Popularity: 3 (history)
Director: | Lance Mungia |
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Writer: | Jeff Most, Sean Hood, Norman Partridge, Lance Mungia |
Staring: |
After ex-con Jimmy and his girlfriend are brutally murdered by a biker gang, he is resurrected by the power of The Crow to avenge their deaths and reunite with her in the afterlife. | |
Release Date: | May 04, 2005 |
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Director: | Lance Mungia |
Writer: | Jeff Most, Sean Hood, Norman Partridge, Lance Mungia |
Genres: | Fantasy, Action, Horror |
Keywords | martial arts, black magic, crow, supernatural, vigilante, sequel, superhero, based on comic, revenge, tragic hero, redemption, back from the dead, sadist, gothic, urban setting, eye gouging, scorpion, satanic cult, righteous rage, neo-noir, urban gothic, supernatural power, vigilante justice, good versus evil |
Production Companies | Jeff Most Productions, Pressman Film, Dimension Films, Fubu Films, Image Comics |
Box Office |
Revenue: $0
Budget: $8,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Edward Furlong | Jimmy Cuervo / The Crow |
Tara Reid | Lola Byrne |
David Boreanaz | Luc Crash / Death / Satan |
Emmanuelle Chriqui | Lilly |
Dennis Hopper | El Niño |
Marcus Chong | War |
Tito Ortiz | Famine |
Yuji Okumoto | Pestilence |
Dave Baez | Tanner |
Rena Owen | Mary |
Danny Trejo | Harold |
Macy Gray | Cara Mia |
Rosemberg Salgado | The Priest |
Ryan Smith | Native Teen |
Daymond John | Proud Foot Joe |
Richard Cumba | Moses |
Kristina Santoro | Pregnant Bride |
Kelsey Daniels | Waitress #1 |
Ashley Christensen | Waitress #2 |
David Lea | Bartender |
Jorge Jimenez | Cortez |
Gill Medina | Tribal Council #1 |
Marty Fresca | Tribal Council #2 |
Vanessa Sorensen | Cat Girl #1 |
Liz Katz | Cat Girl #2 |
Candace Rea | Cat Girl #3 |
Erin Balentine | Cat Girl #4 |
Name | Job |
---|---|
Jeff Most | Second Unit Director, Screenplay, Music Supervisor |
Dean Holland | Editor |
Russell M. Jaeger | Art Direction |
Effney Gardea | Set Decoration |
Jamie Christopherson | Original Music Composer |
Cathy Sandrich Gelfond | Casting |
Kurt Brabbee | Director of Photography |
Sean Hood | Screenplay |
Norman Partridge | Novel |
James O'Barr | Comic Book |
Steven Avila | Sound Designer |
Amanda Mackey | Casting |
Sig De Miguel | Casting |
Fred Andrews | Production Designer |
Rey Vincente | First Assistant Director |
Bruce Bare | Second Second Assistant Director |
John Goodwill | Production Coordinator |
Ivy Lukas | Assistant Production Coordinator |
Suzzane Bingham | Script Supervisor |
Whit Norris | Production Sound Mixer |
Amy Fegely | Key Set Costumer |
Kresta Lins | Assistant Costume Designer |
Jodi Greorge | Seamstress |
Karrieann Heisner Sillay | Key Makeup Artist |
John M. Valerio | Additional Editing |
Ryan Growney | Post Production Assistant |
Gary Paul | Second Unit Director, Stunt Coordinator |
Matthew L. Henderson | Second Unit First Assistant Director |
Trip Brock | Supervising Sound Editor |
Jackie Rodman | Dialogue Editor, ADR Editor |
Geordy Sincavage | Foley Mixer, Sound Effects Editor |
Ronald J. Webb | Music Editor |
Wendy Weidman | Casting |
Mandi Line | Costume Designer |
Cassidy Lunnen | Production Manager |
Horst Steiner | Second Assistant Director |
Douglas Salkin | Post Production Supervisor |
Terry Gaertner | Production Coordinator |
Giuliano Fiumani | Special Effects Supervisor |
Jonathan Hallett | Storyboard Artist |
Amy Jean Roberts | Costume Supervisor |
Nikki Van Pelt | Assistant Costume Designer |
Rebecca Hunt | Wardrobe Assistant |
Liz Fairbairn | Seamstress |
Erin Lyons | Key Hair Stylist |
Alex Blatt | Assistant Editor |
David Bridges | Second Unit Director of Photography |
Jennifer Mullins | Script Supervisor |
Michael J. Fox | ADR Mixer, ADR Supervisor |
Kurt Thum | Sound Effects Editor |
Peter D. Lago | Sound Effects Editor, Foley Editor |
Shantell Guy | Wardrobe Assistant |
Lance Mungia | Director, Screenplay |
James Gregory | Stunts |
Name | Title |
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Jon Katz | Executive Producer |
John Saviano | Co-Producer |
Beau J. Genot | Associate Producer |
Gregory G. Woertz | Executive Producer |
Jeff Most | Producer |
Stephen Belafonte | Co-Producer |
Blanca Camacho | Associate Producer |
Daymond John | Executive Producer |
