slightly altered, especially about that 8 ordeal and stunts were obviously freshly designed. The graphic works were weak in some parts, it failed to give a natured effect. Yeah, I think CGI is the issue, the movie relied on it for everything. The cast performances were fine, but a big star in the lead might have given a different result. It's entertaining, but that was not enough these days, especially for a cop movie we expect details, not just physical tricks. IMO its a one time watch movie, or better try the original. 6/10
I went into watching this expecting the worst, but it wasn't bad. (In comparison, I gave the Bigelow original a 9/10). To its advantage was an intriguing update of the original W. Peter Iliff screenplay to incorporate a) more extreme sports; and b) more aspects indicative of the present generation, ... great cinematography and both Delroy Lindo and Ray Winstone--who are both 'cash money' in terms of great supporting actors. Disadvantages include awful soundtrack choices, a highly-unbelievable and lazily-written, underdeveloped script, the actors selected aren't nearly in the class of Patrick Swayze, Keanu Reeves, Gary Busey and Lori Petty...and the director's no Kathryn Bigelow. Good for a watch, out of curiosity, especially if you liked the original and are a fan of extreme sports. Otherwise, it's probably not worth your time.