 
  Popularity: 4 (history)
| Director: | Richard Attenborough | 
|---|---|
| Writer: | William Nicholson | 
| Staring: | 
| C.S. Lewis, a world-renowned writer and professor, leads a passionless life until he meets spirited poet Joy Gresham. | |
| Release Date: | Dec 25, 1993 | 
|---|---|
| Director: | Richard Attenborough | 
| Writer: | William Nicholson | 
| Genres: | Drama, Romance | 
| Keywords | christianity, england, bachelor, literature, stroke of fate, brother, marriage, oxford, based on play or musical, author, writer, falling in love, 1950s, children's author | 
| Production Companies | Shadowlands Productions, Savoy Pictures, Spelling Films International, Price Entertainment | 
| Box Office | Revenue: $25,842,000 Budget: $22,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Anthony Hopkins | C. S. 'Jack' Lewis | 
| Debra Winger | Joy Gresham | 
| Edward Hardwicke | Warnie Lewis | 
| John Wood | Christopher Riley | 
| Michael Denison | Harry Harrington | 
| Peter Firth | Dr Craig | 
| Matthew Delamere | Simon Chadwick | 
| Julian Fellowes | Desmond Arding | 
| Julian Firth | Father John Fisher | 
| Robert Flemyng | Claude Bird | 
| Andrew Hawkins | Rupert Parrish | 
| Peter Howell | College President | 
| Pat Keen | Mrs Young | 
| Karen Lewis | Hotel Receptionist | 
| Roddy Maude-Roxby | Arnold Dopliss | 
| Gerald Sim | Superintendent Registrar | 
| James Frain | Peter Whistler | 
| Joseph Mazzello | Douglas Gresham | 
| Andrew Seear | Bob Chafer | 
| Tim McMullan | Nick Farrell | 
| Toby Whithouse | Frith | 
| Daniel Goode | Lieven | 
| Scott Handy | Standish | 
| Charles Simon | Barker | 
| Giles Oldershaw | Marcus | 
| Simon Cowell-Parker | John Egan | 
| Roger Ashton-Griffiths | Dr Eddie Monk | 
| Carol Passmore | Woman in Tea Room | 
| Howard Lew Lewis | Tea Room Waiter | 
| John Quentin | Station Acquaintance | 
| Alan Talbot | College Porter | 
| Leigh Burton-Gill | Mrs Parrish | 
| Cameron Burton-Gill | Parrish Child | 
| Chandler Burton-Gill | Parrish Child | 
| Kendall Burton-Gill | Parrish Child | 
| Christina Burton-Gill | Parrish Child | 
| Sylvia Barter | Woman in Bookshop | 
| James Watt | Boy in Bookshop | 
| Pauline Melville | Committee Chairwoman | 
| Sophie Stanton | Lecture Committee | 
| Ysobel Gonzalez | Lecture Committee | 
| Ninka Scott | Lecture Committee | 
| Walter Sparrow | Fred Paxford | 
| Terry Rowley | Registrar | 
| Norman Bird | Taxi Driver Witness | 
| Abigail Hopkins | Staff Nurse | 
| Name | Job | 
|---|---|
| Richard Attenborough | Director | 
| William Nicholson | Screenplay, Theatre Play | 
| George Fenton | Original Music Composer | 
| Roger Pratt | Director of Photography | 
| Stuart Craig | Production Design | 
| Chris Corbould | Special Effects Supervisor | 
| Michael Stevenson | Second Assistant Director | 
| Jim Morahan | Assistant Art Director | 
| Bruce Bigg | Property Master | 
| Penny Rose | Costume Design | 
| Kevin Lane | Music Editor | 
| Chuck Finch | Gaffer | 
| Jonathan Bates | Sound | 
| Leila Kirkpatrick | Production Coordinator | 
| Michael Crouch | Dialogue Editor | 
| Barbra Flinder | Title Designer | 
| Keith Hamshere | Still Photographer | 
| Michael Lamont | Art Direction | 
| Nikki Clapp | Script Supervisor | 
| Kate Carin | Assistant Costume Designer | 
| Simon Kaye | Sound | 
| Lucy Boulting | Casting | 
| Michael Redding | Construction Coordinator | 
| Jeremy Hume | Assistant Editor | 
| Lesley Walker | Editor | 
| Dean Humphreys | Sound Mixer | 
| Gerry Humphreys | Sound | 
| Tommy Staples | Boom Operator | 
| Patrick Clayton | First Assistant Director | 
| Stephenie McMillan | Set Decoration | 
