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The Hot Chick

The hottest chick in town just switched bodies with the luckiest loser in the world.
2002 | 104m | English

(108119 votes)

TMDb IMDb

Popularity: 5 (history)

Director: Tom Brady
Writer: Tom Brady, Rob Schneider
Staring:
Details

Not only is Jessica Spencer the most popular girl in school -- she is also the meanest. But things change for the attractive teen when a freak accident involving a cursed pair of earrings and a chance encounter at a gas station causes her to switch bodies with Clive, a sleazy crook. Jessica, in the form of the repulsive Clive, struggles to adjust to this radical alteration and sets out to get her own body back before the upcoming prom.
Release Date: Dec 13, 2002
Director: Tom Brady
Writer: Tom Brady, Rob Schneider
Genres: Comedy, Fantasy
Keywords sexual identity, identity, human body, friendship, jewelry, high school, shopping mall, bullying, thief, crude humor, prom, curse, gatekeeper, best friend, body-swap, popular girl, pathetic, absurd, demeaning
Production Companies Happy Madison Productions, Touchstone Pictures
Box Office Revenue: $54,639,553
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Rob Schneider Jessica
Anna Faris April
Matthew Lawrence Billy
Eric Christian Olsen Jake
Robert Davi Stan
Melora Hardin Carol
Alexandra Holden Lulu
Rachel McAdams Jessica
Maritza Murray Keecia
Fay Hauser Mrs. Thomas
Jodi Long Korean Mother
Tia Mowry Venetia
Tamera Mowry-Housley Sissy
Lee Garlington Vice Principal Bernard
Angie Stone Madame Mambuza
Matt Weinberg Booger
Leila Kenzle Julie
Michelle Branch DJ
Michael O'Keefe Richie
Sam Doumit Eden
Megan Kuhlmann Hildenburg
Ashlee Simpson Monique
Maria-Elena Laas Bianca
Dick Gregory Bathroom Attendant
Katie Lohmann Pole Cat Stripper
Scott Dolezal Night Club Bartender
Rebecca Lin Palace Girl
Berglind Icey Stripper
Louis Lombardi Pole Cat Bar Patron
Teresa Espinosa Hip Hop Freestyle Dancer
Michael Papajohn Security Guard
Nadine Ellis Palace Girl
Adam Sandler Mambuza Bongo Guy (uncredited)
Name Job
John Debney Original Music Composer
Donna Morong Casting
Tony Gonzalez Choreographer
Gregg Smrz Stunt Coordinator, Second Unit Director
Marijane Cole Stunts
Cara Giallanza First Assistant Director
Marc Fisichella Production Design
Peck Prior Editor
Gail Goldberg Casting
Alix Friedberg Costume Design
Tom Frohling Art Direction
Jon Danniells Set Decoration
Reid Paul Digital Effects Supervisor
Alex Barnoya Set Medic
Ralph Merzbach 24 Frame Playback
Eric Reichardt Scenic Artist
Jeff Smithwick Color Timer
Brian Cantrell Rigging Gaffer
Paul Schreiber Location Manager
Marcia Ross Casting
Erich W. Schultz Construction Coordinator
Jim Moores Picture Car Coordinator
Krister C. Johnson Transportation Captain
Tom Hartig Boom Operator
Peter Afterman Music Supervisor
Julian Smirke Editorial Production Assistant
Sandy S. Solowitz First Assistant Editor
Frank Bennett Orchestrator
Lisa Nichols Studio Teachers
Shane Reed Leadman
James Van Houten Sculptor
Mike Hardison CG Supervisor
Shane Buttle Electrician
Peggy Casey Set Decoration Buyer
KG Ramsey Key Hair Stylist
Lawrence Karman Steadicam Operator
Deborah Hall Costume Supervisor
Jim Stephan Utility Stunts
Paul McIlvaine Gaffer
John Bratlien Lighting Technician
Rose Librizzi Makeup Department Head
Cashalà L'Shauntyelle Stand In
Deborah Simmrin Unit Publicist
Scott Crabbe Video Assist Operator
Dan DiPrima Music Editor
Orada Jusatayanond Sound Effects Editor
Camille M. Bratkowski Set Designer
Cesar Orozco Propmaker
Clayton Weber First Assistant Sound Editor
Jana Spotts Visual Effects Coordinator
Paulette Fox Painter
Emjay Olson Hairstylist
Corina C. Duran-Rabichuk Makeup Artist
Keith Rogers Sound Re-Recording Mixer
Ray McIntyre Jr. Visual Effects Supervisor
Mark Figueroa First Assistant Camera
Udi Nedivi Unit Production Manager
Matt Bardocz Best Boy Electric
Ivonne Olguin Art Department Coordinator
Larry Waggoner Hair Department Head
J. Armin Garza II Driver
R. Michael Stringer Rigging Grip
John C. Kruize Production Accountant
Clay Dale Visual Effects
Nicole Hilliard-Forde Casting Associate
Josh Egnew Sound Editor
Jeffrey Greeley Camera Operator
James Lowder Transportation Coordinator
Kelly Moran-Brown Production Coordinator
David Bach Supervising Sound Editor
Cameron Steenhagen ADR Editor
Darwin Montana Browne Key Grip
Scott W. Leslie Assistant Property Master
Tim Fassino Set Dresser
Bill Daimant Dolly Grip
George Doering Musician
Adam Blantz Utility Sound
John P. Aguirre Second Assistant Director
Tyra Youland Ager/Dyer
Christopher K. Grap Assistant Production Coordinator
Josh Denering Grip
Nadia Aleyd Casting Assistant
Carme Tenuta Key Makeup Artist
Randolph Saucedo Sound Recordist
Max E. Brehme Property Master
Robert Jackson Dialogue Editor
Mark Vollmer Key Rigging Grip
Mark Avery Additional Second Assistant Director
Sharon Speller Decorator
Monique Reymond Foley Artist
Celeste LaChance Costumer
Christopher 'Critter' Antonucci Stunt Double
Andrew Osborne Assistant Camera
Bryan S. Sexton Production Secretary
Hope Garrison Assistant Director
Timber Kislan Payroll Accountant
David Anthony Extras Casting
Rudy Coblentz Jr. Second Assistant Accountant
Robin Richesson Storyboard Artist
Jeff Williams Assistant Editor
Matt Evans Post Production Coordinator
Chris Cuevas Second Assistant Camera
Jessica Clements Music Coordinator
Tiffany Fraser First Assistant Accountant
David Yonson ADR Recordist
Jerry Miscevich Special Effects Technician
Angela Athayde Production Assistant
Patrick Flanagan Digital Compositor
Michael D. Alvarez Camera Loader
Cinda-Lin James Stunt Double
Tom Brady Director, Writer
Tim Suhrstedt Director of Photography
Rob Schneider Writer
John C. Hartigan Special Effects Coordinator
Mark Ulano Production Sound Mixer
Kate Lacey Casting Coordinator
Heidi Moneymaker Stunt Double
Nicole Randall Stunt Double
Eliza Coleman Stunts
Paul E. Short Stunts
Steve Kelso Stunts
Gloria O'Brien Stunt Double
Lisa Hoyle Stunt Double
Darlene Ava Williams Stunt Double
Myke Schwartz Stunts
Dustin Meier Stunt Double
Terry Notary Stunts
Gary Guercio Stunt Double
Dartenea Bryant Stunt Double
Casey Easlick Stunt Double
Name Title
Nathan Talbert Reimann Co-Producer
Robin Mulcahy Fisichella Associate Producer
Carr D'Angelo Producer
Ian Maxtone-Graham Co-Producer
Guy Riedel Executive Producer
Jack Giarraputo Executive Producer
Adam Sandler Executive Producer
John Schneider Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 44 58 32
2024 5 50 60 38
2024 6 42 71 30
2024 7 49 81 31
2024 8 47 68 34
2024 9 33 48 25
2024 10 42 89 29
2024 11 43 88 24
2024 12 34 42 24
2025 1 35 53 29
2025 2 29 45 6
2025 3 15 53 3
2025 4 6 7 4
2025 5 5 6 4
2025 6 5 6 4
2025 7 5 6 4
2025 8 5 5 4
2025 9 4 6 3
2025 10 5 7 3

