Popularity: 3 (history)
Director: | M. Night Shyamalan |
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Writer: | M. Night Shyamalan |
Staring: |
When a willful young man tries to venture beyond his sequestered Pennsylvania hamlet, his actions set off a chain of chilling incidents that will alter the community forever. | |
Release Date: | Jul 30, 2004 |
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Director: | M. Night Shyamalan |
Writer: | M. Night Shyamalan |
Genres: | Drama, Mystery, Thriller |
Keywords | pennsylvania, usa, twist, forest, rural area, blindness, courtship, mentally handicapped man, aura, village council, bosque, plot twist |
Production Companies | Scott Rudin Productions, Touchstone Pictures, Blinding Edge Pictures |
Box Office |
Revenue: $256,700,000
Budget: $60,000,000 |
Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Bryce Dallas Howard | Ivy Walker |
Joaquin Phoenix | Lucius Hunt |
Adrien Brody | Noah Percy |
William Hurt | Edward Walker |
Sigourney Weaver | Alice Hunt |
Brendan Gleeson | August Nicholson |
Cherry Jones | Mrs. Clack |
Celia Weston | Vivian Percy |
John Christopher Jones | Robert Percy |
Frank Collison | Victor |
Jayne Atkinson | Tabitha Walker |
Judy Greer | Kitty Walker |
Fran Kranz | Christop Crane |
Michael Pitt | Finton Coin |
Jesse Eisenberg | Jamison |
Charlie Hofheimer | Young Security Guard |
Scott Sowers | Man With The Raised Eyebrows |
Zack Wall | Donald |
Pascale Renate Smith | Marybeth |
Jordan Burt | 12-Year-Old-Boy |
Jane Lowe | Brown-Eyed Girl |
Charlie McDermott | 10-Year-Old-Boy |
Robert Lenzi | Young Man |
Willem Zuur | Gerald |
Liz Stauber | Beatrice |
Tim Moyer | Flustered Man |
Sydney Shapiro | Oldest Walker Daughter |
Mia Rose Colona | Middle Walker Daughter |
Chloe Wieczkowski | Youngest Walker Daughter |
Sydney Wieczkowski | Youngest Walker Daughter |
M. Night Shyamalan | Jay |
John Rusk | Radio Announcer |
Joey Anaya | Those We Don't Speak Of |
Kevin Foster | Those We Don't Speak Of |
Name | Job |
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Kyle Rudolph | Camera Operator |
John Tarlini Sr. | Transportation Co-Captain |
Tod A. Maitland | Sound Mixer |
Mathew Price | Production Sound Mixer |
Doug Moreno | Production Accountant |
Roy Bryson | Hairstylist |
Blair Howley | Production Intern |
Jaremy Aiello | Sculptor |
James F. Andrulonis | Driver |
Stephanie Holbrook | Casting Associate |
Michael K. Reynolds | Chef |
Tony Castagnola | Greensman |
Tegan Jones | Post Production Supervisor |
David C. Hughes | Sound Effects Editor |
James Sloane Sr. | Security |
Joseph W. Baliski | Electrician |
Greta Alexander | Scenic Artist |
Thomas 'Doc' Boguski | Production Coordinator |
Lee Dichter | Sound Re-Recording Mixer |
Aaron Fiore | Stand In |
Mark Kenaston | Roto Supervisor |
Suzan Cerceo | Ager/Dyer |
Mary Beth Smith | Negative Cutter |
Elizabeth Chambers | Assistant Production Coordinator |
Steve Cremin | Special Effects Supervisor, Special Effects |
Chris Shriver | Art Direction |
Tim Beach | Art Direction |
William M. Hamilton Jr | In Memory Of, Transportation Coordinator |
Paul Williams | Construction Coordinator |
Margie O'Malley | Foley |
James C. Feng | Assistant Art Director |
Tom Foden | Production Design |
Lindsay Pugh | Costume Supervisor |
Michael Manson | Supervising Art Director |
Larry Dias | Set Decoration |
W. Steven Graham | Assistant Art Director |
Lynne Hockney | Choreographer |
Hinju Kim | Assistant Art Director |
Andrew L. Ullman | Location Manager |
Charley Beal | Assistant Art Director |
Dianne Dreyer | Script Supervisor |
Richie Ford | Rigging Gaffer |
Curtis Coyote | Painter |
Donnell Barnes | Studio Teachers |
Michael Scott | Boom Operator |
Peggy Schierholz | Key Hair Stylist |
Heather MacDonald | Visual Effects Producer |
Frank Masi | Still Photographer |
