Popularity: 4 (history)
Director: | M. Night Shyamalan |
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Writer: | M. Night Shyamalan |
Staring: |
A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come. | |
Release Date: | Aug 02, 2002 |
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Director: | M. Night Shyamalan |
Writer: | M. Night Shyamalan |
Genres: | Science Fiction, Drama, Mystery, Thriller |
Keywords | symbolism, miracle, farm, faith, grief, alien, family relationships, rural area, alien invasion, crop circle, alien attack, death of wife, loss of faith, alien encounter, anxious, suspenseful, foreboding |
Production Companies | The Kennedy/Marshall Company, Touchstone Pictures, Blinding Edge Pictures |
Box Office |
Revenue: $408,200,000
Budget: $72,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Mel Gibson | Graham Hess |
Joaquin Phoenix | Merrill Hess |
Rory Culkin | Morgan Hess |
Abigail Breslin | Bo Hess |
Cherry Jones | Officer Paski |
M. Night Shyamalan | Ray Reddy |
Patricia Kalember | Colleen Hess |
Ted Sutton | SFC Cunningham |
Merritt Wever | Tracey Abernathy |
Lanny Flaherty | Mr. Nathan |
Marion McCorry | Mrs. Nathan |
Michael Showalter | Lionel Prichard |
Kevin Pires | Brazilian Birthday Boy |
Clifford David | Columbia University Professor |
Rhonda Overby | Sarah Hughes |
Greg Wood | TV Anchor |
Paul L. Nolan | Mexico City Reporter (voice) |
Ukee Washington | Off Screen TV Anchor (voice) |
Babita Hariani | Car Radio Voice (voice) |
Adam Way | Radio Eye Witness (voice) |
Angela Eckert | Soda Commercial Girl |
Jose L. Rodriguez | Radio Host (voice) |
Paul Wilson | Soda Commercial Singer (voice) |
Thomas Griffin | Soda Commercial Singer (voice) |
Derek Mears | Alien on the Roof (uncredited) |
Chuck Pressler | Fireman (uncredited) |
Name | Job |
---|---|
Barbara Tulliver | Editor |
Larry Fulton | Production Design |
Keith P. Cunningham | Art Direction |
Douglas A. Mowat | Set Decoration |
Steve Cremin | Special Effects Supervisor, Special Effects |
Nicole Marsella | Art Department Assistant |
Sameena Usmani | Art Department Coordinator |
James C. Feng | Assistant Art Director |
Paul Williams | Construction Coordinator |
Michael G. Richer | Construction Foreman |
James Breen | Greensman |
Joseph Siwinski | Leadman |
Kyle Rudolph | Camera Operator |
Baird Steptoe | Camera Technician |
Richard Brooks Burton | First Assistant Camera |
Frank Masi | Still Photographer |
Michelle Matland | Assistant Costume Designer |
Francesca Paris | Key Hair Stylist |
Kara Morasco | Seamstress |
D. Keith Cleary | Carpenter |
Patricia Navone | Craft Service |
Gregory J. Cimino | Driver |
Abby Callahan | Post Production Supervisor |
James D. Carter | Projection |
Greta Alexander | Scenic Artist |
Joakim Arnesson | Sequence Supervisor |
Josh Dorn | Set Production Assistant |
Joseph Barry | Stand In |
John Tarlini Sr. | Transportation Co-Captain |
John Morrone III | Transportation Coordinator |
Kathleen Kelly | Set Medic |
Sam Mercer | Unit Production Manager |
Amelia 'Amy' Andrews | Costume Supervisor |
Frances Fiore | Unit Publicist |
Brian Carmichael | Video Assist Operator |
Greg Hyman | Visual Effects Editor |
Dianne Dreyer | Script Supervisor |
Jeff Smithwick | Color Timer |
Joe Landauer | First Assistant Editor |
Craig Ligget | Rigging Gaffer |
David A. Darrowski | Rigging Grip |
Jordan Beswick | Casting Associate |
Andrew L. Ullman | Location Manager |
John Catron | Production Accountant |
Thomas 'Doc' Boguski | Production Coordinator |
Lynn Andrews | Production Supervisor |
Paul Vigay | Researcher |
Michael Scott | Boom Operator |
Linda Yeaney | First Assistant Sound Editor |
Thomas S. Drescher | Music Editor |
Pete Anthony | Conductor, Orchestrator |
Shawn Murphy | Scoring Mixer |
Michael W. Mitchell | Sound Effects Editor |
Tod A. Maitland | Sound Mixer |
Michael Conte | Digital Compositors |
Jeff Olson | Visual Effects Producer |
R. Vincent Smith | Assistant Property Master |
Michael T. Galvin | Set Dresser |
Brian Heller | Aerial Director of Photography |
Mark Catania | Grip |
Teresa Binder Westby | Key Costumer |
Bernadette Mazur | Key Makeup Artist |
Dawn Barkan | Animal Coordinator |
Bill Nisselson | In Memory Of |
Mary Beth Smith | Negative Cutter |
Scott H. Ramsey | Chief Lighting Technician |
Megan Fenerty | Assistant Production Coordinator |
Michael Haight | ADR Supervisor |
Paul Berolzheimer | Foley Editor |
Rick O'Connor | CG Animator |
