Popularity: 11 (history)
Director: | Keenen Ivory Wayans |
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Writer: | Andrew McElfresh, Xavier Cook, Michael Anthony Snowden, Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans |
Staring: |
Two FBI agent brothers, Marcus and Kevin Copeland, accidentally foil a drug bust. To avoid being fired they accept a mission escorting a pair of socialites to the Hamptons--but when the girls are disfigured in a car accident, they refuse to go. Left without options, Marcus and Kevin decide to pose as the sisters, transforming themselves from black men into rich white women. | |
Release Date: | Jun 23, 2004 |
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Director: | Keenen Ivory Wayans |
Writer: | Andrew McElfresh, Xavier Cook, Michael Anthony Snowden, Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans |
Genres: | Comedy, Crime |
Keywords | undercover, cross dressing, high society, hamptons, fbi, car accident, buddy cop, amused |
Production Companies | Columbia Pictures, Revolution Studios, Wayans Bros. Entertainment, Gone North Productions |
Box Office |
Revenue: $113,100,000
Budget: $37,000,000 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Shawn Wayans | Kevin Copeland |
Marlon Wayans | Marcus Copeland |
Frankie Faison | Elliott Gordon |
Terry Crews | Latrell Spencer |
Faune Chambers Watkins | Gina Copeland |
Rochelle Aytes | Denise Porter |
John Heard | Warren Vandergeld |
Lochlyn Munro | Agent Jake Harper |
Busy Philipps | Karen |
Jennifer Carpenter | Lisa |
Jessica Cauffiel | Tori |
Eddie Velez | Agent Vincent Gomez |
Jaime King | Heather Vandergeld |
Brittany Daniel | Megan Vandergeld |
Maitland Ward | Brittany Wilson |
Anne Dudek | Tiffany Wilson |
John Reardon | Heath |
Steven Grayhm | Russ (Party Boy) |
Drew Sidora | Shaunice |
Casey Lee | Tony |
Heather McDonald | Saleswoman |
Kevin Blatch | Aubrey |
Taras Kostyuk | Russian |
Zoltan Barabas | Drug Dealer |
Brad Loree | Dealer Henchman |
Paul Lazenby | Dealer Henchman |
David James Lewis | Josh |
Ben Nemtin | Hamptons Hotel Guy |
Suzy Joachim | Elaine Vandergeld |
Kerbie O'Neill | Hamptons Girl |
Shannon Dagg | Hamptons Girl |
Jennifer Berry | Hamptons Girl |
Patrick Baynham | Hamptons Guy |
Kristi Angus | Wheelchair Girl |
Marshall Virtue | Purse Snatcher |
John Moore | Arnold Spiezer |
Fraser Aitcheson | Stripper |
James Michalopolous | Stripper |
Ricardo Scarabelli | FBI Agent |
Liam Ranger | Boy at Beach |
Zack Nicholson | Boy at Beach |
Luciana Carro | Waitress |
Michael Gordin Shore | Waiter at Hamptons Restaurant |
Lillianne Lee | Housekeeper |
Melissa Panton | Karen's Backup Dancer |
Kathryn Schellenberg | Karen's Backup Dancer |
Heather Robertson | Vandergeld Dance Team |
Joanne Pesusich | Vandergeld Dance Team |
Jennifer Oleksiuk | Vandergeld Dance Team |
David Manske | Fashion Critic |
Evangeline Lilly | Party Guest (uncredited) |
Name | Job |
---|---|
Andrew McElfresh | Screenplay |
Xavier Cook | Screenplay |
Steven Bernstein | Director of Photography |
Stuart H. Pappé | Editor |
Jeff Gourson | Editor |
Michael Anthony Snowden | Screenplay |
Lisa Beach | Casting |
Sarah Katzman | Casting |
Paul Peters | Production Design |
Eric Norlin | Art Direction |
Dominique Fauquet-Lemaitre | Set Decoration |
Jori Woodman | Costume Design |
Gary Paller | Special Effects Coordinator |
Jim Boulden | Animatronic and Prosthetic Effects |
Thomas L. Pankiewich | Costume Supervisor |
Debbie Geaghan | Costume Supervisor |
Kevin Knight | Assistant Costume Designer |
Christine Wilson | Script Supervisor |
Linda Villalobos | Hair Department Head |
Lisa Leonard | Key Hair Stylist |
Rebecca DeHerrera | Makeup Department Head |
Connie Parker | Makeup Artist |
Lisa Brown | Music Supervisor |
