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Signs Poster

Signs

It's not like they didn't warn us.
2002 | 106m | English

(404292 votes)

TMDb IMDb

Popularity: 4 (history)

Details

A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.
Release Date: Aug 02, 2002
Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Genres: Science Fiction, Drama, Mystery, Thriller
Keywords symbolism, miracle, farm, faith, grief, alien, family relationships, rural area, alien invasion, crop circle, alien attack, death of wife, loss of faith, alien encounter, anxious, suspenseful, foreboding
Production Companies The Kennedy/Marshall Company, Touchstone Pictures, Blinding Edge Pictures
Box Office Revenue: $408,200,000
Budget: $72,000,000
Updates Updated: Aug 03, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Mel Gibson Graham Hess
Joaquin Phoenix Merrill Hess
Rory Culkin Morgan Hess
Abigail Breslin Bo Hess
Cherry Jones Officer Paski
M. Night Shyamalan Ray Reddy
Patricia Kalember Colleen Hess
Ted Sutton SFC Cunningham
Merritt Wever Tracey Abernathy
Lanny Flaherty Mr. Nathan
Marion McCorry Mrs. Nathan
Michael Showalter Lionel Prichard
Kevin Pires Brazilian Birthday Boy
Clifford David Columbia University Professor
Rhonda Overby Sarah Hughes
Greg Wood TV Anchor
Paul L. Nolan Mexico City Reporter (voice)
Ukee Washington Off Screen TV Anchor (voice)
Babita Hariani Car Radio Voice (voice)
Adam Way Radio Eye Witness (voice)
Angela Eckert Soda Commercial Girl
Jose L. Rodriguez Radio Host (voice)
Paul Wilson Soda Commercial Singer (voice)
Thomas Griffin Soda Commercial Singer (voice)
Derek Mears Alien on the Roof (uncredited)
Chuck Pressler Fireman (uncredited)
Name Job
Barbara Tulliver Editor
Larry Fulton Production Design
Keith P. Cunningham Art Direction
Douglas A. Mowat Set Decoration
Steve Cremin Special Effects Supervisor, Special Effects
Nicole Marsella Art Department Assistant
Sameena Usmani Art Department Coordinator
James C. Feng Assistant Art Director
Paul Williams Construction Coordinator
Michael G. Richer Construction Foreman
James Breen Greensman
Joseph Siwinski Leadman
Kyle Rudolph Camera Operator
Baird Steptoe Camera Technician
Richard Brooks Burton First Assistant Camera
Frank Masi Still Photographer
Michelle Matland Assistant Costume Designer
Francesca Paris Key Hair Stylist
Kara Morasco Seamstress
D. Keith Cleary Carpenter
Patricia Navone Craft Service
Gregory J. Cimino Driver
Abby Callahan Post Production Supervisor
James D. Carter Projection
Greta Alexander Scenic Artist
Joakim Arnesson Sequence Supervisor
Josh Dorn Set Production Assistant
Joseph Barry Stand In
John Tarlini Sr. Transportation Co-Captain
John Morrone III Transportation Coordinator
Kathleen Kelly Set Medic
Sam Mercer Unit Production Manager
Amelia 'Amy' Andrews Costume Supervisor
Frances Fiore Unit Publicist
Brian Carmichael Video Assist Operator
Greg Hyman Visual Effects Editor
Dianne Dreyer Script Supervisor
Jeff Smithwick Color Timer
Joe Landauer First Assistant Editor
Craig Ligget Rigging Gaffer
David A. Darrowski Rigging Grip
Jordan Beswick Casting Associate
Andrew L. Ullman Location Manager
John Catron Production Accountant
Thomas 'Doc' Boguski Production Coordinator
Lynn Andrews Production Supervisor
Paul Vigay Researcher
Michael Scott Boom Operator
Linda Yeaney First Assistant Sound Editor