TyRuben Ellingson | Character Designer |
Corey Rosen | Creature Technical Director |
Beth D'Amato | Roto Supervisor |
Victor Schutz | Visual Effects Technical Director |
Billy Miller | Key Grip |
Bob Olari | Sound Recordist |
Hugo Weng | Dialogue Editor |
Kevin Ladson | Property Master |
Brick Mason | Storyboard Artist, Second Unit Director |
Tony Martinez | Dialogue Editor, ADR Editor |
Alison C. Rosa | Second Assistant Director |
Don Kozma | Assistant Makeup Artist |
Iris Horta Lemos | Costumer |
Kathryn-Ann Oaks Shertzer | Second Second Assistant Director |
John J. Breen | Construction Grip |
Duncan M. Spencer | Key Construction Grip |
Chris Bauer | Shop Electric |
Eric Gotthelf | ADR Mixer |
Chris Fitzgerald | ADR Recordist |
Nancy Parker | Foley Artist |
Patricio A. Libenson | Foley Supervisor |
Andrew Bock | Second Assistant Sound |
Phillip Fuller | Sound Mix Technician |
William Lee | Special Effects Assistant |
Michael Bird | Special Effects Technician |
Kingston Cole | Visual Effects Production Assistant |
Lisa Todd | Visual Effects Production Manager |
Shane Habberstad | Stunt Double |
Daniel C. Cook | Additional Second Assistant Camera |
Jon Sibert | Best Boy Grip |
Jian Cong | Second Assistant Camera |
May Kuckro | Assistant Editor |
Julian Ruhe | Location Assistant |
Paul Manion | Additional Production Assistant |
Steven Litecky | Assistant Chief Lighting Technician |
Eddie Pasquarello | Compositing Supervisor |
Mark Mayer | First Assistant Accountant |
Penni Smith | Payroll Accountant |
Jesse Russell Brooks III | Production Assistant |
David Raynor | Production Secretary |
Margo Romano | Second Assistant Accountant |
William Jones | Dolly Grip |
Lee Dichter | Sound Re-Recording Mixer |
Samantha Steffen | Stand In |
M. Night Shyamalan | Writer, Director |
Tak Fujimoto | Director of Photography |
James Newton Howard | Original Music Composer |
Douglas Aibel | Casting |
Ann Roth | Costume Design |
Stefen Fangmeier | Visual Effects |
Jeff Habberstad | Stunt Coordinator |
Richard King | Supervising Sound Editor, Sound Designer |
Rob Coleman | Animation Supervisor |
Eric Brevig | Visual Effects Supervisor |
Jose L. Rodriguez | Executive In Charge Of Production |
John Rusk | First Assistant Director |
Tom Boyd | Musician |
Derek Thompson | Concept Artist |
Michael Semanick | Sound Re-Recording Mixer |
Brian Smrz | Stunt Coordinator |
Glenn Davis | Generator Operator |
William F. Hennessy Jr. | Set Dresser |
Name | Title |
---|---|
Sam Mercer | Producer |
M. Night Shyamalan | Producer |
Kathleen Kennedy | Executive Producer |
Frank Marshall | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 45 | 78 | 29 |
2024 | 5 | 76 | 107 | 63 |
2024 | 6 | 51 | 75 | 27 |
2024 | 7 | 39 | 66 | 27 |
2024 | 8 | 45 | 95 | 26 |
2024 | 9 | 30 | 43 | 22 |
2024 | 10 | 36 | 76 | 21 |
2024 | 11 | 36 | 61 | 24 |
2024 | 12 | 34 | 66 | 23 |
2025 | 1 | 33 | 59 | 22 |
2025 | 2 | 24 | 36 | 4 |
2025 | 3 | 13 | 31 | 2 |
2025 | 4 | 5 | 6 | 3 |
2025 | 5 | 5 | 6 | 4 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 4 | 5 | 3 |
Trending Position
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2025 | 8 | 347 | 709 |
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2025 | 7 | 344 | 735 |
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2025 | 6 | 126 | 488 |
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2025 | 5 | 288 | 710 |
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2025 | 4 | 539 | 709 |
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2025 | 3 | 316 | 739 |
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2025 | 2 | 393 | 653 |
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2025 | 1 | 120 | 687 |
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2024 | 12 | 376 | 782 |
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2024 | 11 | 156 | 563 |
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2024 | 10 | 50 | 549 |
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2024 | 9 | 452 | 695 |
Year | Month | High | Avg |
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2024 | 8 | 351 | 746 |
