Popularity: 9 (history)
| Director: | M. Night Shyamalan |
|---|---|
| Writer: | M. Night Shyamalan |
| Staring: |
| A group of families on a tropical holiday discover that the secluded beach where they are staying is somehow causing them to age rapidly – reducing their entire lives into a single day. | |
| Release Date: | Jul 21, 2021 |
|---|---|
| Director: | M. Night Shyamalan |
| Writer: | M. Night Shyamalan |
| Genres: | Horror, Mystery, Thriller |
| Keywords | schizophrenia, beach, husband wife relationship, time warp, coral reef, time, rapper, aging, deception, murder, escape, trap, loss of virginity, corpse, family vacation, family, based on graphic novel, family holiday, death, existentialism, sickness, mortality, time-manipulation, radical transformation, secluded beach, human experiment, brother sister relationship, medical experiment, experimental drug, secret experiment, body horror, vacation gone wrong, baffled, frightened |
| Production Companies | Universal Pictures, Perfect World Pictures, Blinding Edge Pictures |
| Box Office |
Revenue: $90,146,510
Budget: $18,000,000 |
| Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Gael García Bernal | Guy |
| Vicky Krieps | Prisca |
| Rufus Sewell | Charles |
| Alex Wolff | Trent Aged 15 |
| Thomasin McKenzie | Maddox Aged 16 |
| Abbey Lee | Chrystal |
| Nikki Amuka-Bird | Patricia |
| Ken Leung | Jarin |
| Eliza Scanlen | Kara Aged 15 |
| Aaron Pierre | Mid-Sized Sedan |
| Embeth Davidtz | Adult Maddox |
| Emun Elliott | Adult Trent |
| Alexa Swinton | Maddox Aged 11 |
| Gustaf Hammarsten | Resort Manager |
| Kathleen Chalfant | Agnes |
| Francesca Eastwood | Madrid |
| Nolan River | Trent Aged 6 |
| Luca Faustino Rodriguez | Trent Aged 11 |
| Kylie Begley | Kara Aged 6 |
| Mikaya Fisher | Kara Aged 11 |
| Kailen Jude | Idlib |
| M. Night Shyamalan | Hotel Van Driver |
| Matthew Shear | Sidney |
| Daniel Ison | Greg Mitchell |
| Julietta Rodríguez | Malin Mitchell |
| Jeffrey Holsman | Mr. Brody |
| Deidra Ciolko | Mrs. Brody |
| Margaux Da Silva | Scientist |
| John Twohy | CIA Agent |
| Alejandra Useche | Blonde Woman |
| Louise Walter | Sophia Watson |
| Arturo A. Baez | Waiter |
| Name | Job |
|---|---|
| Susan Jacobs | Music Supervisor |
| Alexa Marcigliano | Stunt Double |
| Manny Siverio | Stunt Coordinator |
| M. Night Shyamalan | Screenplay, Director |
| Mike Gioulakis | Director of Photography |
| Pierre Oscar Lévy | Graphic Novel |
| Douglas Aibel | Casting |
| Tony Gardner | Makeup Effects Designer |
| Cindy Ramirez | Set Costumer |
| Trevor Gureckis | Original Music Composer |
| Skip Lievsay | Sound Re-Recording Mixer |
| Ishana Night Shyamalan | Second Unit Director |
| Goro Koyama | Foley Artist |
| Joseph Ahn | Title Designer |
| Marc Bienstock | Unit Production Manager |
| Caroline Duncan | Costume Design |
| Naaman Marshall | Production Design |
| Frédérik Peeters | Graphic Novel |
| Brett M. Reed | Editor |
| Wilhem Perez | Art Direction |
| Karen Frick | Set Decoration |
| Matthew Nicolay | Sound Mixer |
| Katie Middleton | Special Effects Makeup Artist |
| Cristina Waltz | Makeup Department Head |
| Vinny Alfano | ADR Recordist |
| Chris Chae | Sound Effects Editor |
| Sean Garnhart | Sound Designer, Supervising Sound Editor, Sound Re-Recording Mixer |
| Kate Jesse | Boom Operator |
| Igor Nikolic | Foley Supervisor |
| Jeremy Beadell | Visual Effects Producer |
| Craig Crawford | Visual Effects Supervisor |
| John Dimare | Visual Effects Editor |
| Emily Austin Griswold | Visual Effects |
| Jiwoong Kim | Visual Effects Supervisor |
| Lance Ranzer | Visual Effects Supervisor |
| Stephanie Weaver | Visual Effects Editor |
| Jennifer Wessner | Visual Effects Producer |
| Sebastián Romero Cruz | Construction Coordinator |
| Paul Healy | Props |
| Wilson Paulino | Set Costumer |
| Palma Ruiz | Set Costumer |
| Lahiru Jay | VFX Artist |
| Ivanna Bolonotto | Set Designer |
| Gloria Isabel Gomez | Set Designer |
| Antonio Jimenez Offrer | Set Dresser |
| Jose Ramirez Sanchez | Set Dresser |
| Tommy Rodriguez | Set Designer |
| Tudor Jones | First Assistant Director |
| Darrin Brown | Second Assistant Director |
| Pamela Delgado | Assistant Art Director |
