Popularity: 8 (history)
Director: | J.J. Abrams |
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Writer: | J.J. Abrams |
Staring: |
In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. In the midst of filming, the friends witness a horrifying train derailment and are lucky to escape with their lives. They soon discover that the catastrophe was no accident, as a series of unexplained events and disappearances soon follows. Deputy Jackson Lamb, the father of one of the kids, searches for the terrifying truth behind the crash. | |
Release Date: | Jun 08, 2011 |
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Director: | J.J. Abrams |
Writer: | J.J. Abrams |
Genres: | Science Fiction, Mystery, Thriller |
Keywords | 1970s, alien, train crash, firecracker, super 8mm footage, duringcreditsstinger, complex, suspenseful, intense, amused, familiar |
Production Companies | Paramount Pictures, Amblin Entertainment, Bad Robot |
Box Office |
Revenue: $260,100,000
Budget: $50,000,000 |
Updates |
Updated: Aug 09, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Joel Courtney | Joe Lamb |
Elle Fanning | Alice Dainard |
Riley Griffiths | Charles Kaznyk |
Kyle Chandler | Jackson Lamb |
Noah Emmerich | Nelec |
AJ Michalka | Jen Kaznyk |
Ryan Lee | Cary McCarthy |
Ron Eldard | Louis Dainard |
Gabriel Basso | Martin Read |
Bruce Greenwood | Cooper |
Zach Mills | Preston |
Jessica Tuck | Mrs. Kaznyk |
Joel McKinnon Miller | Mr. Kaznyk |
Britt Flatmo | Peg Kaznyk |
Glynn Turman | Dr. Woodward |
Richard T. Jones | Overmyer |
Tom Quinn | Mr. McCandless |
Caitríona Balfe | Elizabeth Lamb |
Amanda Foreman | Lydia Connors - Ch 14 News Anchor |
David Gallagher | Donny |
Brett Rice | Sheriff Pruitt |
Dale Dickey | Edie |
Beau Knapp | Breen |
Bingo O'Malley | Mr. Harkin |
Andrew Miller | Kaznyk Twin |
Jakob Miller | Kaznyk Twin |
Robert B. Quiroz | Boy in EVAC |
Koa Melvin | Baby Joe |
Greg Grunberg | Sitcom Actor |
Patrick St. Esprit | Weapons Commander |
Katie Lowes | Tina |
Michael Hitchcock | Deputy Rosko |
Michael Giacchino | Deputy Crawford |
Jonathan Dixon | Airman Nevil |
Emerson Brooks | Military Bus Driver |
Marco Sanchez | Hernandez |
Tim Griffin | Commando |
Jason Brooks | Air Force Security |
Tony Guma | Sargeant Walters |
Teri Clark | Mrs. Babbit |
Thomas F. Duffy | Rooney |
James Landry Hébert | Deputy Tally |
Jay Scully | Deputy Skadden |
Ben Gavin | Deputy Milner |
Dan Castellaneta | Izzy |
Jack Axelrod | Mr. Blakely |
Brandon Hirsch | Air Force Airman (uncredited) |
Name | Job |
---|---|
Russell Earl | Visual Effects Supervisor |
Joe Bucaro III | Stunts |
Henry Kingi Jr. | Stunts |
Roy Farfel | Stunts |
Bruno Nguyen | Electrician |
Bruce McCleery | Second Unit Director of Photography |
Mary Jo Markey | Editor |
Deborah La Mia Denaver | Makeup Department Head |
J.J. Abrams | Director, Writer |
Larry Fong | Director of Photography |
Michael Giacchino | Original Music Composer |
Maryann Brandon | Editor |
Jessica Sherman | Casting Assistant |
Kim Libreri | Visual Effects Supervisor |
Ben Burtt | Sound Designer, Supervising Sound Editor |
Clint Schultz | Graphic Designer |
François Duhamel | Still Photographer |
Ronni Brown | Foley Artist |
Mark Ulano | Sound Mixer |
Matthew Wood | Supervising Sound Editor |
Jack Serino | Rigging Grip |
Dennis Muren | Visual Effects Supervisor |
Chris Scarabosio | Additional Sound Re-Recording Mixer |
