Popularity: 8 (history)
Director: | Stephen Sommers |
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Writer: | Stephen Sommers |
Staring: |
Rick and Evelyn O’Connell, along with their 8-year-old son Alex, discover the key to the legendary Scorpion King’s might: the fabled Bracelet of Anubis. Unfortunately, a newly resurrected Imhotep has designs on the bracelet as well, and isn’t above kidnapping its new bearer, Alex, to gain control of Anubis’s otherworldly army. | |
Release Date: | May 04, 2001 |
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Director: | Stephen Sommers |
Writer: | Stephen Sommers |
Genres: | Fantasy, Adventure, Action |
Keywords | egypt, pyramid, mummy, nile, son, sequel, tomb, ancient egypt, 1930s, egyptian tomb, good versus evil |
Production Companies | Universal Pictures, Alphaville Films |
Box Office |
Revenue: $443,280,904
Budget: $98,000,000 |
Updates |
Updated: Aug 02, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Brendan Fraser | Rick O'Connell |
Rachel Weisz | Evelyn O'Connell / Nefertiri |
John Hannah | Jonathan Carnahan |
Oded Fehr | Ardeth Bay |
Arnold Vosloo | Imhotep |
Patricia Velásquez | Meela / Anck-Su-Namun |
Freddie Boath | Alex O'Connell |
Dwayne Johnson | Mathayus / The Scorpion King |
Alun Armstrong | Baltus Hafez |
Adewale Akinnuoye-Agbaje | Lock-Nah |
Shaun Parkes | Izzy Buttons |
Bruce Byron | "Red" Willits |
Joe Dixon | Jacques Clemons |
Tom Fisher | Jacob Spivey |
Aharon Ipalé | Seti I |
Quill Roberts | Shafek |
Donna Air | Show Girl |
Trevor Lovell | Mountain of Flesh |
Brian Best | British Museum Mummy (uncredited) |
Sean Cronin | High Priest (uncredited) |
Rocky Taylor | Man in Alley (uncredited) |
Rene Costa | Digger (uncredited) |
Salem Hanna | Egyptian Digger (uncredited) |
Max Cavalera | Scorpion King (voice) (uncredited) |
Name | Job |
---|---|
Danny Rogers | Graphic Designer |
Rowley Irlam | Stunts |
Stephen Sommers | Director, Screenplay, Characters |
Alan Silvestri | Conductor, Original Music Composer |
Adrian Biddle | Director of Photography |
Bob Ducsay | Editor |
Steve Dent | Stunt Coordinator |
Hicham Regragui | Transportation Coordinator |
Cliff Lanning | First Assistant Director |
Neil Corbould | Special Effects Supervisor |
Craig Barron | Visual Effects Supervisor |
Peter Glossop | Production Sound Mixer |
Leslie Shatz | Sound Designer |
Derek Thompson | Creature Design |
Glen Ballard | Music Producer |
Ben Lanning | Floor Runner |
Amanda Foster | Stunts |
Ray Bushey III | Editor |
Joanna Colbert | Casting |
Kate Dowd | Casting |
John Bloomfield | Costume Design |
Allan Cameron | Production Design |
Ahmed Abounouom | Art Direction |
Giles Masters | Art Direction |
Tony Reading | Art Direction |
Peter Young | Set Decoration |
Chloé Barbier | Art Department Coordinator |
Gary Tomkins | Assistant Art Director |
Andy Evans | Construction Manager |
Erik Krumrey | Leadman |
Stephanie Conrad | Painter |
Jacques Rey | Production Illustrator |
David Balfour | Property Master |
Marlon Cole | Props |
Paul Spateri | Sculptor |
Aric Cheng | Set Designer |
Paul Couch | Standby Painter |
Adam Dale | Aerial Camera |
Roderick Barron | Camera Operator |
Glyn Williams | First Assistant Camera |
Philip Murphy | Grip |
John Flemming | Key Grip |
Alf Tramontin | Steadicam Operator |
Keith Hamshere | Still Photographer |
Beatrice De Alba | Hairstylist |
Tricia Cameron | Key Hair Stylist |
Aileen Seaton | Key Makeup Artist |
Sonia Akouz | Makeup Artist |
Steve O'Sullivan | Set Costumer |
Chris Barton | Animatronic and Prosthetic Effects |
Charles Bodycomb | Armorer |
Lee Biggs | Carpenter |
Michael Conte | Compositor |
Mark Russell | Driver |
Sean T. Stratton | Post Production Supervisor |
Jakub Durkoth | Propmaker |
James Gemmill | Scenic Artist |
Sylvie Chesneau | Script Supervisor |
Ed Kramer | Sequence Supervisor |
Jason McCameron | Special Effects |
Carol McAulay | Special Effects Coordinator |
Joanna Hamer | Stand In |
Eugenio Alonso Yenes | Stunts |
