Popularity: 7 (history)
| Director: | Guillermo del Toro |
|---|---|
| Writer: | David S. Goyer |
| Staring: |
| Blade forms an uneasy alliance with the vampire council in order to combat the Reapers, who are feeding on vampires. | |
| Release Date: | Mar 22, 2002 |
|---|---|
| Director: | Guillermo del Toro |
| Writer: | David S. Goyer |
| Genres: | Fantasy, Action, Horror, Thriller |
| Keywords | martial arts, katana, mutation, vampire, supernatural, vampire hunter (slayer), superhero, based on comic, revenge, tragic villain, lasersight, super power, reaper, sword duel, urban gothic, anxious, good versus evil |
| Production Companies | New Line Cinema, Amen Ra Films, Imaginary Forces |
| Box Office |
Revenue: $155,010,032
Budget: $54,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Wesley Snipes | Blade |
| Kris Kristofferson | Whistler |
| Ron Perlman | Reinhardt |
| Leonor Varela | Nyssa |
| Norman Reedus | Scud |
| Thomas Kretschmann | Damaskinos |
| Luke Goss | Nomak |
| Matt Schulze | Chupa |
| Danny John-Jules | Asad |
| Donnie Yen | Snowman |
| Karel Roden | Kounen |
| Marit Velle Kile | Verlaine |
| Tony Curran | Priest |
| Daz Crawford | Lighthammer |
| Santiago Segura | Rush |
| Samuel Le | Jigsaw |
| Marek Vašut | Golem |
| Pete Lee-Wilson | Blood Bank Doctor / Reaper |
| Paul Kasey | Blood Bank Guard / Reaper |
| Andrea Miltner | Blood Bank Nurse |
| Ladislav Beran | Drug Dealer |
| Jiří Maria Sieber | Blood Bank Guard |
| Bridge Markland | Vampire with Exposed Spine |
| Jamie Wilson | Reaper |
| Stuart Luis | Reaper |
| Ladislav Mohyla | Reaper |
| Jan Malík | Reaper |
| Jan Révai | Reaper |
| Mário Wild | Reaper |
| Tomáš Böhm | Reaper |
| Zdenek Bubák | Reaper |
| Jan Loukota | Reaper |
| Jan Bursa | Reaper |
| Petr Krusalnicky | Reaper |
| Jaroslav Misek | Reaper |
| Karel Vávrovec | St. Cloud |
| Jaroslav Peterka | Choad |
| Miloš Kulhavý | Little G |
| Ivan Mareš | Tea Bag |
| Lennox Brown | Man in London Porno Shop |
| André Hyde-Braithwaite | Young Blade |
| Pavel Cajzl | Moscow Vampire (uncredited) |
| Olga Lounová | Prostitute (uncredited) |
| Stephen R. Peluso | Paramedic (uncredited) |
| John Salvitti | Moscow Vampire Attacking Blade (uncredited) |
| Kenji Tanigaki | Moscow Vampire Attacking Blade (uncredited) |
| Michael Woods | Moscow Vampire Attacking Blade (uncredited) |
| Name | Job |
|---|---|
| David S. Goyer | Writer |
| Marv Wolfman | Characters |
| Gene Colan | Characters |
| Marco Beltrami | Original Music Composer |
| Gabriel Beristain | Director of Photography |
| Scott Martin Gershin | Supervising Sound Editor, Sound Designer |
| Peter S. Elliot | Visual Effects Editor |
| Ladislav Beran | Choreographer |
| Jeff Ward | Martial Arts Choreographer |
| Hector C. Gika | Sound Editor |
| Nick Allder | Special Effects Supervisor |
| Miroslav Čáslavka | Set Dresser |
| Clayton J. Barber | Fight Choreographer |
| Tom Boyd | Musician |
| Chas Bain | Focus Puller |
| Dave Jordan | Music Consultant |
| Donnie Yen | Martial Arts Choreographer |
| Gary Archer | Prosthetics |
| Gary Powell | Stunts |
| Clay Cullen | Stunts |
| Jonathan Eusebio | Stunts |
| Barrie Gower | Prosthetic Makeup Artist |
| Jan Beran | Special Effects Technician |
| Ian Unterreiner | Visual Effects Production Assistant |