Nathan Nance | Sound Recordist |
Anna Behlmer | Sound Re-Recording Mixer |
Tom Johnson | Sound Re-Recording Mixer |
Nona Khodai | Assistant Editor |
George Drakoulias | Music Supervisor |
Bastiaan Koch | VFX Artist |
Thomas Hansen | Compositor |
David Acord | Sound Effects Editor |
Neville Page | Creature Design |
John Knoll | Visual Effects Supervisor |
Krista Bell | Stunt Double |
Clay Cullen | Stunts |
Al Goto | Stunts |
Lisa Hoyle | Stunts |
Gary Archer | Prosthetics |
Marie Fink | Stunts |
Dane Farwell | Stunts |
David E. Scott | Art Direction |
April Webster | Casting |
Fainche MacCarthy | Set Decoration |
Ha Nguyen | Costume Design |
Patti Carns Kalles | Casting |
Alyssa Weisberg | Casting |
Virginia Burton | Costume Supervisor |
Roger Peterson | Grip |
Steve Guerino | Assistant Property Master |
Daniel Soltis | Sculptor |
Don Bracken | Assistant Property Master |
Mika Metz | Scenic Artist |
Chip Eccles | Construction Foreman |
Mike S. Huffman | Set Decoration |
Kevin C. Brady | Leadman |
Duncan Crawford | Sculptor |
James Hardy | Set Dresser |
David A. Dwyer | Set Dresser |
Timothy Barnhill | Set Dresser |
Robert Scott Kyker | Property Master |
Craig Abele | Sculptor |
Aric Cheng | Set Designer |
Buster Pile | Construction Coordinator |
Leia Pratapas | Art Department Coordinator |
Kenneth Garrett | Sculptor |
Don Cooke | Construction Buyer |
Thomas T. Taylor | Set Designer |
Allen De Silva | Grip |
Coni Andress | Hairstylist |
Bill Richards | Pilot |
Paul Armbruster | Grip |
Edwin E. Lool | Electrician |
Todd Liggitt | Rigging Grip |
Christine Felman | Visual Effects Coordinator |
Nick Yost | Electrician |
Eric Laudadio | First Assistant "C" Camera |
Chris Soronen | Rigging Grip |
Laura Gary | Studio Teacher |
Lee Johnson | Electrician |
Ben Giacometti | Grip |
Lilia Mishel Acevedo | Costumer |
Craig Schoenfeld | Studio Teacher |
James A. Fleming | Set Dresser |
Terry Scott | Construction Coordinator |
Tuyet van thi Mach | Art Department Assistant |
Michael G. Richer | Construction Foreman |
Tom Gregg | Set Dresser |
Lara Lampenfield | Scenic Artist |
Tammy S. Lee | Set Designer |
David Holowach | Set Dresser |
Mike Matesic | Construction Foreman |
Adam Davis | Assistant Art Director |
Danica Walton | Scenic Artist |
Randy Syracuse | Construction Foreman |
Bobby Pollard | Set Dresser |
Leo Welsh | Set Dresser |
Merdyce McClaran | On Set Dresser |
Martin Whist | Production Design |
Patrick A. Smith | Assistant Property Master |
Frank Kilmartin | Carpenter |
Jared Wellman | Electrician |
John E. Tremba | Grip |
Hilmar Koch | CG Supervisor |
Jim Grce | Chief Lighting Technician |
Brian Powers | Rigging Grip |
Anthony Kramer | Digital Compositor |
Keith Seymour | Rigging Grip |
Dan Jones | Electrician |
Don Duffield III | First Assistant Camera |
Max Gerson | Rigging Grip |
Aimee McCue | Key Set Costumer |
Amanda Brand | Unit Publicist |
Michael Wahl | Dolly Grip |
John Leonetti | Electrician |
Chad Herr | Rigging Grip |
Laura E. Little | Key Costumer |
David Weitzberg | CG Supervisor |
Sonia Niu | Visual Effects Production Manager |
Trent Ellis | Camera Operator |
Paul F. Guyer | Rigging Grip |
Michael Midlock | Animation |
Samuel Craven | Visual Effects Editor |
Paul Postal | Electrician |
Andy Waldron | Grip |
Heather Wind | Costumer |
Benjamin H. Bernard | First Assistant Camera |
John Bonnin | Libra Head Technician |
