The Kingdom
2024 | 111m | French
Popularity: 2 (history)
| Director: | Julien Colonna |
|---|---|
| Writer: | Julien Colonna, Jeanne Herry |
| Staring: |
| Lesia, a teenager, is taken by a man to a villa where her fugitive father and his men are hiding. A war erupts, leading to death and a chase where father and daughter bond. | |
| Release Date: | Nov 13, 2024 |
|---|---|
| Director: | Julien Colonna |
| Writer: | Julien Colonna, Jeanne Herry |
| Genres: | Crime, Drama, Thriller |
| Keywords | father daughter relationship |
| Production Companies | Chi-Fou-Mi Productions |
| Box Office |
Revenue: $1,019,507
Budget: $0 |
| Updates |
Updated: Feb 13, 2026 Entered: Mar 19, 2025 |
| Name | Character |
|---|---|
| Ghjuvanna Benedetti | Lesia |
| Saveriu Santucci | Pierre-Paul |
| Anthony Morganti | Ste |
| Andrea Cossu | Santu |
| Thomas Bronzini de Caraffa | Joseph |
| Pascale Mariani | Louise |
| Toussaint Martinetti | Fred |
| Eric Ettori | Jeannot |
| Régis Gomez | Ghjasé |
| Frédéric Poggi | Petru |
| Marie Murcia | Marianne |
| Attilius Ceccaldi | César |
| Ghjuvanni Biancucci | Romain |
| Joseph Pietri | Thomas |
| Alexandre Joannides | Laurent |
| Name | Job |
|---|---|
| Julie Flament | Production Director |
| Antoine Cormier | Director of Photography |
| Julien Colonna | Writer, Director |
| Thomas Guytard | Sound Engineer |
| Fanny De Donceel | Casting, Casting Director |
| Lucas Loubaresse | First Assistant Director |
| Dorothée Allain | Location Manager |
| Albertine Lastera | Editor |
| Océane Court-Mallaroni | Casting Director |
| Caroline Spieth | Costume Supervisor |
| Laurène Ladoge | Production Director |
| Jeanne Herry | Writer |
| Niels Barletta | Sound Engineer |
| Sebastien Demarigny | Key Grip |
| Simon Brouat | Grip |
| Yann Malcor | Editor |
| Marion Bernard | Script |
| Maxime Aubry | Grip |
| Name | Title |
|---|---|
| Hugo Sélignac | Producer |
| Antoine Lafon | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 5 | 1 |
| 2024 | 5 | 5 | 20 | 2 |
| 2024 | 6 | 3 | 11 | 1 |
| 2024 | 7 | 3 | 7 | 1 |
| 2024 | 8 | 2 | 3 | 1 |
| 2024 | 9 | 2 | 3 | 1 |
| 2024 | 10 | 4 | 8 | 1 |
| 2024 | 11 | 10 | 32 | 3 |
| 2024 | 12 | 4 | 7 | 2 |
| 2025 | 1 | 3 | 8 | 1 |
| 2025 | 2 | 9 | 24 | 1 |
| 2025 | 3 | 2 | 7 | 1 |
| 2025 | 4 | 10 | 46 | 1 |
| 2025 | 5 | 9 | 27 | 3 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 1 | 3 | 0 |
| 2025 | 11 | 1 | 3 | 0 |
| 2025 | 12 | 1 | 3 | 0 |
| 2026 | 1 | 1 | 2 | 0 |
| 2026 | 2 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 592 | 794 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 446 | 687 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 596 | 759 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 758 | 828 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 69 | 409 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 307 | 639 |
It’s not often that you get a plausible gangster movie told from the perspective of a fifteen year old girl, but here Ghjuvanna Benedetti delivers a really personable performance as the young “Lesia”. She lives on Corsica with her aunt, has a boyfriend and leads a fairly normal teenager’s life. That ... is, until she is summoned to meet her dad in a luxury villa. Once she arrives, it becomes clear that she and “Pierre-Paul” (Saveriu Santucci) are fairly close and that much of their distance in their relationship is necessitated by the fact that he is the local “Don”. Along with a few loyal family retainers whom she has known since ever she could remember, she soon finds herself embroiled in an all-out turf war that she chooses to remain and help out with rather than flee to safety elsewhere. With the bullets flying, their home is soon no longer much of a sanctuary and they must resort to their more innate survival skills - and “Lesia” is no slouch when it comes to defence becoming offence! The vast majority of the cast here are not professional actors and that lends a legitimacy to the whole look of the film as the vendetta takes shape and the violence escalates testing both the emotional and physical prowess of both father and daughter. Against a backdrop of this beautiful mountainous island, there is a welcome paucity of dialogue that works well as it allows us to immerse ourselves more in the powerful visuals depicting family loyalty, trust and inter-reliance - even starting at a relatively young age. As coming of age films go, this takes an unique approach and there’s a solid chemistry between the two leads that I felt cemented this quite gripping thriller for the best part of two hours.