| Lisa Bechard | Visual Effects Production Manager |
| Peter Amundson | Editor |
| Carol Spier | Production Design |
| Dan Morski | Co-Art Director |
| Jaromír Švarc | Art Direction |
| James F. Truesdale | Art Direction |
| Jeffrey Kushon | Set Decoration |
| Peter Nicolakakos | Set Decoration |
| Nikita Rae | Makeup Artist |
| Michelle Taylor | Makeup Artist |
| Jeanette Freeman | Hairstylist |
| Pavel Typolt | Production Manager |
| Michelle Weller | Production Supervisor |
| Wendy Cox | Production Supervisor |
| Mike Hyrman | Art Department Coordinator |
| Phillip Tellez | Construction Coordinator |
| Bruce DiValerio | Construction Coordinator |
| Milena Koubková | Set Designer |
| Michael Madden | Set Designer |
| Gordon White | Set Designer |
| Martin Vačkář | Assistant Art Director |
| Constantine Sekeris | Conceptual Design |
| Mathew Waters | Supervising Sound Editor |
| John Ross | Sound Re-Recording Mixer |
| Barbora Kolarova | Special Effects Coordinator |
| Terry Bradley | Visual Effects Supervisor |
| Nicholas Brooks | Visual Effects Supervisor |
| Blair Clark | Visual Effects Supervisor |
| Robert Duncan | Visual Effects Supervisor |
| Craig Hayes | Visual Effects Supervisor |
| Justin Martin | Visual Effects Supervisor |
| Bob Munroe | Visual Effects Supervisor |
| Dominic Parker | Visual Effects Supervisor |
| Nordin Rahhali | Visual Effects Supervisor |
| Sarah Schubart | Visual Effects Editor |
| David Sosalla | Visual Effects Supervisor |
| Dirk Westervelt | Visual Effects Editor |
| Ruth Greenberg | Visual Effects Producer |
| Edward Irastorza | Visual Effects Producer |
| Susan MacLeod | Visual Effects Producer |
| George Macri | Visual Effects Producer |
| Dominic Sidoli | Visual Effects Producer |
| Pavel Cajzl | Stunt Coordinator |
| Klaus Fuxjäger | Camera Operator |
| Anthony Gaudioz | Camera Operator |
| Craig Fikse | Steadicam Operator |
| Guy Hodgen | Additional Camera |
| Viktor Lonek | Video Assist Operator |
| Jaromir Simek | Gaffer |
| H. Mark Vuille | Gaffer |
| Bill Abbott | Music Editor |
| Brian Richards | Music Editor |
| Vaclav Mottl | Transportation Coordinator |
| Aaron Skalka | Transportation Coordinator |
| Douglas Dresser | Location Manager |
| Jon Sperry | Dialect Coach |
| Marianna Krenova | Stand In |
| Moira Houlihan | Unit Publicist |
| Jan Kodera | Leadman |
| Tim Larsen | Painter |
| John Weldy | Sculptor |
| Ladislav Hrubý | First Assistant Camera |
| Kelly Fraser | Assistant Costume Designer |
| Marese Langan | Key Hair Stylist |
| David Dupuis | Key Makeup Artist, Prosthetic Supervisor |
| Danny Saber | Additional Music |
| James Weston | Armorer |
| Mark Fattibene | CG Supervisor |
| Chris Ferrence | Driver |
| Jayson Wall | Post Production Assistant |
| Sara Romilly | Post Production Supervisor |
| Alex Matcham | Production Controller |
| Eva Dvorakova | Set Medic |
| Phred Lender | Systems Administrators & Support |
| Keith D. Fisher | Transportation Captain |
| Claudine Strasser | Script Supervisor |
| Dan Muscarella | Color Timer |
| Laura Rindner | First Assistant Editor |
| Ben Bowling | Electrician |
| Mike Macias | Lighting Technician |
| Petr Svoboda | Rigging Gaffer |
| Michal Houzvicka | Rigging Grip |