Kevin Lin | Quality Control Supervisor |
Hilary Frisch | Art Department Assistant |
Danielle Cadorette | Seamstress |
James Boniece | Rigging Grip |
Mary Berkelbach | Set Medic |
Joseph Siwinski | Leadman |
Avi Laniado | Mix Technician |
Bill O'Leary | Chief Lighting Technician |
Tim Gibbons | Digital Compositors |
Bernadette Mazur | Key Makeup Artist |
Steve McAuliff | Animal Wrangler |
Thomas S. Drescher | Supervising Music Editor |
Mitchell Bloom | Assistant Costume Designer |
Joseph Grimaldi | Best Boy Electric |
Mara Majorowicz | Set Costumer |
Garth Bardsley | Vocal Coach |
Gerald Scaife | Production Supervisor |
Fumi Mashimo | Animation Supervisor |
Ivana Primorac | Hair Designer |
Claire Raskind | Unit Publicist |
Mike Richer | Construction Foreman |
Christopher Murphy | Video Assist Operator |
Andy Harris | First Assistant Camera |
Bill Horton | Projection |
Kent Blocher | First Assistant Editor |
Andrew Brett | Set Production Assistant |
Cory Poccia | Post Production Assistant |
James Mazzola | Property Master |
Tudor Jones | Second Second Assistant Director |
Eric Rosenberg | Graphic Designer |
Bob Ammerman Jr. | Construction Grip |
Todd Kleitsch | Assistant Makeup Artist |
Charlie Marroquin | Best Boy Grip |
David S. Williams Jr. | Compositing Supervisor |
Andrea Larsen | First Assistant Accountant |
Leon Laderach | Effects Supervisor |
James T. Hill | Music Producer |
Michael Kleiman | Loader |
Mark Indig | Unit Production Manager |
Michael Kory | 3D Artist |
Gerald Carpenter | Set Dresser |
Bruce Hamme | Dolly Grip |
Pete Anthony | Conductor |
Lindsay Irish-Desarno | Makeup Artist |
Alison C. Rosa | Second Assistant Director |
Michael T. Galvin | Swing |
Nicole Edwards | Costume Assistant |
Marshall Winn | Dialogue Editor |
Brick Mason | Second Unit Director, Storyboard Artist |
Pam Aaron | Costumer |
Michael Davidson | Special Effects Technician |
Frank Rinella | Foley Mixer |
Daniel C. Cook | Assistant Camera |
Phillip Fuller | Sound Mix Technician |
Steven J. Scott | Digital Color Timer |
William Lee | Special Effects Assistant |
Glenn Davis | Generator Operator |
Benjamin Goldstein | Camera Production Assistant |
Elizabeth Kirby | Additional Wardrobe Assistant |
Duncan M. Spencer | Key Construction Grip |
Ben Howe | Executive Assistant |
Jeri Habberstad | Stunt Double |
N. Bantu Key | Digital Colorist |
Braden Belmonte | Second Assistant Camera |
Martha Pike | Digital Intermediate Editor |
Melanie Crescenz | Extras Casting Assistant |
Jennifer Gillespie | Travel Coordinator |
Darren Baker | Production Assistant |
Lorene Simpson | Digital Intermediate Producer |
Deedra Ricketts | Extras Casting |
James Willetts | Foley Recordist |
John Montgomery | Payroll Accountant |
Jacob Charney | Assistant Location Manager |
Lisa Chino | Assistant Dialogue Editor |
Richard Patterson | Digital Supervisor |
Steven Holtzman | Second Assistant Accountant |
Brian Magerkurth | Sound Recordist |
Narges Takesh | Story Editor |
Adrienne Boyd | Production Secretary |
Marnie Moore | Foley Artist |
David Hamme | Colorist |
Mike Lemon | Location Casting |
Robert Fernandez | Sound Re-Recording Mixer |
James Kelley | Other |
M. Night Shyamalan | Executive Music Producer, Director, Writer |
James Newton Howard | Original Music Composer |
Christopher Tellefsen | Editor |
Douglas Aibel | Casting |
Ann Roth | Costume Design |
Frank E. Eulner | Supervising Sound Editor, Sound Designer |
Steve Boeddeker | Supervising Sound Editor, Sound Designer |
Eric Brevig | Visual Effects Supervisor |
Jeff Habberstad | Stunt Coordinator |
Susan Jacobs | Music Supervisor |
Jeff Atmajian | Orchestrator |
Mark 'Crash' McCreery | Creature Design |
Mitch Lillian | Key Grip |
John Rusk | First Assistant Director |
Barbara Harris | ADR Voice Casting |
Jon Null | Foley Editor |
Hilary Hahn | Musician |
Doc Kane | ADR Mixer |
