Popularity: 6 (history)
Director: | John Crowley |
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Writer: | Nick Payne |
Staring: |
An up-and-coming chef and a recent divorcée find their lives forever changed when a chance encounter brings them together, in a decade-spanning, deeply moving romance. | |
Release Date: | Oct 10, 2024 |
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Director: | John Crowley |
Writer: | Nick Payne |
Genres: | Drama, Romance |
Keywords | father, marriage, love, romance, relationship, family, kids, sick mother, love story, moving, modern, sad, heartfelt, meaningful |
Production Companies | Film4 Productions, Shoebox Films, SunnyMarch, StudioCanal |
Box Office |
Revenue: $37,182,814
Budget: $20,000,000 |
Updates |
Updated: May 02, 2025 (Update) Entered: Apr 27, 2024 |
Name | Character |
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Andrew Garfield | Tobias Durand |
Florence Pugh | Almut Brühl |
Grace Delaney | Ella |
Lee Braithwaite | Jade |
Aoife Hinds | Skye |
Adam James | Simon Maxson |
Douglas Hodge | Reginald |
Amy Morgan | Leah |
Niamh Cusack | Sylvia |
Lucy Briers | Dr Kerri Weaver |
Robert Boulter | Dr Hernandez |
Nikhil Parmar | Sanjaya |
Kerry Godliman | Jane |
Heather Craney | Buffy Jones |
Matt Kennard | Benjamin |
Sam Kennard | Lucas |
Saroja-Lily Ratnavel | Restaurant Show Staff Member |
Laura Guest | Midwife |
Marama Corlett | Adrienne Duvall |
Sue Wallace | Carlotta (Diner Waitress) |
Megan Haly | Cashier |
Eliot Salt | Chef James |
Kevin Brewer | Chef Luke |
Fumilayo Brown-Olateju | Chef Ruth |
Roly Botha | Noel (Close-Up Magician) |
Grace Molony | Nurse (Chemo Ward) |
Ann Ogbomo | Operator |
Saira Choudhry | Sheena |
João Soares dos Reis | Station Cook |
Kemal Shah | CEO Weetabix |
Name | Job |
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John Casali | Production Sound Mixer |
Thalia Ecclestone | Supervising Art Director |
Sally Alcott | Special Effects Makeup Artist |
Arthur Graley | Sound Designer |
Oliver Ferris | Foley Artist |
Adam Mendez | Foley Supervisor |
Rob Davidson | Foley Editor |
Dan Morgan | Supervising Sound Editor |
Max Walsh | Sound Editor |
Filipe Pereira | Sound Re-Recording Mixer |
Adam Conlon | First Assistant "A" Camera |
Matt Curtis | Title Designer |
John Crowley | Director |
Fiona Weir | Casting |
Bryce Dessner | Original Music Composer |
Zoe Liang | First Assistant Director |
Nrinder Dhudwar | Stunt Coordinator |
Gisela Evert | Post Production Supervisor |
Ivana Primorac | Hair Designer, Makeup Designer |
Nick Angel | Music Supervisor |
Justine Wright | Editor |
Nick Payne | Writer |
Stuart Bentley | Director of Photography |
Alice Normington | Production Design |
Danni Lizaitis | Second Assistant Director |
Georgina Napier | Costume Supervisor |
Liza Bracey | Costume Design |
Lissa Lamona | Art Direction |
Sarah Kane | Set Decoration |
Charlotte Amelia Miles | Crowd Assistant Director |
Georgina Miles | Crowd Assistant Director |
Christina Low | Stunt Double |
Chris Murphy | Boom Operator |
Roisin Abbott | Assistant Property Master |
Temple Clark | Storyboard Artist |
Noel Cowell | Property Master |
Marlow Hope | Assistant Set Decoration |
Rowland Siddall | Assistant Art Director |
Rebecca Sutton | Standby Art Director |
Amelia Williams | Art Department Assistant |
Jessica Sutton | Graphic Designer |
John Rafique | Special Effects Supervisor |
Chris Watson | Special Effects Technician |
Bailey Wright | Special Effects Coordinator |
Peter Young | Visual Effects Supervisor |
April-Rae Hughes | Visual Effects Producer |
Paul Alexander Gill | VFX Artist |
Shibbir Ahmed | Digital Imaging Technician |
Cade Conetta | Lighting Technician |
Bruce Magahy | Lighting Technician |
Matt Moffatt | Gaffer |
Stamos Triantafyllos | Steadicam Operator |
Norbert Strehle | Lighting Technician |
Vanessa Baker | ADR Voice Casting |
Sinéad Donnelly | Casting Assistant |
Lilly Mackie | Casting Assistant |
Thomas Urbye | Colorist |
Rob Eden | First Assistant Editor |
Aidan Bennett | Online Editor |
Lily Leonard | Music Coordinator |
Tony Lewis | Music Editor |
Yann McCullough | Music Editor |
Jeremy Murphy | Score Engineer |
Alana Marmion-Warr | Script Supervisor |
Romy | Songs |
Sampha | Songs |
Name | Title |
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Ron Halpern | Executive Producer |
Benedict Cumberbatch | Executive Producer |
Ollie Madden | Executive Producer |
Leah Clarke | Producer |
Guy Heeley | Producer |
Tim Dennison | Co-Producer |
Daniel Battsek | Executive Producer |
Anna Marsh | Executive Producer |
Adam Ackland | Producer |
Joe Naftalin | Executive Producer |
David Kimbangi | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 6 | 9 | 4 |
2024 | 5 | 10 | 13 | 6 |
2024 | 6 | 10 | 15 | 5 |
2024 | 7 | 38 | 80 | 9 |
2024 | 8 | 23 | 29 | 17 |
2024 | 9 | 36 | 41 | 25 |
2024 | 10 | 99 | 184 | 37 |
2024 | 11 | 307 | 739 | 142 |
2024 | 12 | 390 | 655 | 286 |
2025 | 1 | 271 | 396 | 158 |
2025 | 2 | 134 | 208 | 19 |
2025 | 3 | 31 | 103 | 3 |
2025 | 4 | 14 | 19 | 13 |
2025 | 5 | 15 | 21 | 12 |