_**Is it really about aliens?**_ M. Night Shyamalan's "Signs" (2002) is about a disillusioned ex-minister (Mel Gibson) who lives in the country with his son & daughter and brother (Juaquin Phoenix). The reasons for his disillusionment become clear as the story unfolds. When a mysterious crop circ ... le is discovered in their cornfield they wonder if it's a prank or an alien invasion! Although the plot deals with a possible alien invasion, the theme is faith. There are two general views of life: (1) That life and the universe are one big meaningless accident and you're just an insignificant bug that will soon be squashed out of existence and memory. And (2) that there's an intelligent design to the universe and, although it's somehow fallen (i.e. severely messed up), there IS meaning, love, hope and purpose, even if we are presently unable to fully comprehend it. The film addresses the clash of these two opposing views. We've all experienced the conflict of these two positions within our OWN hearts; it's the clash of flesh (id) and spirit (super-ego). On the one hand, we WANT to believe the latter position, but life dishes out so much crap that we are seriously tempted to give-in to the former. This is the struggle Gibson's character faces in the story. He's given up on God and is stumbling in the dark; he's just going through the motions to exist. His smile is mostly a facade. Many people diss the film for an obvious plot hole regarding the alien's weakness, but Shyamalan's too talented to not realize this. It's a sign to what the film is really about (sorry; I couldn't resist). **SPOILER ALERT** (Don't read further unless you've seen the film) It's possible that the aliens aren't really extraterrestrials but rather demons from the underworld (the dark dimension) invading the physical realm to take as many victims as they can. The idea that they are aliens is just a mass deception and, remember, the devil is the "father of lies". There are many clues: The spaceships are never seen, just lights in the sky (the devil's also called "the prince of the power of the air" in the bible). The "aliens" look decidedly demonic and have cloven hoofs. The “primitive method” of repelling the aliens is discovered in “three cities the Middle East” and is holy water, which is ordinarily used by Catholic & Episcopal exorcists against demonic manifestations (Shyamalan, by the way, attended Catholic & Episcopal schools). The daughter, Bo, was said to be a "gift from God" who is sensitive to impure (unholy) water. Her name in Old Norse means "to live" and she was able to discern the weapon of life needed to defeat the demonic menace. The dog and bird were clearly possessed. The crop circles are occultic symbols and possible portals to the underworld. The crop circle in the Hess cornfield resembles a pitchfork. When the disillusioned minister cries out to God that he hates him he actually displays his faith; after all, he has to believe in God in order to converse. At that precise moment his son recovers from the asthma attack and the news announcer declares that the "aliens" are retreating. You see, FAITH sends the enemy fleeing with their tails between their legs. Also, we see evidence that the demons are personal in nature. The "alien" locked in the vet's pantry was linked to the guilt and disillusionment that haunted the vet and the minister after the death of the latter's wife. Also, we see evidence that the demons are personal in nature. The "alien" locked in the vet's pantry was linked to the guilt and disillusionment that haunted the vet after the death of the minister's wife. Keep in mind that when the film debuted, Shyamalan was known as the king of the plot twist, yet the revelation that the aliens’ weakness is water wasn’t exactly a mind-blowing turn seeing as how the earth is 71% water and technologically advanced aliens who can travel the galaxy would know this. Moreover, the aliens curiously have no physical weapons and are easily trapped by a pantry door. It stands to reason that Shyamalan hid the twist in the movie. That twist is that the aliens are really demonic in nature. I'm not saying you can't view the movie as a literal extra-terrestrial invasion flick, but rather that the underlying demonic reading is a legitimate way of viewing the material because it all ties together and links to the story arc of the disillusioned ex-minister finding redemption. Also, I'm not suggesting that you have to believe in God to appreciate this movie, which is obviously not the case. BOTTOM LINE: This is a quality Shyamalan film and is about on par with "The Sixth Sense" and "The Village.” The film runs 106 minutes and was shot in Eastern Pennsylvania. GRADE: B+
Not my favorite M. Night Shyamalan film. Also not my least favorite... ...
