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Princess Mononoke Poster

Princess Mononoke

The fate of the world rests on the courage of one warrior.
1997 | 134m | Japanese

(467823 votes)

TMDb IMDb

Popularity: 12 (history)

Director: Hayao Miyazaki
Writer: Hayao Miyazaki
Staring:
Details

Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.
Release Date: Jul 12, 1997
Director: Hayao Miyazaki
Writer: Hayao Miyazaki
Genres: Animation, Fantasy, Adventure
Keywords friendship, human vs nature, wolf, fight, wild boar, territory, leprosy, feral child, decapitation, rural area, historical fiction, spirit, demon, nature, environmentalism, adult animation, deforestation, anime, industrialization, fantasy, adventure
Production Companies dentsu, Tokuma Shoten, dentsu Music and Entertainment, Nippon Television Network Corporation, Studio Ghibli, Nibariki, TNDG
Box Office Revenue: $176,506,186
Budget: $23,500,000
Updates Updated: Aug 25, 2025 (Update)
Entered: Aug 14, 2024
Trailers and Extras

Full Credits

Name Character
Yoji Matsuda Ashitaka (voice)
Yuriko Ishida San / Kaya (voice)
Yuko Tanaka Eboshi Gozen (voice)
Kaoru Kobayashi Jikobo (voice)
Masahiko Nishimura Kouroku (voice)
Tsunehiko Kamijô Gonza (voice)
Akihiro Miwa Mrs. Moro (voice)
Mitsuko Mori Mrs. Hii (voice)
Hisaya Morishige Chief of Affairs (voice)
Sumi Shimamoto Toki (voice)
Tetsu Watanabe Wild Dog (voice)
Makoto Satō Tatari God (voice)
Akira Nagoya Cowherd (voice)
Kei Iinuma Chief of the Sick (voice)
Tsuzuki Kayako Kiyo (voice)
Kimihiro Reizei Cattleman (voice)
Yoshimasa Kondo Cattleman (voice)
Akira Sakamoto Cattleman (voice)
Shirou Saitou Cattleman (voice)
Daikichi Sugawara Cattleman (voice)
Takako Katou Tataraba Woman (voice)
Ikuko Yamamoto Tataraba Woman (voice)
Kiho Iinuma Emishi Girl (voice)
Name Job
Kitaro Kosaka Animation Director
Hayao Miyazaki Writer, Director
Satoshi Kuroda Art Direction
Naoya Tanaka Art Direction
Sadayuki Arai Background Designer
Tsutomu Awata Animation
Masaaki Endou Animation
Makiko Futaki Animation
Sayaka Hirahara Background Designer
Takeshi Inamura Animation
Ryoko Ina Background Designer
Megumi Kagawa Animation
Yoshinori Kanada Animation
Naomi Kasugai Background Designer
Toshio Kawaguchi Animation
Mariko Matsuo Animation
Noriko Moritomo Animation
Kyoko Naganawa Background Designer
Rie Nakagome Animation Manager
Katsutoshi Nakamura Animation Manager
Takehiro Noda Animation
Kazuyoshi Onoda Animation Manager
Masako Osada Background Designer
Hisae Saito Background Designer
Masaya Saitō Animation Manager
Hiroaki Sasaki Background Designer
Hiroshi Shimizu Animation
Masako Shinohara Animation
Atsuko Tanaka Animation
Junichi Taniguchi Animation
Keiko Tomizawa Animation
Joe Hisaishi Original Music Composer
Atsushi Okui Director of Photography
Takeshi Seyama Editor
Kazuo Oga Art Direction
Yoji Takeshige Art Direction
Katsuya Kondo Animation
Kenichi Yamada Animation
Michiyo Yasuda Color Designer
Kenichi Yoshida Animation
Eiji Yamamori Animation
Hideaki Yoshio Animation
Kiyomi Ota Background Designer
Atsuko Otani Animation
Tsutomu Asakura Sound Assistant
Masahiro Fukuhara Sound Assistant
Nobutaka Hirooka Sound Recordist
Ikuo Kuwana Key Animation
Michio Mihara Key Animation
Seiki Tamura Background Designer
Masaru Matsuse Key Animation
Sachiko Sugino Key Animation
Shinji Otsuka Key Animation
Noboru Yoshida Background Designer
Shinsaku Sasaki Key Animation
Hiroko Minowa Key Animation
Masakatsu Ishizone Second Unit First Assistant Director
Koji Aritomi Second Unit First Assistant Director
Hiroyuki Ito Assistant Director
Michihiro Itou Sound Effects
Kenichi Konishi Key Animation
Masashi Ando Animation Director, Character Designer
Hitomi Tateno Animation
Nizou Yamamoto Art Direction
Yoshifumi Kondo Animation Director, Character Designer
Name Title
Yutaka Narita Executive Producer
Seiichiro Ujiie Executive Producer
Toshio Suzuki Producer
Yasuyoshi Tokuma Executive Producer
Seiji Okuda Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 100 205 70
2024 5 70 96 50
2024 6 64 90 42
2024 7 75 116 46
2024 8 51 71 40
2024 9 49 130 37
2024 10 51 71 37
2024 11 53 73 44
2024 12 52 64 44
2025 1 57 66 42
2025 2 45 67 9
2025 3 19 60 3
2025 4 15 18 12
2025 5 13 15 11
2025 6 11 14 9
2025 7 8 10 7
2025 8 8 12 7
2025 9 13 14 12