Thomas S. Drescher Music Editor
Pete Anthony Conductor, Orchestrator
Shawn Murphy Scoring Mixer
Michael W. Mitchell Sound Effects Editor
Tod A. Maitland Sound Mixer
Michael Conte Digital Compositors
Jeff Olson Visual Effects Producer
R. Vincent Smith Assistant Property Master
Michael T. Galvin Set Dresser
Brian Heller Aerial Director of Photography
Mark Catania Grip
Teresa Binder Westby Key Costumer
Bernadette Mazur Key Makeup Artist
Dawn Barkan Animal Coordinator
Bill Nisselson In Memory Of
Mary Beth Smith Negative Cutter
Scott H. Ramsey Chief Lighting Technician
Megan Fenerty Assistant Production Coordinator
Michael Haight ADR Supervisor
Paul Berolzheimer Foley Editor
Rick O'Connor CG Animator
TyRuben Ellingson Character Designer
Corey Rosen Creature Technical Director
Beth D'Amato Roto Supervisor
Victor Schutz Visual Effects Technical Director
Billy Miller Key Grip
Bob Olari Sound Recordist
Hugo Weng Dialogue Editor
Kevin Ladson Property Master
Brick Mason Storyboard Artist, Second Unit Director
Tony Martinez Dialogue Editor, ADR Editor
Alison C. Rosa Second Assistant Director
Don Kozma Assistant Makeup Artist
Iris Horta Lemos Costumer
Kathryn-Ann Oaks Shertzer Second Second Assistant Director
John J. Breen Construction Grip
Duncan M. Spencer Key Construction Grip
Chris Bauer Shop Electric
Eric Gotthelf ADR Mixer
Chris Fitzgerald ADR Recordist
Nancy Parker Foley Artist
Patricio A. Libenson Foley Supervisor
Andrew Bock Second Assistant Sound
Phillip Fuller Sound Mix Technician
William Lee Special Effects Assistant
Michael Bird Special Effects Technician
Kingston Cole Visual Effects Production Assistant
Lisa Todd Visual Effects Production Manager
Shane Habberstad Stunt Double
Daniel C. Cook Additional Second Assistant Camera
Jon Sibert Best Boy Grip
Jian Cong Second Assistant Camera
May Kuckro Assistant Editor
Julian Ruhe Location Assistant
Paul Manion Additional Production Assistant
Steven Litecky Assistant Chief Lighting Technician
Eddie Pasquarello Compositing Supervisor
Mark Mayer First Assistant Accountant
Penni Smith Payroll Accountant
Jesse Russell Brooks III Production Assistant
David Raynor Production Secretary
Margo Romano Second Assistant Accountant
William Jones Dolly Grip
Lee Dichter Sound Re-Recording Mixer
Samantha Steffen Stand In
M. Night Shyamalan Writer, Director
Tak Fujimoto Director of Photography
James Newton Howard Original Music Composer
Douglas Aibel Casting
Ann Roth Costume Design
Stefen Fangmeier Visual Effects
Jeff Habberstad Stunt Coordinator
Richard King Supervising Sound Editor, Sound Designer
Rob Coleman Animation Supervisor
Eric Brevig Visual Effects Supervisor
Jose L. Rodriguez Executive In Charge Of Production
John Rusk First Assistant Director
Tom Boyd Musician
Derek Thompson Concept Artist
Michael Semanick Sound Re-Recording Mixer
Brian Smrz Stunt Coordinator
Glenn Davis Generator Operator
William F. Hennessy Jr. Set Dresser
Name Title
Sam Mercer Producer
M. Night Shyamalan Producer
Kathleen Kennedy Executive Producer
Frank Marshall Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 45 78 29
2024 5 76 107 63
2024 6 51 75 27
2024 7 39 66 27
2024 8 45 95 26
2024 9 30 43 22
2024 10 36 76 21
2024 11 36 61 24
2024 12 34 66 23
2025 1 33 59 22
2025 2 24 36 4
2025 3 13 31 2
2025 4 5 6 3
2025 5 5 6 4
2025 6 4 5 3
2025 7 5 6 4
2025 8 4 5 3

