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STILL: A Michael J. Fox Movie Poster

STILL: A Michael J. Fox Movie

2023 | 95m | English

(17437 votes)

TMDb IMDb

Popularity: 5 (history)

Director: Davis Guggenheim
Writer: Michael J. Fox
Staring:
Details

A short kid from a Canadian army base becomes the international pop culture darling of the 1980s—only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease?
Release Date: Jan 20, 2023
Director: Davis Guggenheim
Writer: Michael J. Fox
Genres: Documentary
Keywords based on novel or book, archive footage, parkinson's disease, documentary
Production Companies Concordia Studio
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michael J. Fox Self
Tracy Pollan Self
Sam Fox Self
Aquinnah Fox Self
Schuyler Fox Self
Annabelle Fox Self
Susan Bressman Self
Ryan Orser Self
Siobhan Murphy Self
Danny Irizarry Little Michael
Hannah Galway Tracy
Miles J. Meacham Little Michael #1
Kai Kreinman Little Michael #2
Sherry Klassen Michael's Mom
David Diamond Candy Store Owner
Mike Kus Teamster #1
Shayn Walker Teamster #2
Jason Calder Teamster #3
Angela Galanopoulos Neighbor Woman
Donna Lysell Barbara Walters
Zachary Coumont Michael Head Shaving
Michael McDonald Michael's Bodyguard
Paul Killeen Robert Redford
Bradley Reid Toddler Mike
Bradley Peters Woody Harrelson
Chad Sayn Stunt Coordinator
Ivan Pecum Michael Stunt Double
Rick Pearce Michael's Dad Stunt Double
Jason Calder Stunt Teamster #3
Liam Raymond Dib Photo Double
Name Job
C. Kim Miles Director of Photography
Sara-Jo Baugh Set Designer
Julia Liu Director of Photography
Adam Bardach Executive In Charge Of Production
Jaye Callahan Line Producer
Beverley Huynh Costume Design
Paul Urmson Additional Sound Re-Recording Mixer
Tiffany Mak Local Casting
Matthew Budgeon Production Design
Wyatt Sprague Sound Effects Editor
Jason Sober Set Decoration Buyer
Javier Gonzalez Line Producer
Randall Poster Music Supervisor
Michael Harte Editor
Austin Chuqiao Wang Set Designer
Sean Carvajal Art Direction
Monica Hampton Line Producer
Rich Bologna Sound Effects Editor
Davis Guggenheim Director
John Powell Original Music Composer
Clair Popkin Director of Photography
Michael J. Fox Book
Skip Lievsay Sound Re-Recording Mixer
Joel Dougherty Additional Sound Re-Recording Mixer
Carmen Cuba Local Casting
Rick Pearce Stunt Double
Spencer Pazer Still Photographer
Chad Sayn Stunt Coordinator
Name Title
Nicole Stott Executive Producer
Annetta Marion Producer
Laurene Powell Jobs Executive Producer
Nelle Fortenberry Executive Producer
Will Cohen Producer
Jonathan Silberberg Executive Producer
Drew Locke Co-Producer
Davis Guggenheim Producer
Jonathan King Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 21 31 16
2024 5 24 39 16
2024 6 23 35 14
2024 7 26 41 16
2024 8 27 52 15
2024 9 18 27 11
2024 10 21 37 12
2024 11 18 46 10
2024 12 15 24 9
2025 1 13 17 7
2025 2 9 13 3
2025 3 6 19 1
2025 4 1 2 1
2025 5 2 2 1
2025 6 1 2 1
2025 7 1 2 1
2025 8 2 3 1
2025 9 3 4 2
2025 10 5 7 4