Trending Position


Year Month High Avg
2025 9 147 251
Year Month High Avg
2025 8 88 377
Year Month High Avg
2025 7 85 403
Year Month High Avg
2025 6 65 437
Year Month High Avg
2025 5 71 334
Year Month High Avg
2025 4 58 303
Year Month High Avg
2025 3 47 421
Year Month High Avg
2025 2 247 679
Year Month High Avg
2025 1 121 552
Year Month High Avg
2024 12 184 607
Year Month High Avg
2024 11 255 637
Year Month High Avg
2024 10 466 757
Year Month High Avg
2024 9 389 698
Year Month High Avg
2024 8 311 635

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Reviews

tanty
10.0

Probably the best movie from Miyazaki. A mixture of old Japanese traditions with the story about the conflict between the industrial human being and the preservation of the Nature. ...

Jun 23, 2021
tmdb79319797
10.0

Hayao Miyazaki's arts have always something to remember us that we are naturally harmonized with mother earth and existences. There is still a bond, if one is hurt another, it means the one suffer itself as well. ...

Jun 23, 2021
Niemand
N/A

Original title: Mononoke Hime The film is set in the 14th Century during Japan’s Muromachi Period. Young Prince Ashitaka, the last royal of his line, slays a wild boar that is about to attack his village. The boar, demonised because it was consumed by rage and hatred, infects the young Prince, ... who will eventually become demonised too. He leaves the village to find a cure in the form of Shishigami, a deer-like god. On his journey he realises that the latent rage and hatred within him, when it surfaces, gives him enormous power – proven when he slices off the arms of a Samurai warrior and decapitates another one. On his journey, he sees a travelling group of people attacked by a wolf pack. He saves two of the men who, it turns out, are from Irontown, run by the Lady Ishobi. He brings the two men back to Irontown, which is peopled by women who do the foundry-work and chores, and men who provide the security and protection, although even that is not cut and dried as the women are capable of defending themselves with guns being manufactured especially for them by the lepers to whom the Lady Ishobi provides food and dignity. There is much humour when the women verbally chastise their menfolk. I found those scenes hilarious. When Ashitaka brings the men back to Irontown he is welcomed by the Lady Ishobi. He also discovers that the wolf pack was led by the wolf god Moro, and the strange girl he saw help the wolves was San, the adopted daughter of Moro. San has the ability to talk to the nature spirits, and she is therefore known as Princess Mononoke (“Spirits of things”). Ashitaka is concerned that Ishobi is destroying the forest. It turns out that the Lady Ishobi and Moro are in battle because of the damage being done to the forest. To add to this, Ishobi has also recruited Samurai to help her in her fight, but the Samurai have two motives: one is to take the head of the Forest Spirit back to the Emperor, who believes it will give him immortality. The second is to take Irontown from the Lady Ishobi. That is an abstract of the plot. Miyazaki used computer-generated graphics in this for the first time, but most of the film was generated by hand. This I think is to its benefit. The drawing is breathtaking in places, and the depiction of such supernatural events as the Forest Spirit changing into the Nightwalker and the scene of the demon-possessed boar when it emerges from the forest for the first time are spectacular. I think it’s too scary and bloody for children, but a friend assures me that this sort of film is par for the course for children in Japan. The film is over two hours long, and it does