Popularity: 6 (history)
| Director: | Joss Whedon |
|---|---|
| Writer: | Joss Whedon |
| Staring: |
| When the renegade crew of Serenity agrees to hide a fugitive on their ship, they find themselves in an action-packed battle between the relentless military might of a totalitarian regime who will destroy anything – or anyone – to get the girl back and the bloodthirsty creatures who roam the uncharted areas of space. But... the greatest danger of all may be on their ship. | |
| Release Date: | Sep 25, 2005 |
|---|---|
| Director: | Joss Whedon |
| Writer: | Joss Whedon |
| Genres: | Adventure, Action, Science Fiction, Thriller |
| Keywords | martial arts, telepathy, spacecraft, dystopia, fugitive, space western, planet, cannibal, space opera, operative, ex soldier, firefly, browncoat, awestruck |
| Production Companies | Universal Pictures, Barry Mendel Productions |
| Box Office |
Revenue: $38,869,464
Budget: $39,000,000 |
| Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Nathan Fillion | Malcolm 'Mal' Reynolds |
| Summer Glau | River Tam |
| Gina Torres | Zoë Alleyne Washburne |
| Alan Tudyk | Hoban 'Wash' Washburne |
| Morena Baccarin | Inara Serra |
| Adam Baldwin | Jayne Cobb |
| Jewel Staite | Kaywinnet Lee 'Kaylee' Frye |
| Sean Maher | Simon Tam |
| Ron Glass | Shepherd Derrial Book |
| Chiwetel Ejiofor | The Operative |
| David Krumholtz | Mr. Universe |
| Michael Hitchcock | Dr. Mathias |
| Sarah Paulson | Dr. Caron |
| Yan Feldman | Mingojerry 'Mingo' Rample |
| Rafael Feldman | Fantastic "Fanty" Rample |
| Nectar Rose | Lenore |
| Tamara Taylor | Teacher |
| Glenn Howerton | Lilac Young Tough |
| Hunter Ansley Wryn | Young River Tam |
| Logan O'Brien | Boy Student |
| Erik Erotas | Boy Student |
| Demetra Raven | Girl Student |
| Marley McClean | Girl Student |
| Jessica Huang | Girl Student |
| Scott Kinworthy | Ensign |
| Erik Weiner | Helmsman |
| Conor O'Brien | Lab Technician |
| Peter James Smith | Lab Technician |
| Weston Nathanson | Trade Agent |
| Carrie "CeCe" Cline | Young Female Intern |
| Chuck O'Neil | Vault Guard |
| Amy Wieczorek | Lilac Mom |
| Tristan Jarred | Lilac Son |
| Elaine Mani Lee | Fan Dancer |
| Terrence Hardy Jr. | Mining Camp Boy |
| Brian O'Hare | Alliance Pilot |
| Ryan Tasz | Black Room Soldier |
| Colin Patrick Lynch | Black Room Soldier |
| Terrell Tilford | News Anchor |
| Joshua Michael Kwiat | Slovenly Beaumonde Man |
| Antonio Rufino | Bartender (uncredited) |
| Linda Wang | Chinese Snake Dancer (uncredited) |
| Rick Williamson | Bar Guy (uncredited) |
| Neil Patrick Harris | Screaming Reaver (uncredited) |
| Matt McColm | Lab Security (uncredited) |
| Marcus Young | Bar Security (uncredited) |
| Dennis Keiffer | Bar Guy (uncredited) |
| Mark Winn | Futuristic Worker (uncredited) |
| Name | Job |
|---|---|
| Joss Whedon | Writer, Director, Author |
| Tim Rigby | Stunts |
| Sean Flanigan | Key Hair Stylist |
| Christopher Allen Nelson | Key Makeup Artist |
| Brad Einhorn | Property Master |
| Emile Edwin Smith | CG Supervisor |
| Loni Peristere | Visual Effects Supervisor |
| Lisa Lassek | Editor |
| Ruth E. Carter | Costume Design |
| Dan DeLeeuw | Visual Effects Supervisor |
| Daniel Sudick | Special Effects Coordinator |
| John Roesch | Foley |
| Ben Wilkins | Sound Effects Editor |
| Hector C. Gika | Sound Effects Editor |
| Ron Bartlett | Sound Re-Recording Mixer |
| Monica Haynes | Key Costumer |
| David Newman | Conductor, Original Music Composer |
| Harald Belker | Production Illustrator |
| Marcus Stokes | Sequence Supervisor |