It's barely over an hour and a half this film, but it seems much longer. Mel Gibson ("Graham") is a widowed former pastor who lives on a farm with his two kids "Morgan" (Rory Culkin) and "Bo" (Abigail Breslin) and his brother "Merrill" (Joaquin Phoenix). Their lives are all rolling along normally un ... til one morning they discover some crop circles amongst the corn fields. Dismissing them as hoaxes, they are intrigued when television reports suggest a proliferation of these things all around the world. Now add to their now heightened suspicions some late night noises and mysterious happenings, and the family begin to suspect that they are being watched - and that their observer is not exactly benign. The last ten minutes or so redeem this story to a degree, but for the most part it is a terribly slow burn of a film. There isn't really much by way of action; Gibson and Phoenix don't really exude much of a compelling sibling relationship and the kids - usually a crucial conduit for M. Night Shyamalan stories have much less to work with here. This has more of the melodrama to it - the backstory of tragedy and grief all gets in the way of the gradually increasing sense of menace and I found the whole momentum of the story quite staccato. This is an adequate film, but it is definitely nobody's best work.
This is one of my favourite films ever and a top 2 spot for my favourite thrillers. Signs isn't you're average Alien film, it focuses solely on a widowed reverend and his family but it is still one of the best films ever made and one you can watch over and over and it never bores. ...
Rewatching M. Night Shyamalan's Signs brought back the same feelings I had the first time I saw it. The script is solid, the plot is engaging, and the acting, especially from Mel Gibson, is strong. Joaquin Phoenix adds a lot to the movie too, balancing emotional moments with some light humor. But ev ... en with all these positives, the movie still feels like it’s missing something—a spark that could’ve made it truly great. The story is told entirely from the family’s perspective, which creates a lot of suspense and intimacy. However, it also leaves the aliens feeling underdeveloped. We never learn much about their intentions, behavior, or even why they’re invading Earth. That final scene with the alien and the child is particularly intriguing. Some theories suggest it wasn’t attacking but might actually have been saving the boy. The alien didn’t defend itself when Joaquin Phoenix’s character hit it, which raises questions about its true motives. This ambiguity adds an interesting layer but also feels like a missed opportunity for the story to dig deeper. Overall, Signs is a well-made movie with strong themes of faith, family, and survival.
this movie's genuinely convinced it's suspenseful when it's really just a hunk of boring tropes with some christianity thrown on top. it took the whole hitchcock "don't show the monster" way too far, and i audibly laughed when we finally saw the alien. like... THAT'S what you were keeping hidden for ... the majority of the film? and everyone's so freaked out by it. to be fair, it made my mom shriek, but i could not take this film seriously. especially with all the dialogue about profanity. i can't tell if that was included as a joke, but it was funny. and i'm ex-religious, i grew up saying heck and frick, still didn't relate to any of it. overall just seemed kind of preachy as well. nothing stuck out about this film artistically. i'd recommend signs for bad movie night, it's definitely fun to make fun of.