 
  Popularity: 6 (history)
| Director: | Barry Levinson | 
|---|---|
| Writer: | Stephen Hauser, Paul Attanasio, Michael Crichton, Kurt Wimmer | 
| Staring: | 
| A spacecraft is discovered on the floor of the Pacific Ocean, presumed to be at least 300 years old and of alien origin. A crack team of scientists and experts is assembled and taken to the Habitat, a state-of-the-art underwater living environment, to investigate. | |
| Release Date: | Feb 13, 1998 | 
|---|---|
| Director: | Barry Levinson | 
| Writer: | Stephen Hauser, Paul Attanasio, Michael Crichton, Kurt Wimmer | 
| Genres: | Science Fiction, Horror, Mystery, Thriller | 
| Keywords | ocean, extraterrestrial technology, space marine, paranoia, alien, psychologist, ocean floor, deepsea, spaceship crash | 
| Production Companies | Warner Bros. Pictures, Punch Productions, Baltimore Pictures, Constant c Productions | 
| Box Office | Revenue: $37,020,277 Budget: $80,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Dustin Hoffman | Dr. Norman Goodman | 
| Sharon Stone | Dr. Elizabeth 'Beth' Halperin | 
| Samuel L. Jackson | Dr. Harry Adams | 
| Peter Coyote | Captain Harold C. Barnes | 
| Liev Schreiber | Dr. Ted Fielding | 
| Queen Latifah | Alice 'Teeny' Fletcher | 
| Marga Gómez | Jane Edmunds | 
| Huey Lewis | Helicopter Pilot | 
| Bernard Hocke | Seaman | 
| James Pickens Jr. | O.S.S.A. Instructor | 
| Michael Keys Hall | O.S.S.A. Official | 
| Ralph Tabakin | O.S.S.A. Official | 
| Name | Job | 
|---|---|
| Stephen Hauser | Screenplay | 
| Stu Linder | Editor | 
| Gloria Gresham | Costume Design | 
| Norman Reynolds | Production Design | 
| Mark W. Mansbridge | Art Direction | 
| Jonathan McKinstry | Art Direction | 
| Anne Kuljian | Set Decoration | 
| James W. Tyson | Costume Supervisor | 
| Allen D. Easton | Camera Operator | 
| Gary Capo | Second Unit Director of Photography | 
| Ian Fox | Underwater Camera | 
| Brad Emmons | Rigging Gaffer | 
| Ronald A. Miller | Rigging Grip | 
| Charles John Bukey | Key Grip | 
| Steven C. McGee | Chief Lighting Technician | 
| Adrienne Manhan | Key Costumer | 
| Heather Harris | Script Supervisor | 
| Julie Pitkanen | Script Supervisor | 
| Nicole Herr | 3D Animator | 
| Walter F. Hyneman | CG Supervisor | 
| Robert Bardy | CGI Supervisor | 
| Fernando Benítez | CGI Supervisor | 
| Michael Kory | CGI Supervisor | 
| Jeff Lin | CGI Supervisor | 
| Jason Wardle | CGI Supervisor | 
| Tim Gibbons | Roto Supervisor | 
| Karen Klein | Roto Supervisor | 
| Richard O. Helmer | Special Effects Coordinator, Special Effects Supervisor | 
| Rod Basham | Visual Effects Editor | 
| Aaron Dem | Visual Effects Producer | 
| Lydia Bottegoni | Visual Effects Producer | 
| Jeffrey A. Okun | Visual Effects Supervisor | 
| Carlos Arguello | Visual Effects Supervisor | 
| Mark Boley | Hair Supervisor | 
| John Quaglia | Hairstylist | 
| Michael White | Hairstylist | 
| Catherine Childers | Key Hair Stylist | 
| Marietta Carter-Narcisse | Makeup Artist | 
| Robert Ryan | Makeup Artist | 
| Tricia Sawyer | Makeup Artist | 
| June Westmore | Makeup Artist | 
| Mark Daily | First Assistant Editor | 
| Mo Henry | Negative Cutter | 
| Lindakay Brown | Dialogue Editor, ADR Editor | 
| Claire Sanfilippo | Dialogue Editor, ADR Editor | 
| Gary Thomas | Boom Operator | 
| Jana Vance | Foley | 
| Richard Beggs | Sound Designer | 
| J.R. Grubbs | Sound Effects Editor | 
| Mary Helen Leasman | Sound Effects Editor | 
| Marian Wilde | Sound Effects Editor | 
| Tim Holland | Supervising Sound Editor | 
| W. Steven Graham | Assistant Art Director | 
| Marvin Salsberg | Construction Coordinator | 
| David Gabrielli | Construction Foreman | 
| Brett C. Smith | Leadman | 
| Sean Mannion | Property Master | 
| Nori Honda | Sculptor | 
| William Beck | Set Designer | 
| Edward J. Protiva | Set Dressing Artist | 
| Bill 'Kauhane' Hoyt | Standby Painter | 
| Joseph D. Urbanczyk | Additional Camera | 
| Kurt E. Soderling | Aerial Camera, Visual Effects Camera | 
| Alan Cohen | First Assistant Camera | 
| James Conroy | Grip | 
| Andrew Nelson | Set Costumer | 
| Kurtis Bedford | Carpenter | 
| John Charles Kohn | Compositor | 
| Mary Ellen Leonard | Craft Service | 
