| Filmed over four years with unprecedented access, this documentary chronicles the riveting courtroom drama of two defamation lawsuits brought by Sandy Hook Elementary School shooting victims' families against Alex Jones and his website, InfoWars. | |
| Release Date: | Mar 11, 2024 | 
|---|---|
| Director: | Dan Reed | 
| Writer: | |
| Genres: | Documentary | 
| Keywords | fraud, defamation, lawsuit, trial, conspiracy theory, courtroom, school shooting, mass shooting, infowars, sandy hook | 
| Production Companies | HBO Documentary Films, Amos Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 03, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Alex E. Jones | Self | 
| Russell Dowden | Self – Radio Host, Austin TX | 
| Rob Jacobson | Self – InfoWars Video Editor (2004-2017) | 
| Josh Owens | Self – InfoWars Camera Operator (2013-2017) | 
| Christopher Jordan | Self – InfoWars Broadcast Engineer (2013-2014) | 
| Mark Barden | Self – Daniel's Father | 
| Alissa Parker | Self – Emilie's Mother | 
| Robbie Parker | Self – Emilie's Father | 
| Neil Heslin | Self – Jesse's Father | 
| Daniel Jewiss | Self – Lead Investigator, CT State Police | 
| Scarlett Lewis | Self – Jesse's Mother | 
| Nicole Hockley | Self – Dylan's Mother | 
| Lenny Pozner | Self – Noah's Father | 
| Veronique de la Rosa | Self – Noah's Mother | 
| Anderson Cooper | Self (archive footage) | 
| Wolfgang Halbig | Self – Former School Security Administrator | 
| Dan Bidondi | Self – Former InfoWars Reporter | 
| Pat Llodra | Self – First Selectman, Newtown CT | 
| Monte Frank | Self – Counsel for the Town of Newtown | 
| Kelley Watt | Self – Co-Author "Nobody Died at Sandy Hook" | 
| Donald Trump | Self (archive footage) | 
| Megyn Kelly | Self (archive footage) | 
| Mark Bankston | Self – Attorney for Neil & Scarlett | 
| Chris Mattei | Self – Attorney for Sandy Hook Parents | 
| Francine Wheeler | Self – Ben's Mother | 
| Wes Ball | Self – Attorney for Neil & Scarlett | 
| Andino Reynal | Self – Attorney for Alex Jones | 
| Owen Shroyer | Self | 
| Kyle Farrar | Self – Attorney for Neil & Scarlett | 
| Norm Pattis | Self – Defense Attorney for Alex Jones | 
| Samantha Parker | Self – Emilie's Sister | 
| Name | Job | 
|---|---|
| Dan Reed | Director | 
| Claire Walker | Head of Production | 
| Marguerite Gaudin | Additional Camera | 
| Taofeeqat Olanlokun | Additional Camera, Location Sound Recordist | 
| Milo Riley-Smith | Additional Camera | 
| Milo Iuorio | Location Sound Recordist | 
| Georgie Swinford | Location Sound Recordist | 
| George Grafton | Location Sound Recordist | 
| Kirsty Hampton | Assistant Editor | 
| Dicky Everton | Online Editor | 
| Sonny Sheridan | Colorist | 
| Matt Skilton | Sound Re-Recording Mixer | 
| Rick Blything | Dialogue Editor, Sound Effects Editor | 
| Peter Haddon | Editor | 
| Will Grayburn | Editor | 
| David Schweitzer | Original Music Composer | 
| Iris Maor | Head of Production | 
| Name | Title | 
|---|---|
| Dan Reed | Producer | 
| Lisa Heller | Executive Producer | 
| Nancy Abraham | Executive Producer | 
| Marguerite Gaudin | Producer | 
| Anna Klein | Supervising Producer | 
| Milo Riley-Smith | Associate Producer | 
| Organization | Category | Person | 
|---|
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It’s one thing to question authority and official explanations of highly public events; it’s something else entirely to portray them in a wholly falsified light, especially when done so in a ridiculing manner that causes tremendous personal pain. Such is what happened when conspiracy theorist broadc ... aster Alex Jones fanatically contended that the December 2012 mass shooting at Connecticut’s Sandy Hook Elementary School was a staged false flag event aimed at prompting the seizure of the private citizens’ firearms, essentially gutting the guarantees of the Second Amendment. Jones vociferously claimed that the event didn’t happen as reported in the mainstream media, that it was all pulled off with actors and that no one was killed. He openly mocked the public grieving of devastated parents through a relentless campaign of blatant disinformation, effectively enabling him to convince nearly a quarter of the nation’s population into believing his story. Finally, after many anguishing years (including unbridled derision, public ridicule and death threats from disbelieving fanatics and hecklers), those who lost loved ones fought back, filing defamation suits in Jones’s home state of Texas and in Connecticut, site of the tragedy. Documentarian Dan Reed’s latest feature chronicles the events of this troubling story with no-holds-barred candor, capturing the searing pain of the Sandy Hook families, Jones’s cartoonish out-of-control bluster and extensive courtroom footage of the two trials. Shot over four years, the filmmaker effectively captures the crazed ravings of a two-faced, delirious conman whose self-serving self-promotion efforts made P.T. Barnum look like a rank amateur by comparison. But what’s perhaps most unsettling here is the film’s uncompromising depiction of someone who honestly believed he could publicly say whatever he wanted through today’s powerful, far-reaching communications technology – regardless of its truthfulness – and get away with it, a truly potent cautionary tale for our times. “The Truth vs. Alex Jones” poignantly reminds us of the precious nature of freedom of speech and the need to protect it, especially where matters of responsibility are concerned. Indeed, the First Amendment may allow us to express ourselves, but it doesn’t give us license to lie.