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Cinderella

Midnight is just the beginning.
2015 | 105m | English

(201958 votes)

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Popularity: 15 (history)

Details

When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her daughters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger in the woods.
Release Date: Mar 06, 2015
Director: Kenneth Branagh
Writer: Chris Weitz, Charles Perrault
Genres: Family, Fantasy, Drama, Romance
Keywords magic, prince, fairy tale, kingdom, royalty, orphan, lost shoe, evil stepmother, based on fairy tale, retelling, live action and animation, live action remake
Production Companies Walt Disney Pictures, Genre Films, Beagle Pug Films, Allison Shearmur Productions
Box Office Revenue: $543,514,353
Budget: $95,000,000
Updates Updated: Aug 17, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Lily James Cinderella
Cate Blanchett Stepmother, Lady Tremaine
Richard Madden Prince
Stellan Skarsgård Grand Duke
Holliday Grainger Anastasia Tremaine
Sophie McShera Drizella Tremaine
Derek Jacobi King
Helena Bonham Carter Fairy Godmother
Nonso Anozie Captain
Ben Chaplin Cinderella's Father
Hayley Atwell Cinderella's Mother
Richard McCabe Baron
Rob Brydon Master Phineus
Jana Pérez Princess Chelina of Zaragosa
Alex Macqueen Royal Crier
Tom Edden Lizard Footman
Gareth Mason Goose Coachman
Paul Hunter Farmer
Eloise Webb Cinderella (10 years)
Joshua McGuire Palace Official
Matthew Steer Halberdier
Mimî M. Khayisa Slipper Lady
Laura Elsworthy Slipper Lady
Ella Smith Slipper Lady
Ann Davies Slipper Lady
Gerard Horan Lord Veneering
Katie West Cook
Daniel Tuite Gardener
Anjana Vasan Maid
Stuart Neal Stable Boy
Tomiwa Edun Trooper
Joseph Kloska Royal Crier's Assistant
Andy Apollo Prince's Retinue Member
Craig Mather Prince's Retinue Member
Jonny Owen-Last Prince's Retinue Member
Nari Blair-Mangat Prince's Retinue Member
Michael Jenn King's Doctor
Josh O'Connor Ballroom Palace Guard
Elina Alminas Princess Valentina (uncredited)
Janet Dawe Townsperson / Onion Seller (uncredited)
Robert J. Fraser Townsperson (uncredited)
Alex Gillison Townsperson (uncredited)
Rajesh Kalhan Nobleman (uncredited)
Joe Kennard Palace Guard (uncredited)
João Costa Menezes Ball Dancer (uncredited)
Gino Picciano Ball Guest (uncredited)
Julian Seager Townsperson / Tavern Drinker (uncredited)
Sarah Sharman Market Trader (uncredited)
Zizi Strallen Ball Guest (uncredited)
Tom Swacha Footman (uncredited)
Simon Adkins Ball Guest (uncredited)
Name Job
Chris Weitz Screenplay
Steve Dent Stunt Coordinator
Francesca Lo Schiavo Set Decoration
Gary Freeman Supervising Art Director
Haris Zambarloukos Director of Photography
Kenneth Branagh Director
Charles Perrault Story
Martin Walsh Editor
Dante Ferretti Production Design
Lucy Bevan Casting
Patrick Doyle Original Music Composer, Orchestrator
Chris Benstead Sound Re-Recording Mixer, Supervising Music Editor
Peter Burgis Foley Artist
Sandy Powell Costume Design
Tom Sayers Sound Editor
Peter Clarke Music Editor
Kimberly Dunbar Makeup Artist
Vanessa Davies Unit Publicist
Gerry Turner Transportation Captain
Ruth Key Casting Associate
James Shearman Orchestrator, Conductor
Alain Lalanne Visual Effects Producer
Warren J.W. Leathem Animation Supervisor
Sparky Tehnsuko Set Production Assistant
Alexander Witt Second Unit Director, Second Unit Director of Photography
Luke Redgrave Camera Operator
John Marzano Helicopter Camera
Mike Dowson Sound Re-Recording Mixer
Richard Pryke Sound Re-Recording Mixer
Patrick Ledda Visual Effects Supervisor
François Dumoulin Visual Effects Supervisor
Charley Henley Visual Effects Supervisor
Katherine Tibbetts Production Supervisor
Leslie Tomkins Supervising Art Director
Anthony Caron-Delion Art Direction
Paul Laugier Standby Art Director
Helen Xenopoulos Assistant Art Director
Heather Noble Art Department Coordinator
Alison Harvey Assistant Set Decoration
Jackie Yau Assistant Set Decoration
Georgina Millett Graphic Designer
David Davenport Costume Supervisor
Charlotte Law Assistant Costume Designer
Caroline Fallon Costume Coordinator
Naomi Donne Makeup Designer
Norma Webb Key Makeup Artist
Lucy Friend Makeup Artist
Carol Hemming Hair Designer
Orla Carrol Key Hair Stylist
Kay Georgiou Hairstylist
Wakana Yoshihara Hair Supervisor
Hamish Doyne-Ditmas Camera Operator
Roger Pearce Camera Operator
Alf Tramontin Steadicam Operator
Graham Martyr First Assistant Camera
Peter Byrne First Assistant Camera
Dean Thompson First Assistant Camera
Orin Beaton Boom Operator
Thomas Fennell Boom Operator
David Watkins Special Effects Supervisor
Stuart Wilson Sound Mixer
Matthew Tucker Associate Editor
Nick Davis First Assistant Editor
James Mather Supervising Sound Editor
Jed Loughran Sound Editor
Samir Fočo Sound Editor
Joe Morley Foley Artist
Jason Swanscott Foley Artist
Simon Trundle Foley Mixer
Vanessa Baker ADR Voice Casting
Rob Killick Dialogue Editor
David Mackie Assistant Sound Editor
Simon Chase ADR Editor
Julian White Chief Lighting Technician
Malcolm Huse Key Grip
Keith Mead Best Boy Grip
David Balfour Property Master
Richard Daldry Production Coordinator
Emma Norton Visual Effects Producer
Steve Harding Unit Production Manager
William Dodds First Assistant Director
Samar Pollitt Second Assistant Director
Celeste Talaszek Production Accountant
Ana Stichini Payroll Accountant
Rebecca Wolf First Assistant Accountant
Jonathan Olley Still Photographer
Ryan Stuart Stunts
Lawrence Carmichael Stunts
Olivia Jackson Stunts
Barney Shakespeare Crowd Assistant Director
Eve Levasseur-Marineau VFX Artist
Name Title
Allison Shearmur Producer
David Barron Producer
Tim Lewis Executive Producer
Simon Kinberg Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 101 137 77
2024 5 119 222 79
2024 6 97 120 72
2024 7 109 187 75
2024 8 114 172 87
2024 9 104 126 81
2024 10 94 170 64
2024 11 97 159 66
2024 12 87 105 71
2025 1 100 140 84
2025 2 81 114 16
2025 3 20 104 5
2025 4 16 17 14
2025 5 15 19 13
2025 6 16 20 14
2025 7 12 13 10
2025 8 12 15 10
2025 9 15 19 13
2025 10 14 16 14