Trending Position


Year Month High Avg
2025 8 751 875
Year Month High Avg
2025 6 754 852
Year Month High Avg
2024 11 835 835

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Reviews

Kamurai
6.0

Decent watch, might watch again, but I don't think I can whole-heartedly recommend it. This "body swap" trope is dealing with both sex swapping and age swapping, but not parent-child swapping, so a lot of things come with that in this silly dirt comedy. I'm not even sure you could make this movi ... e in 2020, there would be too much heat from online communities. Just a "30 year old man" hanging around high schoolers, let alone young women, let alone young women that attract attention like these rich little brats do. The writing is a lot of plot convenience, not only do they not immediately end up in jail, there are neglectful parents, school faculty, and far too many people to know about the situation and believe it. With the ratio of people that accept it, she could just live openly as a "girl in a mans body". I do enjoy that the medium in this version is a pair of earrings, they make sense and keep you from thinking about it for too long. Weirdly, they do manage to shift focus by writing in weird distractions all over the place, and it surprisingly helps with transitions: Adam Sandler a a fake rastafarian (I think at one point they agreed to always play racist roles in each others movies), a weird, but positive, racial identity plot, and even a dance club sequence that felt rather unecessary. Now the point is that it's a comedy, and it should be funny, and it is, at times, but using potentially serious issues as comedy really distracts from the "I'm just having a good time" of it all, even when it's legitimately funny. It's not that it's all bad, or that I don't like it, or like I won't watch it again, eventually, but there are a lot of movies to watch, and no one is missing anything from skipping this one.

Jun 23, 2021