Popularity: 2 (history)
Director: | Frank Oz |
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Writer: | Dale Launer |
Staring: |
Con artist Lawrence Jamieson is a longtime resident of a luxurious coastal resort, where he enjoys the lavish fruits of his deceptions -- that is, until a competitor, Freddy Benson, shows up. When the new guy's lowbrow tactics impinge on his own sophisticated work and believing him to be the infamous conman 'The Jackal', Lawrence resolves to get rid of him. Confident of his own duplicitous talents, he challenges Freddy to a winner-takes-all competition: whoever swindles their latest mark, American heiress Janet Colgate, out of $50,000 first can stay, while the other must leave town. | |
Release Date: | Dec 14, 1988 |
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Director: | Frank Oz |
Writer: | Dale Launer |
Genres: | Comedy, Crime |
Keywords | bet, luxury, casino, competition, southern france, wheelchair, seduction, con man, swindler, remake, french riviera, money, wager, heiress, mentor protégé relationship, riviera, conman, conmen |
Production Companies | Orion Pictures |
Box Office |
Revenue: $42,000,000
Budget: $6,500,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Steve Martin | Freddy Benson |
Michael Caine | Lawrence Jamieson |
Glenne Headly | Janet Colgate |
Anton Rodgers | Inspector Andre |
Barbara Harris | Fanny Eubanks |
Ian McDiarmid | Arthur |
Dana Ivey | Mrs. Reed |
Meagen Fay | Lady from Oklahoma |
Frances Conroy | Lady from Palm Beach |
Nicole Calfan | Lady in Dining Car |
Aïna Walle | Miss Krista Knudsen |
Cheryl Pay | Lady with Pearls |
Nathalie Auffret | Marion |
Lolly Susi | Lady in Rolls Royce |
Rupert Holliday-Evans | English Sailor #1 |
Hepburn Graham | English Sailor #2 |
Xavier Maly | Hotel Bellboy |
André Penvern | Waiter on the Train |
Louis Zorich | Greek Millionaire |
Georges Gerrard Baffos | Assistant Hotel Manager |
Valerie Beaufils | Pretty Beach Girl |
Name | Job |
---|---|
Miles Goodman | Original Music Composer |
Stephen A. Rotter | Editor |
William S. Scharf | Editor |
Roy Walker | Production Design |
John S. Lyons | Casting |
Frank Oz | Director |
Dale Launer | Screenplay |
Michael Ballhaus | Director of Photography |
Marit Allen | Costume Design |
Donna Isaacson | Casting |
Paul Henning | Original Film Writer |
Stanley Shapiro | Original Film Writer |
Bernard Mazauric | Unit Production Manager |
Bernard Williams | First Assistant Director |
David Tringham | First Assistant Director |
Gerry Toomey | Second Assistant Director |
Valerie E. Norman | Script Supervisor |
René Brun | Location Manager |
Régis Brun | Assistant Location Manager |
Michelle Wright | Production Coordinator |
Antoine Sabarros | Second Second Assistant Director |
Laurence Coutaud-Garnier | Production Secretary |
Steve Spence | Art Direction |
Damien Lanfranchi | Art Direction |
Rosalind Shingleton | Set Decoration |
Tony Rimmington | Assistant Art Director |
Terry Wells Sr. | Property Master |
Phillipe Mazauric | Property Buyer |
Bernard Langton | Assistant Property Master |
Jean Menna | Head Carpenter |
Florian Ballhaus | First Assistant Camera |
Bobby Mancuso | Second Assistant Camera |
Ivan Sharrock | Production Sound Mixer |
Don Banks | Boom Operator |
Jean-Pierre Steen | Sound Assistant |
Sue Gandy | Assistant Costume Designer |
Claudia Fellous | Wardrobe Assistant |
Suzy Sand | Wardrobe Assistant |
Janet Flora | Makeup Artist |
Pascal Charbonnier | Makeup Artist |
Matthew W. Mungle | Prosthetic Makeup Artist |
Gerry Jones | Hairstylist |
Thierry Zenmour | Hairstylist |
Dianne Mapp-Cheek | Production Controller |
Françoise Combadière | Location Casting |
Caroline Mazauric | Location Casting |
Debbie McWilliams | Location Casting |
Steve Smith | Key Grip |
Arthur Blum | Dolly Grip |
Bruce Byall | Best Boy Grip |
Antoine Bratulic | Grip |
Rene Basso | Grip |
James R. Tynes | Gaffer |
John 'Fest' Sandau | Best Boy Electric |
Jean-Marie Lopez | Electrician |
Stephane Negre | Electrician |
Ernest Cabezas | Generator Operator |
Gaston Veilleux | Transportation Coordinator |
Tom Gray | Publicist |
Bob Penn | Still Photographer |
Inger Eisenhour | Producer's Assistant |
Ruth Hasty | Producer's Assistant |
Andrea Tringham | Production Assistant |
Joseph Brad Kluge | Production Assistant |
Terry Walsh | Stunt Double |
Richard Friedlander | First Assistant Editor |
Robert Grahamjones | Assistant Editor |
Bob Sarles | Assistant Editor |
Denis Coq | Assistant Editor |