Trending Position


Year Month High Avg
2025 10 565 757
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2025 9 424 766
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2025 8 289 686
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2025 7 399 724
Year Month High Avg
2025 6 231 696
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2025 5 181 656
Year Month High Avg
2025 4 220 644
Year Month High Avg
2025 3 126 583
Year Month High Avg
2025 2 399 774
Year Month High Avg
2025 1 371 699
Year Month High Avg
2024 12 360 713
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2024 11 251 717
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2024 10 533 802
Year Month High Avg
2024 9 495 815
Year Month High Avg
2024 8 511 769

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Reviews

Rangan
7.0

> Probably the best live-shot Cinderella I've seen. Disney has done it again. Everybody knows Cinderella story and what this film gave was as it is with the help of modern CGI works. When I heard about the Disney's live-shot version is getting ready, I had a serious doubt, but not anymore. Nowada ... ys, the filmmakers know how to pull it off a big budget movie with ease. Especially from Hollywood, if one market fails, it will raise in another as the recent example was 'Age of Extinction'. I am glad this movie met a great success despite it was not a surprise material as a story, but was as the quality of product. The movie runs nearly for 100 minutes, that does not feel too long as the narration had a wonderful pace. Everything was awesomely handled by the director of 'Thor'. It's a new era of the live-shot movies, which borrows the stories from the fairytales, folklore and classical animations. Recent 'Maleficent' was one of the great examples and this film as well enters the book of triumph. Lily James was very good, I haven't seen her much, because she's kind of a new actress in the spotlight. She's cute and adorable, I love to see her in many movies in the future. While Cate Blanchett, I never had any disbelief in her and she delivered it perfectly. An ideal movie for a family to watch at the weekend. I think children would love it, so at least watch it for them, with them. 7/10

