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Sphere Poster

Sphere

Terror can fill any space.
1998 | 134m | English

(117115 votes)

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Popularity: 6 (history)

Details

A spacecraft is discovered on the floor of the Pacific Ocean, presumed to be at least 300 years old and of alien origin. A crack team of scientists and experts is assembled and taken to the Habitat, a state-of-the-art underwater living environment, to investigate.
Release Date: Feb 13, 1998
Director: Barry Levinson
Writer: Stephen Hauser, Paul Attanasio, Michael Crichton, Kurt Wimmer
Genres: Science Fiction, Horror, Mystery, Thriller
Keywords ocean, extraterrestrial technology, space marine, paranoia, alien, psychologist, ocean floor, deepsea, spaceship crash
Production Companies Warner Bros. Pictures, Punch Productions, Baltimore Pictures, Constant c Productions
Box Office Revenue: $37,020,277
Budget: $80,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Dustin Hoffman Dr. Norman Goodman
Sharon Stone Dr. Elizabeth 'Beth' Halperin
Samuel L. Jackson Dr. Harry Adams
Peter Coyote Captain Harold C. Barnes
Liev Schreiber Dr. Ted Fielding
Queen Latifah Alice 'Teeny' Fletcher
Marga Gómez Jane Edmunds
Huey Lewis Helicopter Pilot
Bernard Hocke Seaman
James Pickens Jr. O.S.S.A. Instructor
Michael Keys Hall O.S.S.A. Official
Ralph Tabakin O.S.S.A. Official
Name Job
Stephen Hauser Screenplay
Stu Linder Editor
Gloria Gresham Costume Design
Norman Reynolds Production Design
Mark W. Mansbridge Art Direction
Jonathan McKinstry Art Direction
Anne Kuljian Set Decoration
James W. Tyson Costume Supervisor
Allen D. Easton Camera Operator
Gary Capo Second Unit Director of Photography
Ian Fox Underwater Camera
Brad Emmons Rigging Gaffer
Ronald A. Miller Rigging Grip
Charles John Bukey Key Grip
Steven C. McGee Chief Lighting Technician
Adrienne Manhan Key Costumer
Heather Harris Script Supervisor
Julie Pitkanen Script Supervisor
Nicole Herr 3D Animator
Walter F. Hyneman CG Supervisor
Robert Bardy CGI Supervisor
Fernando Benítez CGI Supervisor
Michael Kory CGI Supervisor
Jeff Lin CGI Supervisor
Jason Wardle CGI Supervisor
Tim Gibbons Roto Supervisor
Karen Klein Roto Supervisor
Richard O. Helmer Special Effects Coordinator, Special Effects Supervisor
Rod Basham Visual Effects Editor
Aaron Dem Visual Effects Producer
Lydia Bottegoni Visual Effects Producer
Jeffrey A. Okun Visual Effects Supervisor
Carlos Arguello Visual Effects Supervisor
Mark Boley Hair Supervisor
John Quaglia Hairstylist
Michael White Hairstylist
Catherine Childers Key Hair Stylist
Marietta Carter-Narcisse Makeup Artist
Robert Ryan Makeup Artist
Tricia Sawyer Makeup Artist
June Westmore Makeup Artist
Mark Daily First Assistant Editor
Mo Henry Negative Cutter
Lindakay Brown Dialogue Editor, ADR Editor
Claire Sanfilippo Dialogue Editor, ADR Editor
Gary Thomas Boom Operator
Jana Vance Foley
Richard Beggs Sound Designer
J.R. Grubbs Sound Effects Editor
Mary Helen Leasman Sound Effects Editor
Marian Wilde Sound Effects Editor
Tim Holland Supervising Sound Editor
W. Steven Graham Assistant Art Director
Marvin Salsberg Construction Coordinator
David Gabrielli Construction Foreman
Brett C. Smith Leadman
Sean Mannion Property Master
Nori Honda Sculptor
William Beck Set Designer
Edward J. Protiva Set Dressing Artist
Bill 'Kauhane' Hoyt Standby Painter
Joseph D. Urbanczyk Additional Camera