Phil Allchin | Transportation Captain |
Geoff Freeman | Unit Publicist |
Ben Dimmock | Utility Stunts |
Jim Passon | Color Timer |
Tzarina V. Edillon | First Assistant Editor |
Andrew Watson | Best Boy Electric |
Steve Casey | Electrician |
Michael Chambers | Gaffer |
Simon Lucas | Rigging Gaffer |
Ron Lynch | Executive In Charge Of Production |
Simon McNair Scott | Location Manager |
Alistair Thompson | Production Accountant |
Bi Benton | Production Coordinator |
Philip Kohler | Production Manager |
Jo Burn | Production Supervisor |
Piers Dunn | Unit Manager |
Hamid Araissi | Unit Production Manager |
Andrew Bock | Assistant Sound Editor |
Shaun Mills | Boom Operator |
John Finklea | Music Editor |
John Barclay | Musician |
Mark McKenzie | Orchestrator |
Valerie Davidson | Sound Editor |
Malcolm Fife | Sound Effects Editor |
Ronald Bailey | Sound Mixer |
Rick Ash | Sound Re-Recording Mixer |
Eddie Bydalek | Sound Recordist |
Glenn Cotter | 3D Artist |
Daniel Jeannette | Animation Supervisor |
Drew Jones | Executive Visual Effects Producer |
Lucy Killick | Visual Effects Coordinator |
Tabitha Dean | Visual Effects Editor |
Jennifer Bell | Visual Effects Producer |
Michele Tandy | Finance |
Laura McIntosh | Assistant Makeup Artist |
Jemma Scott-Knox-Gore | Contact Lens Technician |
Lahcen Abbana | Costume Assistant |
Dulcie Scott | Costume Coordinator |
Margaret Pescott | Costumer |
Neil Murphy | Key Costumer |
Dan John | Additional Second Assistant Director |
Greg Michael | Second Unit Director |
William Dodds | Third Assistant Director |
Robert Allen | Construction Buyer |
Alex Cameron | Draughtsman |
Paul Cheesman | Dressing Prop |
Dean Clegg | Storyboard Artist |
David A. Cohen | ADR Editor |
Greg Steele | ADR Mixer |
Martin Schloemer | ADR Recordist |
Alyson Dee Moore | Foley Artist |
Carolyn Tapp | Foley Recordist |
Michael Magill | Supervising Dialogue Editor |
Christopher Brennan | Special Effects Assistant |
Alistair Anderson | Special Effects Technician |
Pat Conran | VFX Artist |
Carey Burens | Visual Effects Assistant Editor |
Grady Cofer | Visual Effects Compositor |
Leigh Ann Fan | Visual Effects Production Assistant |
Brad Larner | Assistant Camera |
David Mackie | Camera Trainee |
Marc Atherfold | Clapper Loader |
Mik Allen | Focus Puller |
Louis Dunlevy | CG Animator |
Marjolaine Tremblay | Lead Animator |
Rudi Bloss | Senior Animator |
Vanessa Baker | ADR Voice Casting |
Leor Mendel | Casting Assistant |
Philip Goldsworthy | Wardrobe Assistant |
Michael Gay | Assistant Editor |
Michael Healey | Colorist |
Hunter S. Ellis | Post Production Coordinator |
Simon Crook | Assistant Location Manager |
Mustapha Adidou | Location Assistant |
Sana El Kilali | Accountant |
Tina Falcone | Assistant Accountant |
Kate Garbett | Assistant Production Coordinator |
Matt Kasmir | Compositing Artist |
Thomas Rosseter | Compositing Supervisor |
Julie Adrianson-Neary | Digital Compositor |
Hamid Ait Timaghrit | Extras Casting |
Rob Burgess | Key Set Production Assistant |
Ivo Horvat | Matte Painter |
Ty Warren | Production Executive |
Luke Boyle | Production Runner |
Richard Hooper | Supervising Armorer |
Lynda Van Den Berg | Stunt Double, Stunts |
Kelly Dent | Stunt Double, Stunts |
Sarah Bicknell | Art Department Assistant |
Stephanie Lelievre | Stunts |
Krystal Archer | Stunts |
Adil Abdelwahab | Assistant Director |
Phillip Blackford | Sound Mix Technician |
Jamie Christopher | Second Assistant Director |
Jeanie King | Visual Effects Coordinator |
Nikki Berwick | Stunt Double |
John L. Balderston | Characters |
Nina Wilcox Putnam | Characters |
Richard Schayer | Characters |
Lloyd Fonvielle | Characters |
Kevin Jarre | Characters |
Matthew Sharp | Second Assistant Director |
Mark Southworth | Stunt Double |
Name | Title |
---|---|
Sean Daniel | Producer |
Bob Ducsay | Executive Producer |
James Jacks | Producer |
Megan Moran | Associate Producer |
