 
  Popularity: 5 (history)
| Director: | Richard Brooks | 
|---|---|
| Writer: | Richard Brooks, Joseph Conrad | 
| Staring: | 
| After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 2000. | |
| Release Date: | Feb 15, 1965 | 
|---|---|
| Director: | Richard Brooks | 
| Writer: | Richard Brooks, Joseph Conrad | 
| Genres: | Adventure, Drama, Romance | 
| Keywords | based on novel or book, scandal, ship, angkor wat, cowardice, honor, redemption, seaman, storm at sea, shame, port, 19th century, java, indonesia, seafarer | 
| Production Companies | Columbia Pictures, Keep Films, Columbia British Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Peter O'Toole | Lord Jim | 
| James Mason | Gentleman Brown | 
| Curd Jürgens | Cornelius | 
| Eli Wallach | The General | 
| Jack Hawkins | Marlow | 
| Paul Lukas | Stein | 
| Daliah Lavi | The Girl | 
| Akim Tamiroff | Schomberg | 
| Jūzō Itami | Waris | 
| Tatsuo Saitō | Du-Ramin | 
| Andrew Keir | Brierly | 
| Jack MacGowran | Robinson | 
| Ric Young | Malay | 
| Noel Purcell | Captain Chester | 
| Walter Gotell | Captain of Patna | 
| Rafiq Anwar | Moslem Leader | 
| Marne Maitland | Elder | 
| Newton Blick | Doctor | 
| A. J. Brown | Magistrate | 
| Christian Marquand | French Officer | 
| Name | Job | 
|---|---|
| Freddie Young | Director of Photography | 
| Bronislau Kaper | Original Music Composer | 
| Richard Brooks | Writer, Director | 
| Joseph Conrad | Novel | 
| William Hutchinson | Art Direction | 
| Angela Martelli | Script Supervisor | 
| Phyllis Dalton | Costume Design | 
| Gordon Bond | Hairstylist | 
| Cliff Richardson | Special Effects | 
| Ernest Day | Camera Operator | 
| Mike Fox | Focus Puller | 
| Geoffrey Drake | Production Design | 
| Wally Veevers | Special Effects | 
| Alan Osbiston | Editor | 
| Peter Zinner | Music Editor | 
| Charles E. Parker | Makeup Artist | 
| Ernest Archer | Art Direction | 
| Michael Walter | Key Grip | 
| Kenneth J. Withers | Camera Operator | 
| Michael Stevenson | Second Assistant Director | 
| Name | Title | 
|---|---|
| Richard Brooks | Producer | 
| Jules Buck | Associate Producer | 
| Peter O'Toole | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 22 | 39 | 12 | 
| 2024 | 5 | 26 | 43 | 19 | 
| 2024 | 6 | 21 | 34 | 10 | 
| 2024 | 7 | 17 | 25 | 11 | 
| 2024 | 8 | 18 | 41 | 11 | 
| 2024 | 9 | 11 | 16 | 6 | 
| 2024 | 10 | 9 | 15 | 5 | 
| 2024 | 11 | 9 | 19 | 5 | 
| 2024 | 12 | 9 | 18 | 5 | 
| 2025 | 1 | 10 | 22 | 6 | 
| 2025 | 2 | 7 | 13 | 2 | 
| 2025 | 3 | 5 | 10 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 4 | 1 | 
| 2025 | 10 | 4 | 6 | 3 | 
Trending Position
_**Lawrence of the Jungle**_ In the late 1800s, a gallant officer in the English merchant service (Peter O'Toole) falls prey to cowardice in a weak moment and is ousted to drift from job to job until he is inspired to help a Southeast Asian village purge a cruel general (Eli Wallach), hoping for ... redemption. The peripheral cast includes Paul Lukas, Jack Hawkins, Curd Jürgens, Daliah Lavi and James Mason. Richard Brooks’ “Lord Jim” (1965) is heavily boiled-down from the superfluous prose of Joseph Conrad's 1900 novel and comes across as overly sentimental and melodramatic. The fictitious village of Patusan is located in Malaysia in the book where the population is largely Muslim while in the movie, which was made in 1964 when the Vietnam situation was escalating, Patusan is deftly moved several hundred miles north to mainland Southeast Asia where the population is Buddhist. At its heart, this is an exploration of the negative effects of fear and the thin line between cowardice and heroism, which is reminiscent of “They Came to Cordora” (1959), but with the setting and general tone of “The Ugly American” (1963), albeit 60+ years in the past. With O’Toole playing a character that helps a ragtag group of idealist indigenous people you can’t help but think of “Lawrence of Arabia” (1962) transferred to the jungle. But “Lord Jim” comes across awkward and boring by comparison, not to mention more old-fashioned even though it’s newer by a few years. The ending is questionably done and leaves a bad taste. On the positive side, some elements are well done, even artistic, and clearly influenced Coppola’s outstanding “Apocalypse Now” (1979). The movie runs 2 hours, 34 minutes, and was shot in Lantau Island, Hong Kong; Angkor Wat, Cambodia; and Malacca, Malaysia. Studio work was done at Shepperton Studios, Surrey, England. GRADE: C
There is much of his TE Lawrence performance in Peter O'Toole's eponymous characterisation of William Conrad's 19th Century sailor. He is cashiered out of the service on grounds of cowardice after being forced to abandon some Muslim pilgrims amidst a storm at sea. Many years on, when he manages to t ... hwart some would-be maritime saboteurs, he allies with trader "Stein" (Paul Lukas) and sets off up river to help some locals who are being enslaved by the "General" (Eli Wallach) and his drunken, cowardly pal "Cornelius" (Curd Jürgens). Battles ensue before "Jim" finds himself further embroiled in the machinations of James Mason's "Brown" on the hunt for some gold and.... Essentially this film (as was the book) is about redemption. "Jim" constantly regrets his earlier, hasty, actions and will stop at nothing to demonstrate that a coward he isn't. Richard Brooks keeps this film moving along quickly with plenty of attention to the gist (if not always the detail) of the book. The episodic nature of the narrative allows the other characters - including Jack Hawkins' "Marlow" - to play their parts for twenty or minutes or so before the plot moves on to pastures a bit new and so it is rarely dull. The production standards are high, and O'Toole, Wallach and especially Jürgens are on good form throughout. I enjoyed this.