| Andrea Clark | Casting Associate |
| Jiri Tichacek | Production Accountant |
| Sissy Grover | Production Coordinator |
| Peter Eusebe | Boom Operator |
| Chris Sposa | Cableman |
| Happy Walters | Music Supervisor |
| Mark Holding | Production Sound Mixer |
| John Kurlander | Scoring Mixer |
| Bryan Bowen | Sound Effects Editor |
| Nerses Gezalyan | Sound mixer, Foley Mixer |
| Asregadoo Arundi | Digital Compositors |
| Kandece Brown | Visual Effects Coordinator |
| Jason Brubaker | Storyboard |
| Wayne D. Barlowe | Creature Design |
| Steve Watson | 24 Frame Playback |
| David Rosenthal | I/O Supervisor |
| Vicki Wong | I/O Manager |
| Robert Bernacchi | Unit Production Manager |
| Elinor Rose Galbraith | Supervising Art Director |
| Alexandre Szabo-Fresnais | Camera Loader |
| Bill Daimant | Dolly Grip |
| Malcolm Sheehan | Key Grip |
| John Emory | Grip |
| Heather Moore | Key Costumer |
| Nigel Booth | Prosthetic Makeup Artist |
| Libor Hatas | Pilot |
| Julian Wall | First Assistant Director |
| Philip Seeger | Third Assistant Director |
| Jana Lynn Gold | Associate Editor |
| Gary Burritt | Negative Cutter |
| Stephani Hunter | Assistant Production Coordinator |
| Clive Miles | Assistant Production Manager |
| Minna Pyyhkala | Casting Assistant |
| Michael Hertlein | Dialogue Editor, ADR Editor |
| Thomas Jones | ADR Supervisor |
| Susan Cahill | Assistant Sound Editor |
| Pete Anthony | Conductor |
| Craig Jurkiewicz | Foley Editor |
| Paul Anderson | 3D Artist |
| Jerry Corda-Stanley | CG Animator |
| Warren J.W. Leathem | Lead Animator |
| Robert Getty | Dialogue Editor |
| Louis Creveling | Dialogue Editor |
| Jed M. Dodge | Dialogue Editor |
| Greg Zimmerman | Foley Recordist |
| Matt Colleran | Sound Recordist |
| Simon Werry | Aerial Camera |
| Gert Broekema | Property Master |
| Michael Lindsay | Property Master |
| Mark Taylor | Second Assistant Director |
| Jemma Scott-Knox-Gore | Contact Lens Technician |
| Martina Götthansova | Second Second Assistant Director |
| TyRuben Ellingson | Concept Artist |
| Leo Duranona | Storyboard Artist |
| Ron Bedrosian | ADR Mixer |
| Brian Basham | ADR Recordist |
| Kenny Groom | Assistant Camera |
| Darrel Griffin | Data Wrangler |
| Alexander Bscheidl | Second Assistant Camera |
| Josh Campbell | Assistant Editor |
| Jim Garrow | Colorist |
| Adam Glasman | Digital Colorist |
| Betty Burkhart | Post Production Coordinator |
| David Antol | Location Assistant |
| Jim Ervin | Music Producer |
| Natasha Ivanova | Additional Dialogue |
| Vera Trousilová | Assistant Accountant |
| Michael K. O'Melia | Assistant Chief Lighting Technician |
| Clay Dale | CG Artist |
| Avtar Bains | Compositing Artist |
| Petr Brodsky | Extras Casting |
| Rob Seager | First Assistant Accountant |
| Ray Scalice | General Manager |
| Alonzo Ruvalcaba | Head of Production |
| John Bannister | Key Scenic Artist |
| Jennifer Hunt Pedevilla | Payroll Accountant |
| Tyler Ham | Production Assistant |
| Leon Dudevoir | Production Executive |
| Cammeron Truesdale | Production Runner |
| Dan Feinstein | Rotoscoping Artist |
| Ray McIntyre Jr. | Visual Effects Supervisor |
| Gregory Palmer | Second Assistant Director |
| John T. Sweeney | Production Coordinator |
| Lane Leavitt | Stunts |