| Ico Abreu | Assistant Art Director |
| Jeno Delli Colli | Assistant Set Decoration |
| Maria Laura Vasquez | Assistant Set Decoration |
| Robbie Duncan | Property Master |
| Jefry Shebroe | Assistant Property Master |
| Benjamin Verhulst | "A" Camera Operator |
| Nick Müller | "A" Camera Operator |
| Francisco Adolfo Valdez | Second Unit Director of Photography |
| Darin Necessary | First Assistant "A" Camera |
| Joe Martinez | First Assistant "A" Camera |
| Jacqueline Stahl | First Assistant "B" Camera |
| Maurizio Dotto | First Assistant "C" Camera |
| Julian Vergara | First Assistant "C" Camera |
| VanNessa Manlunas | Second Assistant "A" Camera |
| Blake Hooks | Second Assistant "B" Camera |
| La Mur Joan Lopez Viera | Second Assistant "C" Camera |
| Ian Seabrook | Underwater Director of Photography, Underwater Camera |
| Nathan Carlson | Graphic Designer |
| Prince Anselm | Sound Recordist |
| Davi Aquino | Foley Recordist |
| Rich Bologna | Sound Editor |
| Deonte Fly Deezy Chambers | Sound Editor |
| Aaron Becker | Title Designer |
| Natalie Leggett | Musician |
| Michael Hatzer | Digital Colorist |
| Name | Title |
|---|---|
| M. Night Shyamalan | Producer |
| Ashwin Rajan | Producer |
| Catherine Wolf McGrath | Co-Producer |
| Marc Bienstock | Producer |
| Steven Schneider | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 50 | 70 | 35 |
| 2024 | 5 | 62 | 112 | 38 |
| 2024 | 6 | 41 | 64 | 25 |
| 2024 | 7 | 55 | 107 | 29 |
| 2024 | 8 | 55 | 98 | 31 |
| 2024 | 9 | 40 | 53 | 29 |
| 2024 | 10 | 43 | 85 | 28 |
| 2024 | 11 | 50 | 77 | 30 |
| 2024 | 12 | 38 | 76 | 26 |
| 2025 | 1 | 40 | 71 | 27 |
| 2025 | 2 | 25 | 37 | 6 |
| 2025 | 3 | 10 | 43 | 3 |
| 2025 | 4 | 7 | 13 | 4 |
| 2025 | 5 | 7 | 13 | 4 |
| 2025 | 6 | 6 | 9 | 4 |
| 2025 | 7 | 4 | 6 | 3 |
| 2025 | 8 | 4 | 6 | 3 |
| 2025 | 9 | 5 | 7 | 4 |
| 2025 | 10 | 6 | 9 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 627 | 835 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 939 | 939 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 250 | 733 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 919 | 919 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 453 | 760 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 602 | 782 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 144 | 684 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 409 | 666 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 833 | 918 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 431 | 730 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 540 | 757 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 435 | 745 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 659 | 794 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 849 | 920 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 567 | 848 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/old-spoiler-free-review "Old is one of those cases of a remarkably unique, intriguing concept failing to reach its potential due to an overall disappointing execution of too many ideas. M. Night Shyamalan delivers yet another div ... isive film, tackling deeper themes associated with our relationship with time and how the latter impacts people in distinct ways. The trademark final act revelation not only negatively affects the main theme of the movie but also raises dozens of plot and character inconsistencies, too many to handle. The acting is surprisingly as poor as some of the awful dialogues, despite great casting concerning the kid-to-adult transitions. The main family's arc is one worth investing in, but there are too many disposable, irrelevant characters. The technically accurate, detailed cinematography might not be pleasant for every viewer, but the editing definitely lacks some finesse. Unfortunately, I can't defend Shyamalan too much on this one..." Rating: C-
I liked Old not for its horror elements (at least the very little that it has) but for its themes about aging and regrets in life, something that hit home. There may be several flaws with this weird drama but the central theme of how we take life lightly when we are aging slowly really stayed with m ... e. Recommended.