May 16, 2024
Kamurai
6.0

Good watch, could watch again, and can recommend. I'm honestly concerned that this isn't a movie that anyone is going to watch again and again, but it's a solid watch, and a definite improvement over the 1950 animated classic, though I can't say this touches "Ever After" for me. The original s ... tory was somewhat lacking, but had fantastic animation for the time, along with voice acting and writing parallel with the movies of its time. I'm somewhat sad to say that is a fair difference in quality compared to modern standards. Disney very much kept this dumbed down for younger audiences, and I expect them to have more fun with scenes like "lizard footman eats a fly", but in the very least they steered away from realistic cg talking animals (a creepy factor in many of the live action remakes), though they do make a very specific nod to it at the beginning of the movie. While I do think they managed to improve on almost ever facet of the original, it certainly isn't without flaws. The casting is all over the place, which, I'm sure, affected the odd character development. Oddly, the less important characters, the men, in this case, are fine, I really have zero to say other than I rather like Nonso Anozie in anything he's in, and I did think the bit about "Kit" was a rather inspired thing. I understand that Kate Winslet has had a villainous kick the past few years, and she plays "stuck up snoot" very well, but seeing Helena Bonham Carter come in to give us "the fairy godmother who ain't got time for dat" really makes me wonder if they just weren't paying her enough to care. It would have made more sense to let Winslet elevate the fairy godmother (one of the only things that really wasn't) and let Carter goes Bellatrix Lestrange as the Wicked Stepmother. Sophie McShera did a marvelous job of making me hate her character, and Holliday Grainger kept making me see Katherine Heigl if we could keep her away from tanning beds, so they both did a marvelous job as wicked stepsisters (honestly, probably the best performances of the movie). For some reason though, they made a very strange decision to make all the wicked women gingers, though not with a very convincing dye job. I don't know if it was supposed to be representative of their tacky fashion and the ability to dye hair at the time, or if Disney really thinks gingers don't have a soul, but it was a blaring message, if illegible. What makes me think that they don't care at all is Lily James. She's lovely, she did a good job with the role as written, and I'm dying to see her in anything else to see if any of the oddities were her, or she's done just as good as Winslet with the roles they were given. Cinderella is traditionally a "fairest in the land" look, given that it's the middle of Europe, I imagine northern was exotic once upon a time, or at least certain people thought so she is traditionally very blonde and very fair. Lily James is neither (in this, despite some of the posters), so I thought they were taking a more Germanic look with a more honey colored hair....but it is also very oddly colored, and perhaps we wouldn't have notice if it wasn't for her very prominent BLACK eyebrows (which I have nothing against, I actually think they're lovely) which would have been simple enough to die to match. Alternatively they could have abandoned blonde altogether (plenty of versions do). It is just very odd to spend millions of dollars to do something purposefully (and repetitively) to make it look like they don't care and objectively make their movie worse. Overall, it's this sort of attitude that seeps into the movie at different points. It could have been a masterpiece, but instead, everyone knows it's a guaranteed paycheck on the title alone and made something that ends up being rather average despite itself.

Jun 23, 2021
r96sk
7.0

An improvement on Disney's past attempt from 1950. I do like the animated version from the studio, but this 2015 release of <em>'Cinderella'</em> makes for a more enjoyable experience in my eyes. Lily James and Richard Madden are smart choices to play Cinderella and Prince, while Cate Blanchett i ... s impressive as the Stepmother. Helena Bonham Carter (Fairy Godmother), Stellan Skarsgård (Grand Duke) and Nonso Anozie (Captain) are also noteworthy. The premise has a few changes, the ending plays out slightly differently compared to the '50 production - to positive effect. It also makes the nastiness of Blanchett's character unmistakably clear, I actually felt hatred for her - which wasn't the case, at least to the same extent, with the original. Good viewing.

