Popularity: 7 (history)
| Director: | Josh Trank |
|---|---|
| Writer: | Josh Trank, Max Landis |
| Staring: |
| Three high school students make an incredible discovery, leading to their developing uncanny powers beyond their understanding. As they learn to control their abilities and use them to their advantage, their lives start to spin out of control, and their darker sides begin to take over. | |
| Release Date: | Feb 01, 2012 |
|---|---|
| Director: | Josh Trank |
| Writer: | Josh Trank, Max Landis |
| Genres: | Science Fiction, Drama, Thriller |
| Keywords | flying, seattle, washington, telekinesis, friendship, loneliness, outcast, coming of age, super power, found footage, aftercreditsstinger, abuse, teenager, intense, assertive, joyful, 超能失控 |
| Production Companies | 20th Century Fox, Dune Entertainment, Davis Entertainment, Adam Schroeder Productions |
| Box Office |
Revenue: $145,000,000
Budget: $15,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Dane DeHaan | Andrew Detmer |
| Alex Russell | Matt Garetty |
| Michael B. Jordan | Steve Montgomery |
| Michael Kelly | Richard Detmer |
| Ashley Grace | Casey Letter |
| Bo Petersen | Karen Detmer |
| Anna Wood | Monica |
| Rudi Malcolm | Wayne |
| Luke Tyler | Sean |
| Crystal-Donna Roberts | Samantha |
| Adrian Collins | Costly |
| Grant Powell | Howard |
| Armand Aucamp | Austin |
| Nicole Bailey | Cala |
| Lynita Crofford | Casey's Mom |
| Royston Stoffels | Pharmacist |
| Patrick John Walton | Park Ranger |
| Lance Elliot | Police Officer |
| Nadine Suliaman | School Flyer Girl |
| Pierre Malherbe | Police Detective |
| Joe Vaz | Michael Ernesto |
| Matthew Dylan Roberts | Ernesto's Neighbour |
| Allen Irwin | Redneck Trucker |
| Chelsea King | Girl in Window |
| Francois Coetzee | Thug #3 |
| Hendrik Kotze | Priest |
| Matt Adler | Newscaster |
| Robert Clotworthy | Newscaster |
| Daisy Tormé | Karen Detmar (voice) |
| Chrystee Pharris | Samantha (voice) |
| Daniel Booko | Costly (voice) |
| Byron Thames | Howard (voice) |
| Matt Nolan | Austin (voice) |
| Charles L. Campbell | Pharmacist (voice) |
| Popeye Vogelsang | Park Ranger (voice) |
| Steve Kramer | Police Officer (voice) |
| Ashley Peldon | School Flyer Girl (voice) |
| Paul Pape | Priest (voice) |
| Jeff Fischer | Thug #3 (voice) |
| Name | Job |
|---|---|
| Matthew Jensen | Director of Photography |
| Joe Barnett | Sound Re-Recording Mixer |
| Alexandr Gorokhov | Visual Effects Producer |
| Johnny Gidcomb | ADR Voice Casting |
| Mark DeSimone | ADR Mixer |
| Chris Ward | Chaperone |
| Josh Trank | Story, Director |
| Max Landis | Story, Screenplay |
| Robert Habros | Visual Effects Supervisor |
| Andrew Karr | Visual Effects Supervisor |
| Fred Du Preez | Set Decoration |
| Elliot Greenberg | Editor |
| Simon Hansen | Visual Effects Supervisor |
| Diana Cilliers | Costume Design |
| Sean Findley | Visual Effects Supervisor |
| Sergey Muraviev | Visual Effects |
| Stephen Altman | Production Design |
| Sergei Gritsenko | Visual Effects Producer |
| David Van Dyke | Visual Effects Producer |
| Dezi Rorich | Publicist |
| Dale Rodkin | Steadicam Operator, "B" Camera Operator, Camera Operator |
| Andrew Sheel | Art Department Coordinator |
| Vivienne Gray | Set Designer |
| Simon Assekritov | Visual Effects Editor |
| Kerry Gregg | Stunt Coordinator |
| Lorna Bennet | Script Supervisor |
| Victoria Plis | Visual Effects Producer |
| Marisa Sonemann-Turner | Production Manager |
| Karen Vassar Triest | Sound Designer |
| Chris Grun | Visual Effects Art Director |
| Tell Reid | Rigging Gaffer |
| Tim Walston | Sound Designer |
| Patrick O'Connor | Art Direction |
| Drew Locke | Production Manager |
| J.S. Mackay | Gaffer |
| Megan Tanner | Hair Department Head, Makeup Department Head |
| Bryan Godwin | Visual Effects Supervisor |
| Robert Bentley | Location Manager |
| Balakrishnan | Visual Effects Producer |
| Raymond Chen | Visual Effects Supervisor |
| Matt Tassone | First Assistant Editor |
| Danny McWilliams | Location Manager |
| Dennis Sedov | Visual Effects Supervisor |
| Clint Gordon | Greensman |
| Peter Belcher | Camera Operator, "A" Camera Operator |
| Paul Lavoie | Digital Intermediate |
| David Halliday | Transportation Coordinator |