| Chad Stahelski | Stunt Coordinator |
| Hank Amos | Stunts |
| Helen Wilson | Props |
| Karin Silvestri | Stunt Double |
| Chris Palermo | Stunt Driver |
| Gwendolyn Yates Whittle | Dialogue Editor |
| J.J. Perry | Stunt Double |
| Samuel Le | Stunts |
| Henry Kingi Jr. | Stunts |
| Jeff Imada | Stunts |
| John C. Meier | Stunts |
| Tim Trella | Stunts |
| Ming Qiu | Stunts |
| Casey Pieretti | Stunts |
| Michael Hugghins | Stunts |
| Clay Donahue Fontenot | Stunts |
| Heidi Moneymaker | Stunts |
| Matt McColm | Stunts |
| Darrin Prescott | Stunts |
| Chris O'Hara | Stunts |
| Eddie Perez | Stunts |
| Jonathan Eusebio | Stunts |
| Bridgett Riley | Stunt Double |
| Jaremy Aiello | Sculptor, Painter |
| Anya Colloff | Casting |
| Amy McIntyre Britt | Casting |
| Camille Calvet | Makeup Department Head |
| Barry Chusid | Production Design |
| Daniel T. Dorrance | Art Direction |
| Larry Dias | Set Decoration |
| Jim Johnson | Set Decoration |
| Scott Stoddard | Makeup Supervisor |
| Vickie Mynes | Hairstylist |
| Mary Kay Morse | Key Makeup Artist |
| Garrett Immel | Key Makeup Artist |
| Tina Hoffman | Makeup Artist |
| Karen Iverson | Makeup Artist |
| Margie Kaklamanos | Makeup Artist |
| Ron Pipes | Makeup Artist |
| Carla S. Nemec | Art Department Coordinator |
| Lisa D. DiSanto | Art Department Coordinator |
| Gerald Sullivan | Assistant Art Director |
| Robert A. Blackburn | Construction Coordinator |
| Mary E. Manning | 3D Artist |
| Fumi Mashimo | Animation Supervisor |
| Karl Herbst | Digital Effects Supervisor |
| Bud Myrick | Digital Effects Supervisor |
| Rpin Suwannath | Pre-Visualization Supervisor |
| Patrick D. Hurd | Visual Effects Coordinator |
| James Turek | Visual Effects Coordinator |
| Susie Brubaker | Visual Effects Coordinator |
| Collin Fowler | Visual Effects Coordinator |
| Stephanie Pollard | Visual Effects Coordinator |
| Chris Anderson | Visual Effects Coordinator |
| Thomas Elder-Groebe | Visual Effects Coordinator |
| Eric Withee | Visual Effects Coordinator |
| Steve Pimental | Visual Effects Coordinator |
| Josh Margolies | Visual Effects Editor |
| Juliette Yager | Visual Effects Producer |
| Gary Nolin | Visual Effects Producer |
| Catherine Sudolcan | Visual Effects Producer |
| Lisa Goldberg | Visual Effects Producer |
| Les Hunter | Visual Effects Producer |
| Richard Malzahn | Visual Effects Supervisor |
| Randy Goux | Visual Effects Supervisor |
| John K. Stirber | Special Effects Supervisor |
| David B. Nowell | Aerial Director of Photography |
| George Lozano Jr. | Best Boy Electric |
| Andrew Shulkind | Camera Operator |
| Ryan Green | Camera Operator |
| Raymond Stella | Second Unit Director of Photography |
| Mark Emery Moore | Steadicam Operator |
| Gary Tandrow | Chief Lighting Technician |
| Sean Devine | Dolly Grip |
| Brad Boyer | Dolly Grip |
| John Davies | Electrician |
| Chris Pavlu | Electrician |
| Jason Young | Electrician |
| Peter N. Green | First Assistant Camera |
| Tony Olivieri | First Assistant Camera |
| Jerry C. Deats | Key Grip |
| Greg Karamov | Key Grip |
| Rex Anson Rhorer | Rigging Grip |
| Justin Van Fleet | Rigging Grip |
| Minh Bahnsen | Rigging Grip |
| Sidney Ray Baldwin | Still Photographer |
| Paul Murphey | Video Assist Operator |
| Jain Sekuler | Script Supervisor |
| Thomas Terry | Pilot |
| Stephanie Flack | ADR Editor |
| Gail Carroll-Coe | Boom Operator |
| Timothy P. Salmon | Boom Operator |
| Lou Kleinman | Dialogue Editor |
| Michael Magill | Dialogue Editor |