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Reviews

Brent_Marchant
8.0

In the 1980s, actor Michael J. Fox burst onto the entertainment scene as one of the decade’s mega-stars with the success of his hit TV show Family Ties and a string of popular movies, most notably the iconic sci-fi comedy, “Back to the Future” (1985). Before long, he was seemingly everywhere all at ... once, a fitting development for someone who had lived his life like that from the time he was a child. This frenetic pace of living had followed him for so long, in fact, that he never learned how to be, as this film’s title suggests, still. In 1990, however, he received a medical diagnosis that nearly stopped him in his tracks – he was discovered to be suffering from Parkinson’s Disease, an illness that usually strikes in old age, not someone on his late 20s. It forced him to take stock of himself and his life, though he tried desperately (and surprisingly successfully) to conceal it for years thereafter. His unwillingness to confront the truth about his condition continued a practice that he had been carrying out in other areas of his life for years, his hectic, distracted way of living keeping him in denial and, sadly, giving him a reason to drown himself in alcohol. But he couldn’t continue living that way forever as the disease began to take its course, his illness serving as a much-needed wake-up call to get real. Based on the title character’s writings, director Davis Guggenheim’s latest documentary feature tells the protagonist’s story using an inventive combination of archive footage, interviews with Fox, actor-based re-creations of incidents from his life and footage from his treatment sessions that candidly depict how far his condition has progressed. There are also a number of sequences in which his story is told through fittingly poignant clips from his movie and TV projects, ironically reminding us that art can indeed imitate life. All of these elements combine to present a compelling and touching story, although the film admittedly has some initial difficulty finding traction to tell it. Otherwise, though, “Still” offers an honest, insightful look into the life of a very public figure who has been fighting a very private battle and the effects that effort has had on shaping and evolving his professional, personal and philanthropic pursuits. Most of all, however, it shows us how we can identify what’s been missing from our lives and take steps to implement it, no matter how unusual the means may be for showing us the way.

May 17, 2023
jjdanzig
10.0

An AMAZINGLY well done perspective of Parisians Disease as it impacts a person and changes their life forever. I related this film to a close personal friend diagnosed with the same disabling disease. Over the course of time he opted in for a special surgery that implants two devices in the body. ... This act, was worth the wait as his uncontrollable shaking attacks diminished enough he drives again, rode a 100 miles on his bicycle and ... well, lives as close to "normal" as people without the disease. I love Michael's approach allowing the crew to see exactly how this impacts his life. The inclusion of his growth on TV / Movies was a great addition. The amazing, most crazy part of all of this is his absolutely adoring family. His wife sticking through EVERY piece of his life as HE struggles with loosing all things he could do on his own. She's an amazing woman, a true Diamond of ladies that any person would want in their lives.

Jun 07, 2023
Geronimo1967
7.0

Now this is how you do a documentary about illness! Clearly this is a man with considerable skill in front of a camera, but his general demeanour and willingness to reflect on the drawbacks and positives of his Parkinson's Disease is revelatory and engaging. Using his highly successful Hollywood car ... eer as a bedrock, he shares the roller-coaster ride that has been his life. From his burger-fuelled bedsit, through "Family Ties" then his struggle to get film roles, his astonishing success and then to his discovery and disclosure of his illness. It's all presented candidly, amusingly and by a fellow who has steadfastly refused to be beaten. Frequently looking a bit bruised and battered after a fall, and unafraid to illustrate the effects on his mobility and speech, he uses his celebrity status to fundraise for better research into this debilitating brain disease - but he does it without whining. He appreciates he's had a great life - he's a wealthy man with a wife of 30-odd years and four children whom he clearly adores. So many of the documentaries we see nowadays are presented by people who take a camera phone and just use it as an excuse for an highly personal rant. This man has taken the time to construct - from his own book - a narrative that structures how his own (pretty constant) physiotherapy, his dependence on medication and the love of his family give him continuing strength to combat his own demons, sure, but also to put things into a perspective and that I found sad, but actually quite heart-warming. My one complaint is the interviews he does with director Davis Guggenheim. Couldn't he have given himself a microphone? He does rather mumble. Anyone else think MJF now looks a bit like Mark Hamill?

Feb 04, 2024