2025 | 6 | 11 | 16 | 8 |
2025 | 7 | 10 | 12 | 8 |
2025 | 8 | 7 | 8 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 367 | 761 |
Year | Month | High | Avg |
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2025 | 7 | 180 | 609 |
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2025 | 6 | 120 | 607 |
Year | Month | High | Avg |
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2025 | 5 | 29 | 373 |
Year | Month | High | Avg |
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2025 | 4 | 63 | 385 |
Year | Month | High | Avg |
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2025 | 3 | 52 | 400 |
Year | Month | High | Avg |
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2025 | 2 | 49 | 259 |
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2025 | 1 | 21 | 93 |
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2024 | 12 | 8 | 55 |
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2024 | 11 | 5 | 77 |
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2024 | 10 | 26 | 168 |
Year | Month | High | Avg |
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2024 | 9 | 385 | 696 |
Year | Month | High | Avg |
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2024 | 8 | 682 | 796 |
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/we-live-in-time-review-a-bittersweet-reflection-on-lifes-fleeting-moments/ "We Live in Time is a testament to the power of cinema that transcends the simplicity of its story with a moving, complex approach to the central themes of human e ... xistence. John Crowley and Nick Payne deliver a narrative where form and content harmonize, using a nonlinear structure not as a mere stylistic gimmick but as an invitation to reflect on how time, memories, and personal choices shape who we are and who we love. With sublime, heartfelt performances from Andrew Garfield and Florence Pugh, audiences are guided through a delicate, authentic study of love, loss, and the fragility of our connections. In the end, it leaves a bittersweet feeling: the remembrance of the fleeting beauty of shared moments and the inevitability of time that shapes and erodes everything." Rating: A-
Suffice to say that "Tobias" (Andrew Garfield) isn't having a good day. He is sitting alone in an hotel room without even a biro to sign his newly arrived divorce papers. He sets off to rectify that but en route back unexpectedly (and painfully) encounters successful chef "Almut" (Florence Pugh) bef ... ore he awakens, in a fetching neck-brace, in an hospital corridor. That's the tentative beginning for what becomes quite an engagingly portrayed love story that manages to marry quite a bit of humour with some tragedy, tension and toilet-floor activity as we are presented with two characters who might resonate with the viewer more than many. The story itself isn't really anything new. What makes this work is the dynamic between Garfield and Pugh. His is a more understated role, her's the more forceful - but both complement the other really quite effectively as the threads of their respective stories and of their burgeoning relationship are quite poignantly interwoven into a current timeline that has already pretty much telegraphed the inevitability of the denouement to us. It's that chemistry that rings true and even though the travails are rather piled up on the couple, their solutions to many of their issues are plausibly played out amidst some affection, temper tantrums, selfishness, tears and fine dining. Lee Braithwaite appears sparingly but quite usefully as her commis "Jade" who manages to allow us all to take the occasional breather from the increasing intensity of the plot, but essentially this is a two-hander that tugs gently at the heart-strings, but is not a film that oozes sentimentality. Always crack an egg on flat surface!
"_I'm worried that's there's a very distinct and real possibility that I am about to fall in love with you._" I am not a fan of stories that keep jumping back and forth in time, but this does it well. It keeps me on my toes when it comes to relaxing and feeling sad, and I guess that's the point. ... The last scene had me gulping down some water.
<em>'We Live in Time'</em> is painfully brilliant. I had no clue what this was about, aside from its romantic comedy-drama genre, so went into it blind and, let me tell you, I was sold within the first few scenes. The acting from the two leads right at the beginning is just incredible. That's onl ... y initially too, because the performances of Florence Pugh and Andrew Garfield are sensational all the way through; some of the best acting I've seen for a while, their chemistry is absolutely on point. They are two people I already enjoy, but this is undoubtedly the best work I've seen from them thus far. The film holds a heavy plot, though does an excellent job at making the highs high and the lows low. The non-linear narrative can be a bit back and forth, but I personally felt like the timeline largely spoke for itself anyway; all becomes clear. There's much emotion packed in there.