Kurt E. Soderling Aerial Camera, Visual Effects Camera
Alan Cohen First Assistant Camera
James Conroy Grip
Andrew Nelson Set Costumer
Kurtis Bedford Carpenter
John Charles Kohn Compositor
Mary Ellen Leonard Craft Service
Rodney Hope Driver
Blair Daily Additional Editor, Post Production Supervisor
Billy R. Brashier Projection
John Giuliano Propmaker
Aaron Hakeem Scenic Artist
Louis Farah Set Medic
Christine Dye Set Production Assistant
Peter Albiez Special Effects
Michael Greggans Stand In
Paul Borne Stunts
Lee Garibaldi Transportation Captain
Tommy Tancharoen Transportation Coordinator
Tom Fox Video Assist Operator
Dale E. Grahn Color Timer
R. Gern Trowbridge Best Boy Electric
Eric Blum Electrician
Greg Banta Gaffer
Michael Meier Lighting Technician
Mark Scoon Executive In Charge Of Production
Michael John Meehan Location Manager
Denise Morgan McGrath Production Accountant
Sean Taylor Production Coordinator
Kristen D. Chidel Production Manager
Michael Singer Publicist
Michael J. Malone Unit Manager
Patricia Churchill Unit Production Manager
John Moses Musician
Steve Cantamessa Production Sound Mixer
Jeff Kunkle Dolly Grip
Barbara Hartman-Jenichen Costumer
Jim Goldthwait Second Assistant Director
Miles Perlman Second Second Assistant Director
Julie Witherington Assistant Property Master
Kurt Mattila Title Designer
Dennie Thorpe Foley Artist
Danny Cangemi Special Effects Assistant
Jeff Miller Special Effects Technician
Lon R. Shor VFX Artist
Keith Tellez Stunt Double
Wayne Baker Assistant Camera
Bud Heller Best Boy Grip
Eric Amundsen Second Assistant Camera
Brennan Dufresne Casting Assistant
Jason Joseph Assistant Editor
Trent Schultz Project Manager
Brian Dettor Location Assistant
Nina Henninger Location Casting
Jonathan Sheffer Conductor
Curtis Roush Supervising Music Editor
Gail Rose Assistant Accountant
Stanley L. Gonsales Assistant Chief Lighting Technician
Victor Abbene Chief Lighting Technician
Bonjin Byun Digital Compositor
Joe Colwell Effects Supervisor
Roger Kupelian Matte Painter
David Krudis Payroll Accountant
Stacy De La Motte Production Assistant
Randy Starr Production Executive
Rose Hlaing Production Secretary
Coleen Aiello Second Assistant Accountant
Jim Magdaleno Storyboard Artist
Ronnie Rondell Jr. Stunt Coordinator
Barry Levinson Director
Paul Attanasio Screenplay
Elliot Goldenthal Original Music Composer
Adam Greenberg Director of Photography
Ellen Chenoweth Casting
P. Scott Sakamoto Steadicam Operator
Brian Hamill Still Photographer
Allan A. Apone Key Makeup Artist
Tom Johnson Sound Re-Recording Mixer
Michael Silvers Supervising Dialogue Editor
Kent Sparling Mix Technician
Alex Daniels Stunt Coordinator
Katterli Frauenfelder First Assistant Director
Robert Elhai Orchestrator
David R. Ellis Second Unit Director
Tory Belleci Carpenter
Daryl Tucker VFX Artist
Michael Crichton Novel
Tim Rigby Stunts
Lisa McCullough Stunts
Kurt Wimmer Adaptation
Lora Hirschberg Sound Re-Recording Mixer
Name Title
Andrew Wald Producer
Patricia Churchill Associate Producer
Peter Giuliano Executive Producer
Michael Crichton Producer
Barry Levinson Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 28 49 14
2024 5 31 56 21
2024 6 26 45 16
2024 7 32 60 15
2024 8 46 84 18
2024 9 21 35 15
2024 10 22 37 12
2024 11 19 39 12
2024 12 18 27 13
2025 1 23 44 15
2025 2 15 25 3
2025 3 8 24 1
2025 4 2 2 2
2025 5 2 3 2
2025 6 3 4 2
2025 7 2 3 1
2025 8 2 3 2
2025 9 4 5 2
2025 10 5 11 3