| Iain McGreer | Picture Car Coordinator |
| Cecelia van Straaten | Assistant Art Director |
| John Berri | Visual Effects Editor |
| Terry Wilson | Music Editor |
| Alan Markfield | Still Photographer |
| Michael Rossouw | Leadman |
| Tessa Verfuss | First Assistant Editor |
| Darren Griffiths | Visual Effects Editor |
| Andrew Malesky | Animation |
| Julie D'Antoni | Visual Effects Producer |
| Kelly Oxford | Supervising Sound Editor |
| Johnny Breedt | Supervising Art Director |
| Youssef Guezoum | Music |
| Francesca Van Der Feyst | Key Hair Stylist |
| Simone Stubbs | Key Hair Stylist, Key Makeup Artist |
| Talia Barak | Makeup & Hair |
| Zania Gerber | Makeup Artist |
| Belinda Manwaring | Makeup Artist |
| Gloria Wessels | Makeup Artist |
| Mathew Howard-Tripp | Prosthetics |
| Rob Carlisle | Prosthetic Supervisor |
| Jim Brebner | First Assistant Director |
| Charlie Watson | First Assistant Director |
| Mark Bunting | Second Assistant Director |
| Sarah MacFarlane | Second Assistant Director |
| De Villiers Fourie | Second Second Assistant Director |
| Shakeela Kingzley | Art Department Assistant |
| Rae Wynne-Roberts | Construction Manager |
| Sonia Staven | Graphic Designer |
| Willow Howell | Property Master |
| Craig Griffin | Set Dresser |
| Sonnel Grobbelaar | Set Dresser |
| Nicci Lubbe | Set Dressing Buyer |
| Troy Morgan | Storyboard Artist |
| Dan Sigobongo | Best Boy Grip |
| Craig Hattingh | Best Boy Grip |
| Jonathan Kyle | Data Wrangler |
| Andrew Little | Data Wrangler |
| Mitch Bax | Digital Imaging Technician |
| Dean Slotar | Digital Imaging Technician |
| Jacques van Tonder | Digital Imaging Technician |
| Grant Appleton | Second Unit Director of Photography |
| Ashraf Benjamin | Electrician |
| John McKay | Gaffer |
| J.P. Hankins | Gaffer |
| Nouel Lewis | Generator Operator |
| Matt Almas | Key Grip |
| Keith Johnston | Key Grip |
| Brad Maloney | Libra Head Technician |
| Jason Weir | Lighting Technician |
| Amy Yeats | Second Assistant "A" Camera |
| Diogo Domingues | Second Assistant "B" Camera |
| Pierre Henri De Villiers | Video Assist Operator |
| Jayne Forbes | Assistant Costume Designer |
| Alison Fraser | Assistant Costume Designer |
| Jacomina Jankowitz | Costume Supervisor |
| Shahida Dramat | Seamstress |
| Miriam Williams | Seamstress |
| Noa Franco | Casting Assistant |
| Bonnie Rodini | Casting Associate |
| Leslie Woo | Casting Associate |
| J.P. van der Merwe | Extras Casting Coordinator |
| Blair Miller | Assistant Editor |
| Craig Eric Parker | Colorist |
| Walter Volpatto | Digital Intermediate Colorist |
| Robert Zalkind | Digital Conform Editor |
| James Baillie | Chaperone |
| Michael Cerff | Chaperone |
| Chezlin Cross | Chaperone |
| Rachel Wood | Dialogue Coach |
| Pip Ayers | Epk Producer |
| Marilyn Lindsay | First Assistant Accountant |
| Joanne Goldstone | Production Accountant |
| Avi Levy | Production Accountant |
| Tarique Fredericks | Production Assistant |
| Sonya Ballas | Production Coordinator |
| Simon Rhodes | Production Coordinator |
| Kat Rogers | Production Coordinator |
| René Foster | Production Secretary |
| Bianca Boshoff | Set Production Assistant |
| Bárbara Morelos-Zaragoza | Translator |
| Greig Buckle | Line Producer |
| Ron Bedrosian | ADR Mixer |
| Greg Steele | ADR Mixer |
| Beauxregard Neylon | ADR Mixer |
| Julio Carmona | ADR Recordist |
| Greg Zimmerman | ADR Recordist |
| Jacques Pienaar | Boom Operator |
| Damian Fermor | Cableman |
| David Stanke | First Assistant Sound Editor |
| James Moriana | Foley Artist |
| Jeffrey Wilhoit | Foley Artist |
| Brett Voss | Foley Mixer |
| Conrad Kuhne | Sound Mixer |
| Brian Tatosky | 2D Supervisor |
| Paul Hegg | 3D Artist |
| Louis Leung | 3D Artist |
| Jamie Macdougall | 3D Artist |
| Craig Van Den Biggelaar | 3D Artist |
| Jocelyn Cervenka | 3D Modeller |
| Kenny Roy | 3D Modeller |
| Mitch Gonzalez | 3D Modeller |
| Maxim Klochkov | Animation |
| Anna Pozdeyeva | Animation |
| Margarita Sheshukova | Animation |
| Natalia Sorokina | Animation |
| Adam Lawson | Animation |
| Chad Shattuck | Animation |
| Derek Tannehill | Animation |
| Alexey Kalinchikov | Visual Effects Art Director |