Trending Position


Year Month High Avg
2025 8 347 709
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2025 7 344 735
Year Month High Avg
2025 6 126 488
Year Month High Avg
2025 5 288 710
Year Month High Avg
2025 4 539 709
Year Month High Avg
2025 3 316 739
Year Month High Avg
2025 2 393 653
Year Month High Avg
2025 1 120 687
Year Month High Avg
2024 12 376 782
Year Month High Avg
2024 11 156 563
Year Month High Avg
2024 10 50 549
Year Month High Avg
2024 9 452 695
Year Month High Avg
2024 8 351 746

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Reviews

Wuchak
7.0

_**Is it really about aliens?**_ M. Night Shyamalan's "Signs" (2002) is about a disillusioned ex-minister (Mel Gibson) who lives in the country with his son & daughter and brother (Juaquin Phoenix). The reasons for his disillusionment become clear as the story unfolds. When a mysterious crop circ ... le is discovered in their cornfield they wonder if it's a prank or an alien invasion! Although the plot deals with a possible alien invasion, the theme is faith. There are two general views of life: (1) That life and the universe are one big meaningless accident and you're just an insignificant bug that will soon be squashed out of existence and memory. And (2) that there's an intelligent design to the universe and, although it's somehow fallen (i.e. severely messed up), there IS meaning, love, hope and purpose, even if we are presently unable to fully comprehend it. The film addresses the clash of these two opposing views. We've all experienced the conflict of these two positions within our OWN hearts; it's the clash of flesh (id) and spirit (super-ego). On the one hand, we WANT to believe the latter position, but life dishes out so much crap that we are seriously tempted to give-in to the former. This is the struggle Gibson's character faces in the story. He's given up on God and is stumbling in the dark; he's just going through the motions to exist. His smile is mostly a facade. Many people diss the film for an obvious plot hole regarding the alien's weakness, but Shyamalan's too talented to not realize this. It's a sign to what the film is really about (sorry; I couldn't resist). **SPOILER ALERT** (Don't read further unless you've seen the film) It's possible that the aliens aren't really extraterrestrials but rather demons from the underworld (the dark dimension) invading the physical realm to take as many victims as they can. The idea that they are aliens is just a mass deception and, remember, the devil is the "father of lies". There are many clues: The spaceships are never seen, just lights in the sky (the devil's also called "the prince of the power of the air" in the bible). The "aliens" look decidedly demonic and have cloven hoofs. The “primitive method” of repelling the aliens is discovered in “three cities the Middle East” and is holy water, which is ordinarily used by Catholic & Episcopal exorcists against demonic manifestations (Shyamalan, by the way, attended Catholic & Episcopal schools). The daughter, Bo, was said to be a "gift from God" who is sensitive to impure (unholy) water. Her name in Old Norse means "to live" and she was able to discern the weapon of life needed to defeat the demonic menace. The dog and bird were clearly possessed. The crop circles are occultic symbols and possible portals to the underworld. The crop circle in the Hess cornfield resembles a pitchfork. When the disillusioned minister cries out to God that he hates him he actually displays his faith; after all, he has to believe in God in order to converse. At that precise moment his son recovers from the asthma attack and the news announcer declares that the "aliens" are retreating. You see, FAITH sends the enemy fleeing with their tails between their legs. Also, we see evidence that the demons are personal in nature. The "alien" locked in the vet's pantry was linked to the guilt and disillusionment that haunted the vet and the minister after the death of the latter's wife. Also, we see evidence that the demons are personal in nature. The "alien" locked in the vet's pantry was linked to the guilt and disillusionment that haunted the vet after the death of the minister's wife. Keep in mind that when the film debuted, Shyamalan was known as the king of the plot twist, yet the revelation that the aliens’ weakness is water wasn’t exactly a mind-blowing turn seeing as how the earth is 71% water and technologically advanced aliens who can travel the galaxy would know this. Moreover, the aliens curiously have no physical weapons and are easily trapped by a pantry door. It stands to reason that Shyamalan hid the twist in the movie. That twist is that the aliens are really demonic in nature. I'm not saying you can't view the movie as a literal extra-terrestrial invasion flick, but rather that the underlying demonic reading is a legitimate way of viewing the material because it all ties together and links to the story arc of the disillusioned ex-minister finding redemption. Also, I'm not suggesting that you have to believe in God to appreciate this movie, which is obviously not the case. BOTTOM LINE: This is a quality Shyamalan film and is about on par with "The Sixth Sense" and "The Village.” The film runs 106 minutes and was shot in Eastern Pennsylvania. GRADE: B+