| Rodney Hope | Driver | 
| Blair Daily | Additional Editor, Post Production Supervisor | 
| Billy R. Brashier | Projection | 
| John Giuliano | Propmaker | 
| Aaron Hakeem | Scenic Artist | 
| Louis Farah | Set Medic | 
| Christine Dye | Set Production Assistant | 
| Peter Albiez | Special Effects | 
| Michael Greggans | Stand In | 
| Paul Borne | Stunts | 
| Lee Garibaldi | Transportation Captain | 
| Tommy Tancharoen | Transportation Coordinator | 
| Tom Fox | Video Assist Operator | 
| Dale E. Grahn | Color Timer | 
| R. Gern Trowbridge | Best Boy Electric | 
| Eric Blum | Electrician | 
| Greg Banta | Gaffer | 
| Michael Meier | Lighting Technician | 
| Mark Scoon | Executive In Charge Of Production | 
| Michael John Meehan | Location Manager | 
| Denise Morgan McGrath | Production Accountant | 
| Sean Taylor | Production Coordinator | 
| Kristen D. Chidel | Production Manager | 
| Michael Singer | Publicist | 
| Michael J. Malone | Unit Manager | 
| Patricia Churchill | Unit Production Manager | 
| John Moses | Musician | 
| Steve Cantamessa | Production Sound Mixer | 
| Jeff Kunkle | Dolly Grip | 
| Barbara Hartman-Jenichen | Costumer | 
| Jim Goldthwait | Second Assistant Director | 
| Miles Perlman | Second Second Assistant Director | 
| Julie Witherington | Assistant Property Master | 
| Kurt Mattila | Title Designer | 
| Dennie Thorpe | Foley Artist | 
| Danny Cangemi | Special Effects Assistant | 
| Jeff Miller | Special Effects Technician | 
| Lon R. Shor | VFX Artist | 
| Keith Tellez | Stunt Double | 
| Wayne Baker | Assistant Camera | 
| Bud Heller | Best Boy Grip | 
| Eric Amundsen | Second Assistant Camera | 
| Brennan Dufresne | Casting Assistant | 
| Jason Joseph | Assistant Editor | 
| Trent Schultz | Project Manager | 
| Brian Dettor | Location Assistant | 
| Nina Henninger | Location Casting | 
| Jonathan Sheffer | Conductor | 
| Curtis Roush | Supervising Music Editor | 
| Gail Rose | Assistant Accountant | 
| Stanley L. Gonsales | Assistant Chief Lighting Technician | 
| Victor Abbene | Chief Lighting Technician | 
| Bonjin Byun | Digital Compositor | 
| Joe Colwell | Effects Supervisor | 
| Roger Kupelian | Matte Painter | 
| David Krudis | Payroll Accountant | 
| Stacy De La Motte | Production Assistant | 
| Randy Starr | Production Executive | 
| Rose Hlaing | Production Secretary | 
| Coleen Aiello | Second Assistant Accountant | 
| Jim Magdaleno | Storyboard Artist | 
| Ronnie Rondell Jr. | Stunt Coordinator | 
| Barry Levinson | Director | 
| Paul Attanasio | Screenplay | 
| Elliot Goldenthal | Original Music Composer | 
| Adam Greenberg | Director of Photography | 
| Ellen Chenoweth | Casting | 
| P. Scott Sakamoto | Steadicam Operator | 
| Brian Hamill | Still Photographer | 
| Allan A. Apone | Key Makeup Artist | 
| Tom Johnson | Sound Re-Recording Mixer | 
| Michael Silvers | Supervising Dialogue Editor | 
| Kent Sparling | Mix Technician | 
| Alex Daniels | Stunt Coordinator | 
| Katterli Frauenfelder | First Assistant Director | 
| Robert Elhai | Orchestrator | 
| David R. Ellis | Second Unit Director | 
| Tory Belleci | Carpenter | 
| Daryl Tucker | VFX Artist | 
| Michael Crichton | Novel | 
| Tim Rigby | Stunts | 
| Lisa McCullough | Stunts | 
| Kurt Wimmer | Adaptation | 
| Lora Hirschberg | Sound Re-Recording Mixer | 
| Name | Title | 
|---|---|
| Andrew Wald | Producer | 
| Patricia Churchill | Associate Producer | 
| Peter Giuliano | Executive Producer | 
| Michael Crichton | Producer | 
| Barry Levinson | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 28 | 49 | 14 | 
| 2024 | 5 | 31 | 56 | 21 | 
| 2024 | 6 | 26 | 45 | 16 | 
| 2024 | 7 | 32 | 60 | 15 | 
| 2024 | 8 | 46 | 84 | 18 | 
| 2024 | 9 | 21 | 35 | 15 | 
| 2024 | 10 | 22 | 37 | 12 | 
| 2024 | 11 | 19 | 39 | 12 | 
| 2024 | 12 | 18 | 27 | 13 | 
| 2025 | 1 | 23 | 44 | 15 | 
| 2025 | 2 | 15 | 25 | 3 | 
| 2025 | 3 | 8 | 24 | 1 | 
| 2025 | 4 | 2 | 2 | 2 | 
| 2025 | 5 | 2 | 3 | 2 | 
| 2025 | 6 | 3 | 4 | 2 | 
| 2025 | 7 | 2 | 3 | 1 | 
| 2025 | 8 | 2 | 3 | 2 | 
| 2025 | 9 | 4 | 5 | 2 | 
