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The Watcher

Don't go home alone.
2000 | 96m | English

(29366 votes)

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Popularity: 6 (history)

Details

FBI agent Joel Campbell, burnt-out and shell-shocked after years spent chasing serial killers, flees L.A. to begin a new life for himself in Chicago. But five months later, Joel's best laid plans are abruptly cut short when his new hometown becomes the setting for some particularly gruesome murders--murders that could only have been committed by one man: David Allen Griffin. One of Joel's most elusive and cunning nemeses, Griffin has followed his former pursuer to Chicago in order to play a sadistic game of cat and mouse. Taunting Joel with photographs of his intended victims and leaving his crime scenes meticulously free of clues in order to keep the police at bay, Griffin derives as much pleasure out of watching Joel react to every movement as watching his victims die. But when Griffin moves into Joel's inner circle, Joel must quickly find some way to stop him before someone close to him becomes the next one to die.
Release Date: Sep 08, 2000
Director: Joe Charbanic
Writer: David Elliot, Darcy Meyers, Clay Ayers
Genres: Mystery, Thriller
Keywords chicago, illinois, fbi, menace, covered investigation, state of emergency, investigation, serial killer, little girl, psychiatrist, psychotherapy
Production Companies Universal Pictures, Interlight, Lewitt / Eberts Productions, Choi / Niami Productions, Driven Productions, Inc.
Box Office Revenue: $0
Budget: $33,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
James Spader FBI Special Agent Joel Campbell
Keanu Reeves David Allen Griffin
Marisa Tomei Dr. Polly Beilman
Ernie Hudson FBI Special Agent in Charge Mike Ibby
Chris Ellis Hollis
Robert Cicchini Mitch
Yvonne Niami Lisa
Jenny McShane Diana
Gina Alexander Sharon
Joseph Sikora Skater
Jillian Peterson Jessica
Michele DiMaso Rachel
Andrew Rothenberg Jack Fray
David Pasquesi Norton
Jason Wells Computer Tech
Rebekah Nanfria Ellie
Name Job
Michael Chapman Director of Photography
David Elliot Screenplay, Story
Joe Charbanic Director
Richard Nord Editor
Darcy Meyers Story
Clay Ayers Screenplay
Maria Caso Production Design
Brian Eatwell Production Design
Jeff Wallace Art Direction
Pat Raney Set Decoration
Jay Hurley Costume Design
Denise Wynbrandt Makeup Artist
Ronald L. Wright Boom Operator
Beau Shiminsky ADR Recordist
Perry Robertson Sound Effects Editor
Alex Riordan Boom Operator
Jean-Yves Munch Boom Operator
Glenn T. Morgan Sound Effects Editor
John Kurlander Sound Engineer
Linda Perlin Stunts
Marco Beltrami Original Music Composer
Ray Conchado Set Dresser
Name Title
Christopher Eberts Producer
Jeff Rice Producer
Paul Pompian Executive Producer
Nile Niami Producer
Elliott Lewitt Producer
John D. Crededio Co-Executive Producer
Patrick D. Cheh Executive Producer
Jean-Francois Cavelier Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 22 39 13
2024 5 26 37 15
2024 6 20 38 13
2024 7 21 31 14
2024 8 20 36 10
2024 9 18 30 13
2024 10 20 37 11
2024 11 18 46 10
2024 12 17 30 11
2025 1 20 29 11
2025 2 14 20 4
2025 3 6 19 1
2025 4 2 2 1
2025 5 2 3 2
2025 6 2 3 1
2025 7 1 2 1
2025 8 2 3 1
2025 9 2 3 2
2025 10 4 6 3

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Reviews

tmdb28039023
1.0

The Watcher is about a tormented FBI agent and a deranged serial killer. For some reason, James Spader plays the former and Keanu Reeves the latter, when it’s obvious to anyone familiar with both actors’ careers that it should be the other way around. Miscasting aside, Reeves sleepwalks through h ... is role as if it were a contractual obligation – which it apparently was; if you believe his story, someone forged his signature on the contract. I’m going to go ahead and take that with a grain of salt; on the other hand, at least Reeves, unlike Spader, has an excuse, far-fetched though it may be. Then again, it’s not like anyone involved in the making of this movie made an actual effort. Director Joe Charbanic and writers David Elliot and Clay Ayers adopt a lather-rinse-repeat approach toward the material. First thing in the morning, Reeves sends Spader a picture of a woman and gives him till nine o’clock that night to find her before he kills her. The following day they wake up and do it all over again. The first time lacks suspense because it's too early in the game and we know Spader isn't going to catch Reeves so easily and quickly; moreover, the film is so formulaic and derivative (with shades of Reservoir Dogs and Blow-up, to name but a couple of examples) there is little hope of its throwing us a curve at any point. And the second time is even less suspenseful because, well, been there done that.

Sep 03, 2022