Jun 23, 2021
tmdb15435519
7.0

Not my favorite M. Night Shyamalan film. Also not my least favorite... ...

Jun 23, 2021
Geronimo1967
6.0

It's barely over an hour and a half this film, but it seems much longer. Mel Gibson ("Graham") is a widowed former pastor who lives on a farm with his two kids "Morgan" (Rory Culkin) and "Bo" (Abigail Breslin) and his brother "Merrill" (Joaquin Phoenix). Their lives are all rolling along normally un ... til one morning they discover some crop circles amongst the corn fields. Dismissing them as hoaxes, they are intrigued when television reports suggest a proliferation of these things all around the world. Now add to their now heightened suspicions some late night noises and mysterious happenings, and the family begin to suspect that they are being watched - and that their observer is not exactly benign. The last ten minutes or so redeem this story to a degree, but for the most part it is a terribly slow burn of a film. There isn't really much by way of action; Gibson and Phoenix don't really exude much of a compelling sibling relationship and the kids - usually a crucial conduit for M. Night Shyamalan stories have much less to work with here. This has more of the melodrama to it - the backstory of tragedy and grief all gets in the way of the gradually increasing sense of menace and I found the whole momentum of the story quite staccato. This is an adequate film, but it is definitely nobody's best work.

Jul 07, 2022
2_Fast-22
9.0

This is one of my favourite films ever and a top 2 spot for my favourite thrillers. Signs isn't you're average Alien film, it focuses solely on a widowed reverend and his family but it is still one of the best films ever made and one you can watch over and over and it never bores. ...

Nov 24, 2024
RalphRahal
7.0

Rewatching M. Night Shyamalan's Signs brought back the same feelings I had the first time I saw it. The script is solid, the plot is engaging, and the acting, especially from Mel Gibson, is strong. Joaquin Phoenix adds a lot to the movie too, balancing emotional moments with some light humor. But ev ... en with all these positives, the movie still feels like it’s missing something—a spark that could’ve made it truly great. The story is told entirely from the family’s perspective, which creates a lot of suspense and intimacy. However, it also leaves the aliens feeling underdeveloped. We never learn much about their intentions, behavior, or even why they’re invading Earth. That final scene with the alien and the child is particularly intriguing. Some theories suggest it wasn’t attacking but might actually have been saving the boy. The alien didn’t defend itself when Joaquin Phoenix’s character hit it, which raises questions about its true motives. This ambiguity adds an interesting layer but also feels like a missed opportunity for the story to dig deeper. Overall, Signs is a well-made movie with strong themes of faith, family, and survival.

Dec 16, 2024
ezraaaa
4.0

this movie's genuinely convinced it's suspenseful when it's really just a hunk of boring tropes with some christianity thrown on top. it took the whole hitchcock "don't show the monster" way too far, and i audibly laughed when we finally saw the alien. like... THAT'S what you were keeping hidden for ... the majority of the film? and everyone's so freaked out by it. to be fair, it made my mom shriek, but i could not take this film seriously. especially with all the dialogue about profanity. i can't tell if that was included as a joke, but it was funny. and i'm ex-religious, i grew up saying heck and frick, still didn't relate to any of it. overall just seemed kind of preachy as well. nothing stuck out about this film artistically. i'd recommend signs for bad movie night, it's definitely fun to make fun of.

Jul 29, 2025