| John Cannon | First Assistant Sound Editor |
| Craig S. Jaeger | Foley Editor |
| David A. Whittaker | Sound Effects Editor |
| Karen Vassar Triest | Sound Effects Editor |
| Eric Flickinger | Sound Recordist |
| Mark Smith | Sound Re-Recording Mixer |
| Tom Bellfort | Supervising Sound Editor |
| Geoffrey G. Rubay | Supervising Sound Editor |
| Ryck Schmidt | Ager/Dyer |
| Jordanna Fineberg | Assistant Costume Designer |
| Dana Kay Hart | Costume Supervisor |
| Daniel Dirks | Key Costumer |
| Sari Knight | Casting Associate |
| John Nicolard | Digital Intermediate |
| Bill Schultz | Digital Intermediate |
| Walter Volpatto | Digital Intermediate |
| Catherine Chase | First Assistant Editor |
| Mo Henry | Negative Cutter |
| Aidan Stanford | Color Timer |
| Dan Muscarella | Color Timer |
| Lauren Ross | Location Manager |
| Scott Wesley Ross | Assistant Editor |
| Virginia Landis Albertson | Post Production Supervisor |
| David V. Lester | Unit Production Manager |
| Rich Sickler | First Assistant Director |
| Pedro Barquin | Greensman |
| P. Scott Bailey | Leadman |
| Shawn Albro | Painter |
| Mark Bialuski | Propmaker |
| Kelly Berry | Set Decoration Buyer |
| Mick Cukurs | Set Designer |
| Courtney J. Andersen | Set Dressing Artist |
| Chuck Eskridge | Standby Painter |
| Andrew Bock | Assistant Sound Editor |
| Art Rochester | Sound Mixer |
| Ron Petruccione | Special Effects |
| Scott Burrows | Compositor |
| Justin Ball | Systems Administrators & Support |
| L. Patrick McCormack | Visual Effects |
| Jesse Jaraczewski | Best Boy Electric |
| Steven A. Guerrero | Grip |
| James M. Cox | Rigging Gaffer |
| James Dornoff | Editorial Production Assistant |
| Jeff Carson | Music Editor |
| Norman Ludwin | Musician |
| Gregory Jamrok | Orchestrator |
| Jack Carpenter | Driver |
| Eric Compton | Transportation Captain |
| Donald R. Casella | Transportation Coordinator |
| Mary King | Craft Service |
| Sophia Lansky | Dialect Coach |
| Louis Farah | Set Medic |
| James Maull | Post Production Accountant |
| Mary Sunshine | Production Accountant |
| Christina Rollo | Production Coordinator |
| Sage Asteak | Set Production Assistant |
| Elizabeth Cameron | Stand In |
| Rob Harris | Unit Publicist |
| Pilar Harlow | Contact Lens Technician |
| Robert Miller | Costume Illustrator |
| Steve Constancio | Costumer |
| Maria Battle Campbell | Second Second Assistant Director |
| Shaun O'Dell | Second Unit Director |
| Matt Codd | Concept Artist |
| Jarik Van Sluijs | Creative Director |
| Trey Shaffer | Graphic Designer |
| Chad Koch | Set Decorating Coordinator |
| Joey Genitempo | Set Painter |
| Julia Gombert | Textile Artist |
| Gary Hebert | Title Designer |
| Eric Gotthelf | ADR Mixer |
| Rick Canelli | ADR Recordist |
| Alyson Dee Moore | Foley Artist |
| Mary Jo Lang | Foley Mixer |
| Scott Morgan | Foley Recordist |
| Christopher Flick | Foley Supervisor |
| Roy Augenstein | Special Effects Technician |
| Jacqueline Cooper | VFX Artist |
| Mark Colicci | Assistant Camera |
| Jeffrey A. Johnson | Best Boy Grip |
| Lynda Wu | Camera Loader |
| Heather Green | Second Assistant Camera |
| Carrie Levin | Casting Assistant |
| Patrick J. Barry | Assistant Editor |
| Greg Curry | Colorist |
| Anthony Harris | Digital Color Timer |
| John Daro | Digital Intermediate Editor |
| Amanda Crockett | Art Department Production Assistant |
| Mark Asaro | Assistant Production Coordinator |
| Patti Gannon | Compositing Supervisor |
| Achint Bansal | Digital Compositor |
| Richard Patterson | Digital Supervisor |