Keith VanderLaan | Makeup Effects Designer |
Fran Rosati | Unit Production Manager |
Lee R. Mayes | Unit Production Manager |
Jim Brebner | First Assistant Director |
James Bitonti | Second Assistant Director |
Eddie L. Watkins | Stunt Coordinator |
Tom Costain | Additional Editing |
Chris Carpenter | Sound Re-Recording Mixer |
Michelle Lemieux | Assistant Makeup Artist |
Will Huff | Special Effects Makeup Artist |
Edward French | Special Effects Makeup Artist |
Margaret Prentice | Prosthetic Makeup Artist |
Toby Lindala | Special Effects Makeup Artist |
Céline Godeau | Special Effects Makeup Artist |
Lee Novak | Assistant Hairstylist |
Andrea Simpson | Assistant Hairstylist |
James Cordeiro | Set Designer |
Jay Mitchell | Set Designer |
Geoff Wallace | Assistant Art Director |
Elizabeth Patrick | Assistant Set Decoration |
Michael Babcock | Sound Effects Editor |
Roy Seeger | First Assistant Sound Editor |
Andrew Bock | Assistant Sound Editor |
William Mesa | Visual Effects Supervisor |
John P. Mesa | Visual Effects Supervisor |
Jeffrey White | Visual Effects Producer |
Tony Meagher | Visual Effects Producer |
Ray McIntyre Jr. | Visual Effects Supervisor |
Mark Freund | Visual Effects Supervisor |
Ladd Lanford | Visual Effects Producer |
Cosmas Paul Bolger Jr. | Visual Effects Supervisor, Visual Effects Producer |
Jason Stritch | Visual Effects Supervisor |
Greg Cannom | Makeup Effects Designer |
Keenen Ivory Wayans | Screenplay, Story, Director |
Shawn Wayans | Screenplay, Story |
Teddy Castellucci | Music |
Tina Landon | Choreographer |
J.J. Makaro | Stunt Coordinator |
Ed French | Special Effects Makeup Artist |
Marshall Virtue | Stunt Coordinator |
Todd Masters | Special Effects Makeup Artist |
Eric A. Norris | Sound Effects Editor |
Greg Strause | Visual Effects Supervisor |
Doug Chapman | Stunts |
Kylie Furneaux | Stunt Double |
Corry Glass | Stunts |
Crystal Dalman | Stunts |
Monique Ganderton | Stunts |
Andrea Kinsky | Stunts |
Krista Bell | Stunts |
Celia Bond | Stunts |
Laura Lee Connery | Stunts |
Lauro David Chartrand-DelValle | Stunts |
Clint Carleton | Stunts |
Eric Batut | Sound Mixer |
Marlon Wayans | Screenplay, Story |
Scott A. Hecker | Supervising Sound Editor |
Andy Koyama | Sound Re-Recording Mixer |
Name | Title |
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Lee R. Mayes | Producer |
Keenen Ivory Wayans | Producer |
Shawn Wayans | Producer |
Marlon Wayans | Producer |
Rick Alvarez | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 109 | 133 | 91 |
2024 | 5 | 143 | 192 | 119 |
2024 | 6 | 125 | 188 | 96 |
2024 | 7 | 149 | 258 | 90 |
2024 | 8 | 124 | 168 | 94 |
2024 | 9 | 89 | 105 | 68 |
2024 | 10 | 132 | 188 | 95 |
2024 | 11 | 141 | 231 | 92 |
2024 | 12 | 94 | 139 | 71 |
2025 | 1 | 98 | 136 | 71 |
2025 | 2 | 69 | 106 | 14 |
2025 | 3 | 39 | 96 | 3 |
2025 | 4 | 15 | 17 | 13 |
2025 | 5 | 14 | 15 | 12 |
2025 | 6 | 13 | 15 | 10 |
2025 | 7 | 14 | 16 | 12 |
2025 | 8 | 13 | 15 | 11 |
2025 | 9 | 12 | 13 | 11 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 738 | 850 |
Year | Month | High | Avg |
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2025 | 8 | 388 | 709 |
Year | Month | High | Avg |
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2025 | 7 | 246 | 668 |
Year | Month | High | Avg |
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2025 | 6 | 246 | 709 |
Year | Month | High | Avg |
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2025 | 5 | 477 | 804 |
Year | Month | High | Avg |
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2025 | 4 | 469 | 734 |
Year | Month | High | Avg |
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2025 | 3 | 376 | 660 |
Year | Month | High | Avg |
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2025 | 2 | 234 | 557 |
Year | Month | High | Avg |
