Popularity: 7 (history)
Director: | James Watkins |
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Writer: | James Watkins |
Staring: |
When an American family is invited to spend the weekend at the idyllic country estate of a charming British family they befriended on vacation, what begins as a dream holiday soon warps into a snarled psychological nightmare. | |
Release Date: | Sep 11, 2024 |
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Director: | James Watkins |
Writer: | James Watkins |
Genres: | Horror, Thriller |
Keywords | hopeless, disturbing, husband wife relationship, europe vacation, depressing, weekend getaway, suspenseful, remake, psychological horror, ominous, manipulation, children in danger, gloomy |
Production Companies | Blumhouse Productions |
Box Office |
Revenue: $76,756,109
Budget: $15,000,000 |
Updates |
Updated: Aug 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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James McAvoy | Paddy |
Mackenzie Davis | Louise Dalton |
Scoot McNairy | Ben Dalton |
Aisling Franciosi | Ciara |
Alix West Lefler | Agnes Dalton |
Dan Hough | Ant |
Kris Hitchen | Mike |
Motaz Malhees | Muhjid |
Jakob Højlev Jørgensen | Torsten |
Name | Job |
---|---|
Tim Maurice-Jones | Director of Photography |
Matt Curtis | Title Designer |
Jon Harris | Editor |
Saunder Jurriaans | Original Music Composer |
Heather Basten | Casting |
Andrew Bonner | Line Producer |
Igor A. Nola | Line Producer |
Francesca Mauri | Assistant Set Decoration |
Susie Allnutt | Still Photographer |
Fran Cattaneo | Casting Assistant |
Ruth Antoine | First Assistant Editor |
Rob Pizzey | Digital Colorist |
Lara Karamardian | Assistant Editor |
Clara Hargreaves | VFX Editor, Visual Effects Editor |
Mads Tafdrup | Original Film Writer |
Lucy Bright | Music Supervisor |
Julia Piker | Additional Music |
Caroline Bowker | Script Supervisor |
Brittany Fottrell | Post Production Coordinator |
Scott P. Fraser | Post Production Coordinator |
Tyler Ferguson | Post Production Assistant |
Antonio De Paola | Online Editor |
Pat Sweeney | Gaffer |
Josip Siladi | Key Grip |
Fabrizio Sciarra | Steadicam Operator |
Junior Agyeman Owusu | Steadicam Operator |
Leon Moralic | Steadicam Operator |
Jakov Matija Kapetanovic | Grip |
Martin Conway | Best Boy Electric |
Seth Crail | Orchestrator |
Timeri Duplat | Music Editor |
Ray Kim | Orchestrator |
Christian Tafdrup | Original Film Writer |
Danny Bensi | Original Music Composer |
Keith Madden | Costume Design |
James Watkins | Writer, Director |
Andrew Phizacklea | Standby Property Master |
Nicole Stafford | Makeup Designer, Hair Designer |
Terri Taylor | Casting |
Ally Conover | Casting |
Stuart Ewen | Unit Production Manager |
Alexander Holt | First Assistant Director |
Tom Rye | First Assistant Director |
Helen Fraser | Second Assistant Director |
James O'Donnell | Stunt Coordinator |
Anthony Knight | Stunt Double |
Anna Stephenson | Stunt Double |
Luke Gomes | Stunt Double |
Emma Britton | Stunt Double |
Charlotte Williams | Stunt Double |
Annabel Brook | Stunt Double |
Jake Shallcross | Stunt Double |
Farzeen Fassihi | Stunt Double |
Nora Henderson | Stunt Coordinator |
Emma Zee | Post Production Supervisor |
Melissa Brockman | Visual Effects Producer |
Adam A. Makin | Supervising Art Director |
Adam David Grant | Art Direction |
Mursalim Topham | Assistant Art Director |
Jessica Johnson | Standby Art Director |
Philip Reid | Graphic Designer |
Prue Howard | Set Decoration |
Merel Graeve | Set Buyer |
Cassie Smith | Property Buyer |
Elena Riccabona | Property Buyer |
Ben Hopwood | Property Master |
Frankie Leeming | Assistant Property Master |