I was really disappointed with this. It's an intriguing story from M. Night Shyamalan that is really let down by some lacklustre casting and a really lousy script. A few holidaymakers are taken to a beach where they discover that not only are they trapped there, but that they begin to age rapidly to ... o... Can they escape? Sadly, I didn't really care - the characters are pretty unremarkable, and although the setting is beautiful the rest of it is slow and dull to watch. Rufus Sewell stands out as probably the worst of the bunch, but only marginally more so than an equally out of place Gael García Bernal who really did look like he was just waiting for his cheque to arrive. The last twenty minutes could have retrieved the situation had they be handled better, but what little jeopardy - or plausibility the story had had until then just evaporated. Shyamalan ought to have enough clout nowadays to ensure his quirky and intelligent stories are better presented in terms of talent and, especially given it's his own screenplay - writing too.
There is a low-rent movie review site we all know that I go to when I am deciding whether to watch a movie or program. I don’t go there because it is full of great reviews and accurate ratings, but rather because sometimes I find it is more revealing why a production gets poor reviews that what the ... actual ratings are. There were a lot of negative reviews of Old, but not for the most common reasons, such as racism, or political hatred of multi-culturalism. No it appears a lot of the negativity is aimed the director Shyamalen because this is not The Sixth Sense. I thought the movie was okay, especially since I am not a horror fan at all. It isn’t great, but interesting enough to make it worth my time. I didn’t see the gaping plot holes or inconsistencies that reviewers mentioned but never got specific about. I didn’t feel the acting was bad. I mean, who knows how we would look and sound if life itself stopped making sense to us? If what happens to these people happened to me, I hope I could be forgiven for looking shell-shocked, acting lost, or staring uncomprehendingly at people around me. Seems like a perfectly reasonable reaction to me. We are jaded by the horror and suspense movies we watch, but would we make sense as people if we were living in one? Anyway, not a great film, but worth a peek if you take it at face value.
Old is a very unique and interesting idea as a film. That is about the only positive thing I can say about it. The entire movie feels jumbled together, the pacing moves incredibly fast and choppy at some points, jumping from one small event to another. As a viewer you never get to sit in atmosphere ... of what has just occurred because it rips you away into another event. The writing in this film is simply not good. There is a ton of cheesy dialogue and character reactions that just do not make sense. I originally thought that the acting was just bad, but I think it has more to do with the material they are trying to work with. The cheesy lines can be fine if that was the style of film they were trying to make, but with the very serious and melodramatic tone it just comes off as awkward. There is a very weird and kind of off-putting direction that the story goes relating to the children that just made me uncomfortable as well. It is sad that this film had so much potential, and trailers really sell that potential, but what we were delivered was far from a quality film. **Verdict:** _Bad_
M. Night Shyamalan's latest film, "Old," follows his signature style of delivering a captivating and mysterious storyline that keeps viewers engaged until the unveiling of a strange and often perplexing twist. The movie is visually stunning, with exceptional cinematography that elevates the beach se ... tting and adds depth to the film's dynamics. The story itself is intriguing, drawing audiences in and maintaining their focus throughout the narrative. However, as is characteristic of Shyamalan's work, the film takes an unexpected turn towards the end, leaving viewers feeling disheartened and frustrated by the conclusion. The disappointing ending can overshadow the film's positive aspects, leaving a sense of disturbance and dissatisfaction among viewers. While "Old" may have its strengths in storytelling and visual appeal, the divisive nature of Shyamalan's twists and endings can detract from the overall credibility and impact of the film. The juxtaposition of engaging storytelling with a potentially divisive conclusion highlights the polarizing effect of Shyamalan's filmmaking style on audience reception.