Mark Connelly | Second Assistant "C" Camera |
Jean-Denis Haas | Animation |
Mike Moad | Dolly Grip |
Neil Kinkead | Electrician |
Mike Pickel | Video Assist Operator |
Lindsey Tervo-Clemmens | Costumer |
Ale Melendez | Visual Effects Coordinator |
Chris Muchow | Rigging Grip |
Jim Milton | Visual Effects Editor |
Jill E. Hughes | Visual Effects Producer |
Robert E. Evans | Visual Effects Producer |
John Skotchdopole | "C" Camera Operator |
David Pipik | Grip |
Stephen Oh | Key Costumer |
Eric Withee | Visual Effects Coordinator |
Colin Anderson | Steadicam Operator, "B" Camera Operator |
Adam W. Erler | Grip |
Carol Demarti | Ager/Dyer |
Lisa Todd | Visual Effects Production Manager |
Carson E. Mayne | Assistant Chief Lighting Technician |
Leonardo Larosa | Grip |
Kyle Drevlo | Rigging Grip |
Jeri Baker | Key Hair Stylist |
Terri Patterson | Studio Teacher |
David Jose | Grip |
Tom Valentin | Rigging Grip |
Brian McPherson | Techno Crane Operator |
Christopher Patrick | Makeup Artist |
Maura Gannett | Studio Teacher |
Tony Willard | Grip |
Michi Tomimatsu | Assistant Costume Designer |
Chantal Feghali | Visual Effects Producer |
Courteney Smith | Visual Effects Production Assistant |
R. Sean Griffith | Rigging Grip |
Jason James | Casting Associate |
Erica Kim | Electrician |
Nick Zinobile | Grip |
Bonni Flowers | Makeup Artist |
Laura Zech | Casting Assistant |
Rich Schutte | Additional Grip |
Denair Isaac | Electrician |
Mario A. Veloso | Grip |
John Patteson | Armorer |
Meng Liu | Compositor |
Jon Thurner | Grip |
Rodney Sandoval | Second Assistant Camera |
Donna M. Belajac | Location Casting |
Mateo Bourdieu | First Assistant "B" Camera |
Don Yockey | Grip |
Thomas A. Barrios | Second Assistant "B" Camera |
Fangfei Li | Digital Compositor |
James Bolt | Additional Sound Re-Recording Mixer |
David Lucarelli | ADR Recordist |
Luke Dunn Gielmuda | Foley Editor |
Jeremy Molod | Assistant Sound Editor |
Mark Binder | ADR Mixer |
Adam Kopald | Sound Effects Editor |
Zach Martin | Sound Recordist |
Malcolm Fife | Foley Editor |
Charleen Richards-Steeves | ADR Mixer |
Richard Quinn | Dialogue Editor |
Philippe Carr-Forster | "A" Camera Operator |
Alejandro M. Hernandez | Set Costumer |
Jeff Tapley | Electrician |
Michael Reitz | Hair Department Head |
Dominick De Rasmo | Ager/Dyer |
Andrew Kramer | Title Designer |
Shaun Breedlove | Electrician |
Don Easy | Generator Operator |
Jamie Kelman | Key Makeup Artist |
Ed Fincher | Key Costumer |
Dawn Gilliam | Script Supervisor |
Benjamin Macensky | Electrician |
Scott Nelson | Rigging Grip |
Virginia Smith Phillips | Costumer |
Manuel Voss | Digital Compositor |
Pete Klingenberg | Electrician |
Marion Mauran | Generator Operator |
Ryan Young | ADR Mixer |
Juan Cisneros | Cableman |
Lisa Chino | Assistant Sound Editor |
Adam Blantz | Boom Operator |
Jeremy Bowker | Assistant Sound Editor |
Tony Eckert | Foley Mixer |
Sean England | Foley Artist |
Ryan Cole | Sound Recordist |
Dustin Cawood | Sound Effects Editor |
Brad Semenoff | ADR Editor |
Doug Mountain | ADR Recordist |
Derek Casari | ADR Engineer |
Eric Pierce | Sound Mixer |
Paul Schreiber | Location Manager |
Kerry Joseph Blackman | Assistant Editor |
Tim Simonec | Conductor |
Nick Monton | Digital Intermediate Producer |
Michael Landon | Digital Intermediate |
Ramiro Belgardt | Music Editor |
Stefan Sonnenfeld | Colorist |
