Popularity: 4 (history)
| Director: | Max Eggers, Sam Eggers |
|---|---|
| Writer: | Max Eggers, Sam Eggers |
| Staring: |
| Everything goes to hell for newly-pregnant Belinda after her mother-in-law moves in. As the diabolical guest tries to get her claws on the child, Belinda must draw the line somewhere. | |
| Release Date: | Sep 05, 2024 |
|---|---|
| Director: | Max Eggers, Sam Eggers |
| Writer: | Max Eggers, Sam Eggers |
| Genres: | Horror |
| Keywords | mother-in-law, racism, based on short story, psychological horror, pregnancy horror |
| Production Companies | A24, Two & Two Pictures, 2AM |
| Box Office |
Revenue: $3,165,361
Budget: $3,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Aug 14, 2024 |
| Name | Character |
|---|---|
| Brandy Norwood | Belinda |
| Andrew Burnap | Norman |
| Kathryn Hunter | Solange |
| Neal Huff | Pastor Lewis |
| David Manis | Old Man |
| Mary Catherine Wright | Old Woman |
| Ellen J. Maddow | 2nd Old Woman |
| Mary Testa | Mary |
| Morgen McKynzie | Student |
| Kerry Flanagan | Dr. Rayne |
| Wendy Heagy | Administrator (voice) |
| Rueby Wray | One Year Old Laurie |
| Chasity Orr | Baby Laurie |
| Charlize Orr | Baby Laurie |
| Scottie DiGiacomo | Interviewer #1 |
| Toree Hill | Church Woman (uncredited) |
| Desi Ramos | College Student (uncredited) |
| Name | Job |
|---|---|
| Susan Hill | Short Story |
| Ava Berkofsky | Director of Photography |
| Max Eggers | Screenplay, Director |
| Taylor Williams | Casting |
| Mary Lena Colston | Production Design |
| Brett A. Calvo | Art Direction |
| Lauren Crawford | Set Decoration |
| Elizabeth Warn | Costume Design |
| Etzel Ecleston | Makeup Artist |
| Denae Marshall | Hair Department Head |
| Tess Miller | Special Effects Makeup Artist |
| Stella Sensel | Key Makeup Artist |
| Anouck Sullivan | Makeup Department Head |
| Vic Coram | Production Supervisor |
| Jonathan Olson | Unit Production Manager |
| Justin Scutieri | Post Production Supervisor |
| Tony Manzo | Second Assistant Director |
| Mattheau O'Brien | First Assistant Director |
| Ben Kissack | Editor |
| Ben Rodriguez Jr. | Editor |
| Jesse Rosen | Second Second Assistant Director |
| Sam Eggers | Screenplay, Director |
| Chris Cenatiempo | Stunt Coordinator |
| Kate Geller | Casting |
| Aleksandra Stojanovic | Foley Artist |
| Marcelo Zarvos | Original Music Composer |
| Dan Bricker | Sound Mixer |
| Patrick Christensen | ADR Mixer |
| Nick Caramela | Sound Effects Editor |
| Heather Monetti | Boom Operator |
| Bill Orrico | Foley Editor |
| Dennis Rainaldi | Sound Mixer |
| Ric Schnupp | Sound Designer, Supervising Sound Editor, Sound Re-Recording Mixer |
| Samuel Stevenson-Yang | Boom Operator |
| Angelica Bianca Jimenez | Property Master |
| Minna Moily | Assistant Set Decoration |
| Christian Nazario | Set Decoration Buyer |
| Kimberly Osborne | Graphic Designer |
| Jake Diamond | Second Assistant Director |
| Jessica Bondi | Key Hair Stylist |
| Shavaughn Byrd | Key Hair Stylist |
| Philip Harrah | Special Effects Makeup Artist |
| Nikia Nelson | Hairstylist |
| Gaby Torell | Makeup Artist |
| John Donchak | Stunt Double |
| Leigha Hancock | Stunt Double |
| Damali Ross | Stunt Double |
| Ross Shenker | Casting Associate |
| Jesse Coyote Sanchez-Strauss | Steadicam Operator, "A" Camera Operator |
| Jarrod Russell | Gaffer |
| Andrew Hubbard | Gaffer |
| Michael Lebensfeld | Visual Effects Supervisor |
| Name | Title |
|---|---|
| Julia Oh | Producer |
| Lucan Toh | Producer |
| Bryan Sonderman | Co-Producer |
| Kevin Rowe | Executive Producer |
| David Hinojosa | Producer |
| Babak Anvari | Producer |
| Erika Hampson | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 2 | 1 |
| 2024 | 5 | 1 | 2 | 1 |
| 2024 | 6 | 8 | 18 | 2 |
| 2024 | 7 | 16 | 44 | 6 |
| 2024 | 8 | 17 | 26 | 12 |
| 2024 | 9 | 36 | 73 | 13 |
| 2024 | 10 | 38 | 60 | 17 |
| 2024 | 11 | 17 | 43 | 10 |
| 2024 | 12 | 80 | 369 | 8 |
| 2025 | 1 | 231 | 357 | 116 |
| 2025 | 2 | 86 | 181 | 15 |
| 2025 | 3 | 41 | 106 | 2 |
| 2025 | 4 | 6 | 7 | 5 |
| 2025 | 5 | 4 | 7 | 3 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 2 | 3 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 345 | 535 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 213 | 460 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 81 | 523 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 23 | 349 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 63 | 406 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 9 | 349 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 343 | 581 |
I recently watched the film "The Front Room," which stars Brandy Norwood in a role that marks her return to thriller and horror genres since "I Still Know What You Did Last Summer." The movie takes you on a wild ride with a deranged mother-in-law who claims her actions are in the name of Jesus Chris ... t, but in reality, she is mentally unstable. Despite its low budget and odd script, "The Front Room" is a captivating watch as you witness the disturbing antics of this non-biological mother-in-law towards the protagonist, especially after the birth of a baby. Her behavior, from her laugh to her speech, is so repulsive that you may find yourself wanting to intervene and have her arrested. While the film may not be a masterpiece, it is also not without merit. It offers a twisted and entertaining experience, showcasing the extent of the mother-in-law's insanity.
Kathryn Hunter tuns in quite an entertaining performance here as the truly odious and manipulative "Solange" but the rest of this is pretty weak. It all starts with teacher "Belinda" (Brandy Norwood) and her lawyer husband "Norman" (Andrew Burnap) expecting a baby and struggling to make ends meet in ... their new home. His father dies, and at the funeral he learns that the terms of the will sort of require them to take in his stepmother for what's left of her life. She's tiny, walks with two big sticks, and looks like she's already in God's waiting room - but "Norman" loathes the woman. "Belinda", on the other hand, deicides that the cash on offer is too good to turn down and so... What now ensues is just a mess. The characterisation of "Belinda" has all the depth of an Ethiopian river in July and her drippy husband - who just reminded me of a grown up "Harry Potter" the whole time - struggle to make any impact on a story that just doesn't deliver. There's no menace, no sense of peril, some adult nappies and as script that came straight from the "Janet & John" book of elementary thriller writing. It's actually quite a tasteless and an annoyingly repetitive watch with shades of "Rosemary's Baby" to it - but very shady shades. It's fodder for Halloween season, and after a few beers late at night on the television might bear watching just for the efforts of Hunter, but otherwise this is completely forgettable stuff.