Trending Position


Year Month High Avg
2025 8 625 760
Year Month High Avg
2025 7 734 892
Year Month High Avg
2025 6 547 646
Year Month High Avg
2025 3 764 869
Year Month High Avg
2025 2 801 901

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Reviews

JPV852
5.0

Interesting idea but poorly executed and overly long. Acting was okay but nobody really stood out. At least some of the effects weren't too bad for 1998. I actually back in the day read the novel but don't remember anything from it, just know this adaptation was pretty different. **2.5/5** ...

Jun 23, 2021
Kamurai
8.0

Great watch, would watch again, and do recommend. I feel like I have a thing for the isolationism of deep sea bases. "Bioshock", "Deep Blue Sea", "The Meg", "Underwater", "The Abyss": just the idea of being far away from any help in the most dangerous living conditions possible on the planet. ... Add in a mysteriously time traveling alien sphere and let bake in the survival situation where people are losing their minds and things keep manifesting into existence. It's a little insane, but it has a quality cast, plot, and some great action for all the characters being a bunch of nerds.

Jun 30, 2021
Wuchak
6.0

**_The power to actualize your thoughts and fears_** A huge spacecraft at the bottom of the Pacific ocean with a strange, humming sphere found inside. A team of scientists are sent down to investigate – a psychologist (Dustin Hoffman), a mathematician (Samuel L. Jackson), a biochemist (Sharon Sto ... ne) and an astrophysicist (Liev Schreiber). Two notable characters at the station on the ocean floor are played by Peter Coyote and Queen Latifah. Mystery and (some) horror ensue. Based on Michael Crichton's 1987 novel, "Sphere" (1998) intermixes elements of other scif-fi flicks, like "Forbidden Planet," "Solaris," "Alien," "Galaxy of Terror" and "The Abyss." Like those movies, the plot involves a small group of people who are isolated from society and encounter the unknown. The theme is the actualization of one's thoughts and fears and the potential for good or, more likely, bad that comes with it. Are we mature enough as a species to handle such power? Of course, we already have this power, just not to the degree depicted in the story (seemingly). Anything important that we do, whether productive or destructive, is formulated within first and then manifests without, like a song or a book or a loving relationship. If we truly knew the power at our disposal we'd hardly be able to sleep at night we'd be so excited! The first hour or so is quite good because the film definitely makes you feel like you're at the bottom of the ocean. The mystery is engaging and the actors formidable. Unfortunately, some parts of the second half don't work so well, which destroys the illusion of the movie. As far as the ending goes, it features tricky material that's not easy to pull off. The fact that it's somewhat successful is largely due to having great actors. Despite the murkiness of parts of the second half, the theme is great. This isn't a slasher film in space, like "Alien," and refuses exploitive thrills, like "Galaxy of Terror." Rather, it shoots for well-acted drama and thought-provoking ideas. However, there are some harrowing aspects, like the jelly fish sequence. While many lambaste "Sphere," it wasn't the box office dog you might think in light of the bad press. It made $37 million (in 1998 dollars) in the USA alone, which is hardly a clunker. The problem was that it cost over twice that to make. It runs 2 hours, 14 minutes. GRADE: B- QUESTIONS ON THE THEME (***Don't read further unless you've seen the film***) Why is it that the dark side of the human subconscious is empowered by the alien technology/entity? Why not the positive side? The four scientists (and the others) strike me as quality souls who pretty much have it together. While not perfect human specimens, they're strong people who have their phobias and destructive emotions under control. So why aren't their GOOD, PRODUCTIVE thoughts/desires manifested rather than the bad? I could see if the story took place in a prison and the characters were pieces of sheet, but that's not the case. Also, who or what does the sphere represent? The Fountain of Life (Psalm 36:9)?

Nov 09, 2024