| Greg Runnels | Swing |
| Nikki Berwick | Stunt Double |
| Wendy Partridge | Costume Design |
| Michael Keller | Sound Re-Recording Mixer |
| Guillermo del Toro | Director |
| Nancy Foy | Casting |
| Pavel Štěrba | Location Manager |
| Freddy Bouciegues | Utility Stunts |
| Drew Jones | Visual Effects Producer |
| Peter Field | Additional Director of Photography |
| Jonathan Fawkner | Compositing Artist |
| Name | Title |
|---|---|
| Wesley Snipes | Producer |
| Avi Arad | Executive Producer |
| Michael De Luca | Executive Producer |
| David S. Goyer | Executive Producer |
| Lynn Harris | Executive Producer |
| Stan Lee | Executive Producer |
| Peter Frankfurt | Producer |
| Patrick J. Palmer | Producer |
| Robert Bernacchi | Associate Producer |
| Jon Divens | Co-Producer |
| Andrew J. Horne | Co-Producer |
| Toby Emmerich | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 46 | 73 | 25 |
| 2024 | 5 | 63 | 104 | 43 |
| 2024 | 6 | 48 | 71 | 34 |
| 2024 | 7 | 66 | 118 | 29 |
| 2024 | 8 | 75 | 128 | 43 |
| 2024 | 9 | 44 | 60 | 28 |
| 2024 | 10 | 50 | 71 | 29 |
| 2024 | 11 | 41 | 96 | 28 |
| 2024 | 12 | 43 | 104 | 26 |
| 2025 | 1 | 44 | 80 | 30 |
| 2025 | 2 | 25 | 45 | 5 |
| 2025 | 3 | 13 | 34 | 2 |
| 2025 | 4 | 5 | 6 | 4 |
| 2025 | 5 | 5 | 6 | 4 |
| 2025 | 6 | 5 | 5 | 3 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 4 | 6 | 4 |
| 2025 | 9 | 6 | 8 | 4 |
| 2025 | 10 | 6 | 8 | 4 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 203 | 724 |
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| 2025 | 9 | 308 | 715 |
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| 2025 | 8 | 101 | 653 |
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| 2025 | 7 | 377 | 711 |
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| 2025 | 6 | 273 | 721 |
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| 2025 | 5 | 363 | 740 |
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| 2025 | 4 | 487 | 778 |
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| 2025 | 3 | 221 | 623 |
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| 2025 | 2 | 269 | 641 |
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| 2025 | 1 | 264 | 636 |
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| 2024 | 12 | 465 | 825 |
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| 2024 | 11 | 182 | 683 |
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| 2024 | 10 | 349 | 805 |
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| 2024 | 9 | 515 | 777 |
| Year | Month | High | Avg |
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| 2024 | 8 | 172 | 352 |
Blade II is the perfect marriage of fanboy and filmmaker. Everything you'd want out of a Blade movie - gore, martial arts, gunplay, clever quips, and techno music - is here to the nth degree. Best of all, it's filmed and choreographed with absolute mastery (thanks Donnie Yen!) Guillermo del Toro ... never forgets to include his more artistic side. Detailed creature anatomy, amazing creature design, an understanding of where to put the camera, and great characters. It's all here. Blade II is an incredible action picture and even though some of the CGI looks dated (it really just adds to the charm), Blade II is as exhilarating today as it was in 2002.