| 2025 | 10 | 5 | 11 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 625 | 760 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 734 | 892 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 547 | 646 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 764 | 869 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 801 | 901 | 
Interesting idea but poorly executed and overly long. Acting was okay but nobody really stood out. At least some of the effects weren't too bad for 1998. I actually back in the day read the novel but don't remember anything from it, just know this adaptation was pretty different. **2.5/5** ...
Great watch, would watch again, and do recommend. I feel like I have a thing for the isolationism of deep sea bases. "Bioshock", "Deep Blue Sea", "The Meg", "Underwater", "The Abyss": just the idea of being far away from any help in the most dangerous living conditions possible on the planet. ... Add in a mysteriously time traveling alien sphere and let bake in the survival situation where people are losing their minds and things keep manifesting into existence. It's a little insane, but it has a quality cast, plot, and some great action for all the characters being a bunch of nerds.
**_The power to actualize your thoughts and fears_** A huge spacecraft at the bottom of the Pacific ocean with a strange, humming sphere found inside. A team of scientists are sent down to investigate – a psychologist (Dustin Hoffman), a mathematician (Samuel L. Jackson), a biochemist (Sharon Sto ... ne) and an astrophysicist (Liev Schreiber). Two notable characters at the station on the ocean floor are played by Peter Coyote and Queen Latifah. Mystery and (some) horror ensue. Based on Michael Crichton's 1987 novel, "Sphere" (1998) intermixes elements of other scif-fi flicks, like "Forbidden Planet," "Solaris," "Alien," "Galaxy of Terror" and "The Abyss." Like those movies, the plot involves a small group of people who are isolated from society and encounter the unknown. The theme is the actualization of one's thoughts and fears and the potential for good or, more likely, bad that comes with it. Are we mature enough as a species to handle such power? Of course, we already have this power, just not to the degree depicted in the story (seemingly). Anything important that we do, whether productive or destructive, is formulated within first and then manifests without, like a song or a book or a loving relationship. If we truly knew the power at our disposal we'd hardly be able to sleep at night we'd be so excited! The first hour or so is quite good because the film definitely makes you feel like you're at the bottom of the ocean. The mystery is engaging and the actors formidable. Unfortunately, some parts of the second half don't work so well, which destroys the illusion of the movie. As far as the ending goes, it features tricky material that's not easy to pull off. The fact that it's somewhat successful is largely due to having great actors. Despite the murkiness of parts of the second half, the theme is great. This isn't a slasher film in space, like "Alien," and refuses exploitive thrills, like "Galaxy of Terror." Rather, it shoots for well-acted drama and thought-provoking ideas. However, there are some harrowing aspects, like the jelly fish sequence. While many lambaste "Sphere," it wasn't the box office dog you might think in light of the bad press. It made $37 million (in 1998 dollars) in the USA alone, which is hardly a clunker. The problem was that it cost over twice that to make. It runs 2 hours, 14 minutes. GRADE: B- QUESTIONS ON THE THEME (***Don't read further unless you've seen the film***) Why is it that the dark side of the human subconscious is empowered by the alien technology/entity? Why not the positive side? The four scientists (and the others) strike me as quality souls who pretty much have it together. While not perfect human specimens, they're strong people who have their phobias and destructive emotions under control. So why aren't their GOOD, PRODUCTIVE thoughts/desires manifested rather than the bad? I could see if the story took place in a prison and the characters were pieces of sheet, but that's not the case. Also, who or what does the sphere represent? The Fountain of Life (Psalm 36:9)?