| Sasha Adkinson | Extras Casting |
| Judy Cook | Extras Casting Assistant |
| Jill Rosenblatt | First Assistant Accountant |
| Melissa Huerta | Intern |
| Mollie Stallman | Key Production Assistant |
| Robert Dudley | Key Rigging Grip |
| Blake Perkinson | Key Set Production Assistant |
| Michael Lloyd | Matte Painter |
| David Hickey | Payroll Accountant |
| Adam Balentine | Production Assistant |
| Julia M. Sauder | Production Secretary |
| Jennifer Clark | Second Assistant Accountant |
| Sonja Munsterman | Stunts |
| Scott Cosgrove | Stunts |
| Steve Upton | Stunts |
| Tyler Vogt | Stunts |
| David Hugghins | Stunts |
| Yuri Hinson | Stunts |
| Ray Harvie | Storyboard Artist |
| Adam 'Mojo' Lebowitz | Visual Effects |
| David R. Morton | Matte Painter |
| David Williams | Dialogue Editor |
| Tommy J. Huff | Stunts |
| Regina McKee Redwing | Utility Stunts |
| James Kroning | Assistant Property Master |
| David Leitch | Stunts |
| Debbie Lynn Ross | Stunts |
| Jon Valera | Stunts |
| Jack N. Green | Director of Photography |
| Kevin Kavanaugh | Assistant Art Director |
| Kerry Carmean-Williams | Sound Effects Editor |
| Dennis Keiffer | Stunts |
| Jennifer Bell | Hair Department Head |
| John Peter Bernardo | Visual Effects Editor |
| Tracey Wilson | Storyboard Artist |
| Name | Title |
|---|---|
| Barry Mendel | Producer |
| Christopher Buchanan | Executive Producer |
| David V. Lester | Executive Producer |
| Alisa Tager | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 171 | 421 | 91 |
| 2024 | 5 | 387 | 522 | 343 |
| 2024 | 6 | 293 | 465 | 130 |
| 2024 | 7 | 101 | 197 | 31 |
| 2024 | 8 | 34 | 67 | 21 |
| 2024 | 9 | 30 | 43 | 20 |
| 2024 | 10 | 28 | 44 | 15 |
| 2024 | 11 | 32 | 57 | 23 |
| 2024 | 12 | 25 | 52 | 19 |
| 2025 | 1 | 28 | 66 | 19 |
| 2025 | 2 | 21 | 36 | 4 |
| 2025 | 3 | 9 | 25 | 1 |
| 2025 | 4 | 3 | 5 | 2 |
| 2025 | 5 | 4 | 6 | 3 |
| 2025 | 6 | 5 | 6 | 3 |
| 2025 | 7 | 4 | 6 | 3 |
| 2025 | 8 | 4 | 7 | 3 |
| 2025 | 9 | 7 | 9 | 6 |
| 2025 | 10 | 6 | 7 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 323 | 756 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 254 | 737 |
| Year | Month | High | Avg |
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| 2025 | 8 | 281 | 731 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 270 | 690 |
| Year | Month | High | Avg |
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| 2025 | 6 | 344 | 713 |
| Year | Month | High | Avg |
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| 2025 | 5 | 385 | 800 |
| Year | Month | High | Avg |
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| 2025 | 4 | 491 | 794 |
| Year | Month | High | Avg |
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| 2025 | 3 | 373 | 779 |
| Year | Month | High | Avg |
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| 2025 | 2 | 399 | 725 |
| Year | Month | High | Avg |
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| 2025 | 1 | 185 | 749 |
| Year | Month | High | Avg |
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| 2024 | 12 | 238 | 735 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 510 | 883 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 845 | 902 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 754 | 902 |
A nice wrap-up to Firefly, unfortunately far too condensed. In may ways it felt like they took the major events that would have spanned the next 2 or 3 seasons and crammed it all into a 2 hour movie. Nonetheless, it provides a decent sense of closure to the series. ...