L.M. Kit Carson | Co-Producer |
Edward R. Pressman | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 19 | 28 | 12 |
2024 | 5 | 19 | 25 | 14 |
2024 | 6 | 16 | 29 | 12 |
2024 | 7 | 22 | 35 | 11 |
2024 | 8 | 23 | 41 | 15 |
2024 | 9 | 40 | 57 | 26 |
2024 | 10 | 22 | 29 | 16 |
2024 | 11 | 20 | 36 | 13 |
2024 | 12 | 18 | 37 | 13 |
2025 | 1 | 17 | 23 | 13 |
2025 | 2 | 14 | 23 | 3 |
2025 | 3 | 6 | 16 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 3 | 4 | 3 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Sooner rather than later every franchise ends up, by design or accident, a parody of itself; The Crow: Wicked Prayer never stood a chance of avoiding this fate, but then what movie starring Eddie Furlong, David Boreanaz, Tara Reid, and Danny Trejo would? On the other hand, we have Dennis Hopper as a ... pimp named El Nino who says things like "You stole daddy's car keys, but you can't handle the horsepower," so it's not a total loss. We know that the Crow, like the Dude, must face a gang of nihilists; in this case a multi-ethnic gang whose members each identify with one of the Four Horsemen: Luc 'Death' Crash, War (Marcus Chong), Famine (Tito Ortiz), and Pestilence (Yuji Okumoto). None of them really do anything thematically tied to their noms de guerre, so I guess they just thought they sounded cool. By the way, in a group of characters with thematic names, sometimes one just doesn't fit the pattern (a trope known as Aerith and Bob); in this case that would be Lola (Reid), Luc's girlfriend. Luc is the "leader of a satanic cult" whose "motive" is that his "father [was] killed by an Indian." This doesn't make much sense until we discover that Moses (Richard Cumba), the "Indian" who murdered Luc's father, is a priest of some religious denomination — Catholic in appearance but that allows its priests to marry and have children, and to which also belongs father Harold (Trejo), whose daughter Lilly (Emmanuelle Chriqui) is the girlfriend of Jimmy Cuervo (Furlong), who is on parole after serving a prison sentence for killing a rapist, who happened to be Moses’s son. It’s a small world, indeed. War, Famine, Pestilence, and Lola help Luc escape from prison, and the five proceed to ritualistically murder Jimmy and Lilly; the rest, as they say, is history: Jimmy returns from the afterlife to exact revenge on his killers one by one, reserving for them such cruel and unusual punishments as death-by-bug zapper. Oddly enough, no one besides Jimmy seems interested in pursuing the escaped convict whose gang leaves a trail of blood wherever they go. Then again, this is a movie that uses the word “Aztec” to refer to a Native American tribe. All things considered, I’m tempted to believe that TC: WP's self-parody is intentional; for example, Luc offering his henchmen a banquet consisting of deviled ham, deviled eggs, and devil's cake “al flambeau”. I'm not saying it is to The Crow what Army of Darkness is to The Evil Dead but, incoherent or not, it's the only one apart from the original that’s even close to watchable.
So ridiculous that it's kinda watchable. <em>'The Crow: Wicked Prayer'</em> is not a good movie. However, it commits so hard to what it wants to do that I was kinda locked on to just see where it would go next. It particularly goes off the rails towards the conclusion, especially with David Borea ... naz's Luc. There are many, many issues with this 2005 release, but I honestly didn't hate viewing it. I think what helps (relatively speaking) is that there are quite a few familiar faces on the cast, which definitely keeps you watching - or it does for me, at least. You have the aforementioned Boreanaz, as well as Tara Reid, Danny Trejo and Dennis Hopper. Emmanuelle Chriqui is in there too. The main face that I didn't know of was actually Edward Furlong, who plays the titular character. Furlong's performance isn't, like the film in general, anything worth praising. Again though, he proper goes for it so his onscreen presence never annoyed me. Nothing about this really irritated me to be honest, it's just plainly obvious from pretty much the get-go that the flick isn't anything all that good so I guess my expectations were low. I'd rather rewatch this than <em>'The Crow: City of Angels'</em>, so that's something. Eager to now see how this year's reboot does things.