| Stas Lebedev | Visual Effects Art Director |
| Pavel Bezborodov | CG Supervisor |
| Tom Archer | Compositing Supervisor |
| Harimander Singh Khalsa | Compositing Supervisor |
| Kevin Lin | Matchmove Supervisor |
| Steve Matson | Matte Painter |
| Brandon Kachel | Matte Painter |
| Kenneth Nakada Mikael Genachte-Lebail | Matte Painter |
| Mikael Genachte-Le Bail | Matte Painter |
| Mayuresh Salunke | Senior Modeller |
| Daniel Mejia | Sequence Supervisor |
| Anthony Fung | VFX Artist |
| Dhas Karthick | VFX Artist |
| Swain Shiv | VFX Artist |
| Derek Cheung | VFX Artist |
| Chad Wilson | Visual Effects Camera |
| Celine Chew | Visual Effects Coordinator |
| Ankit Gokani | Visual Effects Coordinator |
| Amira Quinlan | Visual Effects Coordinator |
| Hannah Slezacek | Visual Effects Coordinator |
| Denise Tam | Visual Effects Coordinator |
| Kathy Chasen-Hay | Visual Effects Producer |
| Thilak | Visual Effects Producer |
| Terry Hutcheson | Visual Effects Producer |
| David Robinson | Visual Effects Producer |
| Ryan Andersen | Visual Effects Production Assistant |
| Pauline Burns | Visual Effects Production Manager |
| Alexandr Petrov | Visual Effects Technical Director |
| Eugeny Urusov | Visual Effects Technical Director |
| Andrey Ustyugov | Visual Effects Technical Director |
| John Riddle | Visual Effects Technical Director |
| Tony Lamberti | Sound Re-Recording Mixer |
| Ronna Kress | Casting |
| Kerry Carmean-Williams | Sound Effects Editor |
| François Coetzer | Stunts |
| Name | Title |
|---|---|
| John Davis | Producer |
| Adam Schroeder | Producer |
| James Dodson | Executive Producer |
| Katie Shapiro | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 50 | 77 | 34 |
| 2024 | 5 | 49 | 82 | 32 |
| 2024 | 6 | 43 | 60 | 29 |
| 2024 | 7 | 38 | 57 | 25 |
| 2024 | 8 | 44 | 70 | 31 |
| 2024 | 9 | 33 | 43 | 25 |
| 2024 | 10 | 37 | 59 | 27 |
| 2024 | 11 | 36 | 77 | 22 |
| 2024 | 12 | 33 | 49 | 22 |
| 2025 | 1 | 35 | 60 | 24 |
| 2025 | 2 | 29 | 46 | 8 |
| 2025 | 3 | 12 | 46 | 3 |
| 2025 | 4 | 8 | 13 | 5 |
| 2025 | 5 | 8 | 14 | 6 |
| 2025 | 6 | 6 | 9 | 4 |
| 2025 | 7 | 5 | 9 | 4 |
| 2025 | 8 | 4 | 7 | 4 |
| 2025 | 9 | 6 | 10 | 5 |
| 2025 | 10 | 7 | 9 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 472 | 765 |
| Year | Month | High | Avg |
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| 2025 | 9 | 543 | 840 |
| Year | Month | High | Avg |
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| 2025 | 8 | 514 | 766 |
| Year | Month | High | Avg |
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| 2025 | 7 | 468 | 712 |
| Year | Month | High | Avg |
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| 2025 | 3 | 852 | 897 |
| Year | Month | High | Avg |
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| 2025 | 2 | 659 | 817 |
| Year | Month | High | Avg |
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| 2025 | 1 | 428 | 689 |
| Year | Month | High | Avg |
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| 2024 | 11 | 931 | 957 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 896 | 930 |
Awkward loner Andrew (Dane DeHaan, soon to appear as Harry Osborn in The Amazing Spider-Man 2) is invited by his more affable cousin Matt (Alex Russell, Bait, Carrie) to go to a party, to help cheer him up. Andrew has problems at home; his mother is dying of cancer, the cost of her medication has be ... come prohibitive, and his dad is an abusive drunk. Andrew brings with him the bulky old video camera he's been using of late to document... I dunno, the misery of his life I suppose. Anyway, once at the party Matt, mildly embarrassed by his cousin following him around with a camera, peels off away from Andrew to hang with some of the cooler kids, including the impossibly popular but genuinely decent Steve (Michael B. Jordan, The Wire, Friday Night Lights). The camera causes further problems for Andrew and he's unceremoniously ejected from the party. He's found outside by the aforementioned Steve, and invited to come with him and Matt to check out a weird hole in the ground in the woods nearby (elements of the party had spilled outside into the darkness, as these things do from time to time). Andrew, Matt and Steve venture down this hole, which turns out to