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2025 | 1 | 700 | 836 |
Year | Month | High | Avg |
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2024 | 12 | 704 | 804 |
Year | Month | High | Avg |
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2024 | 11 | 629 | 854 |
Year | Month | High | Avg |
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2024 | 10 | 785 | 876 |
Year | Month | High | Avg |
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2024 | 9 | 603 | 872 |
Year | Month | High | Avg |
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2024 | 8 | 449 | 748 |
**The two shades of white!** I've heard this film a long ago, but I never interested to watch it. We can't avoid them, because when we look for a particular type of film for the occasion, they will pop-up and that is how I watched this now. I know it is a silly comedy, because in a real world thi ... s thing never happen. So knowing this is only for cinema, I prepared to enjoy whatever it offers. But I must say, even though my rating is not big, I kind of enjoyed it. Nobody watches this without knowing its synopsis. So you will already know the fifty per cent of the story when you do. The rest is how it is developed; including how good the jokes are that comes with our watch. So much cliché, but entertaining with some good scenes and lines. The actors were excellent. The make-ups were not flawless, but worked okay, especially for a comedy. Because if there is an error, it will going to appeals from the comedic side. So the overall film was better than what I presumed all these years. Glad I saw it, it's nothing like those silly comedies I've seen. I've seen many imposter themes, but this is refreshing. All the above, this is a one off film, that's the best thing about it. You know, sequels are what degrades the original film in most of the scenarios. Thanks for that, there's no follow-up for this with a B movie cast and crew. This is a very much watchable film, not comedy riot, but fairly does its job. _6/10_
Best movie ever. I mean does it get any better than this? Look I felt it was total metal. And I am a heavy metal maniac that gives everything 89/100. So there. Now there is comedy, there is suspense, there is disguise, there are trannys (or is it trannies here in Lithuania or whatever who knows?) an ... d the movie addresses race relations which is very important because people pretend they are metal and still listen to f'n tarja, you know? Bottom line: you will laugh,you will fall over, you will learn a lot and there are two hawt chicks. What else could you ask for?
"White Chicks" is a film that sparked mixed reactions due to its premise of black actors dressing up as white women, a concept that some found confusing and potentially controversial. Despite concerns about blackface and whiteface, the movie managed to navigate this sensitive territory at a time whe ... n such issues were not as heavily scrutinized, allowing it to avoid significant backlash. The film's creative humor and unique concept contributed to its enduring popularity, with audiences still enjoying and quoting it years after its release. While the portrayal of black men disguised as white women may seem unrealistic due to the obvious nature of their disguises, the movie's over-the-top and comedic approach adds to its charm and entertainment value. Ultimately, "White Chicks" is a lighthearted and cheesy comedy that aims to entertain rather than offend. Viewers are encouraged to approach the film with a sense of fun and appreciation for its playful and exaggerated take on gender and racial dynamics. By embracing the movie's humor and acknowledging its intentions, audiences can enjoy a comedic ride that offers a break from the seriousness of everyday life.