This was an extremely poor movie. The weakest character during the TV series, River Tam, confusingly became the story focus in this movie. Despite never exercising and having a small frame, River fought and K.O.ed a room full of bar patrons. The crew, mysteriously, were devoted to going to the ... planet River wanted to visit to help her discover her past despite showing various degrees of hostility toward her during the series ranging from open contempt to advocating her murder. The main villains do not make sense. They are, supposedly, so wild that they regularly sack planets and cannibalize its inhabitants, but can still work together well enough to fly space ships. The entire population of these wild people came from the planet River wants to visit and from a single research facility. I'd guess about 1,000 research and support personnel were initially infected. They have no way of infecting further individuals, the facility was shut down, and yet their current population is many times the original amount. How? The plot does not make sense. It is not engaging. None of the characters are interesting. The characters die without emotional impact. Pass on this movie. Like the TV series, this is a waste of time.
This is the captain. We have a little problem with our entry sequence, so we may experience some slight turbulence and then - explode. Serenity is written and directed by Josh Whedon. It stars Nathan Fillion, Gina Torres, Alan Tudyk, Morena Baccarin, Adam Baldwin, Jewel Staite, Sean Maher, Summer ... Glau, Ron Glass and Chiwetel Ejiofor. Music is by David Newman and cinematography by Jack N. Green. When the captain Mal Reynolds (Fillion) of the space craft Serenity takes on board Dr. Simon Tam (Maher) and his troubled sister River (Glau), it thrusts the entire crew into a world of conspiracy and galactic despots. Coming at it as a complete novice as regards "Firefly", the short lived TV show that Serenity is spawned from, I personally have no frame of reference to work from. What I found was a hugely enjoyable sci-fi Western hybrid that deserved a better box office than it got. The cast are all comfortable with each other and very watchable, which isn't surprising since Whedon has transported them all over from "Firefly", good move that, while the action quota is high and the black comedy rich. Where the itches start to appear for newcomers like myself, is that it does feel like an extended TV episode. With a twisty plot that sees Whedon cram much into the 2 hour running time, it demands the utmost attention. Which is fair enough to a degree, but many go (or more pertinently would have gone) into "Serenity" for a sci-fi action adventure, not for a tickle of the cranium. If this contributed to the poor show at the box office? I'm not sure. But you have to think this really was only made for the die-hard fans of the show. Galling really, because the last third is a ripper of a blockbuster. The action sequences are expertly crafted, the story explodes still further and the principal characters really let loose, particularly the excellent Fillion. Biggest plus of all, the finale doesn't cop out by insulting those who have stayed the course chartered by the good ship Serenity and its crew. It's smart genre film making, a very enjoyable film without doubt, but really it's not got mainstream appeal. Which might suit those die-hards in a selfish kind of why, but that also means we are unlikely to get a sequel. And that's a shame because a newbie like me could easily stand some more of this whizz bangery. 7/10
At the start, I thought this was a sort of hybrid between "Quantum Leap" and "Guardians of the Galaxy" and that it was just going to be derivate nonsense. It's actually quite a bit better than that as we discover the malevolent "Operative" (Chiwitel Ejiofor) is on the trail of a priceless asset. It' ... s not a jewel or a gadget, it's "River" (Summer Glau) and as he closes in on their ship "Serentity", things are starting to get hot for it's captain "Mal" (Nathan Fillion) and the others in this disparate crew. There's plenty of dissent amongst this bunch, not least because nobody actually knows why this unassuming woman is so valuable to their determined pursuer - but can they keep together and focussed long enough to evade capture and maybe even find out? None of the acting here is really worth mentioning, but the dialogue is quite entertaining, the visual effects deliver well and there's loads of high-octane cosmic adventure with choreographed fisticuffs, zapping lasers and an excitingly created denouement that the CGI lads can be proud of. I didn't see any of "Firefly" (2002) on which this is based, but as a stand-alone sci-fi adventure it still works well.