Popularity: 5 (history)
| Director: | Neil Jordan |
|---|---|
| Writer: | Neil Jordan, Charles Perrault, Angela Carter |
| Staring: |
| An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too? | |
| Release Date: | Sep 21, 1984 |
|---|---|
| Director: | Neil Jordan |
| Writer: | Neil Jordan, Charles Perrault, Angela Carter |
| Genres: | Fantasy, Horror |
| Keywords | grandparent grandchild relationship, dreams, wolf, fairy tale, halloween, werewolf, ireland, grandmother, dark fairy tale, dark forest, fairytale |
| Production Companies | Palace Pictures, ITC Entertainment, The Cannon Group, Film4 Productions |
| Box Office |
Revenue: $4,389,334
Budget: $2,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sarah Patterson | Rosaleen |
| Angela Lansbury | Granny |
| David Warner | Father |
| Graham Crowden | Old Priest |
| Brian Glover | Amorous Boy's Father |
| Kathryn Pogson | Young Bride |
| Stephen Rea | Young Groom |
| Tusse Silberg | Mother |
| Micha Bergese | Hunstman |
| Georgia Slowe | Alice |
| Susan Porrett | Amorous Boy's Mother |
| Shane Johnstone | Amorous Boy |
| Dawn Archibald | Witch Woman |
| Richard Morant | Wealthy Groom |
| Danielle Dax | Wolfgirl |
| Vincent McClaren | Devil Boy |
| Ruby Buchanan | Dowager |
| Jimmy Gardner | Ancient |
| Roy Evans | Eyepatch |
| Edward Marksen | Lame Fiddler |
| Jim Brown | Blind Fiddler |
| Jim Carter | Second Husband (uncredited) |
| Terence Stamp | The Devil (uncredited) |
| Name | Job |
|---|---|
| Neil Jordan | Screenplay, Director |
| George Fenton | Original Music Composer |
| Charles Perrault | Writer |
| Nick Hobbs | Stunts |
| Angela Carter | Novel, Screenplay |
| Bryan Loftus | Director of Photography |
| Anton Furst | Production Design |
| Vivien Pottersman | Production Manager |
| Paul Tivers | Second Assistant Director |
| Terry Cade | Stunts |
| Tex Fuller | Stunts |
| Mike Roberts | Camera Operator |
| Anthony Sloman | Supervising Sound Editor |
| Paul Carr | Sound Mixer |
| Pauline Heys | Makeup Artist |
| Mark Nelson | Hairdresser |
| Tony Common | Scenic Artist |
| Philip Elton | Draughtsman |
| Brian Herlihy | Focus Puller |
| John Chandler | Boom Operator |
| Frank Batt | Grip |
| Tim Arrowsmith | Assistant Editor |
| Tom Collins | Still Photographer |
| Marc Boyle | Stunt Coordinator |
| Rodney Holland | Editor |
| Elizabeth Waller | Costume Design |
| Simon Hinkly | First Assistant Director |
| Christopher Tucker | Makeup Designer, Special Effects Key Makeup Artist |
| Graeme Crowther | Stunts |
| Norma Brusa | Production Coordinator |
| David John | Sound Mixer |
| Bryan Tilling | Sound Editor |
| Paula Gillespie | Hair Supervisor |
| Stephanie Kaye | Hairdresser |
| John Birkinshaw | Wardrobe Assistant |
| Stuart Rose | Art Direction |
| Paul Frift | Third Assistant Director |
| Gareth Milne | Stunts |
| Dinny Powell | Stunts |
| Alison Thorne | Continuity |
| John Campbell | Camera Operator |
| Alan Bell | Sound Editor |
| Jane Royle | Makeup Supervisor |
| Sylvia Croft | Makeup Artist |
| Pauline Lewington | Wardrobe Master |
| John O'Connor | Storyboard Artist |
| Nigel Phelps | Draughtsman |
| Sue Knight | Clapper Loader |
| Eamonn O'Keeffe | Focus Puller |
| Neil Kingsbury | Sound Recordist |
| Mike Saxton | Assistant Sound Editor |
| Lynda Levy | Unit Publicist |
| Alan Whibley | Special Effects Supervisor |
| Geoff Kingsley | Construction Manager |
| Ray Perry Sr. | Property Master |
| Tony Cridlin | Grip |
| Ian Foster | Clapper Loader |
| Justin Krish | First Assistant Editor |
| David Saggs | Production Accountant |
| Mike Culling | Animal Coordinator |
| John Harman | Gaffer |
| Shirley Draffan | Chaperone Tutor |
| Susie Figgis | Casting |
| Bill Weston | Stunts |
| Name | Title |
|---|---|
| Stephen Woolley | Executive Producer |
| Nik Powell | Executive Producer |
| Chris Brown | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 16 | 24 | 12 |
| 2024 | 5 | 19 | 35 | 12 |
| 2024 | 6 | 17 | 33 | 10 |
| 2024 | 7 | 17 | 25 | 11 |
| 2024 | 8 | 17 | 34 | 10 |
| 2024 | 9 | 15 | 20 | 10 |
| 2024 | 10 | 19 | 30 | 8 |
| 2024 | 11 | 15 | 41 | 8 |
| 2024 | 12 | 15 | 23 | 9 |
| 2025 | 1 | 14 | 21 | 10 |
| 2025 | 2 | 11 | 15 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 5 | 7 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 993 | 993 |
This film is pretentious. Wizard of Oz meets a horror movie to discuss the s(REDACTED)xuality of a (REDACTED FOR ARBITRARY REASONS!!!!)aged girl. This is a pretentious art house movie and one that thinks that it is vastly more intelligent than it really is. It wants to retell the Little Red Ri ... ding hood story in a semi-erotic way, but never actually achieves it. But, at least it's pretty.
There's a lot of "Little Red Riding Hood" to this Neil Jordan fantasy about the young "Rosaleen" (Sarah Patterson). This woman is prone to vivid dreams set many centuries earlier, where she lives happily with her parents (and without her dull as ditchwater sister) and where she is regular regaled wi ... th portentous stories by her grandmother (Angela Lansbury). It's in one such dream, and whilst walking through the woods to visit her elderly relative that she encounters a handsome and enigmatic young man who wants to bet who will reach the old woman's house first! She is intrigued, but is she prepared for the true identity of her admirer? Though the story is a bit staccato at times, but this is still a rich and vividly constructed adaptation of a story that mixes romance, fable and a soupçon of horror cleverly and entertainingly - whilst subtly presenting an undercurrent of emerging sexuality. Sure, some of the effects are not what they might be and the stylised presentation doesn't always work, but the storytelling of "Granny" and some of her warnings about the path, the fruit and about a chap whose eyebrows meet in the middle are engagingly delivered by an on form, and ideally cast Lansbury. A solid supporting cast and a rich score from George Fenton make for quite an enjoyable and creative interpretation of a well trodden story, and I quite enjoyed watching it.