Francesca Kaimer Millea | Second Assistant Director |
Reece Palmer | Standby Property Master |
Malcolm McLean | "B" Camera Operator |
Merritt Gold | First Assistant "A" Camera |
Iona Greaves | Second Assistant "A" Camera |
James Perry | First Assistant "B" Camera |
Nicola Braid | Second Assistant "B" Camera |
Liam Reardon | Second Assistant "B" Camera |
Lewis McInnes | Digital Imaging Technician |
Chris Atkinson | Sound Recordist |
Matt Atkinson | Sound Assistant |
Henry Dyer | Sound Assistant |
Jeremy Middleton | Electrician |
Felix Ollerearnshaw | Electrician |
Michael Kavanagh | Electrician |
James Nesbitt | Electrician |
Scott Robinson | Electrician |
Ricardo Sesay | Electrician |
Billy Dunn | Electrician |
Larry Park | Rigging Gaffer |
Michael Wacker | Key Grip |
Billy Smith | Grip |
Danny Brennan | Best Boy Grip |
Susie Lewis | Costume Supervisor |
Debbie Roberts | Costume Supervisor |
Sophie Crompton | Costume Standby |
Lois Hutchinson | Costume Standby |
Alex Madeloso | Costume Standby |
Jessica Ray Harrison | Makeup Supervisor, Hair Supervisor |
Charlotte Betts | Makeup Artist |
Vivienne Simpson | Makeup Artist |
Peta Dunstall | Key Hair Stylist |
Kristyan Mallett | Prosthetic Makeup Artist |
Sam Shuck | Prosthetic Makeup Artist |
Midge Ferguson | Location Manager |
Ted Ladlow | Location Manager |
Dee Gregson | Location Manager |
Nick Clark | Assistant Location Manager |
Beth Cook | Assistant Location Manager |
Nathan Heywood | Production Accountant |
Jenny Fennell | First Assistant Accountant |
Helen Logan | Production Coordinator |
Kiya Gervis-Bennett | Assistant Production Coordinator |
Benjamin Eduardo Howarth | Assistant Production Coordinator |
Ivan K. Germano | Assistant Production Coordinator |
Desi Traichevska | Production Secretary |
Matthew Nelson | Casting Associate |
Hilary Matkovich | Casting Assistant |
Iman Wilson | Casting Assistant |
Jay Maidment | Still Photographer |
Dave Reed | Construction Manager |
Warren Deluce | Transportation Captain |
Rio Sneddon | Third Assistant Director |
Ella Rankin | Third Assistant Director |
Neal Champion | Special Effects Supervisor |
Stephen Paton | Special Effects |
Barry Hibbard | Special Effects Technician |
Simon Duric | Second Unit Director |
Terry McShane | Second Unit First Assistant Director |
Mark Moriarty | Second Unit Director of Photography |
Peter Wignall | "B" Camera Operator |
Max Marlow | Visual Effects Coordinator |
Jannik Chowdhary-Kuczynski | Visual Effects Coordinator |
Ben Barker | Sound Designer, Supervising Sound Editor |
Dayo James | Sound Editor |
Danny Freemantle | Sound Editor |
Rob Malone | Sound Editor |
Nick Freemantle | Sound Editor |
Gillian Dodders | Supervising Dialogue Editor |
Ian Morgan | Dialogue Editor |
Arthur Fenn | Dialogue Editor |
Glen Gathard | Foley Mixer |
Zoe Freed | Foley Artist |
Daniel Nicholls | Foley Artist |
Paolo Pavesi | Foley Editor |
Mark Hesop | Foley Editor |
Niv Adiri | Sound Re-Recording Mixer |
Brendan Nicholson | Sound Re-Recording Mixer |
Kobi Quist | Mix Technician |
Hannes Wannerberger | Mix Technician |
Phil McGowan | Scoring Mixer |
Jason Evans | Visual Effects Supervisor |
Robin Lamontagne | Visual Effects Supervisor |
Imran Khan | 2D Supervisor |
Aishwarya Lakshminarayana | Visual Effects Production Manager |
Vincent Menard | Visual Effects Production Manager |
Alexandre Martin | Visual Effects Coordinator |
Pratik Jore | Visual Effects Coordinator |
Tanmay Kadam | Visual Effects Coordinator |
Ellie Clissett | Online Editor |
Guilhem Coulibaly | Online Editor |
Georgina Cranmer | Online Editor |
Harry Field | Online Editor |