Ian Sullivan | Digital Intermediate |
Will Kaplan | Music Editor |
Byron Roland | Transportation Captain |
Jim Passon | Color Timer |
Demian Resnick | Location Manager |
Grant Samson | Leadman |
Joshua Hogan | Scenic Artist |
Cheryl Nardi | Dialogue Editor |
Scott R. Lewis | Sound Recordist |
Marc Scott | Transportation Coordinator |
Matt Evans | First Assistant Editor |
J. Cody Baker | Digital Intermediate Assistant |
Alana Stelling | Transportation Captain |
James Lowder | Transportation Coordinator |
Mike Chiado | Digital Intermediate |
Joel Griffen | Assistant Editor |
Julian Smirke | First Assistant Editor |
L. Chip Crosby Jr. | Transportation Captain |
Karl Vincent | Musician |
Alex Levy | Supervising Music Editor |
Jeff Bunnell | Musician |
Paul Apelgren | Music Editor |
Ian Calip | Second Assistant Director |
Andy Nelson | Sound Re-Recording Mixer |
Tierre Turner | Stunts |
Melanie Marie Evans | Costumer |
Paul Kavanagh | Animation Supervisor |
Jay Cooper | Compositing Supervisor |
Juan Peralta | Additional Sound Re-Recording Mixer |
Gwendolyn Yates Whittle | ADR Editor |
Keith Woulard | Stunts |
Jimmy N. Roberts | Stunts |
Kevin Martel | CG Artist |
Jason Perrine | Production Assistant |
Name | Title |
---|---|
Steven Spielberg | Producer |
J.J. Abrams | Producer |
Christopher Patrick | Co-Producer |
Udi Nedivi | Associate Producer |
Guy Riedel | Executive Producer |
Ben Rosenblatt | Associate Producer |
Tommy Gormley | Co-Producer |
Bryan Burk | Producer |
Michelle Rejwan | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 40 | 61 | 29 |
2024 | 5 | 42 | 67 | 28 |
2024 | 6 | 30 | 47 | 22 |
2024 | 7 | 39 | 79 | 23 |
2024 | 8 | 35 | 51 | 17 |
2024 | 9 | 29 | 44 | 21 |
2024 | 10 | 33 | 52 | 20 |
2024 | 11 | 25 | 43 | 18 |
2024 | 12 | 28 | 44 | 19 |
2025 | 1 | 30 | 54 | 23 |
2025 | 2 | 17 | 34 | 4 |
2025 | 3 | 11 | 27 | 3 |
2025 | 4 | 4 | 6 | 4 |
2025 | 5 | 4 | 6 | 3 |
2025 | 6 | 5 | 8 | 3 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 4 | 7 | 3 |
2025 | 9 | 6 | 8 | 4 |
Trending Position
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2025 | 9 | 286 | 688 |
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2025 | 8 | 347 | 724 |
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2025 | 7 | 540 | 756 |
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2025 | 6 | 366 | 713 |
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2025 | 5 | 652 | 833 |
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2025 | 4 | 439 | 804 |
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2025 | 3 | 408 | 699 |
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2025 | 2 | 722 | 816 |
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2025 | 1 | 515 | 814 |
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2024 | 12 | 676 | 868 |
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2024 | 11 | 683 | 768 |
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2024 | 10 | 913 | 939 |
Year | Month | High | Avg |
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2024 | 9 | 824 | 911 |
Unsuccessful children movie trying to follow the tradition of The Goonies or E.T. from overrated J.J. Abrams. Tons of money are wasted on FX trying to hide a weak story and a set of terrible dialogues supposedly coming from children that are totally overacted and annoyingly always shouting. Yo ... u don't miss anything if you skip Super 8.