Alan Splet | Supervising Sound Editor |
Nancy Fogarty | Music Editor |
Michael Silvers | Dialogue Editor |
John Nutt | Dialogue Editor |
C.J. Appel | ADR Editor |
Ron Davies | ADR Editor |
Pat Jackson | Sound Effects Editor |
Ann Kroeber | Sound Effects Editor |
Rob Fruchtman | Foley Editor |
Luis Colina | Foley Editor |
Gwendolyn Yates Whittle | Assistant Dialogue Editor |
Mark Berger | Sound Re-Recording Mixer |
Tom Johnson | Sound Re-Recording Mixer |
Richard Beggs | Sound Re-Recording Mixer |
Lionel Strutt | ADR Recordist |
Thomas Pasatieri | Orchestrator |
Oscar Castro-Neves | Orchestrator |
Bran Ferren | Title Designer |
Reid Burns | Color Timer |
Jerry Goodman | Musician |
Name | Title |
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Charles Hirschhorn | Executive Producer |
Bernard Williams | Producer |
Dale Launer | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 27 | 38 | 19 |
2024 | 5 | 28 | 39 | 15 |
2024 | 6 | 28 | 48 | 17 |
2024 | 7 | 50 | 116 | 19 |
2024 | 8 | 41 | 74 | 21 |
2024 | 9 | 21 | 29 | 16 |
2024 | 10 | 29 | 54 | 11 |
2024 | 11 | 26 | 44 | 19 |
2024 | 12 | 24 | 33 | 15 |
2025 | 1 | 27 | 42 | 17 |
2025 | 2 | 18 | 34 | 3 |
2025 | 3 | 7 | 23 | 1 |
2025 | 4 | 2 | 3 | 2 |
2025 | 5 | 7 | 21 | 2 |
2025 | 6 | 8 | 25 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 840 | 840 |
Year | Month | High | Avg |
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2025 | 2 | 894 | 941 |
Do you ever have a single thought that originates from above the waist? Dirty Rotten Scoundrels is directed by Frank Oz and written by Dan Launer, Stanley Shapiro and Paul Henning. It stars Michael Caine, Steve Martin, Glenne Headly and Anton Rogers. Music is by Miles Goodman and cinematography b ... y Michael Ballhaus. Two con-men from different ends of the spectrum, prey on women's good nature to fund their lifestyles. Both operating out of the same Mediterranean town, they agree that the town simply isn't big enough for the both of them. They strike a bet where the first one to get fifty thousand out of the chosen female target, gets to stay in town while the other has to leave. A loose remake of Bedtime Story (1964) that starred David Niven and Marlon Brando, Frank Oz's picture is deliciously amoral, sly, clever and very funny. Boosted by the casting of Caine (oily slick) and Martin (live wire bottom feeder), who are both having a wonderful time of it, the film unfolds in a whirl of bluffs, chaos conning and oneupmanship. The story is slight for sure, but as the comedy set-pieces come and go, the ribs are tickled and the surprises that the makers have in store for us late in the day, are truly inspired. The French Mediterranean makes for a visually pleasing backdrop, while Goodman's score is consistently upbeat and perfect for such mirthful shenanigans. They are dirty, they are rotten and they are definitely scoundrels, but once your belly has subsided form the laughter, you may find yourself wondering just how the makers got you to cheer on such shifty characters?! The answer? Inspired casting and smooth construction of plotting by the director. Dirty Rotten Scoundrels, a real joy. 8/10
Sometimes I’m just looking for a laugh. That’s when a movie like Dirty Rotten Scoundrels is the perfect fit. Through a series of hilarious cons and misadventures, Michael Cain and Steve Martin keep me laughing throughout their entire adventure. This is one of my go-to movies if I’m looking for some ... hearty laughs while not having to think too deeply.
"Dirty Rotten Scoundrels" is terrific fun all round and the luscious locations look absolutely gorgeous - the sun kissed French Riviera has never looked more inviting. The humour is genuinely funny and Michael Caine in particular is obviously enjoying himself tremendously in the guise of Doctor Emi ... l Schaffhausen - he takes great pleasure in torturing a wheelchair-bound Steve Martin, especially during one scene where he vigorously whips his ankles repeatedly using a length of cane. It could have been a major miscalculation telling us from the outset that this film is all about con men. This information leaves you forewarned and continually on the alert during every twist of the story, but that is never a consideration on this occasion. The guile used to construct the film combined with the final pay off is completely unanticipated in what can only be described as a wonderful slice of satisfying entertainment which has been expertly produced.