Colin Foulkes | Online Editor |
Jemma Fox | Online Editor |
Shiv Meeda | Digital Intermediate Producer |
Mélissa Humler | Stunt Double |
James Price | Production Design |
Alfie Biddle | "B" Camera Operator |
Cynthia Francillon | Executive Producer's Assistant |
Name | Title |
---|---|
Jennifer Scudder Trent | Co-Producer |
Jacob Jarek | Executive Producer |
Jon Romano | Co-Producer |
Jason Blum | Producer |
Christian Tafdrup | Executive Producer |
Beatriz Sequeira | Executive Producer |
Paul Ritchie | Producer |
Taylor Berry | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 29 | 54 | 5 |
2024 | 5 | 27 | 42 | 19 |
2024 | 6 | 32 | 40 | 21 |
2024 | 7 | 47 | 72 | 17 |
2024 | 8 | 57 | 91 | 38 |
2024 | 9 | 348 | 507 | 94 |
2024 | 10 | 804 | 2281 | 402 |
2024 | 11 | 232 | 408 | 148 |
2024 | 12 | 158 | 226 | 121 |
2025 | 1 | 130 | 180 | 91 |
2025 | 2 | 89 | 139 | 17 |
2025 | 3 | 30 | 118 | 3 |
2025 | 4 | 18 | 24 | 14 |
2025 | 5 | 13 | 16 | 11 |
2025 | 6 | 10 | 13 | 9 |
2025 | 7 | 9 | 10 | 6 |
2025 | 8 | 7 | 9 | 6 |
2025 | 9 | 7 | 9 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 76 | 469 |
Year | Month | High | Avg |
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2025 | 8 | 407 | 678 |
Year | Month | High | Avg |
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2025 | 7 | 507 | 762 |
Year | Month | High | Avg |
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2025 | 6 | 147 | 644 |
Year | Month | High | Avg |
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2025 | 5 | 53 | 516 |
Year | Month | High | Avg |
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2025 | 4 | 145 | 495 |
Year | Month | High | Avg |
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2025 | 3 | 110 | 482 |
Year | Month | High | Avg |
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2025 | 2 | 124 | 566 |
Year | Month | High | Avg |
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2025 | 1 | 73 | 283 |
Year | Month | High | Avg |
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2024 | 12 | 26 | 120 |
Year | Month | High | Avg |
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2024 | 11 | 18 | 83 |
Year | Month | High | Avg |
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2024 | 10 | 2 | 56 |
Year | Month | High | Avg |
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2024 | 9 | 4 | 25 |
Year | Month | High | Avg |
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2024 | 8 | 64 | 391 |
<em>'Speak No Evil'</em> is supremely well done! I felt unsettled from pretty much the get-go. That's because you can see the general direction that the movie is going to head, though that doesn't hampen the feeling of unease that is present all the way through. I did actually think whilst watchi ... ng that the film was being a tad dragged out, though by the credits I was fully sold on what I had just seen. James McAvoy is outstanding, I knew he was capable of portraying such a creepy and unhinged character from seeing some of his other work. <em>'Split'</em> for one, though also, oddly, <em>'The Chronicles of Narnia: The Lion, the Witch and the Wardrobe'</em>; I always got creeped out when we first see his Mr. Tumnus. Mackenzie Davis impresses as well, as do Scoot McNairy and Aisling Franciosi in fairness; youngsters Alix West Lefler and Dan Hough do well too. The final scene with the latter is quite something, I thought it was going to play out slightly differently (i.e. what Ron does to Carl, for any fellow <em>'The Walking Dead'</em> fans) so to see it go they way it did was unexpected - but, without question, welcome. I shall no doubt check out the Danish original at some point in the future.