Jun 23, 2021
dbgallup
N/A

The best reviewer of Cinderella (2015) might be a child, for its message of kindness and courage wrapped in the Disney classic and illuminated through the eyes and smiles of Lily James (Ella), Richard Madden ("Mr. Kit"), Haley Atwell (Ella's mother) et al. calls out the beauty and virtue of child-li ... ke simplicity. I think the great accomplishment of Lily James is her non-verbal communication of this central theme to "have courage and be kind" in the midst of the vicissitudes of life, just as Cate Blanchett's non-verbal communication of jaded bitterness masterfully supplies the melancholy contrast of devious conniving. James brings love into her little world while Blanchett's legacy is her two spoiled rotten daughters played marvelously by Holliday Granger and Sophie McShera. This remake brings a lot of humor to help get the message across-- primarily in Helen Botham Carter, the hairy Godfather, I mean, the fairy Godmother-- whose quirky kindness charms and delights. The animals too, as Ella's constant companions, add to the humor. The casting in this film utilizes the actors' talents quite well. I found myself watching this over and over again, at least parts of it, for the sheer joy of its message. In a world of negativity, there is something very real about simplicity and purity, if only in a love fantasy. A final note must be added about the music-- it contributes its share to the film's message most beautifully.

Sep 30, 2021
Geronimo1967
6.0

Lily James takes the title role in this colourful telling of the original rags to riches story. Upon the death of her father, she finds herself little better than a skivvy for her acerbic stepmother Cate Blanchett and her ghastly daughters "Drisella" (Sophie McShera) and "Anastasia" (Holiday Grainge ... r). Meantime, the handsome prince (Richard Madden) who appears to have had his breeches sprayed onto his body, is unhappy. His father (Sir Derek Jacobi) needs him to take a wife - but whom? Well, the fairy tale sets out the rest of the story and Sir Kenneth Branagh sticks faithfully enough to it. Helena Bonham Carter arrives to turn the pumpkin into a coach and... It's quite an adequate adaptation, this. The attention to detail is superb, a strong testament to the costumier's arts with a fine Patrick Doyle score (and a bit of "Bibbiddi-Bobbiddi-Boo") to accompany what is a well cast, and good looking film. There is certainly too much reliance on CGI, there's not a great deal of chemistry between Madden and James, and I could have done with a little more input from Blanchett, Sir Derek - and the entertaining Stellan Skarsgård as the "Grand Duke" but for the most part this flows along stylishly. The eagle-eyed amongst us might spot a young Josh C'Connor in an equally tight uniform, too! Is it Disney or "Slipper and the Rose" (1976)? Maybe a bit of both, but not so good as either?

Mar 28, 2022
Geronimo1967
6.0

Lily James takes the title role in this colourful telling of the original rags to riches story. Upon the death of her father, she finds herself little better than a skivvy for her acerbic stepmother Cate Blanchett and her ghastly daughters "Drisella" (Sophie McShera) and "Anastasia" (Holiday Grainge ... r). Meantime, the handsome prince (Richard Madden) who appears to have had his breeches sprayed onto his body, is unhappy. His father (Sir Derek Jacobi) needs him to take a wife - but whom? Well, the fairy tale sets out the rest of the story and Sir Kenneth Branagh sticks faithfully enough to it. Helena Bonham Carter arrives to turn the pumpkin into a coach and... It's quite an adequate adaptation, this. The attention to detail is superb, a strong testament to the costumier's arts with a fine Patrick Doyle score (and a bit of "Bibbiddi-Bobbiddi-Boo") to accompany what is a well cast, and good looking film. There is certainly too much reliance on CGI, there's not a great deal of chemistry between Madden and James, and I could have done with a little more input from Blanchett, Sir Derek - and the entertaining Stellan Skarsgård as the "Grand Duke" but for the most part this flows along stylishly. The eagle-eyed amongst us might spot a young Josh C'Connor in an equally tight uniform, too! Is it Disney or "Slipper and the Rose" (1976)? Maybe a bit of both, but not so good as either?

Apr 04, 2022
mooney240
6.0

**Beautiful and bland at the same time.** The story that's been told 1,000 times. Although this retelling boasts the most impressive costumes and stage design with an excellent cast, there is not much else to set it apart. Everything is familiar, draining some of the magic from this classic story ... .

Sep 03, 2022
SoSmooth1982
6.0

I liked the live version way better then the animation one. Well acted and was surprisingly entertaining. ...

Jun 07, 2023