Don Zepfel | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 63 | 86 | 52 |
2024 | 5 | 71 | 91 | 50 |
2024 | 6 | 63 | 100 | 47 |
2024 | 7 | 77 | 108 | 49 |
2024 | 8 | 73 | 99 | 50 |
2024 | 9 | 68 | 83 | 52 |
2024 | 10 | 66 | 120 | 43 |
2024 | 11 | 68 | 127 | 48 |
2024 | 12 | 60 | 116 | 44 |
2025 | 1 | 63 | 78 | 47 |
2025 | 2 | 58 | 86 | 11 |
2025 | 3 | 19 | 71 | 4 |
2025 | 4 | 10 | 12 | 8 |
2025 | 5 | 9 | 10 | 7 |
2025 | 6 | 9 | 11 | 8 |
2025 | 7 | 9 | 10 | 8 |
2025 | 8 | 9 | 13 | 7 |
2025 | 9 | 10 | 12 | 8 |
2025 | 10 | 9 | 10 | 8 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 361 | 741 |
Year | Month | High | Avg |
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2025 | 9 | 165 | 599 |
Year | Month | High | Avg |
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2025 | 8 | 250 | 632 |
Year | Month | High | Avg |
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2025 | 7 | 288 | 672 |
Year | Month | High | Avg |
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2025 | 6 | 498 | 784 |
Year | Month | High | Avg |
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2025 | 5 | 240 | 676 |
Year | Month | High | Avg |
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2025 | 4 | 160 | 671 |
Year | Month | High | Avg |
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2025 | 3 | 280 | 691 |
Year | Month | High | Avg |
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2025 | 2 | 220 | 652 |
Year | Month | High | Avg |
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2025 | 1 | 170 | 660 |
Year | Month | High | Avg |
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2024 | 12 | 297 | 674 |
Year | Month | High | Avg |
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2024 | 11 | 142 | 643 |
Year | Month | High | Avg |
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2024 | 10 | 637 | 825 |
Year | Month | High | Avg |
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2024 | 9 | 458 | 742 |
Year | Month | High | Avg |
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2024 | 8 | 468 | 782 |
Suffers a little from the belief commonly held by sequels that "Bigger is better". Does expand the mythology (arguably not a positive), but more importantly is still a good time, thanks primarily to the relationship between the Brendan Fraser and Rachael Weisz characters. _Final rating:★★★ - I pe ... rsonally recommend you give it a go._
***Bigger is NOT always better; here it’s overKILL*** I'm a fan of the first movie from 1999 and was naturally looking forward to this 2001 sequel. I originally saw it at the theater with two friends; after about 10-15 minutes we were all bored by the bombardment of action and F/X. We just laid b ... ack in our seats in tedium for the remaining couple hours. It's a curious thing that too much action and F/X in a film can be boring. It may not seem logical but it's true; and "The Mummy Returns" is Exhibit A. I usually give certain movies second and third chances in the hope that my first impression may have been in error, which I’ve done with this one over the years. Unfortunately I keep finding myself relatively detached from the story even though there are all kinds of exciting things going on; or, at least, things that SHOULD HAVE been exciting. "The Mummy Returns" has a lot going for it: A great cast, locations, costumes, cinematography, F/X, etc. (although some of the CGI is woefully cartoony, like the Scorpion King at the close). It has great Indiana Jones appeal. Unfortunately it all adds up to a forgettable piece of cinematic dung. What went wrong? Simply put, no substance. "The Mummy Returns" abandons the characters while the plot is utilized as a clothesline for action and F/X sequences. The flick curiously has so many ingredients right, but it somehow utterly fails to absorb the viewer. It is unadulterated cinematic JUNK. It should be utilized in filmmaking classes as the quintessential example of style over substance or overKILL: having all the right elements, including