How many folks have you met on holiday and promised to go and visit when you all get back home? Well for me that is always a bit like ouzo or metaxa - best enjoyed in situ but never a good idea when the trip is actually over. The "Dalton" family are a bit down in the dumps. "Ben" (Scoot McNairy) has ... just relocated to London from the USA to find his job evaporated, wife "Louise" (Mackenzie Davis) is trying to keep things positive and their over-indulged daughter "Aggie" (Alix West Lefler) is an eleven year old joined (annoyingly) at the hip with her cuddly rabbit. They decide that they ought to take up the offer of spending a week with their new-found holiday friends and so head to the remote home of the ebullient "Paddy" (James McAvoy) and his family "Ciara" (Aisling Franciosi) and mute son "Ant" (Dan Hough). Initially it's all good fun - even if the sleeping arrangements leave something to be desired, but gradually it becomes clear that all is not as it might be amidst this idyllic setting. When young "Ant" manages to convey a menacing secret to "Aggie" then a distinct panic sets in amongst the visitors who conclude that a midnight flit is in order. Of course, it's not going to be that easy and adaptability and ingenuity become the family's buzzwords as things become a great deal more dangerous. It does come alive a bit for the last twenty minutes, even though these are all just a little far-fetched, but the rest of this is really little more than a showcase for McAvoy to shine. To be fair, he does turn in a decent enough effort eventually but we spend far too much time building to that denouement. The preamble, some on their holiday and most at their rustic residence all advances the storyline too slowly and meanderingly to sustain enough interest to carry it's almost two hour duration, and personally, I found the likelihood that these people would ever have become friends in the first place about as remote as his house. It's all watchable enough, but nothing very memorable I'm afraid.
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/speak-no-evil-review-an-americanized-remake-for-better-and-worse/ "Speak No Evil may not reach the visceral depth of the Danish original, but it offers a more accessible, commercially appealing approach. The changes in story and tone may divi ... de fans of the 2022 psychological thriller, but there's something to be said about the effectiveness of the stellar performances - James McAvoy is mesmerizing - and the more complex dynamic between the central characters. The thematic exploration of politeness and the pressure to adhere to social norms, even when they conflict with personal safety, remains thought-provoking, though the credit here goes to the original. For those who prefer a "softer" experience in terms of emotional and physical violence, this remake is a valid version that, while not surpassing the original, manages to deliver a distinct experience for the audience. After all, both stories can coexist and appeal to different viewers. Pick your favorite or, better yet, enjoy both." Rating: B+
While Speak No Evil fails to keep you on the edge of your seat, no other performance this year will scare you as much or beat the dramatic performance of James McAvoy's unexpected transformation into the Incredible Hulk. ...
**One time watchable** I had watched the original Danish version, so I already knew the story. Yet, I watched this to see how this was done. I would say it was done better than the original version. But overall, the story is lame with many flaws. The little girl and her weak father is super an ... noying. But, if you don’t know the story, you can watch it one time. Popcorn movie.
I don't really recall the other one but I saw it before. I guess it's better etc. The actors do a good job. I liked watching them do scenes. Russel Crowe has lost a lot of weight. Kim Basinger knows how to work a hammer. It was all a bit drawn out in the end now wasn't it. I skipped seemingly lar ... ge amounts of house running. It loses the tension, becomes monotonous for the finale. If you haven't seen the other one and you like this one, I think that's fine. I like it too.