| Adam Somner | Second Unit First Assistant Director | 
| Name | Title | 
|---|---|
| Richard Attenborough | Producer | 
| Terence A. Clegg | Executive Producer | 
| Brian Eastman | Producer | 
| Diana Hawkins | Co-Producer | 
| Alison Webb | Associate Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Supporting Actress | Joan Plowright | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 19 | 36 | 11 | 
| 2024 | 5 | 19 | 45 | 10 | 
| 2024 | 6 | 17 | 27 | 11 | 
| 2024 | 7 | 17 | 34 | 10 | 
| 2024 | 8 | 21 | 41 | 10 | 
| 2024 | 9 | 11 | 16 | 8 | 
| 2024 | 10 | 13 | 19 | 8 | 
| 2024 | 11 | 12 | 24 | 7 | 
| 2024 | 12 | 10 | 14 | 6 | 
| 2025 | 1 | 12 | 17 | 8 | 
| 2025 | 2 | 9 | 16 | 3 | 
| 2025 | 3 | 6 | 12 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 3 | 0 | 
| 2025 | 9 | 4 | 5 | 2 | 
| 2025 | 10 | 5 | 6 | 4 | 
Trending Position
**Hopkins and Attenborough in an emotional and feeling-filled work.** When I decided to see this movie, I knew little about the life of the writer C. S. Lewis, who I only knew from having written the books "The Chronicles of Narnia". And I confess that, in order to fully understand the film and a ... lso be able to write something about it, I had the curiosity and interest to read one thing or two about him. For example, I was very impressed by his deep connection to the university and his closeness to J. R. R. Tolkien, who is also the author of a great work of fiction. In fact, thinking about it, it is interesting to see how their works share a lot of points of contact, subtle similarities. But that's a thing for another review. The film focuses on Lewis' life and, especially, on his love relationship with his American wife, Joy Gresham. Lewis was an academic, philosopher and theologian who left many works on these topics, and who unexpectedly decides to marry a recently divorced American, in a union that only later gave way to love between them. The film was inspired by a play, which in turn was inspired by the texts that Lewis wrote about what he experienced and felt. The best thing about the film, for me, is the direction and the cast performance. The director, Sir Richard Attenborough, was known for his attention to detail, cinematography and choice of locations. Considered by many to be one of the great British film directors, this film leaves us with a work full of elegance and beauty, but which seems to be largely forgotten these days, undoubtedly deserving more attention. The cast, in turn, is expertly led by Debra Winger and Sir Anthony Hopkins, a duo of actors of great quality and talent. Hopkins does deeply emotional work, in which we can see that he tried to employ a lot of feeling as well as intellect. Winger didn't impress me that much, but the great quality of her work is undeniable, especially in the moments when she plays with Hopkins or with her fictional son, played by a young boy, Joseph Mazello, who also deserves praise for a job well done. The rest of the cast gives the protagonists the necessary support, but does not stand out or stand out. The film was filmed in Oxford, and we can see how Attenboroug tried to take advantage of the original places, where Lewis would have been and that he surely knew, such as the university and academic spaces. The film gives us an aroma of the atmosphere of the old and renowned institution, and of some of the ceremonies and traditions that take place there. The cinematography is very beautiful and makes the best use of light, close-ups, landscapes and the beauty of old buildings. There are no great effects here, nor does the film need that, but we have an effective soundtrack.