I kind of liked the making-a-movie-within-the-movie aspect of _Super 8_ a lot more than the chief plot with the monster and the train and the badman government and the blah blah blah. Which isn't ideal, but saying that obviously means I liked something about it. _Final rating:★★½ - Had a lot that ... appealed to me, didn’t quite work as a whole._
And I just knew then that I was there, that I existed. Super 8 is written and directed by J. J. Abrams. It stars Joel Courtney, Elle Fanning, Kyle Chandler, Ron Eldard and Riley Griffiths. Music is scored by Michael Giacchino and cinematography by Larry Fong. The film tells the story of a group o ... f young teenagers in Lillian, Ohio, 1979, who are filming their own Super 8 zombie movie when a train derails and crashes, releasing an unknown being into their midst. As the town is threatened and mysteries start to mount up, the youngsters must come to terms with not only that, but also growing up mentally and physically. It's feels nigh on impossible to come across a review for Super 8 that doesn't contain the name Spielberg. With the film overtly Spiebergian in themes and production, and the bearded maestro of the film geek masses on producer duties here, his name hangs over Abrams' movie like a watchful father figure. If that bothers Abrams, or indeed if it detracts from the quality of his movie? Then that's up for debate by those not enamoured with Spielberg's movies of the late 70s and early 80s. But to my mind it's a blessing, a triumph of sorts to be mentioned in the same breath as the beard and those wonderful movies of his. Part homage, part nostalgia harking, Super 8 is still one great, sweet and affecting J.J. Abrams movie. Abrams himself is on record as saying that Super 8 is born out of two movie ideas he had, this while also being drawn from his own recollections in childhood, and the two movie idea shows. It's very much a two part picture in structure, part Stand by Me coming of ager, part Goonie like monster hunt. Nothing wrong with that, mind. However, with that comes some form of irritation to those who venture in expecting a big ole alien attack movie. Oh for sure he exists, and he is big and mean, although he has just cause, but the creature is not the centre piece of the movie. It's the human characters that form the basis of Super 8, be it the kids adjusting to their changing emotions and hormones, or the single parent fathers coming to terms with absence of love and grief, Super 8 is brimming with human heart. Yet never is it schmaltzy. PRODUCTION VALUE! Aided by Fong's warm metallic hued photography and Giacchino's beautiful heart tugging score (both energised in Blu-ray), Super 8 always carries a magical mysticism to it. The warm glow of nostalgia cloaks the proceedings, never cloying, always smile inducing, offering comfort as the narrative deals out observations about the need to let go while playing out as a deft, if unsubtle, meditation on grief and growing pains. The cast do wonders for their director, Fanning and Courtney are exemplary, so much raw emotion and energy, it's unfussy and believable acting. Griffith's, too, is wonderful as the booming voiced wannabe director, a tender nod of the head to the many young amateur directors out there; of which Abrams was once one himself. While Eldard and Chandler as the two fathers are most affecting, the pangs of juggling single parenting with loss are deeply portrayed. Of the director himself? He crafts it with care and precision, a knowing of the pulse beat of the thematics to drive it forward. His attention to period details are admirable, from the dialogue sparks involving Walkman's and Soviet paranoia, to the items located within the bedrooms and houses of our young protagonists, he is a man who knows his late 70s and early 80s onions. Spielberg was far from finished as a film maker of note at the time of Super 8's release, but it did feel then that the torch was deftly being passed sideways. After the excellence of Star Trek he followed up with this most delightful of movies, where Abrams showed in his work a love of cinema that's wholly infectious. 9/10
Sometimes I feel like my interests and taste really follow the road less traveled. This is to say that Super 8 surprised me by becoming one of my Favorite.Movies.Ever. There I said it. It seems to merge genres slightly: science fiction, of course, a bit of coming of age, a slice of movie-within-a ... -movie - is that all? I think I have watched this movie three times, and probably will again. It reminds me of Monsters, another low key sci-fi/monster movie I really like. The train scene about twenty minutes into Super 8 is a blockbuster scene, so much so that I believe most movies wouldn't be able to keep the rest of the film from being anti-climactic. Usually a tremendous scene like that is saved for the end of a movie, but the plot required to be right where it was. But although the action and suspense ramps down a bit following it, the movie goes to work on building up the rest of the plot and growing the characters. The young actors starring in this movie are terrific, in my opinion, which may place me in an unfortunate minority. But judge for yourself, and try not to set the bar of excellence higher than we do for adult actors. They are smart and witty at times, but are clearly kids with kid behavior at other times, rather than miniature adults with adult lines. So you notice I used the words 'favorite movie,' not best. I am sure there are hundreds of movies better made than this one, but I doubt I would want to watch too many of them multiple times like I have watched Super 8.
Film of the events of a group of boys who enjoy filming with super 8. Their aim is to make a film since they love the magic of cinema. At first the train wreck is more scenic than realistic. Both the plot at certain points and the setting are very reminiscent of the Stranger Things series. I think t ... he creators of the TV series were also inspired by this film. This is a film that is also suitable for children to watch. The end didn’t convince me much. It’s a pleasant film but in some points it could have been developed better. Film that I recommend to lovers of the late 70s and lovers of stories about a group of friends. A typically American movie.