Popularity: 1 (history)
Director: | Tanel Toom |
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Writer: | Caroline Bruckner, Tanel Toom |
Staring: |
Sam can't think of any sins to tell the priest at his first confession. He worries that he won't be a real Catholic if the priest doesn't absolve him of some misdeed. Jacob, Sam's friend, devises a solution in the form of a prank, but the result is tragic. | |
Release Date: | Jun 12, 2010 |
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Director: | Tanel Toom |
Writer: | Caroline Bruckner, Tanel Toom |
Genres: | Drama, Thriller |
Keywords | |
Production Companies | NFTS |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 03, 2025 (Update) Entered: Apr 25, 2024 |
Name | Character |
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Lewis Howlett | Sam |
Joe Eales | Jacob |
James Simmons | Priest |
Emma Atkins | Teacher |
Peter John Mossford | Farmer Collins |
Aran Bell | Sam's Father |
Helen Hull | Sam's Mother |
Becky Hull | Sam's Sister |
Corrine Millson-Crane | Woman in Car |
Sonu Louis | Man in Car |
Evelyn Millson-Crane | Child in Car |
Name | Job |
---|---|
Caroline Bruckner | Writer |
Jussi Honka | Sound Director |
Corrine Millson-Crane | Line Producer, Production Manager |
Davide Cinzi | Director of Photography |
James Morrall | Art Direction |
Lucy Friend | Makeup Artist, Hairstylist |
Marina Pichugina | Third Assistant Director |
Lucy Gahagan | Standby Art Director |
Sarah Howe | Boom Operator |
Peter Kersey | Special Effects Supervisor |
Giles Andrews | Gaffer |
Lucy Jenkins | Casting |
Tom O'Keefe | Gaffer |
Caleb Wissun-Bhide | Assistant Camera |
Ernesto Herrmann | Focus Puller |
Mauricio D'Orey | Digital Imaging Technician |
Dean Ewen-Lettman | Visual Effects |
Belgin Kaplan | Visual Effects, Digital Imaging Technician |
Juan Pablo Salazar Barney | Digital Colorist |
Paul Lambert | Music |
Marianne Kuopanportti | Editor |
Yann Seabra | Costume Design |
Howard Arundel | First Assistant Director |
Thalia Ecclestone | Art Department Assistant |
Ricky Butt | Foley Artist |
Jo Vale | Sound Recordist |
Jim Dowdall | Stunt Coordinator |
Alex Edyvean | Gaffer |
Ed Sinclair | Grip |
Tom O'Keefe | Assistant Camera |
Felix Milburn-Foster | Grip |
George Foote | Still Photographer |
Giacomo Matteucci | Visual Effects Coordinator |
Allar Kaasik | Visual Effects |
Dillan Nicholls | Visual Effects |
Andrew Scattergood | Visual Effects |
Tanel Toom | Writer, Director |
Luke Hull | Production Design |
Sez Niederer | Script Supervisor |
Giulia Scrimieri | Costume Assistant |
Christian Johannes Kask | Assistant Camera |
Name | Title |
---|---|
Emily Williams | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 3 | 10 | 1 |
2024 | 5 | 4 | 6 | 2 |
2024 | 6 | 4 | 12 | 1 |
2024 | 7 | 4 | 7 | 2 |
2024 | 8 | 2 | 4 | 1 |
2024 | 9 | 2 | 5 | 1 |
2024 | 10 | 2 | 9 | 1 |
2024 | 11 | 3 | 8 | 1 |
2024 | 12 | 1 | 2 | 1 |
2025 | 1 | 1 | 2 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 3 | 1 | 2 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 2 | 0 |
Trending Position
With their first confession looming large, two young lads - "Sam" (Lewis Howlett) and his best pal "Jacob" (Joe Eales) are quite apprehensive. They've no real need to be - it's not like they are axe-murderers or anything, but maybe that's the problem. They have done nothing, not even the slightest n ... aughty thing. Moreover, they don't want to war a frock either... A rehearsal - yep, let's use a bag of crisps as the communion wafer then what might they actually say when it comes down to it? Methinks a prank is in order - otherwise the priest will be bored! Into the farmer's field they go to make some mischief with the scarecrow and his plodding tractor - but yikes, does it all go tragically wrong. As the ramifications of their actions and behaviour dawn on them more, they must make some very tough choices - but will they do what is right? The second part of this drama is much darker, more tautly directed and more potent and it also showcases a pretty strong performance from the young Howlett as his character's conscience becomes increasingly troubled. Maybe just a little on the long side, but it's still quite a compelling short feature to watch, inviting us to take a view on the entire concept of priestly absolution...