budget, and yet stupefyingly fumbling the ball. The film runs 2 hours, 10 minutes (overlong), and was shot in England, Morocco, Jordan and Egypt. GRADE: C-
Yeah, right, and no harm ever came from reading a book. You remember how that one went? After the financial success of "The Mummy" two years earlier, the sequel was inevitable. The big players from the first film are back, Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo and Oded Fehr. St ... ephen Sommers once again directs (and writes), Patricia Velasquez comes in to be a main player after her cameo in the first film, and young Freddie Boath plays the son of Rick and Evelyn who are now married. This time the cameo goes to Dwayne "The Rock" Johnson who plays The Scorpion King and who is replaced by a very bad CGI version of himself at film's finale. When the second sequel, "The Mummy: Tomb of the Dragon Emperor" (2008), was released, Brendan Fraser went on record as saying that for "The Mummy Returns" they basically remade the film they had already made in 1999! This is absolutely true, some new characters and an expansion on the O'Connell romance have been put in to beef it up, while some Zombie Pygmies are around to add extra monster factor, but yes! It's a re-tread only with more money spent, more effects (and better effects apart from Scorpion King) and more noise. This actually is OK for those who enjoyed the first film immensely, because "Returns" is every bit as enjoyable as family blockbuster entertainment. The Worldwide box offices rang to the tune of over $330 million in profit. That's a lot of happy families you would think!. So yes, it's a bit of a cheat, but much like the film before it, it gets away with it because the makers do everything they can to entertain the action/adventure loving crowd. With legions of Anubis warriors, those awesome Pygmies and the all round funny by-play between a cast comfortable with the material (again), "The Mummy Returns" delivers exactly what can reasonably be expected of it. 7/10
This is, actually, every bit as good as it's daddy - but why, oh why, do we always to have to introduce children into the mix? In this case Fredddie Boath joins the gang of intrepid adventurers trying to save the world from the scourge of a recently re-reincarnated mummy (a re-born, born again sort ... of thing!). He finds the Bracelet of Anubis, gets kidnapped and off we go on a fun race against time across the desert encountering all sorts of dangers and evil critters along the way. This one also introduces us to the "Scorpion King" (least said, I think) and Sommers, again, keeps this all moving along apace. It is just entertainment and if you look for nothing more then - of it's genre, it isn't disappointing.
<em>'The Mummy Returns'</em> feels to me to be a downgrade on the original, though I still gained the desired entertainment from it. There is an absolute barrage of special effects used in this though, I said in my previous review about it aging badly - it's worse here. I still wouldn't say that ... the below par effects affected my enjoyment terribly much, like last time, but due to the (what felt like) increase of its usage it definitely becomes a bit of an eyesore this time out. The Scorpion King towards the conclusion looks particularly poor, I gotta say. Cast-wise, I could copy and paste what I said about the 1999 flick. Brendan Fraser and Rachel Weisz are good together, I like the addition of their son (played well by Freddie Boath) into the mix. Also in my review of <em>'The Mummy'</em>, I noted that I wanted more of Oded Fehr, well I got that wish delivered here. Quite interesting to see Dwayne Johnson appear as The Scorpion King, a character (and therefore franchise; five of them!) that I never knew existed until very recently. Given Johnson's upward acting trajectory since these films, I assume he didn't appear in all of those other spin-offs; I'll soon find out, intrigued to watch 'em either way.