pack a lot into that two hours. I found this film very interesting and watchable. I wanted to know what happened, and the plot was certainly not predictable. I believed in the world it depicted. I think in any film you have to allow it to draw you into its world (up to a point, some films are ludicrous and expect too much, this isn’t one of them). Part of the reason for the film’s ability to keep me interested is because the characters cannot be labelled “goodies” and “baddies.” Yes, Moro and his pack are attacking helpless workers, but they are destroying the forest and he needs to protect his way of life. Yes, the Lady Ishobi is destroying the forest, but she’s making a living for herself and is helping others: she has removed the women from servitude in brothels, given them security, work, and a home; some have found husbands or companions. She has provided shelter, home and work for the lepers, normally outcasts. Neither side seems particularly vindictive; Ishobi’s attempts to rid herself of the wolf pack are for self preservation, and her coalition with the Samurai to destroy the Forest Spirit is her attempt to remove the constant threat of attack. One can argue that if she took a more conciliatory view, maybe some sort of truce could be reached, but time and again members of the wolf pack merely say “they are humans, they must be killed” – to the point that even Ashitaki, who has helped the animals – is threatened with death if he does not leave the forest. In fact, one could argue that it is the animals who show a “racist” attitude here – demanding the death of the humans because they are humans. None of the humans in the film demand the death of the animals simply because they are animals. Their deaths, and the destruction of their habitat, are an unfortunate side-effect of the humans’ industrialisation, not a deliberate act. I hope that what you see from my analysis above is that the film is not goodies v. baddies. It’s nature v. industrialisation, and the compromise to that is not an easy one, and the film reflects that. You’ll be happy to know the film does have an upbeat ending, but thankfully it’s not entirely predictable, in my opinion. I thoroughly recommend the film.

Aug 21, 2023
Geronimo1967
7.0

When a village is tormented by a wild boar, it falls to the young "Ashitaka" to sort it out. Turns out though, that it isn't an ordinary beast - and in the fight the man is afflicted with a curse that requires his journey to the great tree god to put right. His travels lead him to the unscrupulous " ... Lady Eboshi" who has developed a smelting process that enables her to make guns - giving her not only advantage against the other local clans, but also helping her on her quest to kill the gods and the wolves lead by the Princess Mononoke whom they have raised from infancy. The story is great, the colourful and detailed animation moves the fable along well and excitingly with plenty of solid characterisation and action a-plenty. As ever with Miyazaki, there is a moral to the story - and the last twenty minutes exemplify that beautifully. The English language dubbed version has a good cast injecting personality and an extra degree of emotion to the characters too. I did find the forest sprites just a bit too twee, but otherwise this is a great marriage of creativity and legend - and I really enjoyed it.

Aug 27, 2023
hamfaceman
9.0

This is my favorite movie from Miyazaki. The visuals are great. The characters are great. The voice acting (English version) is great. The animation is great. Music is great. The story is good. Everything about this movie is so cool and it's just really fun to watch. ...

Jan 05, 2024