be more of a tunnel, leading to... what is that? A space rock of some sort? Something mineral, and glowing, and a bit scary. Upon exiting the hole, the trio find that they possess mild levels of telekinesis, the ability to move objects with their minds. They also find that with practice, they can strengthen that ability. They soon graduate from levitating Lego bricks to flying through the air. Andrew proves to be particularly adept with this new "talent", and that proves to be problematic, because where Matt and Steve are content to limit their telekinetic use to mild pranks and perhaps flying somewhere interesting on holiday, Andrew's home life, general isolation and subsequent mood swings as a result of each cause him to want to embrace his power - and for him, it's grown into a potentially deadly power, now - in altogether different ways indeed. With Chronicle, writer Max Landis (son of John "An American Werewolf in London" Landis) and director Josh Trank have taken some fairly tired areas (cinéma vérité, superhero origin tales) and made something decent and fresh with them, for comparatively little money (budget was $12m apparently, looks like five times that). It's not a perfect film - the first-person narrative's need to justify its camera angles leads to one or two bum notes despite the fairly ingenious device of having Andrew telekinetically "float" the camera around behind him; some of Andrew's worst rages during the second act - including one with devastating consequences - seem badly disproportionate to the infraction, disconnecting us from the character (though perhaps that's the idea); and the abusive father (Michael Kelly, Dawn of the Dead, Did You Hear About the Morgans?) seems unrealistically so. But these are things I thought about after having seen the movie. The movie's tone and pace, and the performances of the three newly-empowered young men particularly, carry the movie very well right to the brisk 78th minute end (minus the credits). Recommended.
Why this movie seem to get a lot of 7 and above ratings is beyond me. It’s certainly not my cup of tea. The three high school friends are behaving annoyingly stupid, reckless and irresponsibly. Only one of them is showing any sign of intelligence. One of them is just silly and the other one is a nut ... case. Of course the film actually revolves around the nutcase. It starts of kind of okay with the three friends finding this glowing alien thing which gives them superpowers and there are some mildly funny scenes when they experiment with them. After that it spirals out of control when the nutcase goes more and more insane. I can live with the drama and bizarre behaviours if the movie would have had some other redeeming factors such as imagery or acting but none of it is present here. Rather the inverse since the film shot in this wobbling-about handycam/documentary style which I really do not like. I’m afraid that I found this movie not very entertaining.
Great watch, will watch again, and can recommend. I am partial to found footage style of shooting, so I understand if that's not for you. Dane DeHaan does a lot of the heavy lifting in this movie, but Michael B. Jordan is right behind him, alongside Alex Russell. It is almost literally just t ... hese 3 guys filming each other as they gain, experiment, and grow their supernatural abilities. There are some supporting cast, but they're more there as plot devices, and another camera angle. Found footage is not easy to do, which is why everyone complains about it. This is a very natural feeling movie with some dark aspects too it. I really think you can feel when the mood changes in this movie. It also brings up some great points on the "reality" of if people gained super powers. While most people would claim to be Captain America, the reality is that people tend to do whatever they can get away with, so creating a checks and balances with one's co-supernaturals makes sense, but the reality is enforcing that turns it into super "hero" versus super "villain". Surprisingly, this movie reminds a little bit of "Hancock", but probably not quite as good, mostly just different. If you like dark, edgy super power stuff or found footage, give it a go.