Brian Hillard | Special Effects Makeup Artist |
Julian Brain | Helicopter Camera |
Roger Deakins | Director of Photography |
Shannon Stewart | Craft Service |
Gwendolyn Yates Whittle | ADR Supervisor |
Billy Bryan | Special Effects |
Name | Title |
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Sam Mercer | Producer |
Scott Rudin | Producer |
M. Night Shyamalan | Producer |
Jose L. Rodriguez | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 43 | 81 | 24 |
2024 | 5 | 57 | 82 | 35 |
2024 | 6 | 44 | 80 | 30 |
2024 | 7 | 38 | 61 | 25 |
2024 | 8 | 32 | 59 | 22 |
2024 | 9 | 28 | 36 | 20 |
2024 | 10 | 33 | 65 | 22 |
2024 | 11 | 26 | 52 | 20 |
2024 | 12 | 28 | 52 | 20 |
2025 | 1 | 32 | 57 | 19 |
2025 | 2 | 18 | 26 | 3 |
2025 | 3 | 8 | 27 | 2 |
2025 | 4 | 5 | 9 | 3 |
2025 | 5 | 5 | 10 | 3 |
2025 | 6 | 4 | 6 | 4 |
2025 | 7 | 4 | 4 | 2 |
2025 | 8 | 3 | 5 | 3 |
2025 | 9 | 4 | 8 | 3 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 669 | 854 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 574 | 739 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 487 | 691 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 963 | 965 |
A lovely shot tale that has resonance in the modern age. This user comment is my own personal feelings, it is not a review that I make in the hope of turning anyone's opinion to that of my own, no mater what anyone says or does, my feelings for the film will never change. I see a smartly craft ... ed movie about fear and hope, a community living in fear of the outside world, I see involving characters to follow with interest, I see a gorgeous setting that intrigues and engages me. Manoj Night Shyamalan's fourth mainstream picture is now, as we can all agree, a victim of a terrible marketing campaign, wasn't it? For there are horror elements in the film, of which I don't wish to spoiler write about, the horror elements are there, they just aren't the boo jump scary monster variety that many had hoped for. The ending to the film disappoints many it would seem, but it doesn't to me because it is here that the film has most resonance and the point is well and truly made. It's acted out with style from the majority of the cast, and Shyamalan directs with a steady caring approach. It's not without flaws for sure, but this is a very tidy piece that's saying quite a bit if the viewer is so inclined to jump on board. All told, it's a very solid and thought provoking piece that's made with much film making care. 8/10
Great watch, will watch again, and can recommend. Being this is in the Shamallama-verse, it catches a lot of flak for having a "twist", and being a bit of a intellectual weight lift, but even knowing the "twist", I find it to be a very interesting watch. A blind protagonist is immediately inte ... resting to me because it tends to lend itself to the non-traditional elements of a movie and is usually very refreshing for those of us that watch a lot of movies. Bryce Dallas Howard, especially, does much of the heavy lifting in this movie, but there really is a stacked cast that all give a good amount of quality support through their roles: it's not just about the blind girl travelling for days through the woods, it is about the community. Stories that focus on things larger than a single person as a "character" tend to lose people as they like to immerse themselves in a character and still feel they're bigger than the world in the setting. The initial concept of a "big bad wolf" in the woods is interesting, but they do go a different way with it: they're almost a society of creatures the way they're given to behave where werewolves might have actually been a more effective choice for a "monster". Likely this has been spoiled for you, but if not, then you should definitely give it a shot, and if so, then you should see how it is for yourself.