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Scoop Poster

Scoop

One interview can change everything.
2024 | 103m | English

(21188 votes)

TMDb IMDb

Popularity: 4 (history)

Details

Inspired by real events, this fictional dramatization gives an insider account of how the women of Newsnight secured Prince Andrew's infamous interview.
Release Date: Mar 27, 2024
Director: Philip Martin
Writer: Peter Moffat, Sam McAlister, Geoff Bussetil
Genres: Drama
Keywords journalist, journalism, prince, royal family, british royal family, biographical drama
Production Companies Voltage TV, The Lighthouse
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 04, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Gillian Anderson Emily Maitlis
Billie Piper Sam McAlister
Rufus Sewell Prince Andrew
Keeley Hawes Amanda Thirsk
Romola Garai Esme Wren
Richard Goulding Stewart Maclean
Amanda Redman Netta McAlister
Connor Swindells Jae Donnelly
Lia Williams Fran Unsworth
Charity Wakefield Princess Beatrice
Jordan Kouamé Freddy
Paul Popplewell Editor
Zach Colton Lucas
Kate Fleetwood Annette Witheridge
Aoife Hinds Rebecca
Alex Waldmann Jason Stein
Colin Wells Jeffrey Epstein
Raffaello Degruttola Cab Driver
Vangelis Christodoulou Kebab Server
Gordon Warnecke Man in Toilet
Christopher Fairbank Elderly Man
Tim Bentinck Dave (Lawyer)
Mark Noble Nicholas Witchell
Nicholas Murchie Politician
Charlotte Avery Journalist
Mia Threapleton Maid
Jonathan Rhodes BBC Newsreader
Charlie Roe Equerry
Harriet Benson TV Presenter
Nicholas A. Newman Security
Andrew MacBean Tony Hall
Jon De Ville Donal McCabe
Kayla Rowe-Wilson Freya
Name Job
Peter Moffat Writer
Nina Gold Casting
Kristina Hetherington Editor
Matt Hermiston Stunt Double
Sam McAlister Book
Eimhear McMahon Line Producer
Anne Nikitin Original Music Composer
Hannah Peel Original Music Composer
Nanu Segal Director of Photography
Stéphane Collonge Production Design
Matthew Price Costume Designer
Andrew Daniel Colorist
Byron Broadbent Supervising Art Director
Lily Houghton-Freeman Art Direction
Jenny Ray Art Direction
Glen Young Art Direction
Konstantinos Katsaras Assistant Art Director
Jan Gronczewski Assistant Art Director
Robert Haynes Standby Art Director
Daryl MacNeill Art Department Coordinator
Naomi Reed Set Decoration
Sue Lloyd Assistant Set Decoration
Ed Clark Steadicam Operator, "A" Camera Operator
Sally Low "B" Camera Operator, Additional Photography
Jon Garwes First Assistant "A" Camera
Robbie Chapman First Assistant "B" Camera
Lily Taylor Second Assistant "A" Camera
Lucas Campain Second Assistant "B" Camera
Charlie Bayley Camera Trainee
Joe Dibble Digital Imaging Technician
Nathan Snoddy Digital Imaging Technician
Connie Fyans Script Supervisor
James Harris Production Sound Mixer
Kian McClure Boom Operator
Thomas Kennedy Boom Operator
Peter Taylor Gaffer
Tom Pittman Key Grip
Rosie Stoward Costume Supervisor
Jennifer Geach Assistant Costume Designer
Sharon O'Brien Makeup Supervisor, Hair Supervisor
Kirstin Chalmers Makeup Designer, Hair Designer
Geoff Bussetil Writer
Sophie Dolan Thanks
Cammy Millard Researcher
Zoe Morgan Script Supervisor
Denson Baker Additional Director of Photography
Jenn Egan Music Supervisor
Jan Chalupecký Conductor
Philip Martin Director
Rachael Evelyn Stunt Coordinator, Stunt Double
Martin Ware Casting
Name Title
Hilary Salmon Producer
Radford Neville Producer
Eimhear McMahon Co-Producer
Sam McAlister Executive Producer
Sanjay Singhal Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 123 210 72
2024 5 55 120 33
2024 6 33 57 19
2024 7 27 51 18
2024 8 37 65 17
2024 9 23 36 17
2024 10 25 49 13
2024 11 23 49 12
2024 12 18 32 12
2025 1 20 33 12
2025 2 13 20 3
2025 3 7 24 1
2025 4 2 3 1
2025 5 2 3 1
2025 6 2 4 1
2025 7 2 3 1
2025 8 2 3 1
2025 9 2 2 1
2025 10 3 4 2

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Reviews

TheSceneSnobs
3.0

This film is yet another poor attempt at a Spotlight ripoff, and the primary reason it fails is that it takes itself too seriously. Unlike Spotlight, which focused on the journalism process without turning the journalists into heroes, this movie falls into the trap of hero-worship and overblown "got ... cha" moments set to the backdrop of the Prince Andrew scandal. The storytelling in this movie focuses too much on elevating the journalists rather than the story they are uncovering. This approach detracts from the gravity of the subject matter and shifts the focus to the individuals rather than the issue at hand. The execution of the film is heavy-handed, with a tone that feels preachy and self-important. This undermines the potential impact of the story, as it becomes more about showcasing the journalists as crusaders rather than highlighting the importance of their findings. A more effective approach would have been to focus on the investigative process and let the story unfold naturally. By avoiding sensationalism and sticking to a realistic portrayal of journalism, the film could have achieved a more authentic and impactful narrative that could inform a mass audience. Overall, this film's attempt to spotlight journalism falls flat due to its overemphasis on heroics and dramatic flair. It misses the mark by failing to capture the essence of journalistic integrity and dedication that films like Spotlight managed so well. By focusing less on glorifying the journalists and more on the meticulous work they do, future films in this genre could avoid the pitfalls seen here and deliver more meaningful and resonant stories.

Jul 12, 2024