The second piece of this vampire hunter trilogy blurs the lines between Action, Super Hero and Horror, which personally I'm kinda liking. This time around, Blade (Wesley Snipes; New Jack City, Chaos), Abraham Whistler (Planet of the Ape, Provinces of Night) and new arrival Scud (Norman Reedus; Th ... e Boondock Saints, Pandorum) must team up with the Blood Pack, made up of Dieter Reinhardt (Ron Perlman; Hellboy, Outlander), Nyssa Damaskinos (Hell Ride, Wrong Turn at Tahoe), Chupa (Matt Schulze; The Transporter, The Fast and the Furious), Asad (Danny-John Jules; Red Dwarf, Lock, Stock & Two Smoking Barrels), Snowman (Donnie Yen; IP Man, Highlander: Endgame), Verlaine (Marit Kile; Doctors, Blue Murder), Priest (Tony Curran; The Midnight Meat Train, Underworld: Evolution), and Lighthammer (Daz Crawford; Hammer of the Gods, Game Over) in order to defeat UberVamp Jared Nomak (personal favourite Luke Goss; Death Race 2, Hellboy II: The Golden Army, Tekken) and his army of Reaper Strain Vampires. With me so far? No? Then go watch the damn movie! It's very fucking good. The opening is almost as strong as the original, and pretty much everything else about it is better. Not to mention the fact that I'm a total Luke Goss fanboy. All of the characters are so much better. They interact and everything. And even though Wesley Snipes has never really impressed me as an actor, the character of Blade was a little less cheesy, which always helps, and basically just better all 'round. SPOILERS FOR BLADE, BLADE II and TRINITY: An interesting point, without ruining anything about the trilogy is that in all three films, vampires fight vampires. Not in the whole "Blade's half a vampire so he kills full-on vampires" way, although there is most certainly that, but in Blade, Frost kills the Elder vampires to become La Magra. In Blade II, The Blood Pack and Blade team up to take down a new, much more dangerous breed of vampires. And in Trinity, Dracula goes around killing vampires, pretty much for fun. Just food for thought. I've never read the comics much myself, so I don't really know if that's something that's been going on for a while, or if it just turned out that way. There were a couple of lame bits. Some very stupid lines like "they took all of our weapons. Even your sword." Even your sword! Man, the single weapon for which you were named after that has killed more vampires than any other thing on the planet, and the vampires took it away from you? The audacity! And there's this whole thing where Whistler is alive again, they went most of the way to explaining it, and then sort of forgot. It would have been so simple to have a four second flashback cover the lot of it. Oh well. Still though, I'm very, very fond of this one. 77% -Gimly
**Blade II is more than just a good Blade or comic book movie. It's one of the best vampire films of the last 20 years.** Blade II was a significant step up for the Blade franchise (and, unfortunately, the trilogy's peak) with a much more experienced director and a unique and exciting premise. Th ... is time the vampires are the prey and are desperate to survive the growing horde of vampire zombies, desperate enough to side with their sworn enemy, Blade, in hopes of surviving this plague. Both Blade and Blade: Trinity placed inexperienced directors at the helm, but Blade II put experienced horror and creature director Guillermo del Toro in charge, and the result was outstanding! Blade II has the most horror influence of the trilogy and the best story. Del Toro's involvement in all three films might have saved the series, but instead, we got the all-out action letdown of Blade: Trinity. Wesley Snipes was a perfect choice for Blade, and surrounding him with a cast that included Ron Pearlman, Tony Curran, and Donnie Yen (all experienced in the genre and with action) makes Blade II a top-notch vampire action comic book film.
Not as good as the 1st. Seems like it was less action. Movie was still good though. ...
This time "Blade" (Wesley Snipes) joins forces with the vampire council to prevent the all-out eradication of the human and vampire species by the cross-breed "Reaper" that has such a rapacious hunger that it will devour just about anything to survive - no-one is safe! He allies with the "Bloodpack" ... and with "Scud" (Norman Reedus) on a quest to track down Luke Goss "(Nomak") who is the one creating these hybrid monsters, and to stop them before extinction beckons. This has quite a strong storyline, the characters are given some time to evolve and the chemistry between the rather static Snipes and Kris Kristofferson ("Whistler") works well on the few occasions it is on screen - though not really well enough to compensate for pretty wooden performances from messrs. Goss and Reedus. As with the first film, the fight scenes are far too heavily staged; they rob the story of menace and the over-use of the soundtrack to accompany these extended, gory, slaughter-scenes really does reduce this to an almost cartoon status. It is good to look at, stylishly produced, but sadly nowhere near as good as the original.
<em>'Blade II'</em> is a good follow-up to the 1998 predecessor. I'd personally say that the plot in this 2002 flick isn't as good, but is still entertaining in its own right and is portrayed by a stronger cast. Wesley Snipes is Wesley Snipes, brilliant. Behind him, Ron Perlman stands out. I didn ... 't know Norman Reedus was in this, love him in <em>'The Walking Dead'</em> - he elevates an otherwise forgettable character. Another favourite of mine is here too, as Matt Schulze of <em>'The Fast and the Furious'</em> fame appears. I also recognised Karel Roden, who distractingly has his lines dubbed by a British actor - very odd! Lastly, I have to commend the special effects. The majority of which is admittedly as passable as was the case for <em>'Blade'</em>, but the new addition of that effect for the reaper mouths